Writing about “Broken Snow,” the Ben Andron thriller now getting its world premiere at the J’s Cultural Arts Theatre (JCAT) in North Miami Beach, is a proposition almost as tricky as the play itself. The intricately structured 90-minute drama is loaded with surprises, twists and turns, all revealed at precisely the right moment so that the play builds to its shattering conclusion..
'Death & Harry Houdini' Makes Another Magical Moment at ArshtDennis Watkins knows how to make an entrance. In the House Theatre of Chicago’s “Death & Harry Houdini,” now back at the Arsht Center’s Carnival Studio Theater five years after it first wowed Miami audiences, Watkins arrives onstage with the help of theater technology unknown in Houdini’s day. Dangling upside dow..
Director Carlos Lechuga’s masterful unspooling of time in his second feature film “Santa y Ándres” constructs a uniquely Cuban mix of tedium and despair, resulting in an emotionally intense experience that sneaks up on the viewer in plain sight. The film opens with the stillness of a landscape painting: the eastern Cuban countryside of 1983 – rugged, lush, and verdant. The statuesque..
Memory – deep-seated, fragile, slippery, mutable – is at the heart of Jordan Harrison’s “Marjorie Prime.” A Pulitzer Prize finalist in 2015, the play is a family tragicomedy given a sci-fi makeover; in other words, this thought-provoking theater piece charts its own, fresh path. Now getting its South Florida premiere as the second professional production from the Main Street Players, ..
The stage is a fixed space. It is the axis around which story, conflict, and character revolve. When that fixed space shifts, new possibilities emerge. Starting Wednesday, April 23, a shifting site for theater emerges at Deering Estate, a 444-acre environmental, archeological, and historical preserve along the edge of Biscayne Bay in Palmetto Bay. Four local playwrights have collaborated ..
Nearly two years ago, Miami’s Zoetic Stage took its first trip into the world of Harold Pinter with an intense, superbly acted production of the Nobel laureate’s 1978 hit “Betrayal” in the Arsht Center’s Carnival Studio Theater. Now Zoetic is delving further back into the Pinter canon with a riveting production of “The Caretaker.” This 1960 work is, like “Betrayal,” a three-character ..
Imagine animation created live on stage, with mini backdrops, puppets, and low-tech props. Channel it through multiple cameras and mix it live into a projected film. Add a string quartet and a DJ. This is the structure of “Nufonia Must Fall,” an upcoming project presented by MDC Live Arts. The show is slated for appearances around the world, from Asia and the Middle East to Europe and..
That Actors’ Playhouse opened its production of Robert Schenkkan’s “All the Way” on the same day that the American Health Care Act was pulled from a vote by the House of Representatives is ironic and more than a little instructive. The much-touted replacement for Obamacare didn’t have enough sure votes to ensure passage, as Speaker Paul Ryan told President Donald Trump, so the “replac..
The take-no-prisoners world of high finance and ruthless business deals has long been a tantalizing subject for artists. From filmmaker Oliver Stone’s 1987 “Wall Street,” with its antihero Gordon Gekko spouting “greed is good,” to Damien Lewis’ slick hedge fund mogul Bobby Axelrod in the Showtime series “Billions,” movies and television allow those of us in the 99 percent a glimpse at wha..
Miami’s venerable M Ensemble is a company that sometimes dips into its rich history to mount fresh productions of past shows. For its second production in its versatile new home at the Sandrell Rivers Theater in Liberty City, the troupe is revisiting Darren Canady’s “Brothers of the Dust.” Winner of the 2012 M. Elizabeth Osborn Award from the American Theatre Critics Association, the ..
The process of creating “Shade,” choreographer Augusto Soledade’s latest full-length work, has been one of remembering and reconfiguring memory to discover new ways of talking about identity ..
Upcoming this week, Tigertail presents choreographer Myriam Gourfink and musician Kasper Toeplitz. Hailing from France, the two will be present for a 3-day residency at Subtropics’ South Beac..
From her home base at 6th Street Dance Studio in Little Havana, longtime Miami dance figure Brigid Baker has been slowly crafting a new performance piece. It’s not conceptual or political like con..
Karen Peterson is the artistic director of Karen Peterson and Dancers, a company that brings professional dancers with and without disabilities together in the same piece of choreography, and..
Revivals are hot on Broadway these days with “CATS”and “Hello, Dolly!“once again gracing the Great White Way. There is a certain nostalgia in taking a second or even third viewing of a belove..
What happens when urban dance style meets classical music? We’ll find out when Brooklyn-based hip-hop dance troupe Decadancetheater takes the stage, backed by Miami’s own experimental classic..
“What does it mean to belong? What does it mean to not want to belong?” These are questions that choreographer Reggie Wilson contemplates in his provocative piece “CITIZEN,“ which makes its M..
