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My Barbarian wanted to take Miami on a boat ride. “We wanted to interact and be out in the public,” Alex Segade reveals over the phone from Los Angeles, where he just got out of rehearsal for My Barbarian’s first Miami show, coming up this Saturday at the Miami Light Project, as part of Miami-Dade College’s Museum of Art and Design’s “Living Together” performance series this season. ..

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Getting into a true holiday spirit can be tough in South Florida, where palm trees, expansive beaches and balmy skies signal perpetual summer. Ever-earlier store décor and the incessant push to buy presents – more about commercialism than celebration – can make many of us feel more anxious than festive. Not to worry. Just squeeze in a trip to Miami’s Arsht Center, where City Theatre h..

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Actors’ Playhouse has been a musical powerhouse for much of its history. Launching its 30th anniversary season at the Miracle Theatre in Coral Gables, the company is revisiting some of that history with a new production of a made-for-South Florida favorite: Andrew Lloyd Webber and Tim Rice’s “Evita.” As it did in 2000 when recent Tony Award winner Rachel Bay Jones starred as Eva Duart..

Playwright Suzan-Lori Parks won the Pulitzer Prize for “Topdog/Underdog” in 2002. But as Zoetic Stage’s superb new production of the play at Miami’s Arsht Center demonstrates, her funny, shocking tale of two brothers struggling to survive is as potent today as it was 15 years ago. Maybe more so, given the country’s deepening divide. Parks’ harrowing drama examines the complex relation..

We are born. We live, have families, grow old. We die, leaving those who loved us to mourn. Playwright Thornton Wilder brilliantly captured the eternal verities of our journey through life in “Our Town,” his 1938 Pulitzer Prize-winning play about life, love and death in a small New Hampshire town at the turn of the 20th century. If you’re at all drawn to theater, you’ve probably ..

“Miami Motel Stories: Little Havana” written by Juan C. Sanchez, directed by Tamilla Woodard, and produced by Juggerknot Theatre Company, is a site-specific, immersive theater experience that interweaves narrative, performance, history and architecture. Nine short plays take place in nine hotel rooms on the second floor of the Tower Hotel, right off Calle Ocho on Seventh Street. Sanchez, ..

MCB’S Rebecca King Interview Part I: Ballet and Social Media


Photo: Photo credit: Gene Schiavone
Written by: Sean Erwin
Article Rating

 

We all feel it -- that compulsive inner imperative to respond to multiple streams of instant messages, 5+ email accounts, Twitter feeds, Facebook updates, LinkedIn prompts -- social media demands form a part-time job that, for many of us, has become an essential part of living and working.

And the world of ballet is no exception. As recently as May 2015, Paloma Herrera, principal ballerina with American Ballet Theater, gave as her main reason for retirement the inability to keep up with the demands social media placed on her.

Clearly the effects of social media have begun to show even in ballet. Wanting to understand more clearly what these were, we recently turned to Miami City Ballet’s Rebecca King for help.

King hails from Northern California but graduated in 2006 from Philadelphia’s Rock School for Dance. King then trained at the Miami City Ballet School, spent a year there as an apprentice before being promoted to Corps De Ballet in 2008.

However, King is also known as a social media entrepreneur. Her blog, tendusunderapalmtree.com, has been connecting with audiences on issues relating to the world of ballet since 2010. She also has a very active Twitter account with over 3,000 followers. For this reason she was just the person to talk to about the effects the new social media technologies may be having on the tight-knit world of ballet.

Artburst: Was there was a specific moment or event that inspired the blog?

RK: It was 2010 and I was on summer layoff. I started doing the online blog because I realized that at the time there was nothing really like it out there. I knew that for the audience the dancers on stage seem like mystical creatures, difficult to connect with. Also, remember, the interest in ballet is not what it used to be and so I saw a potential to build a bridge to audiences and to make things more interesting.

You actually have two Websites -- one is your blog, Tendus Under a Palm Tree, and the other is Rebecca King Social Media Management (rebeccaking.net). Do you see the social management firm to be an outgrowth of what you do in your blog?

Miami City Ballet had me working as a liaison at one time between the dancers and the social media department. Just having the name of MCB is a big platform. Let’s face it, for companies like MCB, and even individuals like you and me, the way the world sees us is through our Website and our social media status. People throughout the world access our company this way even if they have never seen us dance live and never will.

You said you began to develop your social networking skill set by first acting as a liaison for Miami City Ballet and social media?

Yes, it was trial and error. I grew my personal blog from nothing to where it is now getting hundreds of hits daily. Over the last five years my Twitter account has grown to over 3,000 followers. I’ve even sold hundreds of units of merchandise and it has all been through social media. It was natural the point would come when others would see what I was doing and think it useful to their businesses as well. I started Rebecca King Social Media Management to respond to the requests I was getting from individual businesses. Also, since my ballet career won’t last forever, I see it as something to fall back on.

Miami City Ballet kicks off its 30th anniversary season on Oct. 23 with Program One, featuring Balanchine’s Swan Lake and Liam Scarlett’s Viscera; www.miamicityballet.org.

 


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About The writer

Sean Erwin is a writer and assistant professor of Philosophy at Barry University, with a focus on aesthetics and contemporary french philosophy.
Sean Erwin is an Assistant Professor of Philosophy at Barry University and received his Masters and Doctorate in Philosophy from Vanderbilt. He has presented and published on topics in political philosophy, Italian and French philosophy, and technology and performance studies. He currently serves as the senior editor of the Humanities and Technology Review.

Erwin is also a performance critic for Artburst, with performance previews and reviews appearing regularly there and in other South Florida publications. Artburst gives him the platform to critique the aesthetic principles he writes on as a professional philosopher through analysis of the concrete movements embodied by performers.

He is also an accomplished dancer and teacher in the Argentine Tango community. In 2000 he founded and served as editor of the Chicago webzine, Tango Noticias, a specialty dance periodical dedicated to examining Argentine Tango as a set of social practices rooted to the Southern cone’s history, politics, and culture.

Since his move to South Florida, he has both taught philosophy and served as a principal tango instructor for the Miami-based, Shimmy Club, a non-profit program that teaches Argentine Tango to vision-impaired teens. Through his involvement with the program, Erwin has been featured in articles and several news outlets including Univision, Telemundo, NBC News, KPFK Los Angeles, and the Miami Herald. For more information, see erwinsean.com.

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