Actors’ Playhouse has been a musical powerhouse for much of its history. Launching its 30th anniversary season at the Miracle Theatre in Coral Gables, the company is revisiting some of that history with a new production of a made-for-South Florida favorite: Andrew Lloyd Webber and Tim Rice’s “Evita.” As it did in 2000 when recent Tony Award winner Rachel Bay Jones starred as Eva Duart..
Playwright Suzan-Lori Parks won the Pulitzer Prize for “Topdog/Underdog” in 2002. But as Zoetic Stage’s superb new production of the play at Miami’s Arsht Center demonstrates, her funny, shocking tale of two brothers struggling to survive is as potent today as it was 15 years ago. Maybe more so, given the country’s deepening divide. Parks’ harrowing drama examines the complex relation..
We are born. We live, have families, grow old. We die, leaving those who loved us to mourn. Playwright Thornton Wilder brilliantly captured the eternal verities of our journey through life in “Our Town,” his 1938 Pulitzer Prize-winning play about life, love and death in a small New Hampshire town at the turn of the 20th century. If you’re at all drawn to theater, you’ve probably ..
“Miami Motel Stories: Little Havana” written by Juan C. Sanchez, directed by Tamilla Woodard, and produced by Juggerknot Theatre Company, is a site-specific, immersive theater experience that interweaves narrative, performance, history and architecture. Nine short plays take place in nine hotel rooms on the second floor of the Tower Hotel, right off Calle Ocho on Seventh Street. Sanchez, ..
Artistic director and founder of Juggerknot Theatre Company, Tanya Bravo, had her first brush with immersive theater in New York City when she met director Tamilla Woodard. Working on the play “Broken City,” Bravo and other actors led audience members on a theatrical journey through the streets of the Lower East Side. “I was so blown away by the concept and the lines that were crossed between ..
We humans do love our rituals. When an extended family gathers for the holidays, familiar traditions promise a comforting respite from an increasingly complex, chaotic world. Still, realistically, troubles and fears refuse to be left behind. They surface like unwelcome guests. So do resentments and stinging remarks born of deep knowledge. With Thanksgiving on the horizon, you wonder: ..
After a tryout run in Chicago, 34 previews and 746 performances on Broadway, and a tour launch in Buffalo, “On Your Feet!” has finally opened in the place where Cuban-born music superstars Gloria and Emilio Estefan made their dreams come true: Miami. At Friday’s red carpet opening at the Adrienne Arsht Center for the Performing Arts, with the Estefans and their extended family in atte..
Whether the comedy is high or low, performer-writer Steve Martin has been making moviegoers, “Saturday Night Live” fans and theater lovers laugh for more than half a century – hard to believe it’s been that long, but he started early. Martin’s way with both cerebral jokes and physical comedy is abundantly on display in “The Underpants,” his 2002 adaptation of Carl Sternheim’s once-ban..
Robert Schenkkan’s “Building the Wall” begins as a wary conversation between two strangers: Rick, a white male convict awaiting a likely death sentence, and Gloria, a black female historian and college professor. For 90 minutes, the two talk. She probes; he explains and justifies and slowly paints a picture of a man-made Seventh Circle of Hell. By the time the play ends, the audience ..
Branden Jacobs-Jenkins’ award-winning play “An Octoroon” layers an antebellum melodrama with 21st-century parlance and perspective. The result is an innovative play-within-a-play that skillfully reminds us of slavery’s horrible past and its ever-present legacy. Area Stage Company’s production, thoughtfully directed by John Rodaz, brings together a talented cast to ensure this melodra..
Tigertail’s ScreenDance Miami festival is now in its fourth year. One of the few festivals in the country dedicated solely to movement for film and video, ScreenDance aims high. The goal: a festival of top caliber dance films showcasing makers locally and from around the world.
