Though the Miami New Drama-commissioned “Queen of Basel” will have its official world premiere at Studio Theatre in Washington D.C. next season, you don’t have to wait or travel to discover how playwright Hilary Bettis has reimagined August Strindberg’s controversial 1888 classic “Miss Julie.” With three powerful actors and a small audience sharing the stage space at Miami Beach’s Co..
Branden Jacobs-Jenkins, now 33, was named a MacArthur “genius” grant winner in 2016, the same year his play “Gloria” was chosen as a finalist for the Pulitzer Prize for drama. Earlier, his provocative, stylistically diverse, subversive plays “Appropriate” and “An Octoroon” (the latter was produced by Coral Gables’ Area Stage last fall) each won best new American play Obie Awards. ..
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Early on in the Argentinean film “El Último Traje” (The Last Suit), which makes its U.S. theatrical debut this week, a deceptively quaint and humorous scene takes place between the film’s protagonist, 88-year-old Abraham Bursztein and his young granddaughter. The little girl refuses to join in a family photo with Abraham surrounded by his many grandchildren. When he cajoles and insists, ..
Gone are the days when filmmakers needed huge budgets, and major movie studios backing them with big bucks to get their films seen, according to two producers who spent decades in Los Angeles, and have now moved their base to Miami Beach. "From a creative standpoint, there are amazing opportunities for filmmakers today," says producer Kevin Chinoy, who, along with producing partner Frances..
Mark St. Germain has achieved ongoing success with small-cast plays involving historical figures in fictional scenarios, and South Florida has been as welcoming to his work as the rest of the country. St. Germain’s “Camping With Henry and Tom,” about a 1920s camping trip involving Henry Ford, Thomas Edison and President Warren G. Harding, was produced in 1996 by New Theatre in Coral Gables..
Mexico City-based theater collective Teatro Ojo's works are constantly evolving. Nothing is ever really finished. That's because they take from every performance. Whatever the audience experiences, observes, feels, and offers feedback, which they highly encourage, all is used, considered, and included in the evolution of the same piece, or introduced into another new work. Two of the ..
“America’s Greatest and Least Known Playwright.”This is how the Cuban-American playwright Maria Irene Fornes is referred to several times throughout Michelle Memran’s documentary “The Rest I Make Up,” which makes its Florida debut this Saturday as part of Miami-Dade College’s Miami Film Festival. Fornes has been called the “Mother of Avant-Garde Theater.” Theater giants like Edward A..
“Once” has always been touched with magic. And as anyone who has seen the sublime new production of the show by Actors’ Playhouse in Coral Gables would tell you, the musical’s spellbinding pull is as powerful as ever. When Irish director-screenwriter John Carney first told the tale of a heartbroken Irish street musician and the spunky Czech pianist who reignites his passion, a 200..
Consider the idea of land in Palestine, and conflict may be the first thing to come to mind. But for Jumana Emil Abboud, the Palestinian landscape evokes other, older, associations – with mythological creatures like water spirits and ghouls. “These stories were told way before 1948,” says the Galilee-born artist, speaking by phone from her home in Jerusalem. She suggests looking back ..
Dimensions Dance Theatre of Miami has been on a trajectory best described as meteoric. In its first 18 months DDTM has been a 2017 Knight Challenge Grant recipient and now will debut at New Y..
Amirah Sackett came up as a dancer in Chicago’s hip hop scene at a time when women were rare in the mostly male community. But she also visibly stood out as a Muslim. She keeps her hair cover..
Inside the Little Haiti Cultural Complex, where Dance Now! Miami is in residence, there is a hub of activity as the company prepares for its performance on Saturday night of Contemporanea 201..
One of the signatures of the National Water Dance project since its inception seven years ago was that dance troupes, large or small, professional or school groups, were free to perform whate..
Miami City Ballet is in league with Russians – in a good way -- and this promises to make a selection of dances look great again. The company’s final program this season brings back Apollo an..
Hidden behind a busy street in North Miami Beach is the Ancient Spanish Monastery, where Dance Now! Miami will bring the past into the present – and back into the past. Ekphrasis describes th..
Sometimes dance seems as easy as walking down the street. John Heginbotham, founder and artistic director of Dance Heginbotham, describes his dancers as moving in an unaffected, natural manne..
On the heels of a year-plus parade of #MeToo confessions, celebrity shamings and women’s marches, comes Marisa Alma Nick’s female-power-packed “A Rebel in Venus.” “It wasn’t planned that ..
