about Sean Erwin

Sean Erwin is a writer, critic and philosophy professor at Barry University in Miami Shores, Florida. He presents and publishes on topics in Italian and French philosophy, political philosophy, technology, and performance studies. Erwin currently serves as the Senior Editor of the Humanities and Technology Review. Erwin covers classical music and various forms of dance for ArtBurst.

More By This Author

Edge Zones Offers Alternative to Basel

Has life ever felt like being trapped inside an iron maiden, spikes in every direction making relaxing out of the

Rebecca King Interview Part III: Ballet and Social Media

The following concludes a three-part interview Artburst conducted with Miami City Ballet dancer Rebecca King, on social media’s effects on

Rebecca King Interview Part II: Ballet and Social Media

  The following is the second excerpt of a three-part interview Artburst conducted with Miami City Ballet dancer Rebecca King,

MCB’S Rebecca King Interview Part I: Ballet and Social Media

  We all feel it — that compulsive inner imperative to respond to multiple streams of instant messages, 5+ email

Part III Interview With MCB’s Jennifer Kronenberg: Women and Ball...

  This forms the third installment of an interview with Miami City Ballet’s, Jennifer Kronenberg, discussing the new edition of

‘Tango Undressed’ Unleashed from Tango Cliches

  Beneath the wrought iron roses on the arch of the Colony Theater’s stage, two rows of dancers lay is

MCB’s Open Barre: A Better Way to Teach Art

If Art History classes in universities were conducted like Miami City Ballet’s Open Barre series, 500-person lecture halls would fill

Part II Interview with MCB’s Kronenberg: Media and the Dancer’s B...

The wide windows bathed the dancer’s lounge in bright sunshine as Arthur, a 13-year-old blonde, blue-eyed boy played hide and

Part I: Conversation with MCB’s Jennifer Kronenberg

 Many know Jennifer Kronenberg as one of the star dancers of Miami City Ballet, which is closing out its season

Dancing Through Jewish Exodus and Survival

It’s not really news that modern dance companies have experienced extraordinary pressures since the 1970s, with seasoned companies closing their