about Sean Erwin

Sean Erwin is a writer, critic and philosophy professor at Barry University in Miami Shores, Florida. He presents and publishes on topics in Italian and French philosophy, political philosophy, technology, and performance studies. Erwin currently serves as the Senior Editor of the Humanities and Technology Review. Erwin covers classical music and various forms of dance for ArtBurst.

More By This Author

MCB’s Open Barre: A Better Way to Teach Art

If Art History classes in universities were conducted like Miami City Ballet’s Open Barre series, 500-person lecture halls would fill

Part II Interview with MCB’s Kronenberg: Media and the Dancer’s B...

The wide windows bathed the dancer’s lounge in bright sunshine as Arthur, a 13-year-old blonde, blue-eyed boy played hide and

Part I: Conversation with MCB’s Jennifer Kronenberg

 Many know Jennifer Kronenberg as one of the star dancers of Miami City Ballet, which is closing out its season

Dancing Through Jewish Exodus and Survival

It’s not really news that modern dance companies have experienced extraordinary pressures since the 1970s, with seasoned companies closing their

Miami Open Stage: A Happy ‘Tabula Rasa’ of Dance

Miami has a strange way of creating those what-did-I just-see unexpected moments. Like the first time I first drove into

Performance of Living Traditions Essence of Miami Open Stage

Organizers Hannah Baumgartner and Diego Salterini — co-founders of Dance Now! Miami —  created Miami Open Stage for talented Miami

Ryan McNamara’s Internet Ballet: An Essay

Long before Internet porn disrupted his business model, Hugh Hefner held court in the Miami Grand Theater, the centerpiece of

Ryan McNamara Reenacts an Internet Ballet For Art Basel

Click.click.click.click.click — and bright screens flood by with Internet news feeds, utopic shopping, and afternoons at work killing time Google

Tango Lovers and All Shades of Tango

Bright red rouge, prowling hungry looks, split crotch red dresses, enough fish net stocking to outfit a trawler. No, not

Siudy: Love in the Time of a Flamenco Apocalypse

Romeo and Juliet struggle through a Mad Max world to the sensuality, discipline and stirring rhythms of flamenco as warring