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My Barbarian wanted to take Miami on a boat ride. “We wanted to interact and be out in the public,” Alex Segade reveals over the phone from Los Angeles, where he just got out of rehearsal for My Barbarian’s first Miami show, coming up this Saturday at the Miami Light Project, as part of Miami-Dade College’s Museum of Art and Design’s “Living Together” performance series this season. ..

The time seems right for Karen Finley to be visiting Miami, to be performing in the black box space of the Miami Light Project at the Goldman Warehouse, and to present her latest performance-art manifesto about the current political landscape, “Unicorn Gratitude Mystery.” In the show, which she began developing as a response to the U.S. presidential election in 2016, Finley plays a unicor..

Getting into a true holiday spirit can be tough in South Florida, where palm trees, expansive beaches and balmy skies signal perpetual summer. Ever-earlier store décor and the incessant push to buy presents – more about commercialism than celebration – can make many of us feel more anxious than festive. Not to worry. Just squeeze in a trip to Miami’s Arsht Center, where City Theatre h..

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If you were to predict who might become a nationally famous – OK, world-famous – multiplatform sex therapist, Dr. Ruth Westheimer would probably not be your first choice. Born in Germany in 1928 as Karola Ruth Siegel, the 4’7” Dr. Ruth seems more like the doting Jewish grandmother she is than a woman who used her nationally syndicated radio show, TV shows and 40-some books to help hun..

Actors’ Playhouse has been a musical powerhouse for much of its history. Launching its 30th anniversary season at the Miracle Theatre in Coral Gables, the company is revisiting some of that history with a new production of a made-for-South Florida favorite: Andrew Lloyd Webber and Tim Rice’s “Evita.” As it did in 2000 when recent Tony Award winner Rachel Bay Jones starred as Eva Duart..

Playwright Suzan-Lori Parks won the Pulitzer Prize for “Topdog/Underdog” in 2002. But as Zoetic Stage’s superb new production of the play at Miami’s Arsht Center demonstrates, her funny, shocking tale of two brothers struggling to survive is as potent today as it was 15 years ago. Maybe more so, given the country’s deepening divide. Parks’ harrowing drama examines the complex relation..

We are born. We live, have families, grow old. We die, leaving those who loved us to mourn. Playwright Thornton Wilder brilliantly captured the eternal verities of our journey through life in “Our Town,” his 1938 Pulitzer Prize-winning play about life, love and death in a small New Hampshire town at the turn of the 20th century. If you’re at all drawn to theater, you’ve probably ..

“Miami Motel Stories: Little Havana” written by Juan C. Sanchez, directed by Tamilla Woodard, and produced by Juggerknot Theatre Company, is a site-specific, immersive theater experience that interweaves narrative, performance, history and architecture. Nine short plays take place in nine hotel rooms on the second floor of the Tower Hotel, right off Calle Ocho on Seventh Street. Sanchez, ..

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Anytime would be a good time to devote a dance program to the works of Jerome Robbins, our most versatile and celebrated American-born choreographer. But, given that 2018 marks the centennial..

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It is fitting at this time of the year that our thoughts often turn to what connects us not what divides us. Whether we are driven by religious or secular motives, many of us are in the spiri..

The end of the 19th century was a golden age for ballet. In 15 years of collaboration, two great Russian geniuses – choreographer Marius Petipa, and composer Pyotr Tchaikovsky – produced ballet st..

Here’s a riddle – name the 1892 box office flop panned by critics for lack of seriousness and for casting too many kids, which has now transformed into a force of nature timed to occur yearly..

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Promising a night of airiness and ardor, Dimensions Dance Theatre of Miami will bring “Ballet’s Pointe of Passion” to the South Miami-Dade Cultural Arts Center, where the company joins an att..

Subtropics: Unique Experimental Music Fest Returns for a 24th Edition

Photo: AlbaTriana 'Microcosmos'
Written by: George Fishman
Article Rating

Gustavo Matamoros’ beard has gone gray, but his passionate promotion of listening as a way of engaging the world remains fresh.Whether bats in the Everglades, shrimp in Biscayne Bay or the normally inaudible resonances of a bronze sculpture, Matamoros records these kinds of sounds, then combines and transforms them into unique musical compositions. Acute curiosity about how we perceive the world through our ears also underlies his role as impresario.

