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The stage is a fixed space. It is the axis around which story, conflict, and character revolve. When that fixed space shifts, new possibilities emerge. Starting Wednesday, April 23, a shifting site for theater emerges at Deering Estate, a 444-acre environmental, archeological, and historical preserve along the edge of Biscayne Bay in Palmetto Bay. Four local playwrights have collaborated ..

Nearly two years ago, Miami’s Zoetic Stage took its first trip into the world of Harold Pinter with an intense, superbly acted production of the Nobel laureate’s 1978 hit “Betrayal” in the Arsht Center’s Carnival Studio Theater. Now Zoetic is delving further back into the Pinter canon with a riveting production of “The Caretaker.” This 1960 work is, like “Betrayal,” a three-character ..

Imagine animation created live on stage, with mini backdrops, puppets, and low-tech props. Channel it through multiple cameras and mix it live into a projected film. Add a string quartet and a DJ. This is the structure of “Nufonia Must Fall,” an upcoming project presented by MDC Live Arts. The show is slated for appearances around the world, from Asia and the Middle East to Europe and..

That Actors’ Playhouse opened its production of Robert Schenkkan’s “All the Way” on the same day that the American Health Care Act was pulled from a vote by the House of Representatives is ironic and more than a little instructive. The much-touted replacement for Obamacare didn’t have enough sure votes to ensure passage, as Speaker Paul Ryan told President Donald Trump, so the “replac..

The take-no-prisoners world of high finance and ruthless business deals has long been a tantalizing subject for artists. From filmmaker Oliver Stone’s 1987 “Wall Street,” with its antihero Gordon Gekko spouting “greed is good,” to Damien Lewis’ slick hedge fund mogul Bobby Axelrod in the Showtime series “Billions,” movies and television allow those of us in the 99 percent a glimpse at wha..

Miami’s venerable M Ensemble is a company that sometimes dips into its rich history to mount fresh productions of past shows. For its second production in its versatile new home at the Sandrell Rivers Theater in Liberty City, the troupe is revisiting Darren Canady’s “Brothers of the Dust.” Winner of the 2012 M. Elizabeth Osborn Award from the American Theatre Critics Association, the ..

“El cuento de Rene,” actor and director Larry Villanueva’s adaptation of Cuban writer Rene Ariza’s short stories into a work of theater, is more than an homage. It’s a statement on oppression. Ariza was sentenced to eight years in prison for trying to send manuscripts abroad. He was banned from creating theater in Cuba and condemned as “counter-revolutionary.” Ariza served five years of h..

Those who attend film festivals aren't looking for the mainstream, Cineplex offerings. That isn't the goal. Amid the indie films, the foreign entries, documentaries, and the world premieres, there's another reason to canvass the program for something you might not see anywhere else. Given the Miami Film Festival is the only major film festival to be produced by a college or university..

{This interview was conducted before the film making team went on to amazing Oscar success.} Playwright Tarell Alvin McCraney and filmmaker Barry Jenkins are nine miles away from the Liberty City housing projects where they both grew up, but they are worlds away. They are at the picturesque Standard Hotel to talk about the new movie "Moonlight," with a screenplay by Jenkins base..

First things first. Actor-playwright Elena María García does explain the meaning of “¡FUÁCATA!” somewhere deep into the 90-minute running time of Zoetic Stage’s “García Or a Latina’s Guide to Surviving the Universe.” The familiar Cuban term, she confides from her perch on Michael McKeever’s Mondrian-evocative set, suggests the sound of a slap. As in, “¡Fuácata! You really stepped in i..

“What does it mean to belong? What does it mean to not want to belong?” These are questions that choreographer Reggie Wilson contemplates in his provocative piece “CITIZEN,“ which makes its M..

If even a modicum of redemption can be forged from the hellish after-effects of gun violence, we must listen to the communities most affected by the violence. To this end, “Trigger,” a hip-ho..

Celebrating 35 years is an amazing achievement for any dance company in Miami, but especially one founded in a decade better known for its ties to drugs than to the arts. Momentum Dance Compa..

For Tigertail Productions, April is the month of fire. Like their WATER Festival in 2016, this month’s FIRE Festival celebrates a single element in multiple art forms, including dance, visual..

During the month of April the organizers of the seventh iteration of the O Miami Poetry Festival intend every resident of Miami Dade county to encounter a poem or – even better – write one! An..

As the “home-grown” sweetheart of Miami City Ballet, Patricia Delgado is having her final performances this season before leaving the city and the company she loves to move to New York City.H..

Even people who can’t find Argentina on a map and believe tangos only happen in Paris know La Cumparsita’s iconic four beat opening. Like a bar’s last call, La Cumparsita tells tango dancers ..

Miami City Ballet will conclude its season this week with a rich selection of repertory pieces: two from Balanchine, in very expressive but distinct modes, and one from modern-dance master Pa..

Ballet Flamenco La Rosa’s studio evokes the feel of a tablao in Spain. The strumming of the guitar, the rapid-fire rhythms of footwork against the floor, and the soft voice of the singer reac..

