The play begins, as it must, with the velvet voice of Nat King Cole crooning “Mona Lisa.” After all, how many paintings inspire an Oscar-winning song? For that matter, how many masterpieces survive damage, theft and the rapacious covetousness of collectors for more than half a millennium? Leonardo da Vinci’s “La Gioconda,” popularly known as the Mona Lisa, is that inspi..
A casual conversation with a fellow theater artist prompted José Manuel Dominguez, founder and artistic director of Antiheroes Project, to produce the company’s latest piece, “El tiempo de las mandarinas,” (“Season for Tangerines”) by Argentine playwright Rafael Nofal. “I am drawn to themes of memory, dreams, and paradise lost, but for a long time I’ve wanted to do a play based on reality,” sa..
The 32nd International Hispanic Theatre Festival kicks off on Thursday, July 6 with the Mexican company Los Tristes Tigres’ irreverent spin on Shakespeare, “Algo de un tal Shakespeare” (“Something by One Shakespeare”). Founder and director Mario Ernesto Sánchez, the festival’s engine that could and still can, identifies this raucous play as part of the festival’s larger goal of attracting..
Nowadays, it’s tough not to feel worried, paranoid or in need of some escapist relief from the steady flow of oh-no-he-didn’t news out of Washington. Miami playwright Theo Reyna feels your pain. His response is “Firemen Are Rarely Necessary,” a jet-black satire now getting its Mad Cat Theatre Company world premiere at Miami Theater Center’s Sand Box. The play takes intricately aim..
Pearl Cleage’s play “Flyin’ West,” an M Ensemble production currently on stage at the beautiful new performing arts center in Liberty City, the Sandrell Rivers Theatre, is set in humble Nicodemus, Kansas, the only remaining western town established by African Americans during the reconstruction period following the Civil War. Set in 1898, the play focuses on the lives of Sophie (Brandiss ..
Esteban, (http://estebanlapelicula.com/en/) the debut of Cuban director Jonal Cosculluela being premiered at The Miami Light Project tells the story of a 9 year old, living in Havana with his mother, who’s raising him as a single parent, and his perseverance following his dream of becoming a musician. The challenges seem overwhelming. Esteban and his mother struggle to make ends meet (htt..
Desperate times call for desperate measures. For some, that might mean taking a second or third job. Or robbing a bank. Or moving in with family. For Casey, a straight lip-syncing Elvis impersonator in a Panama City bar, desperation means forsaking the King’s rhinestone-studded jumpsuit for leg hair-hiding pantyhose, fake boobs and big-hair wigs, the better to sell himself as a fa..
Writing about “Broken Snow,” the Ben Andron thriller now getting its world premiere at the J’s Cultural Arts Theatre (JCAT) in North Miami Beach, is a proposition almost as tricky as the play itself. The intricately structured 90-minute drama is loaded with surprises, twists and turns, all revealed at precisely the right moment so that the play builds to its shattering conclusion..
As this steamy spring melts into a sweltering summer, Actors’ Playhouse is inviting theater lovers to a wedding – a big, fat Jewish-WASP wedding, otherwise known as the Broadway musical “It Shoulda Been You.” Though the show seemingly takes place in the present, the piece by book writer-lyricist Brian Hargrove and composer Barbara Anselmi is an old-fashioned, stereotype-filled throwba..
'Death & Harry Houdini' Makes Another Magical Moment at ArshtDennis Watkins knows how to make an entrance. In the House Theatre of Chicago’s “Death & Harry Houdini,” now back at the Arsht Center’s Carnival Studio Theater five years after it first wowed Miami audiences, Watkins arrives onstage with the help of theater technology unknown in Houdini’s day. Dangling upside dow..
When Ballet Flamenco La Rosa takes to the stage this weekend, it will present a program based on traditions which were handed down through the ages. A program filled with the mysteries of fl..
With every great new love, the beginning is a crucible of extremes – will it endure for decades or permanently scar?The program for Dimensions Dance Theater of Miami’sJuly 8show, “Fiebre: A N..
With a heightened emphasis on “Noise” as an innovative musical genre, this sixth installment of the Miami Performance Festival International (M/P’17), running June 23 to 25, challenges South..
After 17 years as a principal dancer with the esteemed San Francisco Ballet, dancing every major role and style possible, Lorena Feijoo is retiring from that company to embark on a new journe..
Miami choreographer Marissa Alma Nick is a storyteller. Her company Alma Dance Theater brings a particularly female inner world to the stage, through lush and sensual choreography. Nick’s..
Pools are ubiquitous in Miami. They dot the landscape like Jackson Pollock drip paintings. Residents swim or idle the hours away by or in the pool – and dancers of Momentum Dance Company also perf..
