Though the Miami New Drama-commissioned “Queen of Basel” will have its official world premiere at Studio Theatre in Washington D.C. next season, you don’t have to wait or travel to discover how playwright Hilary Bettis has reimagined August Strindberg’s controversial 1888 classic “Miss Julie.” With three powerful actors and a small audience sharing the stage space at Miami Beach’s Co..
Branden Jacobs-Jenkins, now 33, was named a MacArthur “genius” grant winner in 2016, the same year his play “Gloria” was chosen as a finalist for the Pulitzer Prize for drama. Earlier, his provocative, stylistically diverse, subversive plays “Appropriate” and “An Octoroon” (the latter was produced by Coral Gables’ Area Stage last fall) each won best new American play Obie Awards. ..
"The Other Mozart" is a suitcase play – one of those shows where a single actress can pack the entire contents that creates the setting – costume, wig, and props, and go anywhere in the world. It is the way Samantha Hoefer will arrive in Miami to present Sylvia Milo's one-woman play about Maria Anna Mozart, the not nearly as famous older sibling of that 18th century rock star Wolfgang Ama..
Early on in the Argentinean film “El Último Traje” (The Last Suit), which makes its U.S. theatrical debut this week, a deceptively quaint and humorous scene takes place between the film’s protagonist, 88-year-old Abraham Bursztein and his young granddaughter. The little girl refuses to join in a family photo with Abraham surrounded by his many grandchildren. When he cajoles and insists, ..
Gone are the days when filmmakers needed huge budgets, and major movie studios backing them with big bucks to get their films seen, according to two producers who spent decades in Los Angeles, and have now moved their base to Miami Beach. "From a creative standpoint, there are amazing opportunities for filmmakers today," says producer Kevin Chinoy, who, along with producing partner Frances..
Mark St. Germain has achieved ongoing success with small-cast plays involving historical figures in fictional scenarios, and South Florida has been as welcoming to his work as the rest of the country. St. Germain’s “Camping With Henry and Tom,” about a 1920s camping trip involving Henry Ford, Thomas Edison and President Warren G. Harding, was produced in 1996 by New Theatre in Coral Gables..
Mexico City-based theater collective Teatro Ojo's works are constantly evolving. Nothing is ever really finished. That's because they take from every performance. Whatever the audience experiences, observes, feels, and offers feedback, which they highly encourage, all is used, considered, and included in the evolution of the same piece, or introduced into another new work. Two of the ..
“America’s Greatest and Least Known Playwright.”This is how the Cuban-American playwright Maria Irene Fornes is referred to several times throughout Michelle Memran’s documentary “The Rest I Make Up,” which makes its Florida debut this Saturday as part of Miami-Dade College’s Miami Film Festival. Fornes has been called the “Mother of Avant-Garde Theater.” Theater giants like Edward A..
“Once” has always been touched with magic. And as anyone who has seen the sublime new production of the show by Actors’ Playhouse in Coral Gables would tell you, the musical’s spellbinding pull is as powerful as ever. When Irish director-screenwriter John Carney first told the tale of a heartbroken Irish street musician and the spunky Czech pianist who reignites his passion, a 200..
Consider the idea of land in Palestine, and conflict may be the first thing to come to mind. But for Jumana Emil Abboud, the Palestinian landscape evokes other, older, associations – with mythological creatures like water spirits and ghouls. “These stories were told way before 1948,” says the Galilee-born artist, speaking by phone from her home in Jerusalem. She suggests looking back ..
Dimensions Dance Theatre of Miami has been on a trajectory best described as meteoric. In its first 18 months DDTM has been a 2017 Knight Challenge Grant recipient and now will debut at New Y..
Amirah Sackett came up as a dancer in Chicago’s hip hop scene at a time when women were rare in the mostly male community. But she also visibly stood out as a Muslim. She keeps her hair cover..
Inside the Little Haiti Cultural Complex, where Dance Now! Miami is in residence, there is a hub of activity as the company prepares for its performance on Saturday night of Contemporanea 201..
One of the signatures of the National Water Dance project since its inception seven years ago was that dance troupes, large or small, professional or school groups, were free to perform whate..
Miami City Ballet is in league with Russians – in a good way -- and this promises to make a selection of dances look great again. The company’s final program this season brings back Apollo an..
Hidden behind a busy street in North Miami Beach is the Ancient Spanish Monastery, where Dance Now! Miami will bring the past into the present – and back into the past. Ekphrasis describes th..
Sometimes dance seems as easy as walking down the street. John Heginbotham, founder and artistic director of Dance Heginbotham, describes his dancers as moving in an unaffected, natural manne..
