My Barbarian wanted to take Miami on a boat ride. “We wanted to interact and be out in the public,” Alex Segade reveals over the phone from Los Angeles, where he just got out of rehearsal for My Barbarian’s first Miami show, coming up this Saturday at the Miami Light Project, as part of Miami-Dade College’s Museum of Art and Design’s “Living Together” performance series this season. ..
The time seems right for Karen Finley to be visiting Miami, to be performing in the black box space of the Miami Light Project at the Goldman Warehouse, and to present her latest performance-art manifesto about the current political landscape, “Unicorn Gratitude Mystery.” In the show, which she began developing as a response to the U.S. presidential election in 2016, Finley plays a unicor..
Getting into a true holiday spirit can be tough in South Florida, where palm trees, expansive beaches and balmy skies signal perpetual summer. Ever-earlier store décor and the incessant push to buy presents – more about commercialism than celebration – can make many of us feel more anxious than festive. Not to worry. Just squeeze in a trip to Miami’s Arsht Center, where City Theatre h..
One of the centerpieces of this year’s Art Week is not a static art work, and it is also one of the most sensuous and disorienting. Lebanese performance artist Tania El Khoury is producing her “Gardens Speak” for the week, courtesy of MDC Live Arts, a piece that has been applauded in cultural capitals throughout Europe and the United States. “It is a work,” she says, “that can only co..
Since its founding in 1996, City Theatre has been an important part of South Florida’s theatrical landscape, though the company’s visibility has always been highest in the month of June. That’s when its popular Summer Shorts festival takes place; for more than a decade, its high-profile venue has been the Carnival Studio Theater at Miami’s Arsht Center. Though the company founded by S..
If you were to predict who might become a nationally famous – OK, world-famous – multiplatform sex therapist, Dr. Ruth Westheimer would probably not be your first choice. Born in Germany in 1928 as Karola Ruth Siegel, the 4’7” Dr. Ruth seems more like the doting Jewish grandmother she is than a woman who used her nationally syndicated radio show, TV shows and 40-some books to help hun..
Actors’ Playhouse has been a musical powerhouse for much of its history. Launching its 30th anniversary season at the Miracle Theatre in Coral Gables, the company is revisiting some of that history with a new production of a made-for-South Florida favorite: Andrew Lloyd Webber and Tim Rice’s “Evita.” As it did in 2000 when recent Tony Award winner Rachel Bay Jones starred as Eva Duart..
Playwright Suzan-Lori Parks won the Pulitzer Prize for “Topdog/Underdog” in 2002. But as Zoetic Stage’s superb new production of the play at Miami’s Arsht Center demonstrates, her funny, shocking tale of two brothers struggling to survive is as potent today as it was 15 years ago. Maybe more so, given the country’s deepening divide. Parks’ harrowing drama examines the complex relation..
We are born. We live, have families, grow old. We die, leaving those who loved us to mourn. Playwright Thornton Wilder brilliantly captured the eternal verities of our journey through life in “Our Town,” his 1938 Pulitzer Prize-winning play about life, love and death in a small New Hampshire town at the turn of the 20th century. If you’re at all drawn to theater, you’ve probably ..
“Miami Motel Stories: Little Havana” written by Juan C. Sanchez, directed by Tamilla Woodard, and produced by Juggerknot Theatre Company, is a site-specific, immersive theater experience that interweaves narrative, performance, history and architecture. Nine short plays take place in nine hotel rooms on the second floor of the Tower Hotel, right off Calle Ocho on Seventh Street. Sanchez, ..
Ballet Flamenco La Rosa’s studio evokes the feel of a tablao in Spain. The strumming of the guitar, the rapid-fire rhythms of footwork against the floor, and the soft voice of the singer reaches across time and place. The piece being rehearsed, “La Casa de la Muñeca” (inspired by Henrik Ibsen’s “A Doll’s House”), also is timeless and carries universal themes, dealing with anxieties that resonate in the most innate way. “La Casa de la Muñeca,” as adopted by artistic director Ilisa Rosal, is a marriage between drama and flamenco -- an art form filled with passion. It will be performed this weekend at the Colony Theatre in Miami Beach.
Rosal has gathered together exceptional artists from across Spain for this production. Using recommendations from friends and conducting her own Internet search of artists performing in tablaos in Madrid, Rosal found her Nora in Irene La Sentio. “I could tell in less than a minute that she had the qualities Iwanted.” A native of Sevilla, La Sentio has toured internationally and is making her Miami debut with “La Casa de la Muñeca.” “Flamenco has all the elements to express the drama of ‘A Doll’s House,’” she says.
“Dramatic narrative ballet is part of the flamenco tradition,” explains Rosal. “Earlier works [such as “Carmen” and “The House of Bernarda Alba”] remained close to the Spanish themes…I’m taking it a step further – taking what is traditionally not a Spanish theme and making it so…. It’s good for the art form to stretch and grow, then come back to its roots.”
Ibsen’s “A Doll’s House” was met with much controversy and outrage when it was first performed in Copenhagen in 1879, and it continues to engage us today. With the protagonist Nora’s journey and its tense plot and complex characters, there is something universal in its themes: the unraveling of a family, illusions of contentment, the search for identity, relationships between the sexes, and women’s role in society are all pertinent today.
