The Source for Media Coverage of The Arts in Miami.
Articles, reviews, previews and features on dance and music performances and events.
Sign Up
No one logged in. Log in

My Barbarian wanted to take Miami on a boat ride. “We wanted to interact and be out in the public,” Alex Segade reveals over the phone from Los Angeles, where he just got out of rehearsal for My Barbarian’s first Miami show, coming up this Saturday at the Miami Light Project, as part of Miami-Dade College’s Museum of Art and Design’s “Living Together” performance series this season. ..

The time seems right for Karen Finley to be visiting Miami, to be performing in the black box space of the Miami Light Project at the Goldman Warehouse, and to present her latest performance-art manifesto about the current political landscape, “Unicorn Gratitude Mystery.” In the show, which she began developing as a response to the U.S. presidential election in 2016, Finley plays a unicor..

Getting into a true holiday spirit can be tough in South Florida, where palm trees, expansive beaches and balmy skies signal perpetual summer. Ever-earlier store décor and the incessant push to buy presents – more about commercialism than celebration – can make many of us feel more anxious than festive. Not to worry. Just squeeze in a trip to Miami’s Arsht Center, where City Theatre h..

One of the centerpieces of this year’s Art Week is not a static art work, and it is also one of the most sensuous and disorienting. Lebanese performance artist Tania El Khoury is producing her “Gardens Speak” for the week, courtesy of MDC Live Arts, a piece that has been applauded in cultural capitals throughout Europe and the United States. “It is a work,” she says, “that can only co..

Since its founding in 1996, City Theatre has been an important part of South Florida’s theatrical landscape, though the company’s visibility has always been highest in the month of June. That’s when its popular Summer Shorts festival takes place; for more than a decade, its high-profile venue has been the Carnival Studio Theater at Miami’s Arsht Center. Though the company founded by S..

If you were to predict who might become a nationally famous – OK, world-famous – multiplatform sex therapist, Dr. Ruth Westheimer would probably not be your first choice. Born in Germany in 1928 as Karola Ruth Siegel, the 4’7” Dr. Ruth seems more like the doting Jewish grandmother she is than a woman who used her nationally syndicated radio show, TV shows and 40-some books to help hun..

Actors’ Playhouse has been a musical powerhouse for much of its history. Launching its 30th anniversary season at the Miracle Theatre in Coral Gables, the company is revisiting some of that history with a new production of a made-for-South Florida favorite: Andrew Lloyd Webber and Tim Rice’s “Evita.” As it did in 2000 when recent Tony Award winner Rachel Bay Jones starred as Eva Duart..

Playwright Suzan-Lori Parks won the Pulitzer Prize for “Topdog/Underdog” in 2002. But as Zoetic Stage’s superb new production of the play at Miami’s Arsht Center demonstrates, her funny, shocking tale of two brothers struggling to survive is as potent today as it was 15 years ago. Maybe more so, given the country’s deepening divide. Parks’ harrowing drama examines the complex relation..

We are born. We live, have families, grow old. We die, leaving those who loved us to mourn. Playwright Thornton Wilder brilliantly captured the eternal verities of our journey through life in “Our Town,” his 1938 Pulitzer Prize-winning play about life, love and death in a small New Hampshire town at the turn of the 20th century. If you’re at all drawn to theater, you’ve probably ..

“Miami Motel Stories: Little Havana” written by Juan C. Sanchez, directed by Tamilla Woodard, and produced by Juggerknot Theatre Company, is a site-specific, immersive theater experience that interweaves narrative, performance, history and architecture. Nine short plays take place in nine hotel rooms on the second floor of the Tower Hotel, right off Calle Ocho on Seventh Street. Sanchez, ..

With the closing of Tigertail Productions last year, Miami lost one of its preeminent artistic champions. Under the direction of founder Mary Luft, Tigertail brought an endless parade of boundary-..

Anytime would be a good time to devote a dance program to the works of Jerome Robbins, our most versatile and celebrated American-born choreographer. But, given that 2018 marks the centennial..

Due to winter storms in the Northeast impacting travel, with great regrets the Bill T. Jones/Arnie Zane Company announced the cancellation of the Saturday, Jan. 6 performance. At age..

It is fitting at this time of the year that our thoughts often turn to what connects us not what divides us. Whether we are driven by religious or secular motives, many of us are in the spiri..

The end of the 19th century was a golden age for ballet. In 15 years of collaboration, two great Russian geniuses – choreographer Marius Petipa, and composer Pyotr Tchaikovsky – produced ballet st..

