The Source for Media Coverage of The Arts in Miami.
Articles, reviews, previews and features on dance and music performances and events.
Sign Up
No one logged in. Log in

Artburst Portal

The stage is a fixed space. It is the axis around which story, conflict, and character revolve. When that fixed space shifts, new possibilities emerge. Starting Wednesday, April 23, a shifting site for theater emerges at Deering Estate, a 444-acre environmental, archeological, and historical preserve along the edge of Biscayne Bay in Palmetto Bay. Four local playwrights have collaborated ..

Nearly two years ago, Miami’s Zoetic Stage took its first trip into the world of Harold Pinter with an intense, superbly acted production of the Nobel laureate’s 1978 hit “Betrayal” in the Arsht Center’s Carnival Studio Theater. Now Zoetic is delving further back into the Pinter canon with a riveting production of “The Caretaker.” This 1960 work is, like “Betrayal,” a three-character ..

Imagine animation created live on stage, with mini backdrops, puppets, and low-tech props. Channel it through multiple cameras and mix it live into a projected film. Add a string quartet and a DJ. This is the structure of “Nufonia Must Fall,” an upcoming project presented by MDC Live Arts. The show is slated for appearances around the world, from Asia and the Middle East to Europe and..

That Actors’ Playhouse opened its production of Robert Schenkkan’s “All the Way” on the same day that the American Health Care Act was pulled from a vote by the House of Representatives is ironic and more than a little instructive. The much-touted replacement for Obamacare didn’t have enough sure votes to ensure passage, as Speaker Paul Ryan told President Donald Trump, so the “replac..

The take-no-prisoners world of high finance and ruthless business deals has long been a tantalizing subject for artists. From filmmaker Oliver Stone’s 1987 “Wall Street,” with its antihero Gordon Gekko spouting “greed is good,” to Damien Lewis’ slick hedge fund mogul Bobby Axelrod in the Showtime series “Billions,” movies and television allow those of us in the 99 percent a glimpse at wha..

Miami’s venerable M Ensemble is a company that sometimes dips into its rich history to mount fresh productions of past shows. For its second production in its versatile new home at the Sandrell Rivers Theater in Liberty City, the troupe is revisiting Darren Canady’s “Brothers of the Dust.” Winner of the 2012 M. Elizabeth Osborn Award from the American Theatre Critics Association, the ..

“El cuento de Rene,” actor and director Larry Villanueva’s adaptation of Cuban writer Rene Ariza’s short stories into a work of theater, is more than an homage. It’s a statement on oppression. Ariza was sentenced to eight years in prison for trying to send manuscripts abroad. He was banned from creating theater in Cuba and condemned as “counter-revolutionary.” Ariza served five years of h..

Those who attend film festivals aren't looking for the mainstream, Cineplex offerings. That isn't the goal. Amid the indie films, the foreign entries, documentaries, and the world premieres, there's another reason to canvass the program for something you might not see anywhere else. Given the Miami Film Festival is the only major film festival to be produced by a college or university..

{This interview was conducted before the film making team went on to amazing Oscar success.} Playwright Tarell Alvin McCraney and filmmaker Barry Jenkins are nine miles away from the Liberty City housing projects where they both grew up, but they are worlds away. They are at the picturesque Standard Hotel to talk about the new movie "Moonlight," with a screenplay by Jenkins base..

First things first. Actor-playwright Elena María García does explain the meaning of “¡FUÁCATA!” somewhere deep into the 90-minute running time of Zoetic Stage’s “García Or a Latina’s Guide to Surviving the Universe.” The familiar Cuban term, she confides from her perch on Michael McKeever’s Mondrian-evocative set, suggests the sound of a slap. As in, “¡Fuácata! You really stepped in i..

The Ever Popular ‘Tango Lovers’ Returns to South Florida


Photo:
Written by: Sean Erwin
Article Rating

Even people who can’t find Argentina on a map and believe tangos only happen in Paris know La Cumparsita’s iconic four beat opening. Like a bar’s last call, La Cumparsita tells tango dancers the night (or, rather, the morning) is over. Tango aficionados hear those first beats and either make a beeline to a special partner for the night’s last dance or a breakaway to the parking lot before the crowd can come to their senses.

