Playwright Nilo Cruz Explores Life In Afghanistan Through Monologues at Arca Images

Andrea Ferro in “Farhad, or the Secret of Being” by Nilo Cruz. The monologue is one of three featured in “Tres Veces Cruz” (Three Times Cruz),” presented by Arca Images at the Westchester Cultural Arts Center opening Thursday, March 6. (Photo courtesy of Asela Torres)

Andrea Ferro, who barely stands over five feet tall, says that there are perks to being short when you’re in the theater.

The most obvious, of course, are acquiring roles that call for smaller stature.

This includes her latest part, where Ferro grabs the lead in “Farhad, or the Secret of Being.”  She uses her petite frame to house the powerful voice of a 15-year-old girl who, because of the local Bacha Posh tradition, is forced to masquerade as a boy. The benefits, in a culture that favor males, are aplenty, but with the onset of puberty her access to freedom is nevertheless cut short.

Ferro says that preparing for the role has been an eye-opening experience.

Andrea Ferro in “Farhad, or the Secret of Being” by Nilo Cruz. The monologue is one of three featured in “Tres Veces Cruz” (Three Times Cruz).” (Photo courtesy of Asela Torres)

“This role, in particular, is one of the most beautiful pieces that I’ve been lucky enough to work on in my career thus far,” she says. “And the role itself is very powerful, especially because it’s a story that not many people know.”

The piece, written and directed by Pulitzer Prize-winning playwright Nilo Cruz, is one of three monologues focused on life in Afghanistan.

Presented by Arca Images, “Tres Veces Cruz” (Three Times Cruz), the bilingual production, will be open Thursday, March 6 and continue through Sunday, March 16th at the Westchester Cultural Arts Center.

Cruz says that he initially discovered the concept for “Farhad, or the Secret of Being” after stumbling on a piece in the New York TImes.

“When I read the story, I was so intrigued that I started to do a little bit of research,” explains Cruz.

The Bacha Posh tradition requires girls to masquerade as boys until the onset of puberty. (Photo courtesy of Asela Torres)

“I wanted to write a monologue about a young girl in Afghanistan that has 24 hours to enjoy the freedom that boys have, and men have in that part of the world, before she starts dressing as a girl, and therefore is oppressed by the country that she lives in. And I just thought it was fascinating, and thought it was important to document this, and so I came up with this piece.”

The others include “Melisma, or the Song of a Syllable,”  where Carlos Acosta Milián, stars as a wounded American soldier who confronts his own humanity by “discovering beauty in the most unexpected moments.”

[RELATED: Artburst En Español:  Jose Antonio Evora, “Tres monólogos de Nilo Cruz”]

And in “The Journey of the Shadow,” Marcelo Miguel is an eight-year-old boy who desperately tries to communicate with his father who is a soldier in Afghanistan.

Andy Barbosa, who plays Marcelo, immediately felt a bond with the boy.

“It’s about falling in love with the character;” says Barbosa. “There has to be something that connects with me as an actor.”

He says he explores what it is about the character that also connects with the society that character is living in.

Andy Barbosa as Marcelo Miguel, an eight-year-old boy, who uses his imagination to communicate with his father. (Photo courtesy of Asela Torres)

“All that fantasy that the little boy was able to create, in order to have this final conversation with his father. is what is the most interesting thing for me, and what caught my attention was how this character is able to deal with something so hard, being aware that he could lose his father fighting in a war in Afghanistan.”

With the three monologues weaving such a rich tapestry of messages, Alexa Kuve, executive producer and artistic director of Arca Images says it is important to present the production in a way for all audiences to participate.

To do so, “The Journey of the Shadow” and “Melisma or the Song of a Syllable,” will be presented in Spanish, while “Farhad or the Secret of Being” will remain in English.

“We’re trying to involve the community more in our presentations,” says Kuve, whose company offers either simultaneous translations in English or subtitles for all of its shows.

“It’s important to us for the Anglo community, to get to know our work, and get exposed to different playwrights from Latin America.”

Pulitzer Prize-winning playwright Nilo Cruz, left, and Alexa Kuve, executive producer and artistic director of Arca Images. (Photo courtesy of Asela Torres)

As for Cruz, who is Cuban American, the use of language and culture is a crucial component to his success.  He has leveraged both to provide audiences a front row seat into Latino culture. This is evidenced by numerous collaborations, translations and overall body of work including his Pulitzer Prize winning “Anna in the Tropics,” a play centered on Cuban immigrants laboring in a cigar factory. He won the 2003 Pulitzer Prize for Drama, the the first Latin American ever to win the Pulitzer for playwrighting.

With this monumental recognition in his pocket, Cruz continues to be grateful for other accolades he receives, including South Florida’s Carbonell Awards, which presented him with the 2024 George Abbott Award for Outstanding Achievement in the Arts.

“I was elated because I just write and I don’t worry about receiving external satisfaction, so it’s really great when someone taps you on the shoulder and then you’re reminded of all the work you’ve done throughout the year, and you’re awarded for it. It’s a really good feeling.”

Kuve believes that there is one main reason why Cruz’ work resonates with so many.

“He can write about so many subjects from so many different places. He’s very diverse in that sense. Because in the end, in my opinion, what he seeks is the human existence and that is universal. If there a subject that touches him, he can write about the most horrific event, war for example, and he does it but with beauty and imagination, and it’s just enchanting.”

While writing is a conduit for thoughts and expression, sentiments can get lost in translation too, and sometimes words just get in the way. Cruz explains his process.

Andy Barbosa plays Marcelo Miguel in “The Journey of the Shadow.” (Photo courtesy of Asela Torres)

“How language operates on stage is a curious thing,” says Cruz. “What is said but not said, what is spoken or unspoken. That’s something that I’m very interested in when I write. Do I need this word? Do I need this sentence? Can we just do this with a gesture?”

It’s what he says he loves about theater, that it “doesn’t just live on the page.”

“Theater lives on the stage with gestures, with silence and with images too. Sometimes you might be writing a scene in which there’s a lot of dialogue, and sometimes you might want to take away the dialogue and just do it with physicality, with just a moment or a look . . . Theater offers me this other dimension in which language operates, but in a visual way, or through silence or through gestures. And it’s something that I’m constantly discovering when I’m directing or writing a play.”

But Cruz hopes that “Tres Veces Cruz” (Three Times Cruz) brings a message home to the audience that ultimately transcends any language.

“I think the three pieces are existential in many ways, because these three characters live in hopeless situations but there’s also an element of resilience in the three of them.  How these three people basically escape through the power of imagination, the power of dreaming, of creating a better self even if it’s only in their minds.”

WHAT:  “Tres Veces Cruz” (Three Times Cruz)

WHEN: 8 p.m. Thursday through Saturday, 5 p.m. Sunday. Thursday, March 6 through Sunday, March 16.

WHERE: Westchester Cultural Arts Center, 7930 SW 40th St., Miami

COST: $25 general admission, $20 for seniors, students with valid ID, and groups of 10 or more.

INFORMATION: arcaimages.org 

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