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My Barbarian wanted to take Miami on a boat ride. “We wanted to interact and be out in the public,” Alex Segade reveals over the phone from Los Angeles, where he just got out of rehearsal for My Barbarian’s first Miami show, coming up this Saturday at the Miami Light Project, as part of Miami-Dade College’s Museum of Art and Design’s “Living Together” performance series this season. ..

The time seems right for Karen Finley to be visiting Miami, to be performing in the black box space of the Miami Light Project at the Goldman Warehouse, and to present her latest performance-art manifesto about the current political landscape, “Unicorn Gratitude Mystery.” In the show, which she began developing as a response to the U.S. presidential election in 2016, Finley plays a unicor..

Getting into a true holiday spirit can be tough in South Florida, where palm trees, expansive beaches and balmy skies signal perpetual summer. Ever-earlier store décor and the incessant push to buy presents – more about commercialism than celebration – can make many of us feel more anxious than festive. Not to worry. Just squeeze in a trip to Miami’s Arsht Center, where City Theatre h..

One of the centerpieces of this year’s Art Week is not a static art work, and it is also one of the most sensuous and disorienting. Lebanese performance artist Tania El Khoury is producing her “Gardens Speak” for the week, courtesy of MDC Live Arts, a piece that has been applauded in cultural capitals throughout Europe and the United States. “It is a work,” she says, “that can only co..

Since its founding in 1996, City Theatre has been an important part of South Florida’s theatrical landscape, though the company’s visibility has always been highest in the month of June. That’s when its popular Summer Shorts festival takes place; for more than a decade, its high-profile venue has been the Carnival Studio Theater at Miami’s Arsht Center. Though the company founded by S..

If you were to predict who might become a nationally famous – OK, world-famous – multiplatform sex therapist, Dr. Ruth Westheimer would probably not be your first choice. Born in Germany in 1928 as Karola Ruth Siegel, the 4’7” Dr. Ruth seems more like the doting Jewish grandmother she is than a woman who used her nationally syndicated radio show, TV shows and 40-some books to help hun..

Actors’ Playhouse has been a musical powerhouse for much of its history. Launching its 30th anniversary season at the Miracle Theatre in Coral Gables, the company is revisiting some of that history with a new production of a made-for-South Florida favorite: Andrew Lloyd Webber and Tim Rice’s “Evita.” As it did in 2000 when recent Tony Award winner Rachel Bay Jones starred as Eva Duart..

Playwright Suzan-Lori Parks won the Pulitzer Prize for “Topdog/Underdog” in 2002. But as Zoetic Stage’s superb new production of the play at Miami’s Arsht Center demonstrates, her funny, shocking tale of two brothers struggling to survive is as potent today as it was 15 years ago. Maybe more so, given the country’s deepening divide. Parks’ harrowing drama examines the complex relation..

We are born. We live, have families, grow old. We die, leaving those who loved us to mourn. Playwright Thornton Wilder brilliantly captured the eternal verities of our journey through life in “Our Town,” his 1938 Pulitzer Prize-winning play about life, love and death in a small New Hampshire town at the turn of the 20th century. If you’re at all drawn to theater, you’ve probably ..

“Miami Motel Stories: Little Havana” written by Juan C. Sanchez, directed by Tamilla Woodard, and produced by Juggerknot Theatre Company, is a site-specific, immersive theater experience that interweaves narrative, performance, history and architecture. Nine short plays take place in nine hotel rooms on the second floor of the Tower Hotel, right off Calle Ocho on Seventh Street. Sanchez, ..

With the closing of Tigertail Productions last year, Miami lost one of its preeminent artistic champions. Under the direction of founder Mary Luft, Tigertail brought an endless parade of boundary-..

Anytime would be a good time to devote a dance program to the works of Jerome Robbins, our most versatile and celebrated American-born choreographer. But, given that 2018 marks the centennial..

Due to winter storms in the Northeast impacting travel, with great regrets the Bill T. Jones/Arnie Zane Company announced the cancellation of the Saturday, Jan. 6 performance. At age..

It is fitting at this time of the year that our thoughts often turn to what connects us not what divides us. Whether we are driven by religious or secular motives, many of us are in the spiri..

The end of the 19th century was a golden age for ballet. In 15 years of collaboration, two great Russian geniuses – choreographer Marius Petipa, and composer Pyotr Tchaikovsky – produced ballet st..

Here’s a riddle – name the 1892 box office flop panned by critics for lack of seriousness and for casting too many kids, which has now transformed into a force of nature timed to occur yearly..

It happens every year, right around Thanksgiving, productions of the Nutcracker pop up from coast to coast, marking the start of the holiday season. But on Saturday, Miami audiences have the ..