May’s “Mujeres” series of strong, multi-faceted, women-focused productions, commissioned for Miami Theater Center’s SandBox space, concludes with Spanish-born dancer-choreographer Carlota Pr..
One could say that Bistoury’s 305 & Havana International Improv Fest, which debuts this Saturday at Miami Theater Center, has been in the works for almost 20 years. In 1999 Cuban-born cho..
The process of creating “Shade,” choreographer Augusto Soledade’s latest full-length work, has been one of remembering and reconfiguring memory to discover new ways of talking about identity ..
Florida in February has its own magic: gorgeous light, cooler temperatures, clear skies and soft sea breezes. Now, imagine those breezes carrying the moaning strains of Esperanza Spalding’s bass fiddle or of David Crosby’s rich baritone. You might have to strap yourself down to keep from floating off on a beauty-induced high.
Debuting Friday through Sunday at the North Beach Bandshell, the GroundUP Festival isn’t only about great concerts, it’s also about making real connections. Executive director Paul Lehr explained: “One of the important characteristics in creating the festival was not to have the traditional barrier between you and the artist. We’ve asked artists to have small workshops and master classes. There’s going to be a song-writing workshop, you can join a group to sing acapella by the sea with some of the singers, there will be a drum circle on the sand you can sit in on. It’s a way for the audience to interact on a more personal level with the performers…we want fans to have access to the artists.”
The festival is the brainchild of Michael League, the young bass player and composer who heads up the GRAMMY award-winning group Snarky Puppy, which is also headlining the festival. If you aren’t familiar with the group, don’t let the weird moniker fool you—no dogs were involved in the making of any of their recordings, nor are they an alternative band from someone’s garage in Portland. Born in a dorm room at the University of North Texas when League was a freshman, Snarky Puppy is now a Brooklyn fixture with a worldwide web of concerts and a rabidly loyal fan base that is willing to fork over big travel bucks to hear their favorite band. “The response has been overwhelming,” says Lehr. “Fifty percent or more of the audience is coming from either out of state or out of the country. People have commented to me that this is like the Art Basel for music.”
Often labeled a “jazz fusion” group, Puppy draws from a broad array of sources to create its signature sound, a sonic melting pot cooked up by versatile players who are not afraid to mess around with unconventional ways of approaching their instruments. “They play classical, jazz—they’re genre defying,” explains Lehr. “What they really are is musicians’ musicians. The band is all about musicality. Who do we want to play with? We want someone who is really incredible musically.”
League, the crew’s ringleader, is a self-confessed workaholic who spends most of his time either in the studio or on the road. The band has toured so much, in fact, that League recently went for two years without a physical address. After their Miami Beach performances they will head to the Kennedy Center, then on to dates all over Europe, finishing up finally in August at the—pardon the pun—august Newport Jazz Festival.
The Miami Beach festival isn’t only about jazz, however. David Crosby, a frequent collaborator with League, brings folk rock of the highest pedigree. Unlike many septuagenarians of the psychedelic era, his voice is still lustrous, as mellow and warm as oak-aged single malt whiskey. He and League recently co-wrote Lighthouse (2016), an acoustic album that, through a practically supersonic creative burst, they were able to complete in only 12 days.
Also performing, both onstage and in the sand, will be conga drummer Pedrito Martínez. If Crosby still looks more or less like the hippy he once was, Cuban-born Martinez looks like a rapper, is built like an Olympian, and plays like a possessed Santero priest. His hands move like lightening on his four-conga set and his broad, body builder shoulders back them up so that his playing appear completely effortless
Sitting in with many of the bands throughout the weekend will be Obama’s first lady of jazz, Esperanza Spalding. The former president chose the brilliant, beautiful, biracial Spalding to be his one guest musician during the Nobel Peace Prize ceremonies in Stockholm. The multiple GRAMMY winner vocalist and bass player will also do her own sets and is rumored to have a “surprise” in store for festival audiences.
With such an illustrious lineup, organizers are taking extra precautions to ensure these virtuoso musicians sound their best: “The North Beach Bandshell has a great sound system,” says Lehr, “but we are flying in the sound engineers so that we can guarantee that we’ll have great acoustics.” From the workshops to the after parties to the festival, every aspect of the event is curated. They even were able to convince James Beard Foundation honoree Michelle Bernstein to do all of the food.
“We want this be the unfestival festival,” explains Lehr. “Not crammed with people, not festival food, just great music and a great atmosphere. We hope that it will become a part of the social and cultural fabric of Miami Beach for many years to come.”
GroundUP Music Festival, Friday 1:00-11:00 p.m., Saturday 11:00 a.m.-11:00 p.m. and Sunday 11:00 a.m.-10:00 p.m., North Beach Bandshell, 7275 Collins Ave.; tickets $85; groundupmusicfestival.com.
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