The Source for Media Coverage of The Arts in Miami.
Articles, reviews, previews and features on dance and music performances and events.
Sign Up
No one logged in. Log in

Actors’ Playhouse has been a musical powerhouse for much of its history. Launching its 30th anniversary season at the Miracle Theatre in Coral Gables, the company is revisiting some of that history with a new production of a made-for-South Florida favorite: Andrew Lloyd Webber and Tim Rice’s “Evita.” As it did in 2000 when recent Tony Award winner Rachel Bay Jones starred as Eva Duart..

Playwright Suzan-Lori Parks won the Pulitzer Prize for “Topdog/Underdog” in 2002. But as Zoetic Stage’s superb new production of the play at Miami’s Arsht Center demonstrates, her funny, shocking tale of two brothers struggling to survive is as potent today as it was 15 years ago. Maybe more so, given the country’s deepening divide. Parks’ harrowing drama examines the complex relation..

We are born. We live, have families, grow old. We die, leaving those who loved us to mourn. Playwright Thornton Wilder brilliantly captured the eternal verities of our journey through life in “Our Town,” his 1938 Pulitzer Prize-winning play about life, love and death in a small New Hampshire town at the turn of the 20th century. If you’re at all drawn to theater, you’ve probably ..

“Miami Motel Stories: Little Havana” written by Juan C. Sanchez, directed by Tamilla Woodard, and produced by Juggerknot Theatre Company, is a site-specific, immersive theater experience that interweaves narrative, performance, history and architecture. Nine short plays take place in nine hotel rooms on the second floor of the Tower Hotel, right off Calle Ocho on Seventh Street. Sanchez, ..

Artistic director and founder of Juggerknot Theatre Company, Tanya Bravo, had her first brush with immersive theater in New York City when she met director Tamilla Woodard. Working on the play “Broken City,” Bravo and other actors led audience members on a theatrical journey through the streets of the Lower East Side. “I was so blown away by the concept and the lines that were crossed between ..

We humans do love our rituals. When an extended family gathers for the holidays, familiar traditions promise a comforting respite from an increasingly complex, chaotic world. Still, realistically, troubles and fears refuse to be left behind. They surface like unwelcome guests. So do resentments and stinging remarks born of deep knowledge. With Thanksgiving on the horizon, you wonder: ..

After a tryout run in Chicago, 34 previews and 746 performances on Broadway, and a tour launch in Buffalo, “On Your Feet!” has finally opened in the place where Cuban-born music superstars Gloria and Emilio Estefan made their dreams come true: Miami. At Friday’s red carpet opening at the Adrienne Arsht Center for the Performing Arts, with the Estefans and their extended family in atte..

Whether the comedy is high or low, performer-writer Steve Martin has been making moviegoers, “Saturday Night Live” fans and theater lovers laugh for more than half a century – hard to believe it’s been that long, but he started early. Martin’s way with both cerebral jokes and physical comedy is abundantly on display in “The Underpants,” his 2002 adaptation of Carl Sternheim’s once-ban..

Robert Schenkkan’s “Building the Wall” begins as a wary conversation between two strangers: Rick, a white male convict awaiting a likely death sentence, and Gloria, a black female historian and college professor. For 90 minutes, the two talk. She probes; he explains and justifies and slowly paints a picture of a man-made Seventh Circle of Hell. By the time the play ends, the audience ..

Branden Jacobs-Jenkins’ award-winning play “An Octoroon” layers an antebellum melodrama with 21st-century parlance and perspective. The result is an innovative play-within-a-play that skillfully reminds us of slavery’s horrible past and its ever-present legacy. Area Stage Company’s production, thoughtfully directed by John Rodaz, brings together a talented cast to ensure this melodra..

Ballet Flamenco La Rosa: Drama, Passion in ‘La Casa de la Muñeca’


Photo: Israel Heredia quietly plays his guitar.
Written by: Diana Dunbar
Article Rating

Ballet Flamenco La Rosa’s studio evokes the feel of a tablao in Spain. The strumming of the guitar, the rapid-fire rhythms of footwork against the floor, and the soft voice of the singer reaches across time and place. The piece being rehearsed, “La Casa de la Muñeca” (inspired by Henrik Ibsen’s “A Doll’s House”), also is timeless and carries universal themes, dealing with anxieties that resonate in the most innate way. “La Casa de la Muñeca,” as adopted by artistic director Ilisa Rosal, is a marriage between drama and flamenco -- an art form filled with passion. It will be performed this weekend at the Colony Theatre in Miami Beach.

Rosal has gathered together exceptional artists from across Spain for this production. Using recommendations from friends and conducting her own Internet search of artists performing in tablaos in Madrid, Rosal found her Nora in Irene La Sentio. “I could tell in less than a minute that she had the qualities Iwanted.” A native of Sevilla, La Sentio has toured internationally and is making her Miami debut with “La Casa de la Muñeca.” “Flamenco has all the elements to express the drama of ‘A Doll’s House,’” she says.

“Dramatic narrative ballet is part of the flamenco tradition,” explains Rosal. “Earlier works [such as “Carmen” and “The House of Bernarda Alba”] remained close to the Spanish themes…I’m taking it a step further – taking what is traditionally not a Spanish theme and making it so…. It’s good for the art form to stretch and grow, then come back to its roots.”

Ibsen’s “A Doll’s House” was met with much controversy and outrage when it was first performed in Copenhagen in 1879, and it continues to engage us today. With the protagonist Nora’s journey and its tense plot and complex characters, there is something universal in its themes: the unraveling of a family, illusions of contentment, the search for identity, relationships between the sexes, and women’s role in society are all pertinent today.

