Though the Miami New Drama-commissioned “Queen of Basel” will have its official world premiere at Studio Theatre in Washington D.C. next season, you don’t have to wait or travel to discover how playwright Hilary Bettis has reimagined August Strindberg’s controversial 1888 classic “Miss Julie.” With three powerful actors and a small audience sharing the stage space at Miami Beach’s Co..
Branden Jacobs-Jenkins, now 33, was named a MacArthur “genius” grant winner in 2016, the same year his play “Gloria” was chosen as a finalist for the Pulitzer Prize for drama. Earlier, his provocative, stylistically diverse, subversive plays “Appropriate” and “An Octoroon” (the latter was produced by Coral Gables’ Area Stage last fall) each won best new American play Obie Awards. ..
"The Other Mozart" is a suitcase play – one of those shows where a single actress can pack the entire contents that creates the setting – costume, wig, and props, and go anywhere in the world. It is the way Samantha Hoefer will arrive in Miami to present Sylvia Milo's one-woman play about Maria Anna Mozart, the not nearly as famous older sibling of that 18th century rock star Wolfgang Ama..
Early on in the Argentinean film “El Último Traje” (The Last Suit), which makes its U.S. theatrical debut this week, a deceptively quaint and humorous scene takes place between the film’s protagonist, 88-year-old Abraham Bursztein and his young granddaughter. The little girl refuses to join in a family photo with Abraham surrounded by his many grandchildren. When he cajoles and insists, ..
Gone are the days when filmmakers needed huge budgets, and major movie studios backing them with big bucks to get their films seen, according to two producers who spent decades in Los Angeles, and have now moved their base to Miami Beach. "From a creative standpoint, there are amazing opportunities for filmmakers today," says producer Kevin Chinoy, who, along with producing partner Frances..
Mark St. Germain has achieved ongoing success with small-cast plays involving historical figures in fictional scenarios, and South Florida has been as welcoming to his work as the rest of the country. St. Germain’s “Camping With Henry and Tom,” about a 1920s camping trip involving Henry Ford, Thomas Edison and President Warren G. Harding, was produced in 1996 by New Theatre in Coral Gables..
Mexico City-based theater collective Teatro Ojo's works are constantly evolving. Nothing is ever really finished. That's because they take from every performance. Whatever the audience experiences, observes, feels, and offers feedback, which they highly encourage, all is used, considered, and included in the evolution of the same piece, or introduced into another new work. Two of the ..
“America’s Greatest and Least Known Playwright.”This is how the Cuban-American playwright Maria Irene Fornes is referred to several times throughout Michelle Memran’s documentary “The Rest I Make Up,” which makes its Florida debut this Saturday as part of Miami-Dade College’s Miami Film Festival. Fornes has been called the “Mother of Avant-Garde Theater.” Theater giants like Edward A..
“Once” has always been touched with magic. And as anyone who has seen the sublime new production of the show by Actors’ Playhouse in Coral Gables would tell you, the musical’s spellbinding pull is as powerful as ever. When Irish director-screenwriter John Carney first told the tale of a heartbroken Irish street musician and the spunky Czech pianist who reignites his passion, a 200..
Consider the idea of land in Palestine, and conflict may be the first thing to come to mind. But for Jumana Emil Abboud, the Palestinian landscape evokes other, older, associations – with mythological creatures like water spirits and ghouls. “These stories were told way before 1948,” says the Galilee-born artist, speaking by phone from her home in Jerusalem. She suggests looking back ..
Dimensions Dance Theatre of Miami has been on a trajectory best described as meteoric. In its first 18 months DDTM has been a 2017 Knight Challenge Grant recipient and now will debut at New Y..
Amirah Sackett came up as a dancer in Chicago’s hip hop scene at a time when women were rare in the mostly male community. But she also visibly stood out as a Muslim. She keeps her hair cover..
Inside the Little Haiti Cultural Complex, where Dance Now! Miami is in residence, there is a hub of activity as the company prepares for its performance on Saturday night of Contemporanea 201..
