about Sean Erwin

Sean Erwin is a writer, critic and philosophy professor at Barry University in Miami Shores, Florida. He presents and publishes on topics in Italian and French philosophy, political philosophy, technology, and performance studies. Erwin currently serves as the Senior Editor of the Humanities and Technology Review. Erwin covers classical music and various forms of dance for ArtBurst.

More By This Author

Thomas Armour Youth Ballet, New World School of Arts astonish wit...

The skill of the dancers consistently surprised during the Dec. 4-7 performances at the Miami-Dade County Auditorium.

Kaleidoscope MusArt to feature ‘The Persistence of Memory&#...

The Dec. 5 performance in Coral Gables will headline the works of Bach, Mozart and Schubert.

After 30 years, Miami City Ballet returns to The Colony

The hourlong program of works includes Justin Peck’s “Rodeo: Four Dance Episodes,” Christopher Wheeldon’s “This Bitter Earth,” and Twyla Tharp’s “Nine Sinatra Songs.”

Review: Dimensions Dance had audience on its feet with ‘Bal...

Two company premieres and a world premiere headlined a program of works at the South Miami-Dade Cultural Arts Center.

Dimensions Dance Theatre focuses on beautiful bodies in motion in...

The performance, including a pre-show conversation, will take place at the South Miami-Dade Cultural Arts Center.

Review: Brigid Baker’s ‘Remain in Light’ shows ...

The dance company performed from Oct. 31 through Nov. 3 at Miami-Dade County Auditorium’s On.Stage Black Box Theatre.

Brigid Baker dance company brings its gifts to On.Stage Black Box...

The company’s newest work, 'Remain in Light,' will be presented through Nov. 3.

Miami City Ballet Opens its Season with “Slaughter”

Miami City Ballet’s 2019-2020 season-opener “Slaughter on Tenth Avenue,” debuted October 18-20 at the Adrienne Arsht Center in Miami.

New World Symphony’s Viola Visions Festival Spotlights a Neglecte...

The program featured viola-centric works spanning three hundred years in an evening that leapt from one surprise to the next.

Diavolo’s Miami Debut Both a Miss and a Hit at the Arsht

The audience ended the evening on their feet and, of the two works certainly “Trajectoire” merited their appreciation.

Browse content by Author