Singer and lyricist Alicia Morales says she read the play many times before formatting it to flamenco. Born in Granada, she trained with some of the best flamenco artists in Spain, and was just 14 years old when she made her first recording. This is her second collaboration with Rosal, having worked on the powerful production of “The Seagull” last season.

This is Eloy Aguilar's fifth appearance with Ballet Flamenco La Rosa. He brings to the stage a masterful presence as Krogstad, who is blackmailing Nora. He says he enjoys playing the “bad guy” in the production and whose character is “more in theme with flamenco’s temperament.” Oscar de los Reyes is playing the role of Torvald, Nora’s husband. He is from Sevilla and began his flamenco training there. “La Casa de la Muñeca” is different from what he usually does as a dancer, he says; to interpret his role he must also be an actor.

Nora undergoes a transformation, and the young artists working with Rosal seem to be making their own transitions. They developed their artistry playing in tablaos, and while “La Casa de la Muñeca” is presented on a different type of stage, it’s allowing them to expand their skills and expertise to push themselves into new territory -- much like Nora’s awakening to her unfulfilled potentials. “Any time a dancer works with a new choreographer it’s challenging, in any genre,” says Rosal.

In the studio Israel Heredia quietly plays his guitar. Now living in Miami, he’s far from his native Sacromonte, Spain. Raised in a family of gypsy flamenco artists, he started playing flamenco guitar at the age of nine. He worked (by Skype) with Rosal on the music for the production. He says he “listens to all type of music, all the time, to get ideas.” Heredia speaks of reaching inside oneself to find something that is “dormant “ inside of you to relate to the music.

Rosal’s studio appears to be a junction between the different interpretations of flamenco. As the wordsof Ibsen come to life through flamenco, it’s hard to tell where the tablao ends and the stage begins.

Ballet Flamenco La Rosa’s ‘La Casa de la Muñeca,’ Saturday, April 1, 8:00 p.m. and Sunday, April 2, 3:00 p.m.; The Colony Theatre, 1040 Lincoln Road, Miami; tickets 786-320-6982; www.balletflamencolarosa.com.

 


Leave a comment...
Must be Logged in
No one logged in. Log in
Leave a comment...
Was this helpful?
No Very

Captcha Image

About The writer

Late last year, on Dec. 20, 2016, Romero Britto and Mark Bryn hosted the Great Artists Series Cocktail Reception at the Britto Fine Art Gallery to celebrate the legendary impresaria, Judy Dru..

Everyone remembers a lost weekend, binge reading a novel whose ending had to wait because the body just gave out. No matter how compelling the story somewhere around the 30th hour the brain s..

Globalization has produced many stories —not all inspiring. But having a Pakistani ensemble become a worldwide sensation by playing Paul Desmond’s immortal “Take Five,” which pianist Da..

When the management of New York’s iconic Apollo Theater approached drummer Gregg Field last year about organizing a concert there in honor of the 100th anniversary of Ella Fitzgerald’s birth..

They’ve opened a Chanel fashion show in Havana and been featured in Beyoncé’s visual album for “Lemonade.” The Alvin Ailey American Dance Theater has danced to their music. Their Florida debu..

There are few artists who have had the impact in their disciplines that guitarist Paco De Lucía had in flamenco. There is a before-and-after De Lucía in flamenco. He expanded the harmonic voc..

Yoli Mayor is a 22-year old Miami native who won over the judges of NBC’s “America’s Got Talent” with her power voice (think Adele mixed with Etta James). This weekend, Miami audiences will h..

You might expect something a tad unusual from a jazz band comprised of Bulgarians and Cubans that’s led by the principal percussionist of the Miami Symphony Orchestra. And that’s what you’ll ..

Not everybody who begins a musical career at age three singing in his grandfather’s Pentecostal Church finds his way to the Metropolitan Opera in New York. Soloman Howard did in two short decades...

Hay pocos artistas que han tenido el impacto en sus disciplinas como el guitarrista Paco De Lucía tuvo en flamenco. En este género, hay un antes y después de De Lucía. Expandió el vocabul..

Dance NOW! Miami, la Florida Dance Education Organization (FDEO), Miami Dance Futures y la New World School of the Arts (NWSA) colaboraron el fin de semana pasado para presentar la Daniel Lew..

Esta es una gran noticia para el público amante del ballet en Miami. Tras un paréntesis de diez años en los que solo nos visitó de manera esporádica, la Primera Bailarina mexicana Katia Carra..

Solo hay que aplicar el concepto “seis grados de separación” a uno de los artistas que se han presentado en las Galas de Estrellas del Festival Internacional de Ballet de Miami (IBFM por sus ..

El debut de Dimensions Dance Theatre of Miami (DDTM) en noviembre del año pasado fué un acontecimiento artístico y un descubrimiento sumamente agradable. Una sola función en el Miami-Dade Cou..

El festival “Out in the Tropics”, patrocinado por Fundarte en conjunto con el Centro Cultural Español y el Miami Book Fair International, normalmente trae artistas del mundo LGBTQ e hispanoha..

La Gala anual de Cuban Classical Ballet of Miami (CCBM) es un evento que esperan con ansiedad los aficionados al ballet en Miami y, sobre todo, los admiradores del estilo cubano. Desde su deb..

El 11 y 12 de mayo próximo tendrá lugar en el Miami -Dade County Auditorium el estreno en Estados Unidos de Scrutiny: The World Gone Astray(en español,Escrutinio: El mundo se ha ido a la deri..

Para el pianista y compositor cubano Omar Sosa la noción de una cultura global, sin fronteras, no es un concepto abstracto sino un tema personal. En su música, elementos de hip hop y rumba, ..