My Barbarian wanted to take Miami on a boat ride. “We wanted to interact and be out in the public,” Alex Segade reveals over the phone from Los Angeles, where he just got out of rehearsal for My Barbarian’s first Miami show, coming up this Saturday at the Miami Light Project, as part of Miami-Dade College’s Museum of Art and Design’s “Living Together” performance series this season. ..
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Getting into a true holiday spirit can be tough in South Florida, where palm trees, expansive beaches and balmy skies signal perpetual summer. Ever-earlier store décor and the incessant push to buy presents – more about commercialism than celebration – can make many of us feel more anxious than festive. Not to worry. Just squeeze in a trip to Miami’s Arsht Center, where City Theatre h..
One of the centerpieces of this year’s Art Week is not a static art work, and it is also one of the most sensuous and disorienting. Lebanese performance artist Tania El Khoury is producing her “Gardens Speak” for the week, courtesy of MDC Live Arts, a piece that has been applauded in cultural capitals throughout Europe and the United States. “It is a work,” she says, “that can only co..
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If you were to predict who might become a nationally famous – OK, world-famous – multiplatform sex therapist, Dr. Ruth Westheimer would probably not be your first choice. Born in Germany in 1928 as Karola Ruth Siegel, the 4’7” Dr. Ruth seems more like the doting Jewish grandmother she is than a woman who used her nationally syndicated radio show, TV shows and 40-some books to help hun..
Actors’ Playhouse has been a musical powerhouse for much of its history. Launching its 30th anniversary season at the Miracle Theatre in Coral Gables, the company is revisiting some of that history with a new production of a made-for-South Florida favorite: Andrew Lloyd Webber and Tim Rice’s “Evita.” As it did in 2000 when recent Tony Award winner Rachel Bay Jones starred as Eva Duart..
Playwright Suzan-Lori Parks won the Pulitzer Prize for “Topdog/Underdog” in 2002. But as Zoetic Stage’s superb new production of the play at Miami’s Arsht Center demonstrates, her funny, shocking tale of two brothers struggling to survive is as potent today as it was 15 years ago. Maybe more so, given the country’s deepening divide. Parks’ harrowing drama examines the complex relation..
We are born. We live, have families, grow old. We die, leaving those who loved us to mourn. Playwright Thornton Wilder brilliantly captured the eternal verities of our journey through life in “Our Town,” his 1938 Pulitzer Prize-winning play about life, love and death in a small New Hampshire town at the turn of the 20th century. If you’re at all drawn to theater, you’ve probably ..
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With the closing of Tigertail Productions last year, Miami lost one of its preeminent artistic champions. Under the direction of founder Mary Luft, Tigertail brought an endless parade of boundary-..
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The end of the 19th century was a golden age for ballet. In 15 years of collaboration, two great Russian geniuses – choreographer Marius Petipa, and composer Pyotr Tchaikovsky – produced ballet st..
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It happens every year, right around Thanksgiving, productions of the Nutcracker pop up from coast to coast, marking the start of the holiday season. But on Saturday, Miami audiences have the ..
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Timur and the Dime Museum is the delightfully demented Los Angeles-based gender-bending/genre-defying hybrid post-punk glam performance band led by the fierce, classically trained Kazakh-American opera singer (Timur) and a cunning and sardonic songwriter (Daniel Corral). The band, like their name, is a blend of haughty style, galactic personalities and flamboyant theatrics. They’re coming to Miami Light Project this weekend.
“When I was attending the New England Conservatory, studying classical opera, I was also hanging out with many bands on the underground scene,” says Timur. “I became good friends with Dresden Dolls and singer Amanda Palmer, who in some way, encouraged me to pursue projects outside the box. After I moved to Los Angeles to study at California Institute of the Arts (CalArts), a lot of creative, interdisciplinary, off-the-wall projects followed. CalArts profoundly influenced how my different experiences in classical voice, contemporary and popular music and theater were falling into place.”
In the 19th century, Dime museums were lowbrow centers of moralizing entertainment for working class immigrants in major cities, such as New York and Chicago. These centers spread culture to the masses in site-specific performances catering to the local population. Turko-Mongol ruler Timur, on the other hand, conquered most of Asia and consolidated culture under one roof -- the Timurid Dynasty.
What brought Timur and the Dime Museum together was another dynasty of sorts and a 21st century form of lowbrow entertainment for the masses -- America's Got Talent. “After graduating from CalArts. I received a phone call from one of the casting directors of America's Got Talent,” Timur reflects. “She saw my music video, and wanted something similar as a performer on the show. I mentioned that I had a band -- which I did, albeit for the fact that we only played twice together -- and described it as a goth-vaudevillian fantasy with dancers. For the lack of better words, even though at that time, the group was acoustic, without drums, and we played covers of Russian cabaret songs, Kurt Weil, Klaus Nomi and David Bowie.”
On opening night at the Light Box at The Goldman Warehouse, Timur and the Dime Museum will debut Collapse, a post-ecological requiem that uses the conflict between empirical evidence and political debate over climate change as a source of inspiration for the songs. Written by Daniel Corral, the songs explore universal themes in global issues.
“The environmental theme of Collapse was conceived in the dissonance between that empirical evidence and the multi-generational cultural habits that fuel those debates -- compounded by the existence of a seemingly overwhelming global problem. Much of my recent music has included some sort of social commentary, and I needed Collapse to examine a larger, more universal cultural issue.”
Despite the thematically dark and seemingly nihilistic nature of their work, keep this in mind -- Timur and the Dime Museum is insanely fun! They produce intelligent, binary breaking, issue-driven entertainment that breaks binaries and reforms them into a multi-verse of music.
“Some songs are darkly satirical, while some are more direct,” says Corral. “The panoptic stylistic leaps and bounds of Collapse may at first seem incongruous with the morose nature of a requiem, but they attempt to portray a richer, more complex relationship to mortality, and the mortal limit we seem to be bringing this planet to. The libretto and staging of Collapse continue to follow the purpose and ritual of a requiem, though it will be a much wilder ride.”
In the end, Timur and the Dime Museum is a spaceship ride to the other side. And they’re only here for two days.
Timur and the Dime Museum perform Friday at 8:00 p.m. and Saturday at 7:00 p.m. at The Light Box at Goldman Warehouse, 404 N.W. 26 Street, Miami. Tickets: $20 or $50 VIP on Saturday for the fundraiser and party, $100 (includes cocktails, post show food); miamilightproject.com; 866.811.4111.This preview/interview also appears in Miami New Times
at 7:00 p.m. at The Light Box at Goldman Warehouse, 404 N.W. 26 Street, Miami. Tickets: $20 or $50 VIP on Saturday for the fundraiser and party, $100 (includes cocktails, post show food); miamilightproject.com; 866.811.4111.
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