about Orlando Taquechel
Orlando Taquechel has been a dance writer and dance researcher for over 35 years with articles published in Cuba, Mexico and the United States. He is also a professor, choreographer, and artistic director. Orlando graduated with a degree in Architecture, a Bachelors in Theater and Drama, and with a Masters. He is the recipient of the Medal to the Merit of Dance CIAD in July 2009 and the “Criticism and Culture of Ballet” Life Achievement Award at the XIX International Ballet Festival of Miami in September 2014. He’s the author of “Metodología para la Crítica de Ballet,” “Definición de la Escuela Cubana de Ballet” and “La danza en Miami (1998-2017): las reseñas cuentan su historia.” He is the Spanish-language Editor as well as the dance critic for ArtBurst.More By This Author
Este año, la danza alcanzará la categoría de coprotagonista del evento.
Brianna Campbell ha concebido “The Teller Returns” tal y como lo haría un director de cine.
Las “Danzas polovtsianas” de Vladimir Issaev son un logro monumental, con mucho que admirar y disfrutar.
La temporada 2025-2026 de MCB también deja su huella en la historia por su arrollador exhibicionismo promocional.
Ballet Flamenco La Rosa revives its flamenco ballet "Miss Julie," inspired by Strindberg's classic play, and first presented in 2014.
La adaptación al flamenco más exitosa de Ilisa Rosal.
Un cierre de temporada espectacular, con la participación de un elenco que incluye figuras invitadas favoritas del público de Miami.
“Desamor: la danza del último Moho braccatus” es una coreografía de Hannah Baumgarten y “Huellas” es una creación de Diego Salterini.
Una Gala de Primavera, curada con esmero, para el cierre de la temporada 2025-2026 de Arts Ballet Theatre of Florida.
“Joyas” de George Balanchine y “Carmen” de Annabelle López-Ochoa se presentaron en días alternos.
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