This year’s ScreenDance Miami is directed by local choreographer Pioneer Winter, with the guidance and vision of Tigertail Director and Founder Mary Luft. And as in years past, ScreenDance Miami draws from a partnership with Amsterdam-based Cinedans Dance on Screen Festival. Selections from Cinedans will be shown here in Miami, and Martine Dekker, Cinedans director, will appear as a panelist during one of the three weekend workshops. Screenings are scheduled for Miami Beach Cinematheque, the Pérez Art Museum Miami, and MDC Live Arts Lab.
Having served in years past on ScreenDance Miami’s selection committee and as a participating artist, Winter brings a full range of experience to the upcoming festival. We spoke with him recently about this year’s offerings.
How has the selection process been this year?
It’s been really enjoyable. And I’m looking forward to the line-up that we have for this year. The festival has come so far. We are one of the younger film festivals, especially compared to other festivals that have been around longer or have more money. So for us to be as badass as we are, it’s impressive and exciting.
What has contributed to the raising of the bar for this year’s festival?
This is the first year that we haven’t just accepted the films that Cinedans has given us for opening night. In the past, they’ve been the sole curators. But this year, the curation of opening night is a little bit more collaborative.
Also we added another panelist, Carla Forte, who I deeply respect. Her area is film and movement. This is the first year she has been a panelist, and she definitely was an important voice to have on the panel. Along with Gabri Christa -- Gabri is another amazing filmmaker, very prolific. She’s now on the faculty at Barnard College in New York. She’s going to be co-moderating one of the screenings with Martine Dekker, so I think the addition of other voices that are really experienced in this area has contributed.
What workshops will be offered during the festival?
There are three workshops. The biggie is at the MDC Live Arts Lab with Gabri Christa. That’s going to look at single shot video work—not multiple cameras, not cutting back and forth, but just a single view. Even though it sounds simple, it’s a skill that many don’t use. And it’s something that is very rare. But when it’s done right, it’s absolutely beautiful. We’re so used to over-edited films. But if you can imagine one single shot, one moving camera—one dancing camera—that isn’t skipping around all over the place and is steady with its pan and its zoom, it can be a very powerful technique.
And then back this year is Marlon Hill. He is doing legalities and copyright issues for choreographers and filmmakers, who run into a lot of different questions regarding distribution, music rights and intellectual property. He’s been answering all of those questions. It’s going to be more of a workshop/clinic.
The third workshop is called “Dance Film Abroad,” [lead by] Dekker. She also introduced us to Andrea Baker from Jumping Frames International Dance Video Festival, a dance on film festival in Hong Kong. We got connected with Andrea and I asked her, “hey would you want to do a discussion between you and Martine, because you already have this rapport and you know each other?” They will talk about film abroad, and focus on what’s happening in dance on film in Asia and in the Netherlands.
What’s your intention with the workshops?
To build the local community. We’ve gotten some really strong work locally. But I would like to see more locals applying, and doing professional development and continuing education. With dance on film, we like to say, all you need is a camera. You can experiment, you can try different things. But at the same time there’s a learning curve. And not everybody has the opportunity to go to Amsterdam to see Cinedans or go to Hong Kong to see Jumping Frames. So having those representatives here is really valuable.
What kind of film submissions have you gotten for this fourth year?
Better quality, and more of them, which has allowed us to be more choosy with the selection process. Films that we might have screened in the first year might not be screened now, but I think that’s part of the growing process and that’s one of the reasons I think the professional development is so important, because we want our surrounding artists to grow as we are growing.
ScreenDance Miami 2017 runs Thursday through Saturday, with Opening Night Cinedans films (ScreenTalk follows), Thursday at 7:00 p.m., Pérez Art Museum Miami (PAMM), 1103 Biscayne Blvd., Miami; museum admission $16/$12.
Friday Program I (ScreenTalk follows) at 7:00 p.m., Miami Beach Cinematheque, 1130 Washington Ave., Miami Beach;tickets $9-$11.