As Art Week approaches, Miami choreographer Marissa Alma Nick’s Alma Dance Theater is getting ready to add its distinctive voice, rehearsing for the upcoming performance of “Flowers” at the C..

Promising a night of airiness and ardor, Dimensions Dance Theatre of Miami will bring “Ballet’s Pointe of Passion” to the South Miami-Dade Cultural Arts Center, where the company joins an att..

GroundUP Brings New Music Fest to North Beach

Photo: Snarky Puppy
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Florida in February has its own magic: gorgeous light, cooler temperatures, clear skies and soft sea breezes. Now, imagine those breezes carrying the moaning strains of Esperanza Spalding’s bass fiddle or of David Crosby’s rich baritone. You might have to strap yourself down to keep from floating off on a beauty-induced high.

Debuting Friday through Sunday at the North Beach Bandshell, the GroundUP Festival isn’t only about great concerts, it’s also about making real connections. Executive director Paul Lehr explained: “One of the important characteristics in creating the festival was not to have the traditional barrier between you and the artist. We’ve asked artists to have small workshops and master classes. There’s going to be a song-writing workshop, you can join a group to sing acapella by the sea with some of the singers, there will be a drum circle on the sand you can sit in on. It’s a way for the audience to interact on a more personal level with the performers…we want fans to have access to the artists.”

The festival is the brainchild of Michael League, the young bass player and composer who heads up the GRAMMY award-winning group Snarky Puppy, which is also headlining the festival. If you aren’t familiar with the group, don’t let the weird moniker fool you—no dogs were involved in the making of any of their recordings, nor are they an alternative band from someone’s garage in Portland. Born in a dorm room at the University of North Texas when League was a freshman, Snarky Puppy is now a Brooklyn fixture with a worldwide web of concerts and a rabidly loyal fan base that is willing to fork over big travel bucks to hear their favorite band. “The response has been overwhelming,” says Lehr. “Fifty percent or more of the audience is coming from either out of state or out of the country. People have commented to me that this is like the Art Basel for music.”

Often labeled a “jazz fusion” group, Puppy draws from a broad array of sources to create its signature sound, a sonic melting pot cooked up by versatile players who are not afraid to mess around with unconventional ways of approaching their instruments. “They play classical, jazz—they’re genre defying,” explains Lehr. “What they really are is musicians’ musicians. The band is all about musicality. Who do we want to play with? We want someone who is really incredible musically.”

League, the crew’s ringleader, is a self-confessed workaholic who spends most of his time either in the studio or on the road. The band has toured so much, in fact, that League recently went for two years without a physical address. After their Miami Beach performances they will head to the Kennedy Center, then on to dates all over Europe, finishing up finally in August at the—pardon the pun—august Newport Jazz Festival.

The Miami Beach festival isn’t only about jazz, however. David Crosby, a frequent collaborator with League, brings folk rock of the highest pedigree. Unlike many septuagenarians of the psychedelic era, his voice is still lustrous, as mellow and warm as oak-aged single malt whiskey. He and League recently co-wrote Lighthouse (2016), an acoustic album that, through a practically supersonic creative burst, they were able to complete in only 12 days.

Also performing, both onstage and in the sand, will be conga drummer Pedrito Martínez. If Crosby still looks more or less like the hippy he once was, Cuban-born Martinez looks like a rapper, is built like an Olympian, and plays like a possessed Santero priest. His hands move like lightening on his four-conga set and his broad, body builder shoulders back them up so that his playing appear completely effortless

Sitting in with many of the bands throughout the weekend will be Obama’s first lady of jazz, Esperanza Spalding. The former president chose the brilliant, beautiful, biracial Spalding to be his one guest musician during the Nobel Peace Prize ceremonies in Stockholm. The multiple GRAMMY winner vocalist and bass player will also do her own sets and is rumored to have a “surprise” in store for festival audiences.

With such an illustrious lineup, organizers are taking extra precautions to ensure these virtuoso musicians sound their best: “The North Beach Bandshell has a great sound system,” says Lehr, “but we are flying in the sound engineers so that we can guarantee that we’ll have great acoustics.” From the workshops to the after parties to the festival, every aspect of the event is curated. They even were able to convince James Beard Foundation honoree Michelle Bernstein to do all of the food.

“We want this be the unfestival festival,” explains Lehr. “Not crammed with people, not festival food, just great music and a great atmosphere. We hope that it will become a part of the social and cultural fabric of Miami Beach for many years to come.”

GroundUP Music Festival, Friday 1:00-11:00 p.m., Saturday 11:00 a.m.-11:00 p.m. and Sunday 11:00 a.m.-10:00 p.m., North Beach Bandshell, 7275 Collins Ave.; tickets $85; groundupmusicfestival.com.

 


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