about Erin Parish

Erin Parish is an artist, curator, and cultural organizer based in Miami Beach, FL. She came to Miami from NYC in 2005 for 3 months and stayed. Curating since the 1990s, Parish led art tours to Havana, created an art benefit at the Soho Beach House and has had consistent New York City, among others, representation since 2000. She was previously the Director of Exhibitions at Laundromat Art Space in Miami, worked in numerous NYC galleries as well at the New Museum of Contemporary Art, NY, NY when she was 18. She grew up in a her father’s artist’s loft in inner-city Detroit and with her mom and her partner on a hippy commune in Southern Indiana. She taught painting at Queen College after receiving her MFA and was support staff for three years at Bennington College in the print department. Parish completed her BA at Bennington College, VT., studied painting in pre-unification Berlin, Germany, holds her MFA in Painting from Queens College, NY, and studied post-degree education in Photography at the School of Visual Arts, NY, NY. She has had over thirty one person shows and been reviewed in the New York Times, Art in America, and Art News among others. She was a resident at the Vermont Studio Center and the Fine Arts Work Center, Provincetown, MA where she received a grant from the Hand Hollow Foundation. Currently she is on the board of Miami’s collaboARTive and has recently closed a solo exhibition at Spanierman Modern, NY, NY.

More By This Author

The Four-Dimensional Kinetics of Gesture in Four Exhibitions at M...

Four concurrent exhibitions at Mindy Solomon Gallery in Allaptattah cohere around a shared visual language of mark-making in abstraction borne through urgency, corporeality, and raw aggression. Erin Parish has the review.

Review: The Duality of Thérèse Mulgrew: Photorealism and Dutch St...

At Andrew Reed Gallery, Thérèse Mulgrew’s paintings leave a lasting impression. Erin Parish has the review.

Review: Ceramics as Cultural Memory at Supermarket Gallery

The nomadic Supermarket Gallery sets up shop at La Sala in Hoy Como Ayer on Calle Ocho for the ceramic group exhibition “Eso No Se Toca.” Erin Parish has a review.

Kerry Phillips: The Universal meets the Time-Worn at LnS Gallery

Kerry Phillips invites you to discover your memory in the exhibition "Coincidence of Sound" at Coconut Grove's LnS Gallery. Erin Parish has the review.

‘Echoes of the Unseen’ at a New Miami Art Gallery wit...

Erin Parish visits Opa Projects' “Echoes of the Unseen,” which brings together eight artists whose practices engage with the intangible.

On View at Collective 62: ‘Idas y Vueltas’

At Collective 62, a group show co-curated by Dainy Tapia and Manuela Micucci, explores current connections to homeland and heritage.

‘On The Wings of Hermés’ Floats Into Coconut Grove

Fashion house Hermés brings an imaginative poetic and cinematic journey to The Hangar at Regatta Harbor in Coconut Grove.

Art: Regina Jestrow’s ‘Lots of Little Pieces’ a...

Tacky-luxe aesthetic, which prominently features in Regina Jestrow’s family home in Queens, New York, continues to influence the artist's practice in Miami.

The Ever Presence of Heritage At N’Namdi Contemporary

Stephen Arboite's work is a perfect fit for N'Namdi Contemporary.

Personal and Cultural Identity via Paint at Mindy Solomon Gallery

Three exhibitions at the Mindy Solomon Gallery bring together artists whose works offer nuanced meditations on belonging and storytelling.

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