Though the Miami New Drama-commissioned “Queen of Basel” will have its official world premiere at Studio Theatre in Washington D.C. next season, you don’t have to wait or travel to discover how playwright Hilary Bettis has reimagined August Strindberg’s controversial 1888 classic “Miss Julie.” With three powerful actors and a small audience sharing the stage space at Miami Beach’s Co..
Branden Jacobs-Jenkins, now 33, was named a MacArthur “genius” grant winner in 2016, the same year his play “Gloria” was chosen as a finalist for the Pulitzer Prize for drama. Earlier, his provocative, stylistically diverse, subversive plays “Appropriate” and “An Octoroon” (the latter was produced by Coral Gables’ Area Stage last fall) each won best new American play Obie Awards. ..
"The Other Mozart" is a suitcase play – one of those shows where a single actress can pack the entire contents that creates the setting – costume, wig, and props, and go anywhere in the world. It is the way Samantha Hoefer will arrive in Miami to present Sylvia Milo's one-woman play about Maria Anna Mozart, the not nearly as famous older sibling of that 18th century rock star Wolfgang Ama..
Early on in the Argentinean film “El Último Traje” (The Last Suit), which makes its U.S. theatrical debut this week, a deceptively quaint and humorous scene takes place between the film’s protagonist, 88-year-old Abraham Bursztein and his young granddaughter. The little girl refuses to join in a family photo with Abraham surrounded by his many grandchildren. When he cajoles and insists, ..
Gone are the days when filmmakers needed huge budgets, and major movie studios backing them with big bucks to get their films seen, according to two producers who spent decades in Los Angeles, and have now moved their base to Miami Beach. "From a creative standpoint, there are amazing opportunities for filmmakers today," says producer Kevin Chinoy, who, along with producing partner Frances..
Mark St. Germain has achieved ongoing success with small-cast plays involving historical figures in fictional scenarios, and South Florida has been as welcoming to his work as the rest of the country. St. Germain’s “Camping With Henry and Tom,” about a 1920s camping trip involving Henry Ford, Thomas Edison and President Warren G. Harding, was produced in 1996 by New Theatre in Coral Gables..
Mexico City-based theater collective Teatro Ojo's works are constantly evolving. Nothing is ever really finished. That's because they take from every performance. Whatever the audience experiences, observes, feels, and offers feedback, which they highly encourage, all is used, considered, and included in the evolution of the same piece, or introduced into another new work. Two of the ..
“America’s Greatest and Least Known Playwright.”This is how the Cuban-American playwright Maria Irene Fornes is referred to several times throughout Michelle Memran’s documentary “The Rest I Make Up,” which makes its Florida debut this Saturday as part of Miami-Dade College’s Miami Film Festival. Fornes has been called the “Mother of Avant-Garde Theater.” Theater giants like Edward A..
“Once” has always been touched with magic. And as anyone who has seen the sublime new production of the show by Actors’ Playhouse in Coral Gables would tell you, the musical’s spellbinding pull is as powerful as ever. When Irish director-screenwriter John Carney first told the tale of a heartbroken Irish street musician and the spunky Czech pianist who reignites his passion, a 200..
Consider the idea of land in Palestine, and conflict may be the first thing to come to mind. But for Jumana Emil Abboud, the Palestinian landscape evokes other, older, associations – with mythological creatures like water spirits and ghouls. “These stories were told way before 1948,” says the Galilee-born artist, speaking by phone from her home in Jerusalem. She suggests looking back ..
Dimensions Dance Theatre of Miami has been on a trajectory best described as meteoric. In its first 18 months DDTM has been a 2017 Knight Challenge Grant recipient and now will debut at New Y..
Amirah Sackett came up as a dancer in Chicago’s hip hop scene at a time when women were rare in the mostly male community. But she also visibly stood out as a Muslim. She keeps her hair cover..
Inside the Little Haiti Cultural Complex, where Dance Now! Miami is in residence, there is a hub of activity as the company prepares for its performance on Saturday night of Contemporanea 201..
One of the signatures of the National Water Dance project since its inception seven years ago was that dance troupes, large or small, professional or school groups, were free to perform whate..
Miami City Ballet is in league with Russians – in a good way -- and this promises to make a selection of dances look great again. The company’s final program this season brings back Apollo an..
