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Writing about “Broken Snow,” the Ben Andron thriller now getting its world premiere at the J’s Cultural Arts Theatre (JCAT) in North Miami Beach, is a proposition almost as tricky as the play itself. The intricately structured 90-minute drama is loaded with surprises, twists and turns, all revealed at precisely the right moment so that the play builds to its shattering conclusion..

As this steamy spring melts into a sweltering summer, Actors’ Playhouse is inviting theater lovers to a wedding – a big, fat Jewish-WASP wedding, otherwise known as the Broadway musical “It Shoulda Been You.” Though the show seemingly takes place in the present, the piece by book writer-lyricist Brian Hargrove and composer Barbara Anselmi is an old-fashioned, stereotype-filled throwba..

'Death & Harry Houdini' Makes Another Magical Moment at ArshtDennis Watkins knows how to make an entrance. In the House Theatre of Chicago’s “Death & Harry Houdini,” now back at the Arsht Center’s Carnival Studio Theater five years after it first wowed Miami audiences, Watkins arrives onstage with the help of theater technology unknown in Houdini’s day. Dangling upside dow..

Director Carlos Lechuga’s masterful unspooling of time in his second feature film “Santa y Ándres” constructs a uniquely Cuban mix of tedium and despair, resulting in an emotionally intense experience that sneaks up on the viewer in plain sight. The film opens with the stillness of a landscape painting: the eastern Cuban countryside of 1983 – rugged, lush, and verdant. The statuesque..

Memory – deep-seated, fragile, slippery, mutable – is at the heart of Jordan Harrison’s “Marjorie Prime.” A Pulitzer Prize finalist in 2015, the play is a family tragicomedy given a sci-fi makeover; in other words, this thought-provoking theater piece charts its own, fresh path. Now getting its South Florida premiere as the second professional production from the Main Street Players, ..

The stage is a fixed space. It is the axis around which story, conflict, and character revolve. When that fixed space shifts, new possibilities emerge. Starting Wednesday, April 23, a shifting site for theater emerges at Deering Estate, a 444-acre environmental, archeological, and historical preserve along the edge of Biscayne Bay in Palmetto Bay. Four local playwrights have collaborated ..

Nearly two years ago, Miami’s Zoetic Stage took its first trip into the world of Harold Pinter with an intense, superbly acted production of the Nobel laureate’s 1978 hit “Betrayal” in the Arsht Center’s Carnival Studio Theater. Now Zoetic is delving further back into the Pinter canon with a riveting production of “The Caretaker.” This 1960 work is, like “Betrayal,” a three-character ..

Imagine animation created live on stage, with mini backdrops, puppets, and low-tech props. Channel it through multiple cameras and mix it live into a projected film. Add a string quartet and a DJ. This is the structure of “Nufonia Must Fall,” an upcoming project presented by MDC Live Arts. The show is slated for appearances around the world, from Asia and the Middle East to Europe and..

That Actors’ Playhouse opened its production of Robert Schenkkan’s “All the Way” on the same day that the American Health Care Act was pulled from a vote by the House of Representatives is ironic and more than a little instructive. The much-touted replacement for Obamacare didn’t have enough sure votes to ensure passage, as Speaker Paul Ryan told President Donald Trump, so the “replac..

The take-no-prisoners world of high finance and ruthless business deals has long been a tantalizing subject for artists. From filmmaker Oliver Stone’s 1987 “Wall Street,” with its antihero Gordon Gekko spouting “greed is good,” to Damien Lewis’ slick hedge fund mogul Bobby Axelrod in the Showtime series “Billions,” movies and television allow those of us in the 99 percent a glimpse at wha..

One could say that Bistoury’s 305 & Havana International Improv Fest, which debuts this Saturday at Miami Theater Center, has been in the works for almost 20 years. In 1999 Cuban-born cho..

The process of creating “Shade,” choreographer Augusto Soledade’s latest full-length work, has been one of remembering and reconfiguring memory to discover new ways of talking about identity ..

Upcoming this week, Tigertail presents choreographer Myriam Gourfink and musician Kasper Toeplitz. Hailing from France, the two will be present for a 3-day residency at Subtropics’ South Beac..

From her home base at 6th Street Dance Studio in Little Havana, longtime Miami dance figure Brigid Baker has been slowly crafting a new performance piece. It’s not conceptual or political like con..

