Writing about “Broken Snow,” the Ben Andron thriller now getting its world premiere at the J’s Cultural Arts Theatre (JCAT) in North Miami Beach, is a proposition almost as tricky as the play itself. The intricately structured 90-minute drama is loaded with surprises, twists and turns, all revealed at precisely the right moment so that the play builds to its shattering conclusion..
'Death & Harry Houdini' Makes Another Magical Moment at ArshtDennis Watkins knows how to make an entrance. In the House Theatre of Chicago’s “Death & Harry Houdini,” now back at the Arsht Center’s Carnival Studio Theater five years after it first wowed Miami audiences, Watkins arrives onstage with the help of theater technology unknown in Houdini’s day. Dangling upside dow..
Director Carlos Lechuga’s masterful unspooling of time in his second feature film “Santa y Ándres” constructs a uniquely Cuban mix of tedium and despair, resulting in an emotionally intense experience that sneaks up on the viewer in plain sight. The film opens with the stillness of a landscape painting: the eastern Cuban countryside of 1983 – rugged, lush, and verdant. The statuesque..
Memory – deep-seated, fragile, slippery, mutable – is at the heart of Jordan Harrison’s “Marjorie Prime.” A Pulitzer Prize finalist in 2015, the play is a family tragicomedy given a sci-fi makeover; in other words, this thought-provoking theater piece charts its own, fresh path. Now getting its South Florida premiere as the second professional production from the Main Street Players, ..
The stage is a fixed space. It is the axis around which story, conflict, and character revolve. When that fixed space shifts, new possibilities emerge. Starting Wednesday, April 23, a shifting site for theater emerges at Deering Estate, a 444-acre environmental, archeological, and historical preserve along the edge of Biscayne Bay in Palmetto Bay. Four local playwrights have collaborated ..
Nearly two years ago, Miami’s Zoetic Stage took its first trip into the world of Harold Pinter with an intense, superbly acted production of the Nobel laureate’s 1978 hit “Betrayal” in the Arsht Center’s Carnival Studio Theater. Now Zoetic is delving further back into the Pinter canon with a riveting production of “The Caretaker.” This 1960 work is, like “Betrayal,” a three-character ..
Imagine animation created live on stage, with mini backdrops, puppets, and low-tech props. Channel it through multiple cameras and mix it live into a projected film. Add a string quartet and a DJ. This is the structure of “Nufonia Must Fall,” an upcoming project presented by MDC Live Arts. The show is slated for appearances around the world, from Asia and the Middle East to Europe and..
That Actors’ Playhouse opened its production of Robert Schenkkan’s “All the Way” on the same day that the American Health Care Act was pulled from a vote by the House of Representatives is ironic and more than a little instructive. The much-touted replacement for Obamacare didn’t have enough sure votes to ensure passage, as Speaker Paul Ryan told President Donald Trump, so the “replac..
The take-no-prisoners world of high finance and ruthless business deals has long been a tantalizing subject for artists. From filmmaker Oliver Stone’s 1987 “Wall Street,” with its antihero Gordon Gekko spouting “greed is good,” to Damien Lewis’ slick hedge fund mogul Bobby Axelrod in the Showtime series “Billions,” movies and television allow those of us in the 99 percent a glimpse at wha..
Miami’s venerable M Ensemble is a company that sometimes dips into its rich history to mount fresh productions of past shows. For its second production in its versatile new home at the Sandrell Rivers Theater in Liberty City, the troupe is revisiting Darren Canady’s “Brothers of the Dust.” Winner of the 2012 M. Elizabeth Osborn Award from the American Theatre Critics Association, the ..
The process of creating “Shade,” choreographer Augusto Soledade’s latest full-length work, has been one of remembering and reconfiguring memory to discover new ways of talking about identity ..
Upcoming this week, Tigertail presents choreographer Myriam Gourfink and musician Kasper Toeplitz. Hailing from France, the two will be present for a 3-day residency at Subtropics’ South Beac..
From her home base at 6th Street Dance Studio in Little Havana, longtime Miami dance figure Brigid Baker has been slowly crafting a new performance piece. It’s not conceptual or political like con..
Karen Peterson is the artistic director of Karen Peterson and Dancers, a company that brings professional dancers with and without disabilities together in the same piece of choreography, and..
Revivals are hot on Broadway these days with “CATS”and “Hello, Dolly!“once again gracing the Great White Way. There is a certain nostalgia in taking a second or even third viewing of a belove..
What happens when urban dance style meets classical music? We’ll find out when Brooklyn-based hip-hop dance troupe Decadancetheater takes the stage, backed by Miami’s own experimental classic..
“What does it mean to belong? What does it mean to not want to belong?” These are questions that choreographer Reggie Wilson contemplates in his provocative piece “CITIZEN,“ which makes its M..
If even a modicum of redemption can be forged from the hellish after-effects of gun violence, we must listen to the communities most affected by the violence. To this end, “Trigger,” a hip-ho..
Celebrating 35 years is an amazing achievement for any dance company in Miami, but especially one founded in a decade better known for its ties to drugs than to the arts. Momentum Dance Compa..
In a combo that promises to be both sublime and rip-roaring, three generations of Cuban and Cuban diaspora musicians come together this Saturday at The Miami-Dade County Auditorium to celebrate FUNDarte’s 10th anniversary of its Global Cuba Fest.
