about Jose Antonio Evora
Jose Antonio Evora worked for a decade at El Nuevo Herald, mostly as a staff writer and critic for the Arts and Entertainment section. Later he was a producer for “A Fondo con Pedro Sevcec” TV program (Channel 41/America CV Network); “Prohibido Callarse” with Roberto Rodríguez Tejera and Helen Aguirre (Univisión Radio), and Mega TV’s nightly newscast. In 1993 he was awarded with a John Simon Guggenheim Memorial Foundation fellowship, and in 2004, a First Place Award from the National Association of Hispanic Publications. He is the author of the books Tomás Gutiérrez Alea (Editorial Cátedra, Madrid, 1996) and David (Letras Cubanas, Havana, 1986), and co-author of Encyclopedia of Contemporary Latin American and Caribbean Cultures (Routledge, London, 2000); Cuba, la isla possible (Centre de Cultura Contemporania, Barcelona, 1995) and Le Cinema Cubain (Center Georges Pompidou, Paris, 1990), among others.More By This Author
El punto de partida del cine es literario, sea de ficción o documental, observa Abello refiriéndose al guion.
La obra recrea la vida en un gulag tropical en la Cuba de 1962.
La única vía para que el teatro perdure es impactando a las nuevas generaciones.
Este evento intenta ser una meca para los performers con un proyecto escénico unipersonal que buscan un espacio para representarlo.
Esta no es la primera vez que Anggelo se presenta en Miami.
“Plantadas” pasó casi directamente del Festival al circuito de exhibición comercial.
“Es precisamente la fortaleza de esas mujeres que no se detienen lo que me llevó a crear una heroína atemporal”, afirma Barraza.
Uruguayan playwright Sergio Blanco's work of autofiction "Tebas Land" gets its Miami premiere presented in its original Spanish with a simultaneous English translation.
“Hay los que dicen: ‘porque cuando estábamos tocando en la fiesta vino el duende…’ Todo eso es una fantasía”, afirma Riqueni.
“Tebas Land” es el anti “A sangre fría”, el anti-Truman Capote.
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