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The stage is a fixed space. It is the axis around which story, conflict, and character revolve. When that fixed space shifts, new possibilities emerge. Starting Wednesday, April 23, a shifting site for theater emerges at Deering Estate, a 444-acre environmental, archeological, and historical preserve along the edge of Biscayne Bay in Palmetto Bay. Four local playwrights have collaborated ..

Nearly two years ago, Miami’s Zoetic Stage took its first trip into the world of Harold Pinter with an intense, superbly acted production of the Nobel laureate’s 1978 hit “Betrayal” in the Arsht Center’s Carnival Studio Theater. Now Zoetic is delving further back into the Pinter canon with a riveting production of “The Caretaker.” This 1960 work is, like “Betrayal,” a three-character ..

Imagine animation created live on stage, with mini backdrops, puppets, and low-tech props. Channel it through multiple cameras and mix it live into a projected film. Add a string quartet and a DJ. This is the structure of “Nufonia Must Fall,” an upcoming project presented by MDC Live Arts. The show is slated for appearances around the world, from Asia and the Middle East to Europe and..

That Actors’ Playhouse opened its production of Robert Schenkkan’s “All the Way” on the same day that the American Health Care Act was pulled from a vote by the House of Representatives is ironic and more than a little instructive. The much-touted replacement for Obamacare didn’t have enough sure votes to ensure passage, as Speaker Paul Ryan told President Donald Trump, so the “replac..

The take-no-prisoners world of high finance and ruthless business deals has long been a tantalizing subject for artists. From filmmaker Oliver Stone’s 1987 “Wall Street,” with its antihero Gordon Gekko spouting “greed is good,” to Damien Lewis’ slick hedge fund mogul Bobby Axelrod in the Showtime series “Billions,” movies and television allow those of us in the 99 percent a glimpse at wha..

Miami’s venerable M Ensemble is a company that sometimes dips into its rich history to mount fresh productions of past shows. For its second production in its versatile new home at the Sandrell Rivers Theater in Liberty City, the troupe is revisiting Darren Canady’s “Brothers of the Dust.” Winner of the 2012 M. Elizabeth Osborn Award from the American Theatre Critics Association, the ..

“El cuento de Rene,” actor and director Larry Villanueva’s adaptation of Cuban writer Rene Ariza’s short stories into a work of theater, is more than an homage. It’s a statement on oppression. Ariza was sentenced to eight years in prison for trying to send manuscripts abroad. He was banned from creating theater in Cuba and condemned as “counter-revolutionary.” Ariza served five years of h..

Those who attend film festivals aren't looking for the mainstream, Cineplex offerings. That isn't the goal. Amid the indie films, the foreign entries, documentaries, and the world premieres, there's another reason to canvass the program for something you might not see anywhere else. Given the Miami Film Festival is the only major film festival to be produced by a college or university..

{This interview was conducted before the film making team went on to amazing Oscar success.} Playwright Tarell Alvin McCraney and filmmaker Barry Jenkins are nine miles away from the Liberty City housing projects where they both grew up, but they are worlds away. They are at the picturesque Standard Hotel to talk about the new movie "Moonlight," with a screenplay by Jenkins base..

First things first. Actor-playwright Elena María García does explain the meaning of “¡FUÁCATA!” somewhere deep into the 90-minute running time of Zoetic Stage’s “García Or a Latina’s Guide to Surviving the Universe.” The familiar Cuban term, she confides from her perch on Michael McKeever’s Mondrian-evocative set, suggests the sound of a slap. As in, “¡Fuácata! You really stepped in i..

“What does it mean to belong? What does it mean to not want to belong?” These are questions that choreographer Reggie Wilson contemplates in his provocative piece “CITIZEN,“ which makes its M..

If even a modicum of redemption can be forged from the hellish after-effects of gun violence, we must listen to the communities most affected by the violence. To this end, “Trigger,” a hip-ho..

Celebrating 35 years is an amazing achievement for any dance company in Miami, but especially one founded in a decade better known for its ties to drugs than to the arts. Momentum Dance Compa..

For Tigertail Productions, April is the month of fire. Like their WATER Festival in 2016, this month’s FIRE Festival celebrates a single element in multiple art forms, including dance, visual..

During the month of April the organizers of the seventh iteration of the O Miami Poetry Festival intend every resident of Miami Dade county to encounter a poem or – even better – write one! An..

As the “home-grown” sweetheart of Miami City Ballet, Patricia Delgado is having her final performances this season before leaving the city and the company she loves to move to New York City.H..

