Pearl Cleage’s play “Flyin’ West,” an M Ensemble production currently on stage at the beautiful new performing arts center in Liberty City, the Sandrell Rivers Theatre, is set in humble Nicodemus, Kansas, the only remaining western town established by African Americans during the reconstruction period following the Civil War. Set in 1898, the play focuses on the lives of Sophie (Brandiss ..
Esteban, (http://estebanlapelicula.com/en/) the debut of Cuban director Jonal Cosculluela being premiered at The Miami Light Project tells the story of a 9 year old, living in Havana with his mother, who’s raising him as a single parent, and his perseverance following his dream of becoming a musician. The challenges seem overwhelming. Esteban and his mother struggle to make ends meet (htt..
Desperate times call for desperate measures. For some, that might mean taking a second or third job. Or robbing a bank. Or moving in with family. For Casey, a straight lip-syncing Elvis impersonator in a Panama City bar, desperation means forsaking the King’s rhinestone-studded jumpsuit for leg hair-hiding pantyhose, fake boobs and big-hair wigs, the better to sell himself as a fa..
Writing about “Broken Snow,” the Ben Andron thriller now getting its world premiere at the J’s Cultural Arts Theatre (JCAT) in North Miami Beach, is a proposition almost as tricky as the play itself. The intricately structured 90-minute drama is loaded with surprises, twists and turns, all revealed at precisely the right moment so that the play builds to its shattering conclusion..
As this steamy spring melts into a sweltering summer, Actors’ Playhouse is inviting theater lovers to a wedding – a big, fat Jewish-WASP wedding, otherwise known as the Broadway musical “It Shoulda Been You.” Though the show seemingly takes place in the present, the piece by book writer-lyricist Brian Hargrove and composer Barbara Anselmi is an old-fashioned, stereotype-filled throwba..
'Death & Harry Houdini' Makes Another Magical Moment at ArshtDennis Watkins knows how to make an entrance. In the House Theatre of Chicago’s “Death & Harry Houdini,” now back at the Arsht Center’s Carnival Studio Theater five years after it first wowed Miami audiences, Watkins arrives onstage with the help of theater technology unknown in Houdini’s day. Dangling upside dow..
Director Carlos Lechuga’s masterful unspooling of time in his second feature film “Santa y Ándres” constructs a uniquely Cuban mix of tedium and despair, resulting in an emotionally intense experience that sneaks up on the viewer in plain sight. The film opens with the stillness of a landscape painting: the eastern Cuban countryside of 1983 – rugged, lush, and verdant. The statuesque..
Memory – deep-seated, fragile, slippery, mutable – is at the heart of Jordan Harrison’s “Marjorie Prime.” A Pulitzer Prize finalist in 2015, the play is a family tragicomedy given a sci-fi makeover; in other words, this thought-provoking theater piece charts its own, fresh path. Now getting its South Florida premiere as the second professional production from the Main Street Players, ..
The stage is a fixed space. It is the axis around which story, conflict, and character revolve. When that fixed space shifts, new possibilities emerge. Starting Wednesday, April 23, a shifting site for theater emerges at Deering Estate, a 444-acre environmental, archeological, and historical preserve along the edge of Biscayne Bay in Palmetto Bay. Four local playwrights have collaborated ..
Nearly two years ago, Miami’s Zoetic Stage took its first trip into the world of Harold Pinter with an intense, superbly acted production of the Nobel laureate’s 1978 hit “Betrayal” in the Arsht Center’s Carnival Studio Theater. Now Zoetic is delving further back into the Pinter canon with a riveting production of “The Caretaker.” This 1960 work is, like “Betrayal,” a three-character ..
With a heightened emphasis on “Noise” as an innovative musical genre, this sixth installment of the Miami Performance Festival International (M/P’17), running June 23 to 25, challenges South..
After 17 years as a principal dancer with the esteemed San Francisco Ballet, dancing every major role and style possible, Lorena Feijoo is retiring from that company to embark on a new journe..
Miami choreographer Marissa Alma Nick is a storyteller. Her company Alma Dance Theater brings a particularly female inner world to the stage, through lush and sensual choreography. Nick’s..
Pools are ubiquitous in Miami. They dot the landscape like Jackson Pollock drip paintings. Residents swim or idle the hours away by or in the pool – and dancers of Momentum Dance Company also perf..
May’s “Mujeres” series of strong, multi-faceted, women-focused productions, commissioned for Miami Theater Center’s SandBox space, concludes with Spanish-born dancer-choreographer Carlota Pr..
One could say that Bistoury’s 305 & Havana International Improv Fest, which debuts this Saturday at Miami Theater Center, has been in the works for almost 20 years. In 1999 Cuban-born cho..
The process of creating “Shade,” choreographer Augusto Soledade’s latest full-length work, has been one of remembering and reconfiguring memory to discover new ways of talking about identity ..
Upcoming this week, Tigertail presents choreographer Myriam Gourfink and musician Kasper Toeplitz. Hailing from France, the two will be present for a 3-day residency at Subtropics’ South Beac..
