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Miami’s venerable M Ensemble is a company that sometimes dips into its rich history to mount fresh productions of past shows. For its second production in its versatile new home at the Sandrell Rivers Theater in Liberty City, the troupe is revisiting Darren Canady’s “Brothers of the Dust.” Winner of the 2012 M. Elizabeth Osborn Award from the American Theatre Critics Association, the ..

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Before women like movie star Melissa McCarthy, Chrissy Metz of NBC’s “This Is Us” and Whitney Thore of TLC’s “My Big Fat Fabulous Life” became widely embraced personalities, Josefina Lopez wrote a play titled “Real Women Have Curves.” Lopez’s 1994 comedy, made into a 2002 movie that marked America Ferrera’s film debut, is about many things. Its subjects include the fears of undocument..

Stephen Adly Guirgis won the 2015 Pulitzer Prize for drama for his darkly comic “Between Riverside and Crazy.” Two years later, as GableStage’s sizzling new production so abundantly demonstrates, the play feels completely of the moment – in part because its characters traffic in “alternative facts.” Retired New York cop Walter “Pops” Washington (Leo Finnie) refuses to settle an eight-..

Neo-Impressionist Georges Seurat was an influential visionary whose pointillist work launched a movement before his untimely death in Paris in 1891 at the age of 31. He spent two years painting his masterpiece, “A Sunday Afternoon on the Island of La Grande Jatte,” in which tiny dots of juxtaposed color viewed at the right distance transform into a host of Parisians relaxing on an island ..

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Teacher, choreographer and activist Dale Andree is known for her ability to merge activism with dance. Andree founded and directs National Water Dance, a site-specific project that joins danc..

In 2016, Philadelphia-based Koresh Dance company crossed their 25-year mark. To celebrate, the company returns to Miami’s Adrienne Arsht Center for the Performing Arts with a 25th anniversary..

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Global Cuba Fest 10th Anniversary Concert

Photo: Picadillo
Written by: Elizabeth Hanly
Article Rating

In a combo that promises to be both sublime and rip-roaring, three generations of Cuban and Cuban diaspora musicians come together this Saturday at The Miami-Dade County Auditorium to celebrate FUNDarte’s 10th anniversary of its Global Cuba Fest.

The elder statesman of the group is Cuban pianist and composer Ernán López Nussa. This is a musician compared by the venerable Jazz Times to nobody less than Grammy-award winning Irakere founder Chucho Valdes. “Like Chucho before him, Nussa is an insatiable musical omnivore with an intellect to match his giddy enthusiasm.”

Besides his work in jazz clubs all over Europe, Nussa is probably most widely known as the pianist in AfroCuba, the all-star band that collaborated with famed Cuban singer-songwriter Silvio Rodriguez during one of the vocalist’s more popular decades in the 1980s.

But as Nussa is a classically trained guy, perhaps it is not surprising that he happens to also enjoy reworking the dense structures of Bach and Beethoven to create gorgeous miniatures like “Fugue Negro” and “Sonata Patetica Cubana.”

Next generation up on Saturday night’s bill: Carlos Puig-Hatem, another classically trained composer and jazz musician, one who not only graduated from Havana’s world-class Instituto Superior de Artes conservatory of the arts (ISA), but was both innovative and disciplined enough to become the subsequent chairman of its department of composition.Since arriving in Miami 11 years ago, the trumpet and flugelhorn player has recorded and collaborated with some of the top jazz and pop industry headliners, including Celia Cruz and Willy Chirino. These days besides his performances and arranging, Puig-Hatem is finishing up a doctorate at University of Miami’s Frost School of Music in choral composition. Puig-Hatem is nothing if not versatile. Since founding the Babel Latin Jazz Quintet in 1985, he has composed for chamber groups and orchestras, worked on film scores, and continued to perform as part of his latest project, the Carlos Puig Group, which combines jazz, pop and Afro-Cuban elements. On Saturday expect a sound closer to a Pat Matheny groove.

Third generation up: a band called Picadillo, now based in Madrid, Spain, a band that still flies under the radar in Miami, although crowds in Havana and Madrid wait in long lines to sing and shout along with the group during a performance.

The singer who fronts the band is Cuban-American Sol Ruiz, who studied opera for a bit before taking off to become a street musician in New Orleans -- “oh that Zydeco,” she says. Soon after she was playing gigs around Europe and opening for the likes of Patti Smith. One Madrid afternoon she wandered into a plaza and heard some musicians riffing on the Cuban music she grew up on. She jammed with them for most of a day and a night. Picadillo was born.

“Picadillo” she explains, “isn’t so much the name of a band as a description of how we make our music. Cuban son and guaracha is the meat of the meal, but we add in whatever else we find in the refrigerator.” A whole lot of those refrigerator’s contents are rooted in Ruiz’s time in New Orleans. Small wonder that the flavors mix so well together since Cuban musicians and those from the American south, most especially the deep blues players of New Orleans and the Delta, have been mixing it up going back at least a century. At Saturday’s Picadillo performance there’ll be a blues harmonica and ukulele, and stylings that are reminiscent of Billie Holiday, Dr. John, and even Janis Joplin. All this atop your guaguanco.

It’s a three-tiered concert night nicely reflecting a decade of a Global Cuban fusion fest.

Cuban Fiesta celebrating the 10thAnniversary of Global Cuba Fest in Miami, Saturday, 8 p.m. to 11 p.m. (Doors open at 7 p.m.); Miami-Dade County Auditorium, 2901 W. Flagler St., Miami; tickets $30 general admission, $25 students and seniors, $20 groups of 10 or more (limited availability).On sale through Ticketmaster, www.ticketmaster.com; or 800-745-3000, and at Miami-Dade County Auditorium Box Office, Monday-Friday 9 a.m. – 4 p.m.

For more information: www.fundarte.us, 305-547-5414 and (786) 348 -0789

 


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No hay que viajar a otro país para disfrutar en vivo de la música cubana del momento, la más innovadora, la que le da la vuelta al mundo. Basta con asistir a Global Cuba Fest, aquí mismo, en ..

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