My Barbarian wanted to take Miami on a boat ride. “We wanted to interact and be out in the public,” Alex Segade reveals over the phone from Los Angeles, where he just got out of rehearsal for My Barbarian’s first Miami show, coming up this Saturday at the Miami Light Project, as part of Miami-Dade College’s Museum of Art and Design’s “Living Together” performance series this season. ..
The time seems right for Karen Finley to be visiting Miami, to be performing in the black box space of the Miami Light Project at the Goldman Warehouse, and to present her latest performance-art manifesto about the current political landscape, “Unicorn Gratitude Mystery.” In the show, which she began developing as a response to the U.S. presidential election in 2016, Finley plays a unicor..
Getting into a true holiday spirit can be tough in South Florida, where palm trees, expansive beaches and balmy skies signal perpetual summer. Ever-earlier store décor and the incessant push to buy presents – more about commercialism than celebration – can make many of us feel more anxious than festive. Not to worry. Just squeeze in a trip to Miami’s Arsht Center, where City Theatre h..
One of the centerpieces of this year’s Art Week is not a static art work, and it is also one of the most sensuous and disorienting. Lebanese performance artist Tania El Khoury is producing her “Gardens Speak” for the week, courtesy of MDC Live Arts, a piece that has been applauded in cultural capitals throughout Europe and the United States. “It is a work,” she says, “that can only co..
Since its founding in 1996, City Theatre has been an important part of South Florida’s theatrical landscape, though the company’s visibility has always been highest in the month of June. That’s when its popular Summer Shorts festival takes place; for more than a decade, its high-profile venue has been the Carnival Studio Theater at Miami’s Arsht Center. Though the company founded by S..
If you were to predict who might become a nationally famous – OK, world-famous – multiplatform sex therapist, Dr. Ruth Westheimer would probably not be your first choice. Born in Germany in 1928 as Karola Ruth Siegel, the 4’7” Dr. Ruth seems more like the doting Jewish grandmother she is than a woman who used her nationally syndicated radio show, TV shows and 40-some books to help hun..
Actors’ Playhouse has been a musical powerhouse for much of its history. Launching its 30th anniversary season at the Miracle Theatre in Coral Gables, the company is revisiting some of that history with a new production of a made-for-South Florida favorite: Andrew Lloyd Webber and Tim Rice’s “Evita.” As it did in 2000 when recent Tony Award winner Rachel Bay Jones starred as Eva Duart..
Playwright Suzan-Lori Parks won the Pulitzer Prize for “Topdog/Underdog” in 2002. But as Zoetic Stage’s superb new production of the play at Miami’s Arsht Center demonstrates, her funny, shocking tale of two brothers struggling to survive is as potent today as it was 15 years ago. Maybe more so, given the country’s deepening divide. Parks’ harrowing drama examines the complex relation..
We are born. We live, have families, grow old. We die, leaving those who loved us to mourn. Playwright Thornton Wilder brilliantly captured the eternal verities of our journey through life in “Our Town,” his 1938 Pulitzer Prize-winning play about life, love and death in a small New Hampshire town at the turn of the 20th century. If you’re at all drawn to theater, you’ve probably ..
“Miami Motel Stories: Little Havana” written by Juan C. Sanchez, directed by Tamilla Woodard, and produced by Juggerknot Theatre Company, is a site-specific, immersive theater experience that interweaves narrative, performance, history and architecture. Nine short plays take place in nine hotel rooms on the second floor of the Tower Hotel, right off Calle Ocho on Seventh Street. Sanchez, ..
Celebrating 35 years is an amazing achievement for any dance company in Miami, but especially one founded in a decade better known for its ties to drugs than to the arts. Momentum Dance Company has survived the waves of growth and change experienced by Miami as it slowly grew into an international city. This weekend it will commemorate that anniversary with a program that reveals the expanse and depth of works created by Delma Iles, Momentum’s founder and artistic director.
On the program are pieces that span from Momentum’s inaugural performance in 1982 to thepremiere of a newly created work. The company has withstood the test of time and showcase a thoughtful and impressive body of work.
Handel Concerto is the introductory dance on the program and is filled with elegance, beauty and joy. It debuted in the first concert presented by Momentum in 1982. “It’s what you do when you’re young,” says Iles of the choreography. “You’re in great shape … you respond to the music.” The piece will be performed by the youthful members of Momentum. As Handel’s music pours forth in canons, it’s echoed by the movements of the dancers; time washes away as this piece is just as fresh now as it was in 1982.
Gears shift for Monkeybone, an intriguing work of two women playing men. Its dark humor is accompanied by a psychological mind game. Iles takes us on a journey into a murkier side of humanity -- the “play” is all too real.
Shadows and Accumulations II is a work whose focus is on form. Iles describes it as “very structural… two dancers accumulate and de-accumulate; they are shuffled together like a deck of cards.” This post-modern work is performed in silence, with the dancers having to be keenly attuned to each other. They weave together, peel off, gather again in a pattern which repeats. Are we watching two people trying to connect or two people trying to find their own identity? “People read all kinds of things into it,” explains Iles.
Dido, presented last season, makes a welcome encore to the stage. Shrouded in a black veil, Barbie Freeman is Virgil’sscorned queen. “The piece personifies what happens to people over and over again,” says Iles. Freeman makes powerful use of the veil; her grief seems to extend beyond the finite boundary of the material. The dance is set to Henry Purcell’s opera Dido and Aeneus.
