Actors’ Playhouse has been a musical powerhouse for much of its history. Launching its 30th anniversary season at the Miracle Theatre in Coral Gables, the company is revisiting some of that history with a new production of a made-for-South Florida favorite: Andrew Lloyd Webber and Tim Rice’s “Evita.” As it did in 2000 when recent Tony Award winner Rachel Bay Jones starred as Eva Duart..
Playwright Suzan-Lori Parks won the Pulitzer Prize for “Topdog/Underdog” in 2002. But as Zoetic Stage’s superb new production of the play at Miami’s Arsht Center demonstrates, her funny, shocking tale of two brothers struggling to survive is as potent today as it was 15 years ago. Maybe more so, given the country’s deepening divide. Parks’ harrowing drama examines the complex relation..
We are born. We live, have families, grow old. We die, leaving those who loved us to mourn. Playwright Thornton Wilder brilliantly captured the eternal verities of our journey through life in “Our Town,” his 1938 Pulitzer Prize-winning play about life, love and death in a small New Hampshire town at the turn of the 20th century. If you’re at all drawn to theater, you’ve probably ..
“Miami Motel Stories: Little Havana” written by Juan C. Sanchez, directed by Tamilla Woodard, and produced by Juggerknot Theatre Company, is a site-specific, immersive theater experience that interweaves narrative, performance, history and architecture. Nine short plays take place in nine hotel rooms on the second floor of the Tower Hotel, right off Calle Ocho on Seventh Street. Sanchez, ..
Artistic director and founder of Juggerknot Theatre Company, Tanya Bravo, had her first brush with immersive theater in New York City when she met director Tamilla Woodard. Working on the play “Broken City,” Bravo and other actors led audience members on a theatrical journey through the streets of the Lower East Side. “I was so blown away by the concept and the lines that were crossed between ..
We humans do love our rituals. When an extended family gathers for the holidays, familiar traditions promise a comforting respite from an increasingly complex, chaotic world. Still, realistically, troubles and fears refuse to be left behind. They surface like unwelcome guests. So do resentments and stinging remarks born of deep knowledge. With Thanksgiving on the horizon, you wonder: ..
After a tryout run in Chicago, 34 previews and 746 performances on Broadway, and a tour launch in Buffalo, “On Your Feet!” has finally opened in the place where Cuban-born music superstars Gloria and Emilio Estefan made their dreams come true: Miami. At Friday’s red carpet opening at the Adrienne Arsht Center for the Performing Arts, with the Estefans and their extended family in atte..
Whether the comedy is high or low, performer-writer Steve Martin has been making moviegoers, “Saturday Night Live” fans and theater lovers laugh for more than half a century – hard to believe it’s been that long, but he started early. Martin’s way with both cerebral jokes and physical comedy is abundantly on display in “The Underpants,” his 2002 adaptation of Carl Sternheim’s once-ban..
Robert Schenkkan’s “Building the Wall” begins as a wary conversation between two strangers: Rick, a white male convict awaiting a likely death sentence, and Gloria, a black female historian and college professor. For 90 minutes, the two talk. She probes; he explains and justifies and slowly paints a picture of a man-made Seventh Circle of Hell. By the time the play ends, the audience ..
Branden Jacobs-Jenkins’ award-winning play “An Octoroon” layers an antebellum melodrama with 21st-century parlance and perspective. The result is an innovative play-within-a-play that skillfully reminds us of slavery’s horrible past and its ever-present legacy. Area Stage Company’s production, thoughtfully directed by John Rodaz, brings together a talented cast to ensure this melodra..
Promising a night of airiness and ardor, Dimensions Dance Theatre of Miami will bring “Ballet’s Pointe of Passion” to the South Miami-Dade Cultural Arts Center, where the company joins an att..
Great friendships can nurture and prod an artist to make greater work. Think Pablo Picasso and Wifredo Lam, James Baldwin and Toni Morrison, Tina Fey and Amy Poehler. Such is also the case fo..
It’s a tall order to present a season as surprising as it is moving, as disturbing as it is delightful. Miami-Dade College’s Live Arts 2017-2018 season -- Ojala/Inshallah: Wishes from the Mu..
It was only a few decades ago that finding a professional, locally produced performance was an aerobic dance in itself. But after the Miami City Ballet (established 1985), the New World Schoo..
A 50th anniversary calls for gold in celebration. But Balanchine’s “Jewels”—a sublime marriage of music and choreography from 1967—brings Emeralds, Rubies,and Diamonds. Those pre..
When the Limon Dance Company returns to Miami-Dade this weekend, it brings with it the powerful vision of founder José Limon. He was a man deeply concerned about and connected to the humanity..