If even a modicum of redemption can be forged from the hellish after-effects of gun violence, we must listen to the communities most affected by the violence. To this end, “Trigger,” a hip-ho..
Celebrating 35 years is an amazing achievement for any dance company in Miami, but especially one founded in a decade better known for its ties to drugs than to the arts. Momentum Dance Compa..
Last year, Spanish singer Diego El Cigala performed at the Hollywood Bowl in L.A. in what should have been a memorable night. Professionally, it was. The flamenco star enthralled the audience, but never told those present that, just hours before the show, his wife had died of cancer.
Earlier this month, as the artist put the final touches on his upcoming U.S. tour – including an October 29 performance at the Fillmore Theater, Miami Beach, presented by The Rhythm Foundation – and readied himself for the launch of a new album, he received the news that his mother, Aurora, had passed away.
The title of that upcoming album, Indestructible (Sony Music Latin, to be released on October 28) is more than fitting; no matter the heartbreak in his gypsy soul, El Cigala soldiers on.
“Life throws punches at you that shape you. When these things happen, I find relief in music,” says El Cigala from Punta Cana, the Dominican Republic, where he’s lived since 2013. “It’s the only way to get through. Music makes you remember all those memories that you’ve had.”
Some 25 years of memories with his wife Amparo Fernández, the mother of his two children, ages 11 and 19. She was the love of his life, the rock of the family, and his manager as well, so everything he knew and cherished was changed forever when she died.
“The truth? I still don’t know how I did it,” says the Madrid-born singer. “When something like that hits you so suddenly, you don’t have much time to react. The only thing you want to do is go forward and take care of your kids.”
The show does go on with him
Indestructible, the album he’s promoting on this tour, takes the 47-year-old performer on a new and adventurous path, part of the musical journey of discovery that began in 2003 when he released Lágrimas Negras with legendary Cuban pianist, bandleader and composer Bebo Valdés.
Diego Ramón Jiménez Salazar, who had grown up singing in flamenco venues like peñas and tablaos, would go on to make a name for himself in the world of flamenco and perform with some of its key figures. But when Valdés introduced the man nicknamed after a popular crustacean in Spain to Cuban music, El Cigala’s musical world expanded.
“His collaborations and explorations push the boundaries of traditional flamenco, but always with great integrity and respect,” says Laura Quinlan, Rhythm Foundation programming director.
For Quinlan, who also brought El Cigala to South Florida two years ago, “flamenco is such a living style; it hasn’t become a dusty folklore music because the great artists like El Cigala keep evolving the art form. He is such a gitano, so Spanish, and also so much a man of the entire world.”
What the world had to offer him musically also brought El Cigala to tango and Argentine folk music in two albums, Cigala & Tango (2010) and Romance de la Luna Tucumana (2013), that won him Latin GRAMMY awards and broadened his audience appeal to make him a world music star.
With Indestructible (A documentary of the production is scheduled for release in December), El Cigaladelves into the genre of salsa, with the recordings taking place in San Juan, New York, Havana, Cali (Colombia), and Miami.
“These cities are the pillars, but Puerto Rico is the mecca,” says El Cigala, who included Puerto Rican salsa icons like Roberto Roena, Bobby Valentín, and Luis “Perico” Ortiz on some of the songs. “So I had to go there to share with all these musical geniuses.”
Cuba and Venezuela also in the mix
The result not only features his homage to Puerto Rican salsa, but also includes a tribute to Bebo Valdés himself and collaborations with GRAMMY-winning Afro-Cuban jazz pianist and composer Gonzalo Rubalcaba; Venezuelan salsa maestro Oscar D’ León; and Cuba’s Los Muñequitos de Matanzas rumba group.
“Although my father had worked with Diego, and both our families knew each other, this record marks my first professional collaboration with him,” says Rubalcaba from his home in Coral Springs. “We always had the willingness to do something together, but it didn’t happen until now.”
The challenge he and El Cigala faced was, he adds, how to perform classics of Latin music, recorded innumerable times, in an innovative way but without betraying their essence.
“With Diego, this has been a constant throughout his career. If we look closely, he’s restless, he’s daring. Diego is an artist with a capital A,” continues Rubalcaba.
“I like to say that Diego has created his own genre,” says Anthony González, A&R, Commercial Music for Sony Music Latin. “Tropical music obviously still exists, and it has gone through various stages, but he brings to this music his own very Spanish vocal style, and he has incorporated it ina way that is simply seamless.”
For González, what El Cigala creates has soul: “He’s certainly a romantic at heart, that comes across in his music, and that I think is also a great part of his ability to connect, not just musically, but emotionally as well.”
Diego El Cigala in concert, Saturday, October 29, 8:00 p.m.; The Fillmore Miami Beach, 1700 Washington Ave., Miami Beach.Tickets: $39 - $79 plus fees, on sale through LiveNation.com; http://www.rhythmfoundation.com/events/diego-el-cigala-2/
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