My Barbarian wanted to take Miami on a boat ride. “We wanted to interact and be out in the public,” Alex Segade reveals over the phone from Los Angeles, where he just got out of rehearsal for My Barbarian’s first Miami show, coming up this Saturday at the Miami Light Project, as part of Miami-Dade College’s Museum of Art and Design’s “Living Together” performance series this season. ..
The time seems right for Karen Finley to be visiting Miami, to be performing in the black box space of the Miami Light Project at the Goldman Warehouse, and to present her latest performance-art manifesto about the current political landscape, “Unicorn Gratitude Mystery.” In the show, which she began developing as a response to the U.S. presidential election in 2016, Finley plays a unicor..
Getting into a true holiday spirit can be tough in South Florida, where palm trees, expansive beaches and balmy skies signal perpetual summer. Ever-earlier store décor and the incessant push to buy presents – more about commercialism than celebration – can make many of us feel more anxious than festive. Not to worry. Just squeeze in a trip to Miami’s Arsht Center, where City Theatre h..
One of the centerpieces of this year’s Art Week is not a static art work, and it is also one of the most sensuous and disorienting. Lebanese performance artist Tania El Khoury is producing her “Gardens Speak” for the week, courtesy of MDC Live Arts, a piece that has been applauded in cultural capitals throughout Europe and the United States. “It is a work,” she says, “that can only co..
Since its founding in 1996, City Theatre has been an important part of South Florida’s theatrical landscape, though the company’s visibility has always been highest in the month of June. That’s when its popular Summer Shorts festival takes place; for more than a decade, its high-profile venue has been the Carnival Studio Theater at Miami’s Arsht Center. Though the company founded by S..
If you were to predict who might become a nationally famous – OK, world-famous – multiplatform sex therapist, Dr. Ruth Westheimer would probably not be your first choice. Born in Germany in 1928 as Karola Ruth Siegel, the 4’7” Dr. Ruth seems more like the doting Jewish grandmother she is than a woman who used her nationally syndicated radio show, TV shows and 40-some books to help hun..
Actors’ Playhouse has been a musical powerhouse for much of its history. Launching its 30th anniversary season at the Miracle Theatre in Coral Gables, the company is revisiting some of that history with a new production of a made-for-South Florida favorite: Andrew Lloyd Webber and Tim Rice’s “Evita.” As it did in 2000 when recent Tony Award winner Rachel Bay Jones starred as Eva Duart..
Playwright Suzan-Lori Parks won the Pulitzer Prize for “Topdog/Underdog” in 2002. But as Zoetic Stage’s superb new production of the play at Miami’s Arsht Center demonstrates, her funny, shocking tale of two brothers struggling to survive is as potent today as it was 15 years ago. Maybe more so, given the country’s deepening divide. Parks’ harrowing drama examines the complex relation..
We are born. We live, have families, grow old. We die, leaving those who loved us to mourn. Playwright Thornton Wilder brilliantly captured the eternal verities of our journey through life in “Our Town,” his 1938 Pulitzer Prize-winning play about life, love and death in a small New Hampshire town at the turn of the 20th century. If you’re at all drawn to theater, you’ve probably ..
“Miami Motel Stories: Little Havana” written by Juan C. Sanchez, directed by Tamilla Woodard, and produced by Juggerknot Theatre Company, is a site-specific, immersive theater experience that interweaves narrative, performance, history and architecture. Nine short plays take place in nine hotel rooms on the second floor of the Tower Hotel, right off Calle Ocho on Seventh Street. Sanchez, ..
With the closing of Tigertail Productions last year, Miami lost one of its preeminent artistic champions. Under the direction of founder Mary Luft, Tigertail brought an endless parade of boundary-..
Anytime would be a good time to devote a dance program to the works of Jerome Robbins, our most versatile and celebrated American-born choreographer. But, given that 2018 marks the centennial..
Due to winter storms in the Northeast impacting travel, with great regrets the Bill T. Jones/Arnie Zane Company announced the cancellation of the Saturday, Jan. 6 performance. At age..
It is fitting at this time of the year that our thoughts often turn to what connects us not what divides us. Whether we are driven by religious or secular motives, many of us are in the spiri..
