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The stage is a fixed space. It is the axis around which story, conflict, and character revolve. When that fixed space shifts, new possibilities emerge. Starting Wednesday, April 23, a shifting site for theater emerges at Deering Estate, a 444-acre environmental, archeological, and historical preserve along the edge of Biscayne Bay in Palmetto Bay. Four local playwrights have collaborated ..

Nearly two years ago, Miami’s Zoetic Stage took its first trip into the world of Harold Pinter with an intense, superbly acted production of the Nobel laureate’s 1978 hit “Betrayal” in the Arsht Center’s Carnival Studio Theater. Now Zoetic is delving further back into the Pinter canon with a riveting production of “The Caretaker.” This 1960 work is, like “Betrayal,” a three-character ..

Imagine animation created live on stage, with mini backdrops, puppets, and low-tech props. Channel it through multiple cameras and mix it live into a projected film. Add a string quartet and a DJ. This is the structure of “Nufonia Must Fall,” an upcoming project presented by MDC Live Arts. The show is slated for appearances around the world, from Asia and the Middle East to Europe and..

That Actors’ Playhouse opened its production of Robert Schenkkan’s “All the Way” on the same day that the American Health Care Act was pulled from a vote by the House of Representatives is ironic and more than a little instructive. The much-touted replacement for Obamacare didn’t have enough sure votes to ensure passage, as Speaker Paul Ryan told President Donald Trump, so the “replac..

The take-no-prisoners world of high finance and ruthless business deals has long been a tantalizing subject for artists. From filmmaker Oliver Stone’s 1987 “Wall Street,” with its antihero Gordon Gekko spouting “greed is good,” to Damien Lewis’ slick hedge fund mogul Bobby Axelrod in the Showtime series “Billions,” movies and television allow those of us in the 99 percent a glimpse at wha..

Miami’s venerable M Ensemble is a company that sometimes dips into its rich history to mount fresh productions of past shows. For its second production in its versatile new home at the Sandrell Rivers Theater in Liberty City, the troupe is revisiting Darren Canady’s “Brothers of the Dust.” Winner of the 2012 M. Elizabeth Osborn Award from the American Theatre Critics Association, the ..

“El cuento de Rene,” actor and director Larry Villanueva’s adaptation of Cuban writer Rene Ariza’s short stories into a work of theater, is more than an homage. It’s a statement on oppression. Ariza was sentenced to eight years in prison for trying to send manuscripts abroad. He was banned from creating theater in Cuba and condemned as “counter-revolutionary.” Ariza served five years of h..

Those who attend film festivals aren't looking for the mainstream, Cineplex offerings. That isn't the goal. Amid the indie films, the foreign entries, documentaries, and the world premieres, there's another reason to canvass the program for something you might not see anywhere else. Given the Miami Film Festival is the only major film festival to be produced by a college or university..

{This interview was conducted before the film making team went on to amazing Oscar success.} Playwright Tarell Alvin McCraney and filmmaker Barry Jenkins are nine miles away from the Liberty City housing projects where they both grew up, but they are worlds away. They are at the picturesque Standard Hotel to talk about the new movie "Moonlight," with a screenplay by Jenkins base..

First things first. Actor-playwright Elena María García does explain the meaning of “¡FUÁCATA!” somewhere deep into the 90-minute running time of Zoetic Stage’s “García Or a Latina’s Guide to Surviving the Universe.” The familiar Cuban term, she confides from her perch on Michael McKeever’s Mondrian-evocative set, suggests the sound of a slap. As in, “¡Fuácata! You really stepped in i..

“What does it mean to belong? What does it mean to not want to belong?” These are questions that choreographer Reggie Wilson contemplates in his provocative piece “CITIZEN,“ which makes its M..

If even a modicum of redemption can be forged from the hellish after-effects of gun violence, we must listen to the communities most affected by the violence. To this end, “Trigger,” a hip-ho..

Celebrating 35 years is an amazing achievement for any dance company in Miami, but especially one founded in a decade better known for its ties to drugs than to the arts. Momentum Dance Compa..

For Tigertail Productions, April is the month of fire. Like their WATER Festival in 2016, this month’s FIRE Festival celebrates a single element in multiple art forms, including dance, visual..

