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Early on in the Argentinean film “El Último Traje” (The Last Suit), which makes its U.S. theatrical debut this week, a deceptively quaint and humorous scene takes place between the film’s protagonist, 88-year-old Abraham Bursztein and his young granddaughter. The little girl refuses to join in a family photo with Abraham surrounded by his many grandchildren. When he cajoles and insists, ..

Gone are the days when filmmakers needed huge budgets, and major movie studios backing them with big bucks to get their films seen, according to two producers who spent decades in Los Angeles, and have now moved their base to Miami Beach. "From a creative standpoint, there are amazing opportunities for filmmakers today," says producer Kevin Chinoy, who, along with producing partner Frances..

Mark St. Germain has achieved ongoing success with small-cast plays involving historical figures in fictional scenarios, and South Florida has been as welcoming to his work as the rest of the country. St. Germain’s “Camping With Henry and Tom,” about a 1920s camping trip involving Henry Ford, Thomas Edison and President Warren G. Harding, was produced in 1996 by New Theatre in Coral Gables..

Mexico City-based theater collective Teatro Ojo's works are constantly evolving. Nothing is ever really finished. That's because they take from every performance. Whatever the audience experiences, observes, feels, and offers feedback, which they highly encourage, all is used, considered, and included in the evolution of the same piece, or introduced into another new work. Two of the ..

“America’s Greatest and Least Known Playwright.”This is how the Cuban-American playwright Maria Irene Fornes is referred to several times throughout Michelle Memran’s documentary “The Rest I Make Up,” which makes its Florida debut this Saturday as part of Miami-Dade College’s Miami Film Festival. Fornes has been called the “Mother of Avant-Garde Theater.” Theater giants like Edward A..

“Once” has always been touched with magic. And as anyone who has seen the sublime new production of the show by Actors’ Playhouse in Coral Gables would tell you, the musical’s spellbinding pull is as powerful as ever. When Irish director-screenwriter John Carney first told the tale of a heartbroken Irish street musician and the spunky Czech pianist who reignites his passion, a 200..

Consider the idea of land in Palestine, and conflict may be the first thing to come to mind. But for Jumana Emil Abboud, the Palestinian landscape evokes other, older, associations – with mythological creatures like water spirits and ghouls. “These stories were told way before 1948,” says the Galilee-born artist, speaking by phone from her home in Jerusalem. She suggests looking back ..

Steven Levenson’s “If I Forget” began its Off-Broadway run a year ago, closing just six weeks before the now 33-year-old playwright won the Tony Award for writing the book of the acclaimed musical “Dear Evan Hansen.” Cut to February 2018, and South Florida already has its own exquisite production of “If I Forget,” thanks to GableStage artistic director Joseph Adler. Levenson’s fun..

In a career that continues to soar two decades after his first play was produced, Michael McKeever has premiered his dramas, comedies and short plays at theaters all over South Florida. Nearly always, he’s involved in those productions as the author, sometimes as an actor, at times as a set designer. The plays get their start here, then go on to productions (sometimes multiple product..

When M. John Richard decided to leave the New Jersey Performing Arts Center in late 2008 to become president and chief executive officer of Miami’s Adrienne Arsht Center for the Performing Arts, he arrived in South Florida with a vision, myriad ideas and a long-term exit strategy. “I knew in 2008 that I had a 10-year run in my tank,” says Richard, 65, who plans to retire from his Arsh..

Estampas Porteñas Tango Brings Passion, Drama to South Miami

Photo: Antonio Fresco
Written by: Diana Dunbar
Article Rating

Tango, one of the most democratic forms of music and dance, grew out of the diverse working class neighborhoods of Buenos Aires in the late 1800s. The rich blending of different cultures mixed with local music produced unique sounds and dances born from the displacement and loneliness of immigrants in a strange place.

Estampas Porteñas Tango Company embodies that essence, which will be on display when the company arrives at the South-Miami Dade Cultural Center on Saturday. It was founded in 1996 by Carolina Soler, a ballet dancer and choreographer, who performed with numerous ballet troupes including the esteemed Teatro Colon of Buenos Aires. She also studied tango with well-known masters in Buenos Aires and has danced with various tango groups.

DeseosStories of Longing and Desire presents a theatrical performance filled with expressive dance, soul searching music and a compelling narrative: a young woman (Margot) leaves the countryside of Argentina for the fleeting promises of Buenos Aires. Estampas Porteñasinfuses her experiences with a variety of Argentine dance styles including the exciting malambo of the gauchos (cowboys), whose use of the boleadores (a strap with balls attached that’s used to entwine and immobilize animals) echoes the intwining and sharp movements of the dancers’ legs. Deseos reveals a journeyacross the cityscape of Buenos Aires: a train station, docks, a barrio, a brothel and a ballroom. All seen through projections that transports the dancers and audience alike back to the Argentina of the 1930s and 1940s.

Margot’s flight from her rural home to the big city of Buenos Aires is a storyline that encapsulates the audience in a time and place that helped develop this unique genre. Tango and Argentina are almost synonymous; and Deseos is a comprehensive travelogue, touching upon places associated with an art form that pulls and wraps people together. This is seen from the opening scene in the village square, where a group of men compete in who can perform the most intricate footwork. The festivities continue with flirtatious dance steps, zapateos (foot stomping), ganchos, malambo twists and singing.

The village square gives way to a train station in the city (with the use of a backdrop of images created by a 3-D projection), the vibrant sounds of the city are heard as newspaper sellers shout out the news and announce a milonga (dance party) that evening. Along the way to the milonga Margot witness a reos- a street gang fight. She finds her way to a cabaret and her adventures (or misadventures) continue to unfold through the intricacies of tango.

Meanwhile, Margot’s boyfriend, Charlo, has arrived in the city seeking her. Due to unfortunate circumstances Margot finds herself in a house of prostitution, where she performs a seductive dance with the other women of the house. Margot and Charlo engage in a game of seek and find throughout the city. They both arrive at a nightclub where everyone is dancing, but disguised by masks. In this anonymous atmosphere dancers turn, glide forward, stop and make abrupt reversal of movements as legs whip around bodies to the music of Piazzolla. This is the city where lovers reunite and the tango consumes a people whether in the 1940s or 2016.

Estampas Porteñas Tango Company, Saturday, Nov. 26 at 8:00 p.m.; South Miami-Dade Cultural Arts Center; 10950 S.W. St., Cutler Bay; tickets $27.50-$60;


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