Writing about “Broken Snow,” the Ben Andron thriller now getting its world premiere at the J’s Cultural Arts Theatre (JCAT) in North Miami Beach, is a proposition almost as tricky as the play itself. The intricately structured 90-minute drama is loaded with surprises, twists and turns, all revealed at precisely the right moment so that the play builds to its shattering conclusion..
As this steamy spring melts into a sweltering summer, Actors’ Playhouse is inviting theater lovers to a wedding – a big, fat Jewish-WASP wedding, otherwise known as the Broadway musical “It Shoulda Been You.” Though the show seemingly takes place in the present, the piece by book writer-lyricist Brian Hargrove and composer Barbara Anselmi is an old-fashioned, stereotype-filled throwba..
'Death & Harry Houdini' Makes Another Magical Moment at ArshtDennis Watkins knows how to make an entrance. In the House Theatre of Chicago’s “Death & Harry Houdini,” now back at the Arsht Center’s Carnival Studio Theater five years after it first wowed Miami audiences, Watkins arrives onstage with the help of theater technology unknown in Houdini’s day. Dangling upside dow..
Director Carlos Lechuga’s masterful unspooling of time in his second feature film “Santa y Ándres” constructs a uniquely Cuban mix of tedium and despair, resulting in an emotionally intense experience that sneaks up on the viewer in plain sight. The film opens with the stillness of a landscape painting: the eastern Cuban countryside of 1983 – rugged, lush, and verdant. The statuesque..
Memory – deep-seated, fragile, slippery, mutable – is at the heart of Jordan Harrison’s “Marjorie Prime.” A Pulitzer Prize finalist in 2015, the play is a family tragicomedy given a sci-fi makeover; in other words, this thought-provoking theater piece charts its own, fresh path. Now getting its South Florida premiere as the second professional production from the Main Street Players, ..
The stage is a fixed space. It is the axis around which story, conflict, and character revolve. When that fixed space shifts, new possibilities emerge. Starting Wednesday, April 23, a shifting site for theater emerges at Deering Estate, a 444-acre environmental, archeological, and historical preserve along the edge of Biscayne Bay in Palmetto Bay. Four local playwrights have collaborated ..
Nearly two years ago, Miami’s Zoetic Stage took its first trip into the world of Harold Pinter with an intense, superbly acted production of the Nobel laureate’s 1978 hit “Betrayal” in the Arsht Center’s Carnival Studio Theater. Now Zoetic is delving further back into the Pinter canon with a riveting production of “The Caretaker.” This 1960 work is, like “Betrayal,” a three-character ..
Imagine animation created live on stage, with mini backdrops, puppets, and low-tech props. Channel it through multiple cameras and mix it live into a projected film. Add a string quartet and a DJ. This is the structure of “Nufonia Must Fall,” an upcoming project presented by MDC Live Arts. The show is slated for appearances around the world, from Asia and the Middle East to Europe and..
That Actors’ Playhouse opened its production of Robert Schenkkan’s “All the Way” on the same day that the American Health Care Act was pulled from a vote by the House of Representatives is ironic and more than a little instructive. The much-touted replacement for Obamacare didn’t have enough sure votes to ensure passage, as Speaker Paul Ryan told President Donald Trump, so the “replac..
The take-no-prisoners world of high finance and ruthless business deals has long been a tantalizing subject for artists. From filmmaker Oliver Stone’s 1987 “Wall Street,” with its antihero Gordon Gekko spouting “greed is good,” to Damien Lewis’ slick hedge fund mogul Bobby Axelrod in the Showtime series “Billions,” movies and television allow those of us in the 99 percent a glimpse at wha..
One could say that Bistoury’s 305 & Havana International Improv Fest, which debuts this Saturday at Miami Theater Center, has been in the works for almost 20 years. In 1999 Cuban-born cho..
The process of creating “Shade,” choreographer Augusto Soledade’s latest full-length work, has been one of remembering and reconfiguring memory to discover new ways of talking about identity ..
Upcoming this week, Tigertail presents choreographer Myriam Gourfink and musician Kasper Toeplitz. Hailing from France, the two will be present for a 3-day residency at Subtropics’ South Beac..
From her home base at 6th Street Dance Studio in Little Havana, longtime Miami dance figure Brigid Baker has been slowly crafting a new performance piece. It’s not conceptual or political like con..
Karen Peterson is the artistic director of Karen Peterson and Dancers, a company that brings professional dancers with and without disabilities together in the same piece of choreography, and..
Revivals are hot on Broadway these days with “CATS”and “Hello, Dolly!“once again gracing the Great White Way. There is a certain nostalgia in taking a second or even third viewing of a belove..