Singer and lyricist Alicia Morales says she read the play many times before formatting it to flamenco. Born in Granada, she trained with some of the best flamenco artists in Spain, and was just 14 years old when she made her first recording. This is her second collaboration with Rosal, having worked on the powerful production of “The Seagull” last season.
This is Eloy Aguilar's fifth appearance with Ballet Flamenco La Rosa. He brings to the stage a masterful presence as Krogstad, who is blackmailing Nora. He says he enjoys playing the “bad guy” in the production and whose character is “more in theme with flamenco’s temperament.” Oscar de los Reyes is playing the role of Torvald, Nora’s husband. He is from Sevilla and began his flamenco training there. “La Casa de la Muñeca” is different from what he usually does as a dancer, he says; to interpret his role he must also be an actor.
Nora undergoes a transformation, and the young artists working with Rosal seem to be making their own transitions. They developed their artistry playing in tablaos, and while “La Casa de la Muñeca” is presented on a different type of stage, it’s allowing them to expand their skills and expertise to push themselves into new territory -- much like Nora’s awakening to her unfulfilled potentials. “Any time a dancer works with a new choreographer it’s challenging, in any genre,” says Rosal.
In the studio Israel Heredia quietly plays his guitar. Now living in Miami, he’s far from his native Sacromonte, Spain. Raised in a family of gypsy flamenco artists, he started playing flamenco guitar at the age of nine. He worked (by Skype) with Rosal on the music for the production. He says he “listens to all type of music, all the time, to get ideas.” Heredia speaks of reaching inside oneself to find something that is “dormant “ inside of you to relate to the music.
Rosal’s studio appears to be a junction between the different interpretations of flamenco. As the wordsof Ibsen come to life through flamenco, it’s hard to tell where the tablao ends and the stage begins.
Ballet Flamenco La Rosa’s ‘La Casa de la Muñeca,’ Saturday, April 1, 8:00 p.m. and Sunday, April 2, 3:00 p.m.; The Colony Theatre, 1040 Lincoln Road, Miami; tickets 786-320-6982; www.balletflamencolarosa.com.
People often imagine new artwork is the product of the solitary artist genius slaving away in lonely studios. The South Florida Symphony’s 20th anniversary program foregrounds a different vis..
At an age when many are winding down their working lives, Ignacio Berroa eagerly anticipates a new stage in his career. It would be understandable if the 64-year-old drummer, recognized a..
We know it’s the holiday season when trees light up, menorah candles start to burn, ubiquitous Christmas carols pipe through drugstores, “The Nutcracker” plays on every stage – and in recent ..
Late last year, on Dec. 20, 2016, Romero Britto and Mark Bryn hosted the Great Artists Series Cocktail Reception at the Britto Fine Art Gallery to celebrate the legendary impresaria, Judy Dru..
Everyone remembers a lost weekend, binge reading a novel whose ending had to wait because the body just gave out. No matter how compelling the story somewhere around the 30th hour the brain s..
Globalization has produced many stories —not all inspiring. But having a Pakistani ensemble become a worldwide sensation by playing Paul Desmond’s immortal “Take Five,” which pianist Da..
When the management of New York’s iconic Apollo Theater approached drummer Gregg Field last year about organizing a concert there in honor of the 100th anniversary of Ella Fitzgerald’s birth..
They’ve opened a Chanel fashion show in Havana and been featured in Beyoncé’s visual album for “Lemonade.” The Alvin Ailey American Dance Theater has danced to their music. Their Florida debu..
There are few artists who have had the impact in their disciplines that guitarist Paco De Lucía had in flamenco. There is a before-and-after De Lucía in flamenco. He expanded the harmonic voc..
El segundo programa de la temporada 2017-2018 del Miami City Ballet (MCB) dedicado a los 100 años del nacimiento de Jerome Robbins (1918-1998), el gran coreógrafo norteamericano que triunfó ..
2017 fue un buen año para la danza en Miami. El Flamenco Festival nos permitió volver a ver a Jesús Carmona, el Internacional Ballet Festival of Miami (IBFM) sobrevivió al huracán Irma, Dance..
El Miami City Ballet (MCB) presentó por fin en el Arsht Center la nueva producción de su gran espectáculo navideño, el “Cascanueces” de Tchaikovsky y Balanchine, ahora con diseños origin..
La tradicional temporada de Cascanueces del Miami City Ballet (MCB) tendrá algo nuevo este año. La compañía que dirige Lourdes López ha decidido renovar los diseños de la superproducción que..
El programa que Dimensions Dance Theatre of Miami (DDTM) presentó el sábado pasado en su exitoso debut como compañía en residencia del South Miami Dade Cultural Arts Center (SMDCAC) y a solo ..
Hay pocos artistas que han tenido el impacto en sus disciplinas como el guitarrista Paco De Lucía tuvo en flamenco. En este género, hay un antes y después de De Lucía. Expandió el vocabul..
Dance NOW! Miami, la Florida Dance Education Organization (FDEO), Miami Dance Futures y la New World School of the Arts (NWSA) colaboraron el fin de semana pasado para presentar la Daniel Lew..
Esta es una gran noticia para el público amante del ballet en Miami. Tras un paréntesis de diez años en los que solo nos visitó de manera esporádica, la Primera Bailarina mexicana Katia Carra..
Solo hay que aplicar el concepto “seis grados de separación” a uno de los artistas que se han presentado en las Galas de Estrellas del Festival Internacional de Ballet de Miami (IBFM por sus ..