Writing about “Broken Snow,” the Ben Andron thriller now getting its world premiere at the J’s Cultural Arts Theatre (JCAT) in North Miami Beach, is a proposition almost as tricky as the play itself. The intricately structured 90-minute drama is loaded with surprises, twists and turns, all revealed at precisely the right moment so that the play builds to its shattering conclusion..
As this steamy spring melts into a sweltering summer, Actors’ Playhouse is inviting theater lovers to a wedding – a big, fat Jewish-WASP wedding, otherwise known as the Broadway musical “It Shoulda Been You.” Though the show seemingly takes place in the present, the piece by book writer-lyricist Brian Hargrove and composer Barbara Anselmi is an old-fashioned, stereotype-filled throwba..
'Death & Harry Houdini' Makes Another Magical Moment at ArshtDennis Watkins knows how to make an entrance. In the House Theatre of Chicago’s “Death & Harry Houdini,” now back at the Arsht Center’s Carnival Studio Theater five years after it first wowed Miami audiences, Watkins arrives onstage with the help of theater technology unknown in Houdini’s day. Dangling upside dow..
Director Carlos Lechuga’s masterful unspooling of time in his second feature film “Santa y Ándres” constructs a uniquely Cuban mix of tedium and despair, resulting in an emotionally intense experience that sneaks up on the viewer in plain sight. The film opens with the stillness of a landscape painting: the eastern Cuban countryside of 1983 – rugged, lush, and verdant. The statuesque..
Memory – deep-seated, fragile, slippery, mutable – is at the heart of Jordan Harrison’s “Marjorie Prime.” A Pulitzer Prize finalist in 2015, the play is a family tragicomedy given a sci-fi makeover; in other words, this thought-provoking theater piece charts its own, fresh path. Now getting its South Florida premiere as the second professional production from the Main Street Players, ..
The stage is a fixed space. It is the axis around which story, conflict, and character revolve. When that fixed space shifts, new possibilities emerge. Starting Wednesday, April 23, a shifting site for theater emerges at Deering Estate, a 444-acre environmental, archeological, and historical preserve along the edge of Biscayne Bay in Palmetto Bay. Four local playwrights have collaborated ..
Nearly two years ago, Miami’s Zoetic Stage took its first trip into the world of Harold Pinter with an intense, superbly acted production of the Nobel laureate’s 1978 hit “Betrayal” in the Arsht Center’s Carnival Studio Theater. Now Zoetic is delving further back into the Pinter canon with a riveting production of “The Caretaker.” This 1960 work is, like “Betrayal,” a three-character ..
Imagine animation created live on stage, with mini backdrops, puppets, and low-tech props. Channel it through multiple cameras and mix it live into a projected film. Add a string quartet and a DJ. This is the structure of “Nufonia Must Fall,” an upcoming project presented by MDC Live Arts. The show is slated for appearances around the world, from Asia and the Middle East to Europe and..
That Actors’ Playhouse opened its production of Robert Schenkkan’s “All the Way” on the same day that the American Health Care Act was pulled from a vote by the House of Representatives is ironic and more than a little instructive. The much-touted replacement for Obamacare didn’t have enough sure votes to ensure passage, as Speaker Paul Ryan told President Donald Trump, so the “replac..
The take-no-prisoners world of high finance and ruthless business deals has long been a tantalizing subject for artists. From filmmaker Oliver Stone’s 1987 “Wall Street,” with its antihero Gordon Gekko spouting “greed is good,” to Damien Lewis’ slick hedge fund mogul Bobby Axelrod in the Showtime series “Billions,” movies and television allow those of us in the 99 percent a glimpse at wha..
Even people who can’t find Argentina on a map and believe tangos only happen in Paris know La Cumparsita’s iconic four beat opening. Like a bar’s last call, La Cumparsita tells tango dancers the night (or, rather, the morning) is over. Tango aficionados hear those first beats and either make a beeline to a special partner for the night’s last dance or a breakaway to the parking lot before the crowd can come to their senses.