The elder statesman of the group is Cuban pianist and composer Ernán López Nussa. This is a musician compared by the venerable Jazz Times to nobody less than Grammy-award winning Irakere founder Chucho Valdes. “Like Chucho before him, Nussa is an insatiable musical omnivore with an intellect to match his giddy enthusiasm.”
Besides his work in jazz clubs all over Europe, Nussa is probably most widely known as the pianist in AfroCuba, the all-star band that collaborated with famed Cuban singer-songwriter Silvio Rodriguez during one of the vocalist’s more popular decades in the 1980s.
But as Nussa is a classically trained guy, perhaps it is not surprising that he happens to also enjoy reworking the dense structures of Bach and Beethoven to create gorgeous miniatures like “Fugue Negro” and “Sonata Patetica Cubana.”
Next generation up on Saturday night’s bill: Carlos Puig-Hatem, another classically trained composer and jazz musician, one who not only graduated from Havana’s world-class Instituto Superior de Artes conservatory of the arts (ISA), but was both innovative and disciplined enough to become the subsequent chairman of its department of composition.Since arriving in Miami 11 years ago, the trumpet and flugelhorn player has recorded and collaborated with some of the top jazz and pop industry headliners, including Celia Cruz and Willy Chirino. These days besides his performances and arranging, Puig-Hatem is finishing up a doctorate at University of Miami’s Frost School of Music in choral composition. Puig-Hatem is nothing if not versatile. Since founding the Babel Latin Jazz Quintet in 1985, he has composed for chamber groups and orchestras, worked on film scores, and continued to perform as part of his latest project, the Carlos Puig Group, which combines jazz, pop and Afro-Cuban elements. On Saturday expect a sound closer to a Pat Matheny groove.
Third generation up: a band called Picadillo, now based in Madrid, Spain, a band that still flies under the radar in Miami, although crowds in Havana and Madrid wait in long lines to sing and shout along with the group during a performance.
The singer who fronts the band is Cuban-American Sol Ruiz, who studied opera for a bit before taking off to become a street musician in New Orleans -- “oh that Zydeco,” she says. Soon after she was playing gigs around Europe and opening for the likes of Patti Smith. One Madrid afternoon she wandered into a plaza and heard some musicians riffing on the Cuban music she grew up on. She jammed with them for most of a day and a night. Picadillo was born.
“Picadillo” she explains, “isn’t so much the name of a band as a description of how we make our music. Cuban son and guaracha is the meat of the meal, but we add in whatever else we find in the refrigerator.” A whole lot of those refrigerator’s contents are rooted in Ruiz’s time in New Orleans. Small wonder that the flavors mix so well together since Cuban musicians and those from the American south, most especially the deep blues players of New Orleans and the Delta, have been mixing it up going back at least a century. At Saturday’s Picadillo performance there’ll be a blues harmonica and ukulele, and stylings that are reminiscent of Billie Holiday, Dr. John, and even Janis Joplin. All this atop your guaguanco.
It’s a three-tiered concert night nicely reflecting a decade of a Global Cuban fusion fest.Cuban Fiesta celebrating the 10thAnniversary of Global Cuba Fest in Miami, Saturday, 8 p.m. to 11 p.m. (Doors open at 7 p.m.); Miami-Dade County Auditorium, 2901 W. Flagler St., Miami; tickets $30 general admission, $25 students and seniors, $20 groups of 10 or more (limited availability).On sale through Ticketmaster, www.ticketmaster.com; or 800-745-3000, and at Miami-Dade County Auditorium Box Office, Monday-Friday 9 a.m. – 4 p.m.
For more information: www.fundarte.us, 305-547-5414 and (786) 348 -0789
El 11 y 12 de mayo próximo tendrá lugar en el Miami -Dade County Auditorium el estreno en Estados Unidos de Scrutiny: The World Gone Astray(en español,Escrutinio: El mundo se ha ido a la deri..
Para el pianista y compositor cubano Omar Sosa la noción de una cultura global, sin fronteras, no es un concepto abstracto sino un tema personal. En su música, elementos de hip hop y rumba, ..
No hay que viajar a otro país para disfrutar en vivo de la música cubana del momento, la más innovadora, la que le da la vuelta al mundo. Basta con asistir a Global Cuba Fest, aquí mismo, en ..
Nadie como el bailarín y coreógrafo español Antonio Gades para describir el arte que lo hizo internacionalmente famoso cuando vivía: “Un extracto de fuego y de veneno, eso es el flamenco”. ..
Desde Las troyanas de Eurípides hasta “Guernica” de Picasso, o de la canción “Blowing in the Wind” de Bob Dylan al diseño de las gorras rosadas que llevaron miles de mujeres en las protestas ..
En un discurso de 1977, el escritor argentino Jorge Luis Borges desmintió la idea de que la ceguera fuera un mundo de oscuridad cuando describió su propia “modesta ceguera”. Hablaba de ciert..
En su discurso de recibimiento del Premio Nobel, el poeta chileno Pablo Neruda afirmó que el poeta no es un "pequeño dios." De hecho expresó que el mejor poeta “es el hombre que nos entrega e..
En la cultura yoruba, y sobre todo en sus manifestaciones caribeñas como la afrocubana, las historias contadas oralmente por generaciones ocupan un lugar esencial. Esas historias, muchas de e..
En la serie artística Out in the Tropics, la tarima no discrimina, la sensibilidad de los intérpretes es inclusiva y todo público es bienvenido. Producción de la entidad local sin fines d..