about Orlando Taquechel
Orlando Taquechel has been a dance writer and dance researcher for over 35 years with articles published in Cuba, Mexico and the United States. He is also a professor, choreographer, and artistic director. Orlando graduated with a degree in Architecture, a Bachelors in Theater and Drama, and with a Masters. He is the recipient of the Medal to the Merit of Dance CIAD in July 2009 and the “Criticism and Culture of Ballet” Life Achievement Award at the XIX International Ballet Festival of Miami in September 2014. He’s the author of “Metodología para la Crítica de Ballet,” “Definición de la Escuela Cubana de Ballet” and “La danza en Miami (1998-2017): las reseñas cuentan su historia.” He is the Spanish-language Editor as well as the dance critic for ArtBurst.More By This Author
Seis compañías de danza se reúnen para celebrar la vida y el legado de Daniel Lewis.
Lukas Avendaño es un genio que recorre su propio camino y es un privilegio para los miamenses ser testigos de su avance triunfal.
Hay danza para todos los gustos en el sur de la Florida.
El Teatro Jackie Gleason ha sido transformado en un lugar rocanrolero e inhóspito para el ballet.
“The Teller” promete ser “un espectáculo inmersivo de danza contemporánea donde el tiempo se desvanece y las historias se entrelazan”.
Peter London Global Dance Company presents a program with nine short works that pay particular attention to Hispanic culture.
Un programa muy atractivo, con nueve obras breves, que presta especial atención a la cultura hispana.
Un programa y una obra que constituyen una declaración de amor donde la brevedad es una cualidad y una motivación.
Two couples debuted this season in the leading roles of the version created by Alexei Ratmansky.
Paula Rodríguez promises s an exciting "The beating of the shawl" —desplantes included.
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