Because it appeals to tango neophytes and long-timers alike, the hit Broadway show “Tango Lovers” celebrates the song in their return to South Florida for two shows on March 30 and 31at the Fillmore Theater and the South Miami-Dade Cultural Arts Center.

Though most of us identify Argentine Tango with – well – Argentina, the composition of La Cumparsita tells a different story. “The tango – La Cumparsita - was composed by an Uruguayan medical student 100 years ago,” explained “Tango Lovers”principal singer and show producer, Alfredo Lerida. When asked about the motivation behind making this song the show’s centerpiece, he replied, “The tango genre has evolved throughout its history up to our present day, but the focus of ‘Tango Lovers’is on the essence of tango.” La Cumparsita is the show’s focus because it is the one constant of that tradition.

The show begins “with a potpourri of tangos like el Choclo, Loca de Angel Villoldo and many others to introduce the audience to tango’s Golden Years,” says Lerida. “It then advances until we arrive to today where we present them with the most recent compositions by our own gifted young musicians.”

This year marks the second tour for Carlos Gardel Prize winner Lautaro Greco, who rejoins the show as principal bandoneon player. Describing the qualities his playing brings to the show, executive director Pierina Asti-Schultz commented: “Lautaro brings a fresh perspective getting closer to younger generations while bringing the best of tango to our classical and traditional audiences.”

Where tango music plays people dance. But in the course of a hundred years the dance, like the southern cone culture, has undergone dramatic changes. As Julliard grad and “Tango Lovers”principal dancer Tere Sanchez Terraf described: “The styles of music, the dance and costume evolved over time. This happened both in the social dance and the more theatrical tango shows danced on stage.” In “Tango Lovers,” the audience travels through time watching this process. “Beginning with the ‘50s and the traditional tango salon ‘Tango Lovers’transports the audience to the present and exposes them to Piazzolla and the most recent musical innovations and tango fusions,” where traditional tango mixes with jazz, Argentine folkloric dance and ballet.

Terraf is herself Argentine, but her first introduction to tango occurred like it does for a lot of Argentine ex-pats – far from the southern cone. “While I was in New York studying, I met some tango dancers who took me to a milonga -- a place where people dance tango, something like a disco for tango.” From that first exposure Terraf caught the bug and pursued study of the dance on breaks from school when she was back in Argentina. She’s quick to point out the irony. “I may have studied tango when I went back to Argentina, but I fell in love with it in New York!”

“Tango Lovers” runs on Thursday, March 30 at 8:00 p.m. at the Fillmore at the Jackie Gleason Theater, 1700 Washington Ave., Miami Beach; and 8:00 p.m. on Friday, March 31at the South Miami-Dade Cultural Arts Center, 10950 SW 211 St., Cutler Bay.For tickets at the Fillmore call 800- 653-8000l; for tickets at the South Miami Dade Cultural Arts Center phone: 786-573-5300.

 

 


Leave a comment...
Must be Logged in
No one logged in. Log in
Leave a comment...
Was this helpful?
No Very

Captcha Image

About The writer

Sean Erwin is a writer and assistant professor of Philosophy at Barry University, with a focus on aesthetics and contemporary french philosophy.
Sean Erwin is an Assistant Professor of Philosophy at Barry University and received his Masters and Doctorate in Philosophy from Vanderbilt. He has presented and published on topics in political philosophy, Italian and French philosophy, and technology and performance studies. He currently serves as the senior editor of the Humanities and Technology Review.

Erwin is also a performance critic for Artburst, with performance previews and reviews appearing regularly there and in other South Florida publications. Artburst gives him the platform to critique the aesthetic principles he writes on as a professional philosopher through analysis of the concrete movements embodied by performers.

