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“Baño de Luna,” written and directed by Pulitzer-prize-winning playwright Nilo Cruz and presented by Arca Images and the Miami-Dade County Auditorium, marks the debut of the Spanish-language version of “Bathing in Moonlight,” the original English production that debuted at the prestigious McCarter Theatre Center in Princeton, N.J., in 2016. Performed by a stellar cast in Spanish..

Rafael Nofal’s play “El tiempo de la mandarinas” (“Season for Tangerines”) tackles the very relevant and disturbing theme of human trafficking. Produced by Antiheroes Project, this moving play is in its last week at Artefactus Teatro, a well-purposed black box and gallery space in a smattering of warehouses in Kendall. Nofal’s text removes overt violence and male characters fr..

Joshua Harmon’s savagely funny “Bad Jews” is an emotional cage match set in a pricey Manhattan studio apartment. The combatants are Daphna Feygenbaum (Hannah Benitez), a soon-to-be Vassar grad who plans to move to Israel, marry a man no one in the family has met and become a rabbi, and her cousin Liam Haber (Joseph Paul Pino), a master’s degree candidate and atheist who intends to..

The play begins, as it must, with the velvet voice of Nat King Cole crooning “Mona Lisa.” After all, how many paintings inspire an Oscar-winning song? For that matter, how many masterpieces survive damage, theft and the rapacious covetousness of collectors for more than half a millennium? Leonardo da Vinci’s “La Gioconda,” popularly known as the Mona Lisa, is that inspi..

A casual conversation with a fellow theater artist prompted José Manuel Dominguez, founder and artistic director of Antiheroes Project, to produce the company’s latest piece, “El tiempo de las mandarinas,” (“Season for Tangerines”) by Argentine playwright Rafael Nofal. “I am drawn to themes of memory, dreams, and paradise lost, but for a long time I’ve wanted to do a play based on reality,” sa..

The 32nd International Hispanic Theatre Festival kicks off on Thursday, July 6 with the Mexican company Los Tristes Tigres’ irreverent spin on Shakespeare, “Algo de un tal Shakespeare” (“Something by One Shakespeare”). Founder and director Mario Ernesto Sánchez, the festival’s engine that could and still can, identifies this raucous play as part of the festival’s larger goal of attracting..

Nowadays, it’s tough not to feel worried, paranoid or in need of some escapist relief from the steady flow of oh-no-he-didn’t news out of Washington. Miami playwright Theo Reyna feels your pain. His response is “Firemen Are Rarely Necessary,” a jet-black satire now getting its Mad Cat Theatre Company world premiere at Miami Theater Center’s Sand Box. The play takes intricately aim..

Pearl Cleage’s play “Flyin’ West,” an M Ensemble production currently on stage at the beautiful new performing arts center in Liberty City, the Sandrell Rivers Theatre, is set in humble Nicodemus, Kansas, the only remaining western town established by African Americans during the reconstruction period following the Civil War. Set in 1898, the play focuses on the lives of Sophie (Brandiss ..

Esteban, (http://estebanlapelicula.com/en/) the debut of Cuban director Jonal Cosculluela being premiered at The Miami Light Project tells the story of a 9 year old, living in Havana with his mother, who’s raising him as a single parent, and his perseverance following his dream of becoming a musician. The challenges seem overwhelming. Esteban and his mother struggle to make ends meet (htt..

Desperate times call for desperate measures. For some, that might mean taking a second or third job. Or robbing a bank. Or moving in with family. For Casey, a straight lip-syncing Elvis impersonator in a Panama City bar, desperation means forsaking the King’s rhinestone-studded jumpsuit for leg hair-hiding pantyhose, fake boobs and big-hair wigs, the better to sell himself as a fa..

Watching Neri Torres rehearse is a study in focus and concentration. She demonstrates each step with an ease developed from years of immersion in the study and performance of Afro-Cuban ..

Miami-based organization Delou Africa has been the ambassador of African dance and drumming in South Florida for the last 30 years. It started as a performing company, and has since expanded..

Miami Beach’s old city hall on a Thursday evening in June made a surreal set up for anyone familiar with tango’s broody scene -- a large cozy room full of cheerful, laughing, and smiling..

When Ballet Flamenco La Rosa takes to the stage this weekend, it will present a program based on traditions which were handed down through the ages. A program filled with the mysteries of fl..