When Iles founded her company in 1982, there were few professional dance companies in Miami. Most are no longer viable. The landscape has changed tremendously since then. As Iles explains, “Miami [today] is a whole different world… I could go to every dance and performance then -- today I can’t keep up. “
Momentum has nourished many dancers who have gone on to dance in other companies, teach or form their own companies. Such is the case with Hannah Baumgarten, who performed with the company from 1996-2001. Baumgarten (along with Diego Salterini) is the founder and co-artistic director of Dance Now! Miami. Baumgarten speaks of Iles commitment: “She believes in the tradition of modern dance.”When they decided to start Dance Now!, Baumgarten says Iles“did everything to help us get our company started. She believed in us.”
On this day in the Carrie Meek Community Center, where Momentum holds rehearsals and provides dance classes to local children, the dancers complete a smooth run through the five pieces on the program. Iles calls them one of the strongest group she has ever worked with. They are relaxed with each other and speak of the strong sense of collaboration and friendship within the international troupe.
Gold Falling Through Water, the last work on the program, is making its premiere this weekend, set to French composer Gabriel Fauré’s Sonata # 1 and played by guest artists Dr. Alan Ngim and Anne Chicheportiche. Within this Romantic score are a range of emotions. Iles notes that it's one of the most difficult pieces of music that she had ever worked with. “It’san emotional roller coaster.” The dance deals with love, death, beauty, ugliness and implied violence.“It’s the kind of work you make when you’re older.” And with 35 years of experience.“You have the confidence to be more chaotic,“ Iles explains. Much like Miami.
Momentum Dance Company 35th Anniversary Performances, Saturday, April 22 at 8:00 p.m. and Sunday, April 23 at 3:00 p.m.; Sandrell Rivers Theater;6101 N.W. Seventh Ave., Miami; tickets $30 in advance, $35 at the door, students and seniors $12; 305-284-8800; www.momentumdance.com.
People often imagine new artwork is the product of the solitary artist genius slaving away in lonely studios. The South Florida Symphony’s 20th anniversary program foregrounds a different vis..
At an age when many are winding down their working lives, Ignacio Berroa eagerly anticipates a new stage in his career. It would be understandable if the 64-year-old drummer, recognized a..
We know it’s the holiday season when trees light up, menorah candles start to burn, ubiquitous Christmas carols pipe through drugstores, “The Nutcracker” plays on every stage – and in recent ..
Late last year, on Dec. 20, 2016, Romero Britto and Mark Bryn hosted the Great Artists Series Cocktail Reception at the Britto Fine Art Gallery to celebrate the legendary impresaria, Judy Dru..
Everyone remembers a lost weekend, binge reading a novel whose ending had to wait because the body just gave out. No matter how compelling the story somewhere around the 30th hour the brain s..
Globalization has produced many stories —not all inspiring. But having a Pakistani ensemble become a worldwide sensation by playing Paul Desmond’s immortal “Take Five,” which pianist Da..
When the management of New York’s iconic Apollo Theater approached drummer Gregg Field last year about organizing a concert there in honor of the 100th anniversary of Ella Fitzgerald’s birth..
They’ve opened a Chanel fashion show in Havana and been featured in Beyoncé’s visual album for “Lemonade.” The Alvin Ailey American Dance Theater has danced to their music. Their Florida debu..
There are few artists who have had the impact in their disciplines that guitarist Paco De Lucía had in flamenco. There is a before-and-after De Lucía in flamenco. He expanded the harmonic voc..
El segundo programa de la temporada 2017-2018 del Miami City Ballet (MCB) dedicado a los 100 años del nacimiento de Jerome Robbins (1918-1998), el gran coreógrafo norteamericano que triunfó ..
2017 fue un buen año para la danza en Miami. El Flamenco Festival nos permitió volver a ver a Jesús Carmona, el Internacional Ballet Festival of Miami (IBFM) sobrevivió al huracán Irma, Dance..
El Miami City Ballet (MCB) presentó por fin en el Arsht Center la nueva producción de su gran espectáculo navideño, el “Cascanueces” de Tchaikovsky y Balanchine, ahora con diseños origin..
La tradicional temporada de Cascanueces del Miami City Ballet (MCB) tendrá algo nuevo este año. La compañía que dirige Lourdes López ha decidido renovar los diseños de la superproducción que..
El programa que Dimensions Dance Theatre of Miami (DDTM) presentó el sábado pasado en su exitoso debut como compañía en residencia del South Miami Dade Cultural Arts Center (SMDCAC) y a solo ..
Hay pocos artistas que han tenido el impacto en sus disciplinas como el guitarrista Paco De Lucía tuvo en flamenco. En este género, hay un antes y después de De Lucía. Expandió el vocabul..
Dance NOW! Miami, la Florida Dance Education Organization (FDEO), Miami Dance Futures y la New World School of the Arts (NWSA) colaboraron el fin de semana pasado para presentar la Daniel Lew..
Esta es una gran noticia para el público amante del ballet en Miami. Tras un paréntesis de diez años en los que solo nos visitó de manera esporádica, la Primera Bailarina mexicana Katia Carra..
Solo hay que aplicar el concepto “seis grados de separación” a uno de los artistas que se han presentado en las Galas de Estrellas del Festival Internacional de Ballet de Miami (IBFM por sus ..