Here’s a riddle – name the 1892 box office flop panned by critics for lack of seriousness and for casting too many kids, which has now transformed into a force of nature timed to occur yearly..

It happens every year, right around Thanksgiving, productions of the Nutcracker pop up from coast to coast, marking the start of the holiday season. But on Saturday, Miami audiences have the ..

As Art Week approaches, Miami choreographer Marissa Alma Nick’s Alma Dance Theater is getting ready to add its distinctive voice, rehearsing for the upcoming performance of “Flowers” at the C..

Promising a night of airiness and ardor, Dimensions Dance Theatre of Miami will bring “Ballet’s Pointe of Passion” to the South Miami-Dade Cultural Arts Center, where the company joins an att..

People often imagine new artwork is the product of the solitary artist genius slaving away in lonely studios. The South Florida Symphony’s 20th anniversary program foregrounds a different vis..

At an age when many are winding down their working lives, Ignacio Berroa eagerly anticipates a new stage in his career. It would be understandable if the 64-year-old drummer, recognized a..

We know it’s the holiday season when trees light up, menorah candles start to burn, ubiquitous Christmas carols pipe through drugstores, “The Nutcracker” plays on every stage – and in recent ..

Late last year, on Dec. 20, 2016, Romero Britto and Mark Bryn hosted the Great Artists Series Cocktail Reception at the Britto Fine Art Gallery to celebrate the legendary impresaria, Judy Dru..

Everyone remembers a lost weekend, binge reading a novel whose ending had to wait because the body just gave out. No matter how compelling the story somewhere around the 30th hour the brain s..

Globalization has produced many stories —not all inspiring. But having a Pakistani ensemble become a worldwide sensation by playing Paul Desmond’s immortal “Take Five,” which pianist Da..

When the management of New York’s iconic Apollo Theater approached drummer Gregg Field last year about organizing a concert there in honor of the 100th anniversary of Ella Fitzgerald’s birth..

They’ve opened a Chanel fashion show in Havana and been featured in Beyoncé’s visual album for “Lemonade.” The Alvin Ailey American Dance Theater has danced to their music. Their Florida debu..

There are few artists who have had the impact in their disciplines that guitarist Paco De Lucía had in flamenco. There is a before-and-after De Lucía in flamenco. He expanded the harmonic voc..

Grandes momentos de la danza en Miami durante 2017

Photo: Rebecca Pelham y Marjorie Burnett (sentada) de Karen Peterson & Dancers en “Buoyant Dreams” de K. Peterson (fotógrafo: Simon Soong).
Written by: Orlando Taquechel
Article Rating

2017 fue un buen año para la danza en Miami. El Flamenco Festival nos permitió volver a ver a Jesús Carmona, el Internacional Ballet Festival of Miami (IBFM) sobrevivió al huracán Irma, Dance NOW! Miami viajó a México para presentar “Bridges Not Walls” y Miami City Ballet (MCB) nos trajo de México a Katia Carranza.

