about Elizabeth Hanly
Elizabeth Hanly has brought home stories from war zones and refugee camps, from gold mines and Peronist Party headquarters, from art studios and rooftops in Havana. Her work has appeared in dozens of newspapers and national magazines, including The New York Times, London’s The Guardian, The Washington Post, The Village Voice, The Miami Herald, The Nation, Vogue, Elle, and Art in America. She has written and edited for UNICEF and has served as Associate Editor at Scholastic Books. Currently she is an instructor at the Honors College at FIU where she has won the ‘Excellence in Teaching” Award. She thinks Umberto Eco was very right when he said, “To survive you must tell stories.” Hanly has been a long-time contributor to ArtBurst.More By This Author
The award-winning theater performance, set for March 12-15, aims to reduce the stigma that gay, black men face.
Chile’s Aline Kuppenheim will bring her most recent directorial work to Miami's On.Stage Black Box Theatre.
The production “Guac,” is a play about a dad’s devotion to his son.
Rosie Herrera, Ana Mendez and Adele Myers address Cuban iconography, childbirth and the audience-performer relationship.
This Saturday, for one night only, Israel’s most innovative modern dance company will perform at South Miami-Dade Cultural Arts Center.
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It’s a safe bet that William Shakespeare would have welcomed the reimagining of his “Macbeth” to be performed Thursday and
Omar Souleyman’s upcoming concert has been cancelled. According to one of the presenters, MDC Live Arts: “We are sorry to
He says his dance comes from his dreams. French-Algerian choreographer Hervé Koubi’s most recent work, “What the Day Owes the
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