Since arriving in Miami in 1967, Caracas-born Matamoros has initiated a range of public performance programs to showcase the adventurous work of colleagues, local and far-flung. Best known is Subtropics Festival for Experimental Music, now beginning its 24th edition.

The three-week festival offers a unique mix of conceptually based music, sound art installations and freely improvised music from these genre’s most advanced practitioners, explained Matamoros. The program also features a series of films by Charles Recher, a respected colleague and frequent collaborator who died in January.

“LISTEN,” a sound installation produced in partnership with HistoryMiami Museum exhibition designer Freddy Jouwayed, opens the festival on July 5 in ArtCenter/South Florida’s Project 924 gallery on Lincoln Road. It pays homage to the original Listening Gallery at the ArtCenter’s flagship home sold several years ago, that surreptitiously presented nine original sound art compositions by multiple composers through speakers mounted under the Center’s storefront awnings along Lincoln Road. This re-interpretation “is a chance to experience these pieces in a more contemplative environment,” Matamoros said. Jouwayed has created concentric rings of colorful translucent walls that surround a central listening chamber. His intervention filters the bright window walls of the gallery space, leaving a circular array of speakers visible, but shielded.

Nearby, in Studio #209, Colombian-born Alba Triana will unveil her sound sculpture, “Microcosmos,” which remains on view through September 3. In this new piece, combining the sensibilities of a poet and scientist, she explores the fundamental properties of sound and light waves in a mounted brass cymbal. “Here is a musical instrument,” she says, “but nobody plays the instrument.” Instead, she activates it via electronic signals. The generated vibrations, intuitively programmed as an elegant eight-minute looping composition, are audible – and simultaneously visible as a shimmering “aura” around the disc.

Hands-on (or ears-on) workshops, led by prominent scholar-experimenters in sound art, Jennie Gottschalk and Christoph Cox, will guide participants in focusing on the sound environment and then teach them practical strategies for collecting sound and creating their own pieces. Many works of sound art explore the ambiguous boundaries between private and public, interior and exterior spaces, noise and music.

The 45-seat, acoustically balanced Audiotheque space in the 924 building serves as a sound art lab and cozy presentation venue for Subtropics concerts and follow-up discussions. Live performances will include works by internationally known Olivia Block, John Driscoll, Richard Garet, Barbara Held and Matamoros himself. They range from multilayered compositions, including works by guests from Spain’s Association of Electro-acoustic Music, to extravagant improvisations by solo saxophonist Jack Wright, who will also lead a workshop.

Veteran percussionist/band leader and martial-arts aficionado, Abbey Rader, delivers a classic melding of jazz arrangements with spontaneous responses by ensemble members to the spirit of the moment.

John Driscoll’s kinetic DIY instruments combine sophisticated miniature electronics with household odds and ends. Joysticks and other devices allow the performer to whimsically tweak various programmed tones, warbling feedback and other sounds.

Olivia Block’s immersive sonic installations derive from her processing of sampled radio broadcasts, fragments of found microcassette tapes and instrumental music. She composes these elements to create sound experiences, customized to specific performance spaces, such as Audiotheque.

The Subtropics Marathon festival finale is on July 22. Primarily featuring regional artists’ short works, the predictably unruly program will run from 5:00 p.m. until around midnight and likely encompass audience participation, noise, high-tech gadgetry and virtuosic musicianship.

Spanish-born composer José Hernández Sánchez, for example, will present “Broken English,” which offers unsettling discontinuities by introducing a minimalist refrain, then interrupting that flow with classical melodies and sound effects. The composer’s skillful weaving back of “loose threads” provides coherence, even as he determinedly unravels listeners’ comfort – perhaps paralleling the “broken English” that regularly enlivens and confounds a vital aspect of our daily sound environment.

During a period when our sensibilities are relentlessly assaulted by contentious political noise, Subtropics 24 offers a welcome alternative focus for ears, minds and hearts.

ArtburstMiami.com is a non-profit source of theater, dance, music and performing arts news.

Video interviews: https://vimeo.com/223551000

 

Subtropics XXIV Summer Festival, July 5 through July 22; exhibitions through Sept. 3; ArtCenter/South Florida, 924 Lincoln Road, Miami Beach.

For a complete schedule of performances, times and locations: http://subtropics.org.

 


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About The writer

Artist, performance arts and music writer

George Fishman is a writer and mosaics artist who has also worked with audio projects. He has worked in traditional mosaics for 20 years, mostly c..

About the Writer

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