One of the signatures of the National Water Dance project since its inception seven years ago was that dance troupes, large or small, professional or school groups, were free to perform whate..
Miami City Ballet is in league with Russians – in a good way -- and this promises to make a selection of dances look great again. The company’s final program this season brings back Apollo an..
Hidden behind a busy street in North Miami Beach is the Ancient Spanish Monastery, where Dance Now! Miami will bring the past into the present – and back into the past. Ekphrasis describes th..
Sometimes dance seems as easy as walking down the street. John Heginbotham, founder and artistic director of Dance Heginbotham, describes his dancers as moving in an unaffected, natural manne..
On the heels of a year-plus parade of #MeToo confessions, celebrity shamings and women’s marches, comes Marisa Alma Nick’s female-power-packed “A Rebel in Venus.” “It wasn’t planned that ..
Choreographers are usually curious people. Augusto Soledade’s curiosity leads him in many directions, including ideas on Madonna, voguing, and selfies. It all began with “thoughts on identity..
South Florida music lovers have a rare chance to see a homegrown star in concert - and there’s no admission charge.
Bobby Thomas Jr., described by jazz legend Melton Mustafa as “the baddest drummer on the planet, bar none,” performs on Friday at Music in the Park, a biannual concert series in Miami Gardens. The opening act is singer Rochelle Lightfoot.
Thomas, a two-time Grammy nominee and member of the South Florida Jazz Hall of Fame, has traveled the world with artists such as Monty Alexander, Ira Sullivan, Thad Jones, Joe Zawinul and Weather Report. On Friday, he’ll perform with his homeboys Randy Bernsen on guitar, bassist Bob Grabowski, and Fernando Diez on sax.
“This ensemble is like my extended family,” said Thomas, who has played with them all for decades, with Grabowski and Bernsen since his late teens. They met after the man Thomas calls his “jazz father,” saxophonist and fellow Hall of Fame member Jet Nero, showed him there was a musical world beyond the disco that dominated the scene in the 1970s.
Thomas, who began to play percussion when an elementary-school teacher urged him to take up music, hated the repetitive dance tracks with their unvarying beat. “There was nothing for me to do,” he said. “I quit playing music period because of the disco scene.”
He didn’t lack for creative outlets, though, having majored in art at what was then Miami-Dade Junior College. “I’m really a painter and sculptor,” said Thomas, who still makes visual art and is assembling pieces for a show.
But popular music also presented another problem for Thomas back in the day. “My fiancée had broken my heart and I couldn’t stand to hear pop music on the radio,” he said. A dear friend suggested he try jazz and recommended a visit to the Gold Dust Lounge, a hot spot for the music.
“I walked in, I think it was Curtis Lundy on the bass, and this cool-looking guy on the saxophone, which was Jet Nero,” Thomas recalled. “On the break I walked up to Jet and asked him [if I could] sit in. They had some bongos lying on the floor. As soon as I started to play, he turned around and said, ‘Wow, you’re not gonna be here long.’”
Nero was right. In the next couple of years, Thomas met and began working with Alexander, South Floridian bass legend Jaco Pastorius, and Zawinul.
“I guess it’s a good thing that girl broke my heart,” Thomas said, chuckling.
On Friday, concertgoers can expect “a lot of positive energy, a lot of love coming from the bandstand,” he said. “And a lot of improvisation. I’m not a big fan of copying other people’s music.”
There is one standard the band is sure to play: “What the World Needs Now is Love,” by Burt Bacharach and Hal David. “Because of what’s happened with the whole political scene, it’s quite a huge disappointment,” Thomas said, “so I think that’ll be an appropriate theme to put out to the people.”
The Bobby Thomas Ensemble headlines Music in the Park, Friday, Dec. 2, with opening act Rochelle Lightfoot, 6:30 p.m. in the Betty T. Ferguson Recreational Complex Amphitheater, 3000 N.W. 199 St., Miami Gardens; admission free.
"Nosotros sentimos, y pensamos que Jennifer y Carlos sienten igual, que Miami finalmente ha llegado a posicionarse como una verdadera ciudad cultural donde continuamente se presentan compañías imp..
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