“Baño de Luna,” written and directed by Pulitzer-prize-winning playwright Nilo Cruz and presented by Arca Images and the Miami-Dade County Auditorium, marks the debut of the Spanish-language version of “Bathing in Moonlight,” the original English production that debuted at the prestigious McCarter Theatre Center in Princeton, N.J., in 2016. Performed by a stellar cast in Spanish..
Rafael Nofal’s play “El tiempo de la mandarinas” (“Season for Tangerines”) tackles the very relevant and disturbing theme of human trafficking. Produced by Antiheroes Project, this moving play is in its last week at Artefactus Teatro, a well-purposed black box and gallery space in a smattering of warehouses in Kendall. Nofal’s text removes overt violence and male characters fr..
Joshua Harmon’s savagely funny “Bad Jews” is an emotional cage match set in a pricey Manhattan studio apartment. The combatants are Daphna Feygenbaum (Hannah Benitez), a soon-to-be Vassar grad who plans to move to Israel, marry a man no one in the family has met and become a rabbi, and her cousin Liam Haber (Joseph Paul Pino), a master’s degree candidate and atheist who intends to..
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A casual conversation with a fellow theater artist prompted José Manuel Dominguez, founder and artistic director of Antiheroes Project, to produce the company’s latest piece, “El tiempo de las mandarinas,” (“Season for Tangerines”) by Argentine playwright Rafael Nofal. “I am drawn to themes of memory, dreams, and paradise lost, but for a long time I’ve wanted to do a play based on reality,” sa..
The 32nd International Hispanic Theatre Festival kicks off on Thursday, July 6 with the Mexican company Los Tristes Tigres’ irreverent spin on Shakespeare, “Algo de un tal Shakespeare” (“Something by One Shakespeare”). Founder and director Mario Ernesto Sánchez, the festival’s engine that could and still can, identifies this raucous play as part of the festival’s larger goal of attracting..
Nowadays, it’s tough not to feel worried, paranoid or in need of some escapist relief from the steady flow of oh-no-he-didn’t news out of Washington. Miami playwright Theo Reyna feels your pain. His response is “Firemen Are Rarely Necessary,” a jet-black satire now getting its Mad Cat Theatre Company world premiere at Miami Theater Center’s Sand Box. The play takes intricately aim..
Pearl Cleage’s play “Flyin’ West,” an M Ensemble production currently on stage at the beautiful new performing arts center in Liberty City, the Sandrell Rivers Theatre, is set in humble Nicodemus, Kansas, the only remaining western town established by African Americans during the reconstruction period following the Civil War. Set in 1898, the play focuses on the lives of Sophie (Brandiss ..
Esteban, (http://estebanlapelicula.com/en/) the debut of Cuban director Jonal Cosculluela being premiered at The Miami Light Project tells the story of a 9 year old, living in Havana with his mother, who’s raising him as a single parent, and his perseverance following his dream of becoming a musician. The challenges seem overwhelming. Esteban and his mother struggle to make ends meet (htt..
Desperate times call for desperate measures. For some, that might mean taking a second or third job. Or robbing a bank. Or moving in with family. For Casey, a straight lip-syncing Elvis impersonator in a Panama City bar, desperation means forsaking the King’s rhinestone-studded jumpsuit for leg hair-hiding pantyhose, fake boobs and big-hair wigs, the better to sell himself as a fa..
The name Flamenco conjures the machine-gun snap of heels, arms arched overhead, the flick of red fabric and laser-like glares from beneath the starched black brim of a Cordobes hat. At the ed..
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Watching Neri Torres rehearse is a study in focus and concentration. She demonstrates each step with an ease developed from years of immersion in the study and performance of Afro-Cuban ..
Miami-based organization Delou Africa has been the ambassador of African dance and drumming in South Florida for the last 30 years. It started as a performing company, and has since expanded..
Miami Beach’s old city hall on a Thursday evening in June made a surreal set up for anyone familiar with tango’s broody scene -- a large cozy room full of cheerful, laughing, and smiling..