On the heels of a year-plus parade of #MeToo confessions, celebrity shamings and women’s marches, comes Marisa Alma Nick’s female-power-packed “A Rebel in Venus.” “It wasn’t planned that ..
Choreographers are usually curious people. Augusto Soledade’s curiosity leads him in many directions, including ideas on Madonna, voguing, and selfies. It all began with “thoughts on identity..
In the fall of 2014, Jazz composer Taylor Ho Bynum spent five weeks biking from Vancouver to Tijuana, with concerts stops along the way in an effort to re-envision the process of creating and consuming music while reducing his own carbon footprint. Surrounded by breathtaking sunrises and colorful sunsets, he played his cornet to both audiences of stoic ancient red wood trees and raucous jazz fans.
MDC Live Arts brings him and his Acoustic Bicycle Tour to Miami for a series of concerts, discussions, and improvisations at locations across South Florida -- including five of Miami-Dade Colleges’ campuses. The weeklong residency will allow Bynum to create deeper relationships with the local community and artists that live here.
“When I did the West coast bike tour,” Bynum says, “I realized once it was over, that one of my few regrets was not having the chance to have a deeper engagement with any particular community, because I was always on the go. So while the journey aspect of it was incredible, I felt I hadn’t fully tapped into the potential of connecting with a community, and sort of generating discussion.
“What’s been fantastic about this program, is that its become a really in depth collaboration, and that’s one of the things I’m excited about.”
Kathryn Garcia, MDC Live Arts executive director, who was attracted to the flexible nature of the work and the opportunity to engage the community in many different ways, agrees: “We jumped on the chance when we heard about this project because we knew that it would be perfect, as it doesn’t require any particular venue -- he can do performances anywhere. This piece is all about alternate thinking -- alternate ways of listening to music, so that for us, was really exciting.”
In addition to residencies and pop-up improvisations along his bike route to each campus, Bynum will also perform with his long-time ensemble. the Taylor Ho Bynum 7-tette at WDNA studios on Friday, April 10. On April 11, he will lead an Emerge Miami bike ride through Little Havana, culminating in a concert with his 7-tette and local musicians at MDC’s Koubek Center.
“The chance to not just come to a town, play a gig and leave, but to work with the local artists who are there is something I find really exciting,” Bynum explains. “I think it’s really important, because I think we are all guilty of looking to the visiting artist as the exciting ones, and I think all of us always take for granted the musicians that are in our own backyard. The same way there has been a sustainable and local food movement, the way people are aware of where their food has come from, and trying to eat locally, and source locally, or source sustainably, I think we have to think about that in our art consumption.”
Bynum’s time in Miami closes on Sunday, April 12, with a collaboration with O, Miami and Miami’s Peddling Poets in a 16-mile bike ride that begins and ends at New World Symphony’s Soundscape Park. “We are going to do a ride, visiting places that they each have written a site specific poem for, I’ll improvise. The experience of getting there becomes part of the poem.”
By reconfiguring the context in which his music is consumed, and through collaborative residencies like his bike tours, Bynum has found himself more in touch with the music he wants to create and the way he wants to create it. “You come up as a jazz musician with a certain set of expectations and definitions and contexts in which you perform. And then you get to a certain point: does the music that I make really fit into this limited definition of what jazz is in this culture? How can I expand that? And how can I expand the context in which I am being presented and performing? Ultimately, I feel like the smoky bar is not where I want to perform my music.
“For me, it means I have a deeper relationship to the outdoors, or to just people I meet on the street…. This bike tour has been a real affirmation of the choices I’ve made in that direction.”
Taylor Ho Bynum 7-tette performs Friday, April 10 at 8:00 p.m. at WDNA Jazz Gallery, 2921 Coral Way, Miami; tickets are $15 and can be purchased at the door or call 305-662-8889.
Emerge Miami Bike Ride led by Taylor Ho Bynum, routing through Little Havana with stops at Domino Park, Los Pinarenos Fruteria and more, ending at the Koubek Center a performance, Douglas Metrorail Station, intersection of Douglas Road (S.W. 37th Ave) and South Dixie Highway (US-1), Saturday, April 11, 10:00 a.m.; free.
Taylor Ho Bynum 7-tette in concert with some of Miami's leading new music performers, creating a 15-piece ensemble, at the Koubek Center Theater, 2705 S.W. 3rd St, Miami, Saturday, April 11, 12:30 p.m.; free.
Site-specific poetry and music with the Taylor Ho Bynum and the Peddling Poets, starting and ending at New World Symphony’s SoundScape Park, 500 17th St., Miami Beach, on Sunday, April 12, 3 p.m.; free.
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