Choreographers are usually curious people. Augusto Soledade’s curiosity leads him in many directions, including ideas on Madonna, voguing, and selfies. It all began with “thoughts on identity..
Despite an end to the “wet foot, dry foot” policy and other changes in the Florida-Cuba dynamic, Global Cuba Fest 2017 will continue to satiate the souls of South Floridians with a month-long music fest and theater performances that promise to slay. The 10th Anniversary of Global Cuba Fest opens with Cuban musicians Dayramir Gonzalez and Danay Suarez, in collaboration with the Miami-based chamber orchestra Nu Deco Ensemble, this weekend at The Light Box at Goldman Warehouse.
Born out a decade-long collaboration between the Miami Light Project and FUNDarte, Global Cuba Fest seeks out, through cultural exchange initiatives and a ton of research, the best Cuban musicians from around the world.
“It’s a celebration of musicians from the Cuban diaspora, including artists who still live in Cuba and who are making music that is powerful and culturally relevant,” says Beth Boone, artistic and executive director of the Miami Light Project. “These are rising stars who identify as refugees and as immigrants, and are working in the States, Europe and Latin America.”
One of those rising stars is Danay Suarez. Suarez is the voice of a new generation of contemporary Cuban musicians whose sultry vocals conjure up images that transport the listener to the storied streets of la Habana Vieja. Although firmly rooted in a sound that is uniquely Afro-Cuban, Suarez transcends the dominant Cuban tropes of cigars, rumba and Celia Cruz and opens up a new pathway for musical genius to emerge. Think Mary J. Blige, not Gloria Estefan, singing in your ear as you’re walking down the street.
“Yo Aprendi” is a good example of Suarez’s contemporary vibe. She is currently working on her solo album “Palabras Manuales,” which will be released this month. (Check out the video: https://www.youtube.com/watch?v=GqLhLDbm0d8. )
What makes Global Cuba Fest programming so unique this year is that Suarez’s music will be set to the 27 member orchestral marvel that is the Nu Deco Ensemble. “Nu Deco is like bringing Dom Pérignon to a really cool underground party,” says Boone. “They are so thrilling in every way. Artistically, they are at the top of their game. They are fun to work with. They are the ‘make Miami proud’ kind of organization like Tarrell Alvin McCraney [the playwright behind the Oscar-award-winning film “Moonlight”] is to Miami as an individual artist. Nu Deco Ensemble opens up an entirely different musical experience for the listener.” (Nu Deco Ensemble & Afrobeta: https://vimeo.com/133448120.)
If Nu Deco Ensemble is the Dom Pérignon of the party, then maybe Dayramir Gonzalez is the exuberant bubbly that makes champagne Champagne. Born in Havana, Gonzalez is an Afro-Cuban jazz pianist, composer, arranger and child prodigy whose resonant performances hark back to deep rooted musical traditions, which have won him world acclaim and even a slot on stage at Carnegie Hall. This week he’ll be at The Light Box channeling his deep reverence for musical tradition for three performances during the opening weekend of Global Cuba Fest. (At TEDxhttps://www.youtube.com/watch?v=cqBGS8mu0lI.)
If you can’t make the opening of Global Cuba Fest this weekend, it’s ok. The festival runs throughout the month of March. On March 18th, Ernan Lopez Nussa, the Picadillo Band and Carlos Puig Hatem, with special guests Ahmed barroso, Pavel Urkiza and Lillian Garcia, headline the mega Global Cuba Fest concert at the Miami-Dade County Auditorium (MDCA). The festival culminates the weekend of March 24 to 26, also at MDCA, with Argos Teatros’ “10 Million,” a bilingual coming of age performance about growing up in the aftermath of the Cuban Revolution.
“I think people’s minds are going to be blown,” says Boone. “These artists represent every fiber of what we aim for at Miami Light Project, which is inclusive, diverse and eclectic by design. The stars have aligned for Global Cuba Fest 2017 this year.”
The 10th Anniversary of Global Cuba Fest opens with Cuban musicians Dayramir Gonzalez and Danay Suarez, with Miami-based chamber orchestra Nu Deco Ensemble Global Cuba Fest, Thursday through Saturday, 8:00 p.m.;The Light Box at Goldman Warehouse, 404 NW 26th Street, Miami; tickets: $35-45 | VIP $90; www.fundarte.us, www.miamilightproject.com.
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