Because it appeals to tango neophytes and long-timers alike, the hit Broadway show “Tango Lovers” celebrates the song in their return to South Florida for two shows on March 30 and 31at the Fillmore Theater and the South Miami-Dade Cultural Arts Center.
Though most of us identify Argentine Tango with – well – Argentina, the composition of La Cumparsita tells a different story. “The tango – La Cumparsita - was composed by an Uruguayan medical student 100 years ago,” explained “Tango Lovers”principal singer and show producer, Alfredo Lerida. When asked about the motivation behind making this song the show’s centerpiece, he replied, “The tango genre has evolved throughout its history up to our present day, but the focus of ‘Tango Lovers’is on the essence of tango.” La Cumparsita is the show’s focus because it is the one constant of that tradition.
The show begins “with a potpourri of tangos like el Choclo, Loca de Angel Villoldo and many others to introduce the audience to tango’s Golden Years,” says Lerida. “It then advances until we arrive to today where we present them with the most recent compositions by our own gifted young musicians.”
This year marks the second tour for Carlos Gardel Prize winner Lautaro Greco, who rejoins the show as principal bandoneon player. Describing the qualities his playing brings to the show, executive director Pierina Asti-Schultz commented: “Lautaro brings a fresh perspective getting closer to younger generations while bringing the best of tango to our classical and traditional audiences.”
Where tango music plays people dance. But in the course of a hundred years the dance, like the southern cone culture, has undergone dramatic changes. As Julliard grad and “Tango Lovers”principal dancer Tere Sanchez Terraf described: “The styles of music, the dance and costume evolved over time. This happened both in the social dance and the more theatrical tango shows danced on stage.” In “Tango Lovers,” the audience travels through time watching this process. “Beginning with the ‘50s and the traditional tango salon ‘Tango Lovers’transports the audience to the present and exposes them to Piazzolla and the most recent musical innovations and tango fusions,” where traditional tango mixes with jazz, Argentine folkloric dance and ballet.
Terraf is herself Argentine, but her first introduction to tango occurred like it does for a lot of Argentine ex-pats – far from the southern cone. “While I was in New York studying, I met some tango dancers who took me to a milonga -- a place where people dance tango, something like a disco for tango.” From that first exposure Terraf caught the bug and pursued study of the dance on breaks from school when she was back in Argentina. She’s quick to point out the irony. “I may have studied tango when I went back to Argentina, but I fell in love with it in New York!”
“Tango Lovers” runs on Thursday, March 30 at 8:00 p.m. at the Fillmore at the Jackie Gleason Theater, 1700 Washington Ave., Miami Beach; and 8:00 p.m. on Friday, March 31at the South Miami-Dade Cultural Arts Center, 10950 SW 211 St., Cutler Bay.For tickets at the Fillmore call 800- 653-8000l; for tickets at the South Miami Dade Cultural Arts Center phone: 786-573-5300.
Sean Erwin is a writer and assistant professor of Philosophy at Barry University, with a focus on aesthetics and contemporary french philosophy.
Sean Erwin is an Assistant Professor of Philosophy at Barry University and received his Masters and Doctorate in Philosophy from Vanderbilt. He has presented and published on topics in political philosophy, Italian and French philosophy, and technology and performance studies. He currently serves as the senior editor of the Humanities and Technology Review.
Erwin is also a performance critic for Artburst, with performance previews and reviews appearing regularly there and in other South Florida publications. Artburst gives him the platform to critique the aesthetic principles he writes on as a professional philosopher through analysis of the concrete movements embodied by performers.
He is also an accomplished dancer and teacher in the Argentine Tango community. In 2000 he founded and served as editor of the Chicago webzine, Tango Noticias, a specialty dance periodical dedicated to examining Argentine Tango as a set of social practices rooted to the Southern cone’s history, politics, and culture.
Since his move to South Florida, he has both taught philosophy and served as a principal tango instructor for the Miami-based, Shimmy Club, a non-profit program that teaches Argentine Tango to vision-impaired teens. Through his involvement with the program, Erwin has been featured in articles and several news outlets including Univision, Telemundo, NBC News, KPFK Los Angeles, and the Miami Herald. For more information, see erwinsean.com.
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