The end of the 19th century was a golden age for ballet. In 15 years of collaboration, two great Russian geniuses – choreographer Marius Petipa, and composer Pyotr Tchaikovsky – produced ballet st..
Here’s a riddle – name the 1892 box office flop panned by critics for lack of seriousness and for casting too many kids, which has now transformed into a force of nature timed to occur yearly..
It happens every year, right around Thanksgiving, productions of the Nutcracker pop up from coast to coast, marking the start of the holiday season. But on Saturday, Miami audiences have the ..
As Art Week approaches, Miami choreographer Marissa Alma Nick’s Alma Dance Theater is getting ready to add its distinctive voice, rehearsing for the upcoming performance of “Flowers” at the C..
Promising a night of airiness and ardor, Dimensions Dance Theatre of Miami will bring “Ballet’s Pointe of Passion” to the South Miami-Dade Cultural Arts Center, where the company joins an att..
This year’s TransAtlantic Festival features local dance music stars, a Malian guitarist known as “the Hendrix of the Sahara,” and something unique: a Haitian rara band comprised entirely of women.
Lauded last year by Miami New Times as Best Festival, the two-day event presented by the Rhythm Foundation offers vendors and activities around the North Beach Bandshell in addition to much-anticipated music from the nations of the Atlantic Basin.
This year’s festival opens Friday with homegrown sounds. “The Made in Miami night is a first,” said Rhythm Foundation director Laura Quinlan. Performers include A.C.H.E. -- the Afro Cuban House Experiment, featuring DJ Oscar G, Oba Frank Lords and Katiahshe.
Oscar G is cofounder of the dance music label Murk Records. According to Beatport, Lords was introduced to percussion as a 10-year-old by a neighborhood Santero. With vocalist/priestess Katiahshe, the group taps into ache – a Yoruba concept that may be understood as a divine force existing in everything.
“I heard the A.C.H.E. on the radio a few months ago, a live broadcast of their first show, and it blew me away,” said Quinlan. “Of course DJ Oscar G is a big part of the story of music in Miami, as is Oba. It has also been very special to connect with Katiahshe, their singer -- she has a great energy.
“They come from the Murk Records family, who are celebrating their 25th anniversary this year, total innovators of Miami’s creative house music scene.”
Also appearing Friday will be the Afro-Cuban rumba group Los Herederos - founded by percussionist and vocalist Philbert Armenteros -- and Lazaro Casanova, a fixture on the dance music scene who works with Oscar G.
The festival reached across the water for Saturday’s acts. Quinlan said organizers had a wish list for this year’s performers and one name on it was Sinkane.
The group’s leader, born Ahmed Gallab in London of Sudanese descent, lived with his family in Utah for a time; he now resides in Brooklyn. Among his credits is the Atomic Bomb Supergroup, which included David Byrne, Damon Albarn, and jazz legend Charles Lloyd, among others.
Also performing on Saturday is Vieux Farka Touré, who followed in the footsteps of his late father, the Grammy-winning Malian guitarist Ali Farka Touré.
According to Vieux’s website, the two come from a tribe of soldiers. Recalling his struggles with tradition, Ali did not welcome Vieux’s desire to become a musician, but ultimately gave his blessing shortly before his death in 2006. Vieux’s latest album, “Samba,” was released earlier this month.
Saturday’s third act was supposed to have performed at a Big Night in Little Haiti event last fall, but Hurricane Matthew prevented timely processing of visas for the women of Symbi Roots. They play rara, a genre associated with street festivals in Haiti and performed almost exclusively by men.
“I am so proud to be able to present their U.S. debut!” Quinlan said. “Also, the festival comes just after Easter week, and rara is a Lenten tradition, so it really fits with this time of year.”
This is the 15th edition of the TransAtlantic Festival. “The festival began in 2003 as a way to bring young people and club-goers into the cultural programming that Rhythm Foundation does,” Quinlan said. “It has been a great way for us to stay fresh, keep the circle open to new music, new collaborations.”
The TransAtlantic Festival Friday and Saturday, starting at 6: p.m., at the North Beach Bandshell, 7275 Collins Ave., Miami Beach. Tickets $15 per night or $25 for a two-day pass, available by phone, 305- 672-5202, or http://TransAtlanticFestival. com.
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