When Ballet Flamenco La Rosa takes to the stage this weekend, it will present a program based on traditions which were handed down through the ages. A program filled with the mysteries of fl..
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In a combo that promises to be both sublime and rip-roaring, three generations of Cuban and Cuban diaspora musicians come together this Saturday at The Miami-Dade County Auditorium to celebrate FUNDarte’s 10th anniversary of its Global Cuba Fest.
The elder statesman of the group is Cuban pianist and composer Ernán López Nussa. This is a musician compared by the venerable Jazz Times to nobody less than Grammy-award winning Irakere founder Chucho Valdes. “Like Chucho before him, Nussa is an insatiable musical omnivore with an intellect to match his giddy enthusiasm.”
Besides his work in jazz clubs all over Europe, Nussa is probably most widely known as the pianist in AfroCuba, the all-star band that collaborated with famed Cuban singer-songwriter Silvio Rodriguez during one of the vocalist’s more popular decades in the 1980s.
But as Nussa is a classically trained guy, perhaps it is not surprising that he happens to also enjoy reworking the dense structures of Bach and Beethoven to create gorgeous miniatures like “Fugue Negro” and “Sonata Patetica Cubana.”
Next generation up on Saturday night’s bill: Carlos Puig-Hatem, another classically trained composer and jazz musician, one who not only graduated from Havana’s world-class Instituto Superior de Artes conservatory of the arts (ISA), but was both innovative and disciplined enough to become the subsequent chairman of its department of composition.Since arriving in Miami 11 years ago, the trumpet and flugelhorn player has recorded and collaborated with some of the top jazz and pop industry headliners, including Celia Cruz and Willy Chirino. These days besides his performances and arranging, Puig-Hatem is finishing up a doctorate at University of Miami’s Frost School of Music in choral composition. Puig-Hatem is nothing if not versatile. Since founding the Babel Latin Jazz Quintet in 1985, he has composed for chamber groups and orchestras, worked on film scores, and continued to perform as part of his latest project, the Carlos Puig Group, which combines jazz, pop and Afro-Cuban elements. On Saturday expect a sound closer to a Pat Matheny groove.
Third generation up: a band called Picadillo, now based in Madrid, Spain, a band that still flies under the radar in Miami, although crowds in Havana and Madrid wait in long lines to sing and shout along with the group during a performance.
The singer who fronts the band is Cuban-American Sol Ruiz, who studied opera for a bit before taking off to become a street musician in New Orleans -- “oh that Zydeco,” she says. Soon after she was playing gigs around Europe and opening for the likes of Patti Smith. One Madrid afternoon she wandered into a plaza and heard some musicians riffing on the Cuban music she grew up on. She jammed with them for most of a day and a night. Picadillo was born.
“Picadillo” she explains, “isn’t so much the name of a band as a description of how we make our music. Cuban son and guaracha is the meat of the meal, but we add in whatever else we find in the refrigerator.” A whole lot of those refrigerator’s contents are rooted in Ruiz’s time in New Orleans. Small wonder that the flavors mix so well together since Cuban musicians and those from the American south, most especially the deep blues players of New Orleans and the Delta, have been mixing it up going back at least a century. At Saturday’s Picadillo performance there’ll be a blues harmonica and ukulele, and stylings that are reminiscent of Billie Holiday, Dr. John, and even Janis Joplin. All this atop your guaguanco.
It’s a three-tiered concert night nicely reflecting a decade of a Global Cuban fusion fest.Cuban Fiesta celebrating the 10thAnniversary of Global Cuba Fest in Miami, Saturday, 8 p.m. to 11 p.m. (Doors open at 7 p.m.); Miami-Dade County Auditorium, 2901 W. Flagler St., Miami; tickets $30 general admission, $25 students and seniors, $20 groups of 10 or more (limited availability).On sale through Ticketmaster, www.ticketmaster.com; or 800-745-3000, and at Miami-Dade County Auditorium Box Office, Monday-Friday 9 a.m. – 4 p.m.
For more information: www.fundarte.us, 305-547-5414 and (786) 348 -0789
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