What happens when urban dance style meets classical music? We’ll find out when Brooklyn-based hip-hop dance troupe Decadancetheater takes the stage, backed by Miami’s own experimental classic..
“What does it mean to belong? What does it mean to not want to belong?” These are questions that choreographer Reggie Wilson contemplates in his provocative piece “CITIZEN,“ which makes its M..
If even a modicum of redemption can be forged from the hellish after-effects of gun violence, we must listen to the communities most affected by the violence. To this end, “Trigger,” a hip-ho..
This year’s TransAtlantic Festival features local dance music stars, a Malian guitarist known as “the Hendrix of the Sahara,” and something unique: a Haitian rara band comprised entirely of women.
Lauded last year by Miami New Times as Best Festival, the two-day event presented by the Rhythm Foundation offers vendors and activities around the North Beach Bandshell in addition to much-anticipated music from the nations of the Atlantic Basin.
This year’s festival opens Friday with homegrown sounds. “The Made in Miami night is a first,” said Rhythm Foundation director Laura Quinlan. Performers include A.C.H.E. -- the Afro Cuban House Experiment, featuring DJ Oscar G, Oba Frank Lords and Katiahshe.
Oscar G is cofounder of the dance music label Murk Records. According to Beatport, Lords was introduced to percussion as a 10-year-old by a neighborhood Santero. With vocalist/priestess Katiahshe, the group taps into ache – a Yoruba concept that may be understood as a divine force existing in everything.
“I heard the A.C.H.E. on the radio a few months ago, a live broadcast of their first show, and it blew me away,” said Quinlan. “Of course DJ Oscar G is a big part of the story of music in Miami, as is Oba. It has also been very special to connect with Katiahshe, their singer -- she has a great energy.
“They come from the Murk Records family, who are celebrating their 25th anniversary this year, total innovators of Miami’s creative house music scene.”
Also appearing Friday will be the Afro-Cuban rumba group Los Herederos - founded by percussionist and vocalist Philbert Armenteros -- and Lazaro Casanova, a fixture on the dance music scene who works with Oscar G.
The festival reached across the water for Saturday’s acts. Quinlan said organizers had a wish list for this year’s performers and one name on it was Sinkane.
The group’s leader, born Ahmed Gallab in London of Sudanese descent, lived with his family in Utah for a time; he now resides in Brooklyn. Among his credits is the Atomic Bomb Supergroup, which included David Byrne, Damon Albarn, and jazz legend Charles Lloyd, among others.
Also performing on Saturday is Vieux Farka Touré, who followed in the footsteps of his late father, the Grammy-winning Malian guitarist Ali Farka Touré.
According to Vieux’s website, the two come from a tribe of soldiers. Recalling his struggles with tradition, Ali did not welcome Vieux’s desire to become a musician, but ultimately gave his blessing shortly before his death in 2006. Vieux’s latest album, “Samba,” was released earlier this month.
Saturday’s third act was supposed to have performed at a Big Night in Little Haiti event last fall, but Hurricane Matthew prevented timely processing of visas for the women of Symbi Roots. They play rara, a genre associated with street festivals in Haiti and performed almost exclusively by men.
“I am so proud to be able to present their U.S. debut!” Quinlan said. “Also, the festival comes just after Easter week, and rara is a Lenten tradition, so it really fits with this time of year.”
This is the 15th edition of the TransAtlantic Festival. “The festival began in 2003 as a way to bring young people and club-goers into the cultural programming that Rhythm Foundation does,” Quinlan said. “It has been a great way for us to stay fresh, keep the circle open to new music, new collaborations.”
The TransAtlantic Festival Friday and Saturday, starting at 6: p.m., at the North Beach Bandshell, 7275 Collins Ave., Miami Beach. Tickets $15 per night or $25 for a two-day pass, available by phone, 305- 672-5202, or http://TransAtlanticFestival. com.
El 11 y 12 de mayo próximo tendrá lugar en el Miami -Dade County Auditorium el estreno en Estados Unidos de Scrutiny: The World Gone Astray(en español,Escrutinio: El mundo se ha ido a la deri..
Para el pianista y compositor cubano Omar Sosa la noción de una cultura global, sin fronteras, no es un concepto abstracto sino un tema personal. En su música, elementos de hip hop y rumba, ..
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En su discurso de recibimiento del Premio Nobel, el poeta chileno Pablo Neruda afirmó que el poeta no es un "pequeño dios." De hecho expresó que el mejor poeta “es el hombre que nos entrega e..
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