Saturday, workshop with Gabri Christa, 10:00 a.m. to 1:00 p.m., MDC Live Arts Lab, 300 NE 2nd Ave., Miami; free.
Saturday, Program II (ScreenTalks follow) at 2:00 p.m., PAMM; museum admission.
Saturday, Program III (ScreenTalk follows) at 7:00 p.m., January 21, MDC Live Arts Lab; $10.
For tickets and information, www.tigertail.org.
Late last year, on Dec. 20, 2016, Romero Britto and Mark Bryn hosted the Great Artists Series Cocktail Reception at the Britto Fine Art Gallery to celebrate the legendary impresaria, Judy Dru..
Everyone remembers a lost weekend, binge reading a novel whose ending had to wait because the body just gave out. No matter how compelling the story somewhere around the 30th hour the brain s..
Globalization has produced many stories —not all inspiring. But having a Pakistani ensemble become a worldwide sensation by playing Paul Desmond’s immortal “Take Five,” which pianist Da..
When the management of New York’s iconic Apollo Theater approached drummer Gregg Field last year about organizing a concert there in honor of the 100th anniversary of Ella Fitzgerald’s birth..
They’ve opened a Chanel fashion show in Havana and been featured in Beyoncé’s visual album for “Lemonade.” The Alvin Ailey American Dance Theater has danced to their music. Their Florida debu..
There are few artists who have had the impact in their disciplines that guitarist Paco De Lucía had in flamenco. There is a before-and-after De Lucía in flamenco. He expanded the harmonic voc..
Yoli Mayor is a 22-year old Miami native who won over the judges of NBC’s “America’s Got Talent” with her power voice (think Adele mixed with Etta James). This weekend, Miami audiences will h..
You might expect something a tad unusual from a jazz band comprised of Bulgarians and Cubans that’s led by the principal percussionist of the Miami Symphony Orchestra. And that’s what you’ll ..
Not everybody who begins a musical career at age three singing in his grandfather’s Pentecostal Church finds his way to the Metropolitan Opera in New York. Soloman Howard did in two short decades...
El programa que Dimensions Dance Theatre of Miami (DDTM) presentó el sábado pasado en su exitoso debut como compañía en residencia del South Miami Dade Cultural Arts Center (SMDCAC) y a solo ..
Hay pocos artistas que han tenido el impacto en sus disciplinas como el guitarrista Paco De Lucía tuvo en flamenco. En este género, hay un antes y después de De Lucía. Expandió el vocabul..
Dance NOW! Miami, la Florida Dance Education Organization (FDEO), Miami Dance Futures y la New World School of the Arts (NWSA) colaboraron el fin de semana pasado para presentar la Daniel Lew..
Esta es una gran noticia para el público amante del ballet en Miami. Tras un paréntesis de diez años en los que solo nos visitó de manera esporádica, la Primera Bailarina mexicana Katia Carra..
Solo hay que aplicar el concepto “seis grados de separación” a uno de los artistas que se han presentado en las Galas de Estrellas del Festival Internacional de Ballet de Miami (IBFM por sus ..
El debut de Dimensions Dance Theatre of Miami (DDTM) en noviembre del año pasado fué un acontecimiento artístico y un descubrimiento sumamente agradable. Una sola función en el Miami-Dade Cou..
El festival “Out in the Tropics”, patrocinado por Fundarte en conjunto con el Centro Cultural Español y el Miami Book Fair International, normalmente trae artistas del mundo LGBTQ e hispanoha..
La Gala anual de Cuban Classical Ballet of Miami (CCBM) es un evento que esperan con ansiedad los aficionados al ballet en Miami y, sobre todo, los admiradores del estilo cubano. Desde su deb..
El 11 y 12 de mayo próximo tendrá lugar en el Miami -Dade County Auditorium el estreno en Estados Unidos de Scrutiny: The World Gone Astray(en español,Escrutinio: El mundo se ha ido a la deri..