Karen Peterson is the artistic director of Karen Peterson and Dancers, a company that brings professional dancers with and without disabilities together in the same piece of choreography, and..

Revivals are hot on Broadway these days with “CATS”and “Hello, Dolly!“once again gracing the Great White Way. There is a certain nostalgia in taking a second or even third viewing of a belove..

What happens when urban dance style meets classical music? We’ll find out when Brooklyn-based hip-hop dance troupe Decadancetheater takes the stage, backed by Miami’s own experimental classic..

“What does it mean to belong? What does it mean to not want to belong?” These are questions that choreographer Reggie Wilson contemplates in his provocative piece “CITIZEN,“ which makes its M..

If even a modicum of redemption can be forged from the hellish after-effects of gun violence, we must listen to the communities most affected by the violence. To this end, “Trigger,” a hip-ho..

Saxophonist Troy Roberts: Living the Dream

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Written by: Tracy Fields
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Seduced by the jazz in his dad’s music collection, a kid from Perth, Western Australia, takes up the saxophone at age 13. He grows up, moves to the United States and becomes a star. Dreams do come true: a number of them in the case of Troy Roberts, one of the featured artists at this year’s Melton Mustafa Jazz Festival.

He’s performed with the likes of Sammy Figueroa, Christian McBride and Aretha Franklin and appeared at International Jazz Day events with Esperanza Spalding, Gregory Porter and the legendary Wayne Shorter. He’s released seven albums as a leader – the latest, “Tales & Tones,” is zooming up the charts – and appeared as a sideman on more than two dozen others, one of which earned a Grammy nomination.

After several years as a student and educator at the University of Miami, Roberts now resides in New York. Since heading north, he’s recorded with such notables as drummer Jeff “Tain” Watts and Orrin Evans, a pianist. He’s part of a new ensemble formed by organist Joey DeFrancesco; their debut recording, Project Freedom, also is swiftly climbing the charts.

So what’s it like living the dream(s)? “It’s overwhelming. It also snuck up on me,” he says, explaining that life as a musician based in the jazz capital of the world keeps him constantly busy, playing different kinds of gigs in different places, always consumed by the music – until he has a rare moment between tours and performances and recordings to catch his breath.

“That’s when it hits you,” he says. “and now it’s like, whoa, that just happened.”

Roberts, who grew up listening to DeFrancesco, is excited about his work with the organist. “I finally have a chance to tap into a part of my musical background,” notably the work of saxophonist Stanley Turrentine and organist Jimmy Smith. The music, he says, is “stylistically really vast, really kind of pretty involved compositions but also really accessible.”

Another peak experience was recording “Tales & Tones” with Watts and the bassist Robert Hurst; Roberts said that as a kid, he had dreamed of playing with them. Roberts’ pleasure is evident as he talks about making the album, which he called “probably the most straight-ahead album I’ve ever done.” But he said he’s so busy this year with other people’s projects he doesn’t have time to go on tour to support it.

However, he plans to get back to work on his Nu Jive project, which produced two of his albums and features South Florida-based artists David Chiverton, Eric England, Tim Jago and Silvano Monasterios, who has now also moved to New York. “That’s something I’ve kind of not had the time to put into, but I also recognize that that’s how Tain and Joey D heard about me,” he says. “I think I need to take a little more care of it again.”

He looks forward to his first appearance at the Melton Mustafa Festival, founded by the South Florida trumpet legend and now in its 20th year.

“Melton’s a really important part of the Miami jazz scene and I’m really honored to be there,” he says. “He’s such a great musician in so many ways, I think he needs to be more recognized.”

Troy Roberts is among the featured artists at the Melton Mustafa Jazz Festival, Friday through Sunday, Feb. 24-26, the Lyric Theater, 819 NW 2nd Ave., Overtown. In addition to Sunday’s culminating concert, the event features workshops and master classes, an evening of art, authors and film, and other performances. Tickets range from $10 to $100; Sunday’s show starts at $50; www.eventbrite.com/e/20th-annual-melton-mustafa-jazz-festival-weekend-february-24-25-26-2017-tickets-30812504029.

 


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About The writer

Tracy Fields is a reporter, writer and host of Evenin' Jazz

A member of the South Florida media for more than two decades, Tracy Fields has been a reporter/editor for The Associated Press and a freelance wordsm..

About the Writer

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