Rafaela Nofal’s play “El tiempo de la mandarinas” (“Season for Tangerines”) tackles the very relevant and disturbing theme of human trafficking. Produced by Antiheroes Project, this moving play is in its last week at Artefactus Teatro, a well-purposed black box and gallery space in a smattering of warehouses in Kendall. Nofal’s text removes overt violence and male characters fr..
Joshua Harmon’s savagely funny “Bad Jews” is an emotional cage match set in a pricey Manhattan studio apartment. The combatants are Daphna Feygenbaum (Hannah Benitez), a soon-to-be Vassar grad who plans to move to Israel, marry a man no one in the family has met and become a rabbi, and her cousin Liam Haber (Joseph Paul Pino), a master’s degree candidate and atheist who intends to..
The play begins, as it must, with the velvet voice of Nat King Cole crooning “Mona Lisa.” After all, how many paintings inspire an Oscar-winning song? For that matter, how many masterpieces survive damage, theft and the rapacious covetousness of collectors for more than half a millennium? Leonardo da Vinci’s “La Gioconda,” popularly known as the Mona Lisa, is that inspi..
A casual conversation with a fellow theater artist prompted José Manuel Dominguez, founder and artistic director of Antiheroes Project, to produce the company’s latest piece, “El tiempo de las mandarinas,” (“Season for Tangerines”) by Argentine playwright Rafael Nofal. “I am drawn to themes of memory, dreams, and paradise lost, but for a long time I’ve wanted to do a play based on reality,” sa..
The 32nd International Hispanic Theatre Festival kicks off on Thursday, July 6 with the Mexican company Los Tristes Tigres’ irreverent spin on Shakespeare, “Algo de un tal Shakespeare” (“Something by One Shakespeare”). Founder and director Mario Ernesto Sánchez, the festival’s engine that could and still can, identifies this raucous play as part of the festival’s larger goal of attracting..
Nowadays, it’s tough not to feel worried, paranoid or in need of some escapist relief from the steady flow of oh-no-he-didn’t news out of Washington. Miami playwright Theo Reyna feels your pain. His response is “Firemen Are Rarely Necessary,” a jet-black satire now getting its Mad Cat Theatre Company world premiere at Miami Theater Center’s Sand Box. The play takes intricately aim..
Pearl Cleage’s play “Flyin’ West,” an M Ensemble production currently on stage at the beautiful new performing arts center in Liberty City, the Sandrell Rivers Theatre, is set in humble Nicodemus, Kansas, the only remaining western town established by African Americans during the reconstruction period following the Civil War. Set in 1898, the play focuses on the lives of Sophie (Brandiss ..
Esteban, (http://estebanlapelicula.com/en/) the debut of Cuban director Jonal Cosculluela being premiered at The Miami Light Project tells the story of a 9 year old, living in Havana with his mother, who’s raising him as a single parent, and his perseverance following his dream of becoming a musician. The challenges seem overwhelming. Esteban and his mother struggle to make ends meet (htt..
Desperate times call for desperate measures. For some, that might mean taking a second or third job. Or robbing a bank. Or moving in with family. For Casey, a straight lip-syncing Elvis impersonator in a Panama City bar, desperation means forsaking the King’s rhinestone-studded jumpsuit for leg hair-hiding pantyhose, fake boobs and big-hair wigs, the better to sell himself as a fa..
Writing about “Broken Snow,” the Ben Andron thriller now getting its world premiere at the J’s Cultural Arts Theatre (JCAT) in North Miami Beach, is a proposition almost as tricky as the play itself. The intricately structured 90-minute drama is loaded with surprises, twists and turns, all revealed at precisely the right moment so that the play builds to its shattering conclusion..
We all feel it -- that compulsive inner imperative to respond to multiple streams of instant messages, 5+ email accounts, Twitter feeds, Facebook updates, LinkedIn prompts -- social media demands form a part-time job that, for many of us, has become an essential part of living and working.
And the world of ballet is no exception. As recently as May 2015, Paloma Herrera, principal ballerina with American Ballet Theater, gave as her main reason for retirement the inability to keep up with the demands social media placed on her.
Clearly the effects of social media have begun to show even in ballet. Wanting to understand more clearly what these were, we recently turned to Miami City Ballet’s Rebecca King for help.
King hails from Northern California but graduated in 2006 from Philadelphia’s Rock School for Dance. King then trained at the Miami City Ballet School, spent a year there as an apprentice before being promoted to Corps De Ballet in 2008.
However, King is also known as a social media entrepreneur. Her blog, tendusunderapalmtree.com, has been connecting with audiences on issues relating to the world of ballet since 2010. She also has a very active Twitter account with over 3,000 followers. For this reason she was just the person to talk to about the effects the new social media technologies may be having on the tight-knit world of ballet.
Artburst: Was there was a specific moment or event that inspired the blog?
RK: It was 2010 and I was on summer layoff. I started doing the online blog because I realized that at the time there was nothing really like it out there. I knew that for the audience the dancers on stage seem like mystical creatures, difficult to connect with. Also, remember, the interest in ballet is not what it used to be and so I saw a potential to build a bridge to audiences and to make things more interesting.
You actually have two Websites -- one is your blog, Tendus Under a Palm Tree, and the other is Rebecca King Social Media Management (rebeccaking.net). Do you see the social management firm to be an outgrowth of what you do in your blog?
Miami City Ballet had me working as a liaison at one time between the dancers and the social media department. Just having the name of MCB is a big platform. Let’s face it, for companies like MCB, and even individuals like you and me, the way the world sees us is through our Website and our social media status. People throughout the world access our company this way even if they have never seen us dance live and never will.
You said you began to develop your social networking skill set by first acting as a liaison for Miami City Ballet and social media?
Yes, it was trial and error. I grew my personal blog from nothing to where it is now getting hundreds of hits daily. Over the last five years my Twitter account has grown to over 3,000 followers. I’ve even sold hundreds of units of merchandise and it has all been through social media. It was natural the point would come when others would see what I was doing and think it useful to their businesses as well. I started Rebecca King Social Media Management to respond to the requests I was getting from individual businesses. Also, since my ballet career won’t last forever, I see it as something to fall back on.
Miami City Ballet kicks off its 30th anniversary season on Oct. 23 with Program One, featuring Balanchine’s Swan Lake and Liam Scarlett’s Viscera; www.miamicityballet.org.
Sean Erwin is a writer and assistant professor of Philosophy at Barry University, with a focus on aesthetics and contemporary french philosophy.
Sean Erwin is an Assistant Professor of Philosophy at Barry University and received his Masters and Doctorate in Philosophy from Vanderbilt. He has presented and published on topics in political philosophy, Italian and French philosophy, and technology and performance studies. He currently serves as the senior editor of the Humanities and Technology Review.
Erwin is also a performance critic for Artburst, with performance previews and reviews appearing regularly there and in other South Florida publications. Artburst gives him the platform to critique the aesthetic principles he writes on as a professional philosopher through analysis of the concrete movements embodied by performers.
He is also an accomplished dancer and teacher in the Argentine Tango community. In 2000 he founded and served as editor of the Chicago webzine, Tango Noticias, a specialty dance periodical dedicated to examining Argentine Tango as a set of social practices rooted to the Southern cone’s history, politics, and culture.
Since his move to South Florida, he has both taught philosophy and served as a principal tango instructor for the Miami-based, Shimmy Club, a non-profit program that teaches Argentine Tango to vision-impaired teens. Through his involvement with the program, Erwin has been featured in articles and several news outlets including Univision, Telemundo, NBC News, KPFK Los Angeles, and the Miami Herald. For more information, see erwinsean.com.
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