When Cardi B, with her trademark no-filter attitude, raps in her recent hit “Bodak Yellow” – Now I don’t got to dance/I make money move – she has something to sing about, with her smash hit N..
Despite a packed show schedule, including performing with the Frankfurt Opera in “Rinaldo,” Sarasota native, dancer and choreographer James McGinn had a chance to discuss the upcoming dance-opera ..
Anniversaries usually celebrate the success of a partnership with symbolic gifts of crystal, china, silver and gold. For the Arts Ballet Theater of Florida, the company celebrates 20 years of..
Guitarist, composer and producer Josemi Carmona embodies the spirit of Nuevo Flamenco. Rooted firmly in tradition, he has proven a restless, curious artist, ignoring the boundaries of genres and collaborating with musicians as disparate as jazz bassist Dave Holland, British Indian musician Nitin Sawhney, Norwegian pianist Bugge Wesseltoft and pop superstar Alejandro Sanz. He was 14 when he joined Ketama, the enormously successful flamenco pop group co-founded by his brother, Juan Carmona. And if an endorsement was still necessary, flamenco virtuoso Paco de Lucía called him “one of the guitarists who will define guitar playing in the 21st century.”
So it’s only fitting that Carmona and Javier Colina, one of the premier and most versatile bassists in Spain, as comfortable in jazz as in flamenco, open the two-concert Flamenco Eñe series at the intimate Carnival Studio Theater at the Arsht Center, Sunday at 7 p.m. The duo, with the addition of percussionist José Ruiz, will be performing music from their recently released album De Cerca (Up Close), which includes nods to flamenco, jazz and the Great Latin American Songbook.
The second installment of Flamenco Eñe, featuring the quartet Ultra High Flamenco, also takes place in the Carnival Studio Theater the following Sunday, March 19.
“I love orthodox flamenco. I love to listen to a soleá, to a siguiriya [styles within flamenco]. But flamenco is the result of many fusions in that journey that brought the gypsies from India to the south of Spain, some through Europe, some through the North of Africa, and I´m not against any [musical mix] as long as it’s done from the heart,” says Carmona, reached by phone recently.
Jose Miguel Carmona was born in Madrid in 1971. He´s the son of the great guitarist Pepe Habichuela and the bailaora Amparo Bengala and, as such, part of one of the dynasties of flamenco. He was just 5 when he debuted on stage with the late Enrique Morente, one of the essential voices of flamenco, and as a teenager he toured with his father on the landmark Broadway revue “Flamenco Puro” in the mid 1980s.
He also co-founded the La Barberia del Sur, a flamenco pop group, and later joined Ketama, a group that blended flamenco with strains from pop and jazz, as well as salsa, Brazilian music and African music. The band dissolved in the early 2000s (although in recent statements Carmona called it a “hiatus”) and Carmona embarked on a solo career.
Playing with Colina, a superior player best known for his work with pianists Tete Montoliu, Bebo and Chucho Valdes and trumpeter and conguero Jerry González, De Cerca marks for Carmona a change in approach. This album was recorded “as if playing live, so the listener has the feeling of being up close.”
His interest in other genres and styles from around the world comes from growing up surrounded by music and having a father who was himself open minded and curious about the world beyond flamenco, he says.(Consider as a sample Habichela´s marvelous Yerbaguena, with the Bollywood Strings.)
“Even though my father is a flamenco guitarist through and through, I remember being a kid, in the living room, playing with my little toy cars and my father listening to [classic flamenco figures such as singers Pepe] Marchena o [Manolo] Caracol but also putting on Chick Corea, John Williams, Ravi Shankar or Gilberto Gil. I started playing when I was 4 years old and that was my musical education, open to other music. And then, later on we started to get a lot more information and I devoured it – Michael Jackson, Take Six, Stevie Wonder, Prince, you name it, so it’s not surprising that when the time comes to compose, it comes out.”
“I love jazz, I love pop, I love Indian music, Afro-Caribbean music and I love the mixes with flamenco,” he says. “For me music is about emotion. That’s what I aim to when I play; I want to move people, to have the hairs on their arms stand up. When that happens, that’s beautiful, that’s like saying ‘Ole’.”
Josemi Carmona & Javier Colina with Bandolero, part of the Flamenco Ñ series, Sunday at 7:00 p.m., Carnival Studio Theater, Arsht Center for the Performing Arts Center, 1300 Biscayne Blvd., Miami; tickets $50, 305-949-6722; arshtcenter.org.
Hay pocos artistas que han tenido el impacto en sus disciplinas como el guitarrista Paco De Lucía tuvo en flamenco. En este género, hay un antes y después de De Lucía. Expandió el vocabul..
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