He is also an accomplished dancer and teacher in the Argentine Tango community. In 2000 he founded and served as editor of the Chicago webzine, Tango Noticias, a specialty dance periodical dedicated to examining Argentine Tango as a set of social practices rooted to the Southern cone’s history, politics, and culture.

Since his move to South Florida, he has both taught philosophy and served as a principal tango instructor for the Miami-based, Shimmy Club, a non-profit program that teaches Argentine Tango to vision-impaired teens. Through his involvement with the program, Erwin has been featured in articles and several news outlets including Univision, Telemundo, NBC News, KPFK Los Angeles, and the Miami Herald. For more information, see erwinsean.com.

..

About the Writer

This year’s TransAtlantic Festival features local dance music stars, a Malian guitarist known as “the Hendrix of the Sahara,” and something unique: a Haitian rara band comprised entirely of women...

If the political movement that saw its birth after the November elections is in the market for a composer to set the score for its many marches, Frederic Rzewski might be a strong contender f..

In a combo that promises to be both sublime and rip-roaring, three generations of Cuban and Cuban diaspora musicians come together this Saturday at The Miami-Dade County Auditorium to celebra..

Despite an end to the “wet foot, dry foot” policy and other changes in the Florida-Cuba dynamic, Global Cuba Fest 2017 will continue to satiate the souls of South Floridians with a month-long..

Guitarist, composer and producer Josemi Carmona embodies the spirit of Nuevo Flamenco. Rooted firmly in tradition, he has proven a restless, curious artist, ignoring the boundaries of genres ..

Following an intense National YoungArts Week, the signature program held annually in Miami, YoungArts is proud to announce their 2017 regional programs that will expand the offerings from New..

Seduced by the jazz in his dad’s music collection, a kid from Perth, Western Australia, takes up the saxophone at age 13. He grows up, moves to the United States and becomes a star. Dreams do..

Half way through his set at the North Beach Bandshell, singerDavid Crosby (http://www.davidcrosby.com/), 75, who has been to a festival or two in his illustrious career, paused between songs..

Florida in February has its own magic: gorgeous light, cooler temperatures, clear skies and soft sea breezes. Now, imagine those breezes carrying the moaning strains of Esperanza Spalding’s b..

No hay que viajar a otro país para disfrutar en vivo de la música cubana del momento, la más innovadora, la que le da la vuelta al mundo. Basta con asistir a Global Cuba Fest, aquí mismo, en ..

Nadie como el bailarín y coreógrafo español Antonio Gades para describir el arte que lo hizo internacionalmente famoso cuando vivía: “Un extracto de fuego y de veneno, eso es el flamenco”. ..

Desde Las troyanas de Eurípides hasta “Guernica” de Picasso, o de la canción “Blowing in the Wind” de Bob Dylan al diseño de las gorras rosadas que llevaron miles de mujeres en las protestas ..

En un discurso de 1977, el escritor argentino Jorge Luis Borges desmintió la idea de que la ceguera fuera un mundo de oscuridad cuando describió su propia “modesta ceguera”. Hablaba de ciert..

En su discurso de recibimiento del Premio Nobel, el poeta chileno Pablo Neruda afirmó que el poeta no es un "pequeño dios." De hecho expresó que el mejor poeta “es el hombre que nos entrega e..

En la cultura yoruba, y sobre todo en sus manifestaciones caribeñas como la afrocubana, las historias contadas oralmente por generaciones ocupan un lugar esencial. Esas historias, muchas de e..

En la serie artística Out in the Tropics, la tarima no discrimina, la sensibilidad de los intérpretes es inclusiva y todo público es bienvenido. Producción de la entidad local sin fines d..

El flamenco es una música de fusión. La tradición es de sobrevivencia, de cambio constante y adaptación al lugar y los tiempos. Mientras el sonido puede ser diferente, el espíritu de Nuevo Fl..

La problemática del cambio climático está que arde. Sobre todo en un estado como la Florida, en primera fila para sufrir consecuencias drásticas. Llegar al público con este mensaje e inspirar..