about Orlando Taquechel
Orlando Taquechel has been a dance writer and dance researcher for over 35 years with articles published in Cuba, Mexico and the United States. He is also a professor, choreographer, and artistic director. Orlando graduated with a degree in Architecture, a Bachelors in Theater and Drama, and with a Masters. He is the recipient of the Medal to the Merit of Dance CIAD in July 2009 and the “Criticism and Culture of Ballet” Life Achievement Award at the XIX International Ballet Festival of Miami in September 2014. He’s the author of “Metodología para la Crítica de Ballet,” “Definición de la Escuela Cubana de Ballet” and “La danza en Miami (1998-2017): las reseñas cuentan su historia.” He is the Spanish-language Editor as well as the dance critic for ArtBurst.More By This Author
Un programa con tres obras de grupo que fueron creadas por George Balanchine, Jamar Roberts y Twyla Tharp.
Fernando Leija Flores es una presencia escénica de inefable calidez que te abraza con su sonrisa y te acaricia con la mirada.
Este año es el XL aniversario de la partida de George Balanchine y MCB lo tiene presente en cada uno de los programas de su temporada.
El conflicto de una familia cubana ante la disyuntiva siempre desgarradora de la separación.
Hay mucha danza que disfrutar en Miami.
Las dos Galas de la edición XXVIII del IBFM le dieron el acostumbrado cierre brillante al evento.
In conversation with Rosario Manzanos, she speaks of the dancing and writing about dancing of her youth, as she is presented with the 2023 “Criticism and Culture of Ballet” Award at the XXVIII International Ballet Festival of Miami (IBFM).
Un ballet flamenco basado en “Un Tranvía Llamado Deseo” de Tennessee Williams.
Una hermosa función donde lo contemporáneo se mostró lleno de sugerencias y posibilidades.
“En la crítica no hay por qué ser aburrido ni tedioso”, afirma la autora del libro “Vida al Aire” y Premio “Criticism and Culture of Ballet” del XXVIII IBFM.
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