During the month of April the organizers of the seventh iteration of the O Miami Poetry Festival intend every resident of Miami Dade county to encounter a poem or – even better – write one! An..

As the “home-grown” sweetheart of Miami City Ballet, Patricia Delgado is having her final performances this season before leaving the city and the company she loves to move to New York City.H..

Even people who can’t find Argentina on a map and believe tangos only happen in Paris know La Cumparsita’s iconic four beat opening. Like a bar’s last call, La Cumparsita tells tango dancers ..

Miami City Ballet will conclude its season this week with a rich selection of repertory pieces: two from Balanchine, in very expressive but distinct modes, and one from modern-dance master Pa..

Ballet Flamenco La Rosa’s studio evokes the feel of a tablao in Spain. The strumming of the guitar, the rapid-fire rhythms of footwork against the floor, and the soft voice of the singer reac..

Saxophonist Troy Roberts: Living the Dream

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Written by: Tracy Fields
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Seduced by the jazz in his dad’s music collection, a kid from Perth, Western Australia, takes up the saxophone at age 13. He grows up, moves to the United States and becomes a star. Dreams do come true: a number of them in the case of Troy Roberts, one of the featured artists at this year’s Melton Mustafa Jazz Festival.

He’s performed with the likes of Sammy Figueroa, Christian McBride and Aretha Franklin and appeared at International Jazz Day events with Esperanza Spalding, Gregory Porter and the legendary Wayne Shorter. He’s released seven albums as a leader – the latest, “Tales & Tones,” is zooming up the charts – and appeared as a sideman on more than two dozen others, one of which earned a Grammy nomination.

After several years as a student and educator at the University of Miami, Roberts now resides in New York. Since heading north, he’s recorded with such notables as drummer Jeff “Tain” Watts and Orrin Evans, a pianist. He’s part of a new ensemble formed by organist Joey DeFrancesco; their debut recording, Project Freedom, also is swiftly climbing the charts.

So what’s it like living the dream(s)? “It’s overwhelming. It also snuck up on me,” he says, explaining that life as a musician based in the jazz capital of the world keeps him constantly busy, playing different kinds of gigs in different places, always consumed by the music – until he has a rare moment between tours and performances and recordings to catch his breath.

“That’s when it hits you,” he says. “and now it’s like, whoa, that just happened.”

Roberts, who grew up listening to DeFrancesco, is excited about his work with the organist. “I finally have a chance to tap into a part of my musical background,” notably the work of saxophonist Stanley Turrentine and organist Jimmy Smith. The music, he says, is “stylistically really vast, really kind of pretty involved compositions but also really accessible.”

Another peak experience was recording “Tales & Tones” with Watts and the bassist Robert Hurst; Roberts said that as a kid, he had dreamed of playing with them. Roberts’ pleasure is evident as he talks about making the album, which he called “probably the most straight-ahead album I’ve ever done.” But he said he’s so busy this year with other people’s projects he doesn’t have time to go on tour to support it.

However, he plans to get back to work on his Nu Jive project, which produced two of his albums and features South Florida-based artists David Chiverton, Eric England, Tim Jago and Silvano Monasterios, who has now also moved to New York. “That’s something I’ve kind of not had the time to put into, but I also recognize that that’s how Tain and Joey D heard about me,” he says. “I think I need to take a little more care of it again.”

He looks forward to his first appearance at the Melton Mustafa Festival, founded by the South Florida trumpet legend and now in its 20th year.

“Melton’s a really important part of the Miami jazz scene and I’m really honored to be there,” he says. “He’s such a great musician in so many ways, I think he needs to be more recognized.”

Troy Roberts is among the featured artists at the Melton Mustafa Jazz Festival, Friday through Sunday, Feb. 24-26, the Lyric Theater, 819 NW 2nd Ave., Overtown. In addition to Sunday’s culminating concert, the event features workshops and master classes, an evening of art, authors and film, and other performances. Tickets range from $10 to $100; Sunday’s show starts at $50; www.eventbrite.com/e/20th-annual-melton-mustafa-jazz-festival-weekend-february-24-25-26-2017-tickets-30812504029.

 


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About The writer

Tracy Fields is a reporter, writer and host of Evenin' Jazz

A member of the South Florida media for more than two decades, Tracy Fields has been a reporter/editor for The Associated Press and a freelance wordsm..

About the Writer

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