Hidden behind a busy street in North Miami Beach is the Ancient Spanish Monastery, where Dance Now! Miami will bring the past into the present – and back into the past. Ekphrasis describes th..
Sometimes dance seems as easy as walking down the street. John Heginbotham, founder and artistic director of Dance Heginbotham, describes his dancers as moving in an unaffected, natural manne..
On the heels of a year-plus parade of #MeToo confessions, celebrity shamings and women’s marches, comes Marisa Alma Nick’s female-power-packed “A Rebel in Venus.” “It wasn’t planned that ..
Choreographers are usually curious people. Augusto Soledade’s curiosity leads him in many directions, including ideas on Madonna, voguing, and selfies. It all began with “thoughts on identity..
This year’s TransAtlantic Festival features local dance music stars, a Malian guitarist known as “the Hendrix of the Sahara,” and something unique: a Haitian rara band comprised entirely of women.
Lauded last year by Miami New Times as Best Festival, the two-day event presented by the Rhythm Foundation offers vendors and activities around the North Beach Bandshell in addition to much-anticipated music from the nations of the Atlantic Basin.
This year’s festival opens Friday with homegrown sounds. “The Made in Miami night is a first,” said Rhythm Foundation director Laura Quinlan. Performers include A.C.H.E. -- the Afro Cuban House Experiment, featuring DJ Oscar G, Oba Frank Lords and Katiahshe.
Oscar G is cofounder of the dance music label Murk Records. According to Beatport, Lords was introduced to percussion as a 10-year-old by a neighborhood Santero. With vocalist/priestess Katiahshe, the group taps into ache – a Yoruba concept that may be understood as a divine force existing in everything.
“I heard the A.C.H.E. on the radio a few months ago, a live broadcast of their first show, and it blew me away,” said Quinlan. “Of course DJ Oscar G is a big part of the story of music in Miami, as is Oba. It has also been very special to connect with Katiahshe, their singer -- she has a great energy.
“They come from the Murk Records family, who are celebrating their 25th anniversary this year, total innovators of Miami’s creative house music scene.”
Also appearing Friday will be the Afro-Cuban rumba group Los Herederos - founded by percussionist and vocalist Philbert Armenteros -- and Lazaro Casanova, a fixture on the dance music scene who works with Oscar G.
The festival reached across the water for Saturday’s acts. Quinlan said organizers had a wish list for this year’s performers and one name on it was Sinkane.
The group’s leader, born Ahmed Gallab in London of Sudanese descent, lived with his family in Utah for a time; he now resides in Brooklyn. Among his credits is the Atomic Bomb Supergroup, which included David Byrne, Damon Albarn, and jazz legend Charles Lloyd, among others.
Also performing on Saturday is Vieux Farka Touré, who followed in the footsteps of his late father, the Grammy-winning Malian guitarist Ali Farka Touré.
According to Vieux’s website, the two come from a tribe of soldiers. Recalling his struggles with tradition, Ali did not welcome Vieux’s desire to become a musician, but ultimately gave his blessing shortly before his death in 2006. Vieux’s latest album, “Samba,” was released earlier this month.
Saturday’s third act was supposed to have performed at a Big Night in Little Haiti event last fall, but Hurricane Matthew prevented timely processing of visas for the women of Symbi Roots. They play rara, a genre associated with street festivals in Haiti and performed almost exclusively by men.
“I am so proud to be able to present their U.S. debut!” Quinlan said. “Also, the festival comes just after Easter week, and rara is a Lenten tradition, so it really fits with this time of year.”
This is the 15th edition of the TransAtlantic Festival. “The festival began in 2003 as a way to bring young people and club-goers into the cultural programming that Rhythm Foundation does,” Quinlan said. “It has been a great way for us to stay fresh, keep the circle open to new music, new collaborations.”
The TransAtlantic Festival Friday and Saturday, starting at 6: p.m., at the North Beach Bandshell, 7275 Collins Ave., Miami Beach. Tickets $15 per night or $25 for a two-day pass, available by phone, 305- 672-5202, or http://TransAtlanticFestival. com.
"Nosotros sentimos, y pensamos que Jennifer y Carlos sienten igual, que Miami finalmente ha llegado a posicionarse como una verdadera ciudad cultural donde continuamente se presentan compañías imp..
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