about Orlando Taquechel
Orlando Taquechel has been a dance writer and dance researcher for over 35 years with articles published in Cuba, Mexico and the United States. He is also a professor, choreographer, and artistic director. Orlando graduated with a degree in Architecture, a Bachelors in Theater and Drama, and with a Masters. He is the recipient of the Medal to the Merit of Dance CIAD in July 2009 and the “Criticism and Culture of Ballet” Life Achievement Award at the XIX International Ballet Festival of Miami in September 2014. He’s the author of “Metodología para la Crítica de Ballet,” “Definición de la Escuela Cubana de Ballet” and “La danza en Miami (1998-2017): las reseñas cuentan su historia.” He is the Spanish-language Editor as well as the dance critic for ArtBurst.More By This Author
“Swan Lake” fue la pieza central pero “The Source” es el hito de la temporada.
“Take this Waltz” de Leonard Cohen proporciona el remate erótico, resignado y triste.
El desempeño exquisito de los bailarines es el verdadero espectáculo.
“En el Abismo” es la decimotercera adaptación de una obra literaria al baile flamenco hecha por Ilisa Rosal.
De la autoridad elegante de “Estrellas del Flamenco” a la exuberancia trepidante de “Viva!!”.
Choreographer Claudi Schreier's "The Source" is her second work for Miami City Ballet and the main attraction of the last program of the company's season.
El debut en Miami de Solange Merdinian y el regreso a escena de Mary Carmen Catoya.
Un proyecto multidisciplinario.
El Premio Dance Open America 2022 a la excelencia se entregará a Ben Stevenson, director artístico del Texas Ballet Theater.
Dos trabajos que trascienden el marco referencial establecido por el evento.
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