Even people who can’t find Argentina on a map and believe tangos only happen in Paris know La Cumparsita’s iconic four beat opening. Like a bar’s last call, La Cumparsita tells tango dancers ..

Miami City Ballet will conclude its season this week with a rich selection of repertory pieces: two from Balanchine, in very expressive but distinct modes, and one from modern-dance master Pa..

Ballet Flamenco La Rosa’s studio evokes the feel of a tablao in Spain. The strumming of the guitar, the rapid-fire rhythms of footwork against the floor, and the soft voice of the singer reac..

Timur and the Dime Museum On a Spaceship Ride to the Other Side

Photo: Timur
Written by: Neil de la Flor
Article Rating

Timur and the Dime Museum is the delightfully demented Los Angeles-based gender-bending/genre-defying hybrid post-punk glam performance band led by the fierce, classically trained Kazakh-American opera singer (Timur) and a cunning and sardonic songwriter (Daniel Corral). The band, like their name, is a blend of haughty style, galactic personalities and flamboyant theatrics. They’re coming to Miami Light Project this weekend.

“When I was attending the New England Conservatory, studying classical opera, I was also hanging out with many bands on the underground scene,” says Timur.  “I became good friends with Dresden Dolls and singer Amanda Palmer, who in some way, encouraged me to pursue projects outside the box. After I moved to Los Angeles to study at California Institute of the Arts (CalArts), a lot of creative, interdisciplinary, off-the-wall projects followed. CalArts profoundly influenced how my different experiences in classical voice, contemporary and popular music and theater were falling into place.”

In the 19th century, Dime museums were lowbrow centers of moralizing entertainment for working class immigrants in major cities, such as New York and Chicago. These centers spread culture to the masses in site-specific performances catering to the local population. Turko-Mongol ruler Timur, on the other hand, conquered most of Asia and consolidated culture under one roof -- the Timurid Dynasty.

What brought Timur and the Dime Museum together was another dynasty of sorts and a 21st century form of lowbrow entertainment for the masses -- America's Got Talent.  “After graduating from CalArts. I received a phone call from one of the casting directors of America's Got Talent,” Timur reflects. “She saw my music video, and wanted something similar as a performer on the show. I mentioned that I had a band -- which I did, albeit for the fact that we only played twice together -- and described it as a goth-vaudevillian fantasy with dancers. For the lack of better words, even though at that time, the group was acoustic, without drums, and we played covers of Russian cabaret songs, Kurt Weil, Klaus Nomi and David Bowie.”

On opening night at the Light Box at The Goldman Warehouse, Timur and the Dime Museum will debut Collapse, a post-ecological requiem that uses the conflict between empirical evidence and political debate over climate change as a source of inspiration for the songs. Written by Daniel Corral, the songs explore universal themes in global issues.

“The environmental theme of Collapse was conceived in the dissonance between that empirical evidence and the multi-generational cultural habits that fuel those debates -- compounded by the existence of a seemingly overwhelming global problem. Much of my recent music has included some sort of social commentary, and I needed Collapse to examine a larger, more universal cultural issue.”

Despite the thematically dark and seemingly nihilistic nature of their work, keep this in mind -- Timur and the Dime Museum is insanely fun! They produce intelligent, binary breaking, issue-driven entertainment that breaks binaries and reforms them into a multi-verse of music.

“Some songs are darkly satirical, while some are more direct,” says Corral. “The panoptic stylistic leaps and bounds of Collapse may at first seem incongruous with the morose nature of a requiem, but they attempt to portray a richer, more complex relationship to mortality, and the mortal limit we seem to be bringing this planet to. The libretto and staging of Collapse continue to follow the purpose and ritual of a requiem, though it will be a much wilder ride.”

In the end, Timur and the Dime Museum is a spaceship ride to the other side. And they’re only here for two days.

Timur and the Dime Museum perform Friday at 8:00 p.m. and Saturday at 7:00 p.m. at The Light Box at Goldman Warehouse, 404 N.W. 26 Street, Miami. Tickets: $20 or $50 VIP on Saturday for the fundraiser and party, $100 (includes cocktails, post show food); miamilightproject.com; 866.811.4111.

This preview/interview also appears in Miami New Times


at 7:00 p.m. at The Light Box at Goldman Warehouse, 404 N.W. 26 Street, Miami. Tickets: $20 or $50 VIP on Saturday for the fundraiser and party, $100 (includes cocktails, post show food); miamilightproject.com; 866.811.4111.

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About The writer

Performance arts writer, teacher, photographer, magician

Neil de la Flor is a writer, teacher, photographer and Executive Director of Reading Queer. His publications include An Elephant's Memory of Blizzards..

About the Writer

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