South Miami-Dade Cultural Arts Center (SMDCAC) le pisa ahora los talones al Arsht Center como el lugar con la mejor programación de danza en Miami pero espacios como el Gleason Room del Fillmore Miami Beach, 6th Street Dance Studio, el Sandbox del Miami Theater Center (MTC) y el Lightbox Theater Wynwood se mantienen como destinos obligados para ver “danza de autor”. “Big Beautiful” de Brigid Baker Whole Project en el 6th Street Dance Studio y “Shade” de Augusto Soledade en el Gleason Room fueron buenos ejemplos. Por su parte, once grupos locales participaron en una de las mejores Daniel Lewis Miami Dance Sampler hasta la fecha, que se presentó en el New World School of the Arts Dance Theater.
Fue también estimulante poder apreciar la aceptación popular que recibieron agrupaciones de larga trayectoria como Dance NOW! Miami, proyectos que combinan escuela y presentaciones profesionales como Arts Ballet Theatre of Miami (ABTF), una compañía nueva como Dimensions Dance Theater of Miami (DDTM) y experiencias sui generis como IFE-ILE, con su festival anual de música y la danza afrocubana, el Cuban Classical Ballet of Miami (CCBM), promoviendo y preservando la Escuela Cubana de Ballet, y Karen Peterson and Dancers (KPD), por su esmerado trabajo con la danza integrada.
En 2017, Vladimir Issaev (ABTF) sorprendió con “Vertigo”, un exquisito adagio dramático concebido para Mary Carmen Catoya. Pedro Pablo Peña (CCBM) montó un interesante solo para Isanusi García-Rodríguez y presentó el famoso “Grand Pas de Quatre” por primera vez en Miami a cargo de cuatro bailarinas profesionales ya establecidas (Lorena Feijóo, Marizé Fumero, Manuela Navarro y Venus Villa) reunidas especialmente para la ocasión, en la misma Gala donde Eriberto Jiménez estrenó la agradable “Habaneras”. Jennifer Kronenberg y Carlos Guerra (DDTM) encontraron un vehículo estelar perfecto para ellos con “Transparente” de Ronald Savkovic. La incorporación al repertorio de obras como “Carousel Pas de Deux” (de Kenneth Mc Millan), “Calcium Light Night” (de Peter Martins) y “Glass Pieces” (de Jerome Robbins) fue un gran acierto del MCB en su búsqueda incansable por mantenerse relevante.
Hubo años en que seleccionar los grandes momentos de la danza en Miami era algo difícil por lo exiguo de la oferta. Hoy en día es imposible ver todas las funciones de danza programadas, lo que provoca que cualquier selección tenga omisiones imperdonables. Todos los trabajos antes mencionados merecían también un lugar en nuestra lista.
La danza en Miami no se detiene y para el próximo año se anuncia que el IBFM se adelanta al mes de agosto y sus organizadores planean ofrecer una de las Galas en México. MCB tiene programado un estreno mundial de Brian Brooks y Karen Peterson and Dancers (KPD) lanzará Forward Motion, un evento anual de danza integrada. Dance NOW! Miami estrenará The Book of Psalms de Baumgarten y Salterini y recibirá al México City Ballet para presentar la segunda parte de “Bridges Not Walls” y ABTF celebrará su vigésimo aniversario y los 200 años del nacimiento de Marius Petipa con programas dedicados en su honor.
Mientras tanto, aquí están en orden cronológico, 10 grandes momentos – especiales, definitorios, irrepetibles - del año que termina.
ENERO
1: El regreso a Miami del grupo cubano Malpaso Dance Company con una función en el Arsht Center que cerró por todo lo alto con “Why You Follow” de Ronald K. Brown.
2: La exuberancia de los bailarines de Aspen Santa Fe Ballet en Huma Rojo de Cayetano Soto (SMDCAC).
FEBRERO
3: La temporada de Alvin Ailey American Dance Theater, también en el Arsht Center.
MARZO
4: La X edición de Flamenco Festival Miami en el Knight Concert Hall del Arsht Center, donde sobresalieron la caña de Jesús Carmona y la soleá de Juana Amaya en la Gala dirigida por Manuel Liñán y Olga Pericet junto a Juan Carlos Lérida en el segmento La Fiera en el Monte de su obra Pisadas.
MAYO
5: El sobrecogedor Scrutiny: The World Gone Astray, de KPD en colaboración con LizArt Productions (LAP) de Viena (Austria) que se estrenó en el On.Stage Black Box del Miami-Dade County Auditorium
6: El estreno mundial de “A la Barre…” de Roberto Salaorni – a cargo de Jose Brooks y Andrew McShea – en función de Dance NOW! Miami en el Colony Theatre que rescató de la ignominia a los fallidos World Outgames Miami 2017.
SEPTIEMBRE
7: La Gala en el Miami-Dade County Auditorium del XXII IBFM, que será recordada por las actuaciones inolvidables de Virna Toppi y Massimo Garon en Le Papillon (Italia), Delphine Moussin en Madame Bovary (Francia), Tjasa Kmetec y Petar Dorcevski en Doctor Zhivago (Eslovenia), los italianos Rinaldo Venuti y Vicenzo Di Primo en Capturam, y los cubanos Jorge Oscar Sanchez y Francois Llorente. A María Emilia García y Reynaldo Alexander Duval, del Ballet Nacional Dominicano, solo les bastó salir a escena para convertirse en favoritos.
OCTUBRE
8: El esperado retorno de Katia Carranza al MCB y la afirmación de Simone Messmer como intérprete exquisita, ambas en “Jewels” de Balanchine (Arsht Center).
NOVIEMBRE
9: La presentación de DDTM en SMDCAC con el “Light Rain” de Gerald Arpino - montado por Cameron Basden - que resultó ser un “nace una estrella” por partida doble gracias a los extraordinarios Gabriela Mesa y Fabian Morales.
DICIEMBRE
10: La presentación en el Arsht Center de los nuevos diseños de Isabel y Ruben Toledo para el “Cascanueces” del MCB.

Deja un comentario ...
Debe estar registrado
No one logged in. Log in
Deja un comentario ...
Was this helpful?
No Very

Captcha Image