about Orlando Taquechel
Orlando Taquechel has been a dance writer and dance researcher for over 35 years with articles published in Cuba, Mexico and the United States. He is also a professor, choreographer, and artistic director. Orlando graduated with a degree in Architecture, a Bachelors in Theater and Drama, and with a Masters. He is the recipient of the Medal to the Merit of Dance CIAD in July 2009 and the “Criticism and Culture of Ballet” Life Achievement Award at the XIX International Ballet Festival of Miami in September 2014. He’s the author of “Metodología para la Crítica de Ballet,” “Definición de la Escuela Cubana de Ballet” and “La danza en Miami (1998-2017): las reseñas cuentan su historia.” He is the Spanish-language Editor as well as the dance critic for ArtBurst.More By This Author
Un programa con varios de los jóvenes bailarines cubanos que desertaron en marzo de este año
MCB es la única compañía en Norteamérica que tiene la versión de Alexei Ratmansky en su repertorio.
Acrobacia, payasadas, drama, comedia, mímica y artes marciales en una puesta en escena celebrada por el público y la crítica.
La Farruca impresionante de Alfonso Losa y la Soleá apasionada de Manuel Liñán -bata de cola incluida- fueron los hitos interpretativos de esta edición.
MCB harmonized tastes and merits like an authentic miracle worker with this unforgettable Spring Mix.
Como un auténtico hacedor de milagros, MCB consigue homologar gustos y méritos en este Spring Mix inolvidable.
Dance NOW! Miami continues its international partnerships, this time with Italian company Opus Ballet at the Miami Theater Center in Miami Shores.
A lo largo de esta temporada, la compañía ha estado conmemorado el 40 aniversario de la partida de George Balanchine.
Una función compartida con un programa concebido como un viaje.
“Promethean Fire” es una respuesta a la tragedia del 9/11 y “Somewhere in the Middle” es una obra cargada de adrenalina con música de las big bands.
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