Gypsy Passion and a Salsa Soul in Diego El Cigala

Photo: Photo: Anya Bartels-Suermondt.
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Last year, Spanish singer Diego El Cigala performed at the Hollywood Bowl in L.A. in what should have been a memorable night. Professionally, it was. The flamenco star enthralled the audience, but never told those present that, just hours before the show, his wife had died of cancer.

Earlier this month, as the artist put the final touches on his upcoming U.S. tour – including an October 29 performance at the Fillmore Theater, Miami Beach, presented by The Rhythm Foundation – and readied himself for the launch of a new album, he received the news that his mother, Aurora, had passed away.

The title of that upcoming album, Indestructible (Sony Music Latin, to be released on October 28) is more than fitting; no matter the heartbreak in his gypsy soul, El Cigala soldiers on.

“Life throws punches at you that shape you. When these things happen, I find relief in music,” says El Cigala from Punta Cana, the Dominican Republic, where he’s lived since 2013. “It’s the only way to get through. Music makes you remember all those memories that you’ve had.”

Some 25 years of memories with his wife Amparo Fernández, the mother of his two children, ages 11 and 19. She was the love of his life, the rock of the family, and his manager as well, so everything he knew and cherished was changed forever when she died.

“The truth? I still don’t know how I did it,” says the Madrid-born singer. “When something like that hits you so suddenly, you don’t have much time to react. The only thing you want to do is go forward and take care of your kids.”

The show does go on with him

Indestructible, the album he’s promoting on this tour, takes the 47-year-old performer on a new and adventurous path, part of the musical journey of discovery that began in 2003 when he released Lágrimas Negras with legendary Cuban pianist, bandleader and composer Bebo Valdés.

Diego Ramón Jiménez Salazar, who had grown up singing in flamenco venues like peñas and tablaos, would go on to make a name for himself in the world of flamenco and perform with some of its key figures. But when Valdés introduced the man nicknamed after a popular crustacean in Spain to Cuban music, El Cigala’s musical world expanded.

“His collaborations and explorations push the boundaries of traditional flamenco, but always with great integrity and respect,” says Laura Quinlan, Rhythm Foundation programming director.

For Quinlan, who also brought El Cigala to South Florida two years ago, “flamenco is such a living style; it hasn’t become a dusty folklore music because the great artists like El Cigala keep evolving the art form. He is such a gitano, so Spanish, and also so much a man of the entire world.”

What the world had to offer him musically also brought El Cigala to tango and Argentine folk music in two albums, Cigala & Tango (2010) and Romance de la Luna Tucumana (2013), that won him Latin GRAMMY awards and broadened his audience appeal to make him a world music star.

With Indestructible (A documentary of the production is scheduled for release in December), El Cigaladelves into the genre of salsa, with the recordings taking place in San Juan, New York, Havana, Cali (Colombia), and Miami.

“These cities are the pillars, but Puerto Rico is the mecca,” says El Cigala, who included Puerto Rican salsa icons like Roberto Roena, Bobby Valentín, and Luis “Perico” Ortiz on some of the songs. “So I had to go there to share with all these musical geniuses.”

Cuba and Venezuela also in the mix

The result not only features his homage to Puerto Rican salsa, but also includes a tribute to Bebo Valdés himself and collaborations with GRAMMY-winning Afro-Cuban jazz pianist and composer Gonzalo Rubalcaba; Venezuelan salsa maestro Oscar D’ León; and Cuba’s Los Muñequitos de Matanzas rumba group.

“Although my father had worked with Diego, and both our families knew each other, this record marks my first professional collaboration with him,” says Rubalcaba from his home in Coral Springs. “We always had the willingness to do something together, but it didn’t happen until now.”

The challenge he and El Cigala faced was, he adds, how to perform classics of Latin music, recorded innumerable times, in an innovative way but without betraying their essence.

“With Diego, this has been a constant throughout his career. If we look closely, he’s restless, he’s daring. Diego is an artist with a capital A,” continues Rubalcaba.

“I like to say that Diego has created his own genre,” says Anthony González, A&R, Commercial Music for Sony Music Latin. “Tropical music obviously still exists, and it has gone through various stages, but he brings to this music his own very Spanish vocal style, and he has incorporated it ina way that is simply seamless.”

For González, what El Cigala creates has soul: “He’s certainly a romantic at heart, that comes across in his music, and that I think is also a great part of his ability to connect, not just musically, but emotionally as well.”

Diego El Cigala in concert, Saturday, October 29, 8:00 p.m.; The Fillmore Miami Beach, 1700 Washington Ave., Miami Beach.Tickets: $39 - $79 plus fees, on sale through LiveNation.com; http://www.rhythmfoundation.com/events/diego-el-cigala-2/

http://www.fillmoremb.com

 


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About The writer

Journalist, arts writer, instructor of English and Spanish

A bilingual journalist and writer for over 20 years, Juan Carlos studied Communications at Fordham University in New York. He holds a Master&rsquo..

About the Writer

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