With every great new love, the beginning is a crucible of extremes – will it endure for decades or permanently scar?The program for Dimensions Dance Theater of Miami’sJuly 8show, “Fiebre: A N..

With a heightened emphasis on “Noise” as an innovative musical genre, this sixth installment of the Miami Performance Festival International (M/P’17), running June 23 to 25, challenges South..

After 17 years as a principal dancer with the esteemed San Francisco Ballet, dancing every major role and style possible, Lorena Feijoo is retiring from that company to embark on a new journe..

Miami choreographer Marissa Alma Nick is a storyteller. Her company Alma Dance Theater brings a particularly female inner world to the stage, through lush and sensual choreography. Nick’s..

Pools are ubiquitous in Miami. They dot the landscape like Jackson Pollock drip paintings. Residents swim or idle the hours away by or in the pool – and dancers of Momentum Dance Company also perf..

Saxophonist Troy Roberts: Living the Dream

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Written by: Tracy Fields
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Seduced by the jazz in his dad’s music collection, a kid from Perth, Western Australia, takes up the saxophone at age 13. He grows up, moves to the United States and becomes a star. Dreams do come true: a number of them in the case of Troy Roberts, one of the featured artists at this year’s Melton Mustafa Jazz Festival.

He’s performed with the likes of Sammy Figueroa, Christian McBride and Aretha Franklin and appeared at International Jazz Day events with Esperanza Spalding, Gregory Porter and the legendary Wayne Shorter. He’s released seven albums as a leader – the latest, “Tales & Tones,” is zooming up the charts – and appeared as a sideman on more than two dozen others, one of which earned a Grammy nomination.

After several years as a student and educator at the University of Miami, Roberts now resides in New York. Since heading north, he’s recorded with such notables as drummer Jeff “Tain” Watts and Orrin Evans, a pianist. He’s part of a new ensemble formed by organist Joey DeFrancesco; their debut recording, Project Freedom, also is swiftly climbing the charts.

So what’s it like living the dream(s)? “It’s overwhelming. It also snuck up on me,” he says, explaining that life as a musician based in the jazz capital of the world keeps him constantly busy, playing different kinds of gigs in different places, always consumed by the music – until he has a rare moment between tours and performances and recordings to catch his breath.

“That’s when it hits you,” he says. “and now it’s like, whoa, that just happened.”

Roberts, who grew up listening to DeFrancesco, is excited about his work with the organist. “I finally have a chance to tap into a part of my musical background,” notably the work of saxophonist Stanley Turrentine and organist Jimmy Smith. The music, he says, is “stylistically really vast, really kind of pretty involved compositions but also really accessible.”

Another peak experience was recording “Tales & Tones” with Watts and the bassist Robert Hurst; Roberts said that as a kid, he had dreamed of playing with them. Roberts’ pleasure is evident as he talks about making the album, which he called “probably the most straight-ahead album I’ve ever done.” But he said he’s so busy this year with other people’s projects he doesn’t have time to go on tour to support it.

However, he plans to get back to work on his Nu Jive project, which produced two of his albums and features South Florida-based artists David Chiverton, Eric England, Tim Jago and Silvano Monasterios, who has now also moved to New York. “That’s something I’ve kind of not had the time to put into, but I also recognize that that’s how Tain and Joey D heard about me,” he says. “I think I need to take a little more care of it again.”

He looks forward to his first appearance at the Melton Mustafa Festival, founded by the South Florida trumpet legend and now in its 20th year.

“Melton’s a really important part of the Miami jazz scene and I’m really honored to be there,” he says. “He’s such a great musician in so many ways, I think he needs to be more recognized.”

Troy Roberts is among the featured artists at the Melton Mustafa Jazz Festival, Friday through Sunday, Feb. 24-26, the Lyric Theater, 819 NW 2nd Ave., Overtown. In addition to Sunday’s culminating concert, the event features workshops and master classes, an evening of art, authors and film, and other performances. Tickets range from $10 to $100; Sunday’s show starts at $50; www.eventbrite.com/e/20th-annual-melton-mustafa-jazz-festival-weekend-february-24-25-26-2017-tickets-30812504029.

 


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About The writer

Tracy Fields is a reporter, writer and host of Evenin' Jazz

A member of the South Florida media for more than two decades, Tracy Fields has been a reporter/editor for The Associated Press and a freelance wordsm..

About the Writer

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