From her home base at 6th Street Dance Studio in Little Havana, longtime Miami dance figure Brigid Baker has been slowly crafting a new performance piece. It’s not conceptual or political like con..
Sun-drenched it is, but Miami is sound-drenched as well. Parrots screech complaints from the Grove’s canopy of palms. I-95 is a perpetual sound lab of squeaking brakes, tires rubbing asphalt and the pulse of horns. On Coral Way, abuelaschat in melodic Spanglish about nietos as 747s rumble overhead.
Tod Machover – composer and Muriel R. Cooper Professor of Music and Media at the M.I.T. Media Lab – hears music in Miami’s noise and believes its soundscapes are ready to be sampled. With filmmaker David Kane, and representatives from New World Symphony and the Knight Foundation, Machover unveiled Project 305 at the New World Center on Miami Beach to a packed room of reporters, teachers, administrators and artists clutching coffees on an early Monday morning last December.
Looking the part of composer-technologist in black t-shirt, jacket and pants, Machover described Project 305 as a “crowd-sourced city symphony.” For 100 days from January 31to May 12, Miamians will be encouraged to record and submit on smartphone apps short audio files capturing the city’s sounds and images.
Then a team that includes Machover, composer Ted Hearne, Kane, and New World Symphony Artistic Director and co-founder Michael Tilson Thomas, will sift through the submissions. The goal is to gel them into a distinctively Miami symphony.
Similar projects by Machover in Lucerne, Switzerland; Toronto; Edinburgh; and Perth, Australia derived inspiration from cow bells on the sides of Alpine mountains, conductor’s whistles, footsteps on a bridge, ice cubes clinking in glasses, a butcher wielding a cleaver, the clink and hiss of an electric plant. Machover’s Symphony in D, described as “a cacophonous love letter to Detroit,” used over 15,000 sound bites.
Contributions from young people have a prominent role in the project. Machover highlighted the Media Lab’s Hyperscore software that makes music composition accessible to children. Using Hyperscore, students generate music not by writing notes on a staff but by drawing sounds using shapes and colors. He encouraged local schools to access the program, and added there are plans for making that software freely available to educational organizations during the project.
The time frame is compact -- the final work will premiere Saturday, October 21, 2017 at the New World Center, with subsequent viewings taking place at partner venues in communities throughout Miami-Dade County.
Machover’s hope is that Project 305 will shape for Miami, as it has in other cities, a fresh, radical “musical ecology with new connections and new creative centers for Miami-based artists, musicians and writers.”
After the presentation, that ecology showed signs of life as many of the attendees networked, exchanging ideas. Ryon Coote, philanthropy director for McLamore Children’s Center, saw Project 305 as “the opportunity to get some exposure for our demographic” and was particularly interested in the compositional software for children.
Miami will be the first city to accompany its symphony with video and photographs. Ronald Baez, artistic director at the Coral Gables Art Cinema, heard in Machover’s presentation an opportunity for local film-makers to make use of the center’s equipment to generate contributions.
Submissions can be made from January 31 to May 12 by sending sound and video clips using the iPhone or Android app, project305.org.
For questions or information, contact Stephanie Torok at Project305@nws.edu, or call 305.428.6722.
New World will hold three public launch day events Jan. 31 throughout the city where the community is invited to come out and learn more about the project and how to start submitting their audio/visuals! Details below:
8:00 - 9:30 am, Sandrell Rivers Theater in Liberty City, 6101 NW 7th Avenue, Miami.
3:30 - 5:00 pm, Koubek Center in Little Havana, 2705 SW 3rd Street, Miami; Parking - $3
7:00 - 8:30 pm, South Miami-Dade Cultural Arts Center, 10950 Southwest 211 St., Cutler Bay.
Sean Erwin is a writer and assistant professor of Philosophy at Barry University, with a focus on aesthetics and contemporary french philosophy.
Sean Erwin is an Assistant Professor of Philosophy at Barry University and received his Masters and Doctorate in Philosophy from Vanderbilt. He has presented and published on topics in political philosophy, Italian and French philosophy, and technology and performance studies. He currently serves as the senior editor of the Humanities and Technology Review.
Erwin is also a performance critic for Artburst, with performance previews and reviews appearing regularly there and in other South Florida publications. Artburst gives him the platform to critique the aesthetic principles he writes on as a professional philosopher through analysis of the concrete movements embodied by performers.
He is also an accomplished dancer and teacher in the Argentine Tango community. In 2000 he founded and served as editor of the Chicago webzine, Tango Noticias, a specialty dance periodical dedicated to examining Argentine Tango as a set of social practices rooted to the Southern cone’s history, politics, and culture.
Since his move to South Florida, he has both taught philosophy and served as a principal tango instructor for the Miami-based, Shimmy Club, a non-profit program that teaches Argentine Tango to vision-impaired teens. Through his involvement with the program, Erwin has been featured in articles and several news outlets including Univision, Telemundo, NBC News, KPFK Los Angeles, and the Miami Herald. For more information, see erwinsean.com.
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