The Source for Media Coverage of The Arts in Miami.
Articles, reviews, previews and features on dance and music performances and events.
Sign Up
No one logged in. Log in

Artburst Portal

Miami’s venerable M Ensemble is a company that sometimes dips into its rich history to mount fresh productions of past shows. For its second production in its versatile new home at the Sandrell Rivers Theater in Liberty City, the troupe is revisiting Darren Canady’s “Brothers of the Dust.” Winner of the 2012 M. Elizabeth Osborn Award from the American Theatre Critics Association, the ..

“El cuento de Rene,” actor and director Larry Villanueva’s adaptation of Cuban writer Rene Ariza’s short stories into a work of theater, is more than an homage. It’s a statement on oppression. Ariza was sentenced to eight years in prison for trying to send manuscripts abroad. He was banned from creating theater in Cuba and condemned as “counter-revolutionary.” Ariza served five years of h..

Those who attend film festivals aren't looking for the mainstream, Cineplex offerings. That isn't the goal. Amid the indie films, the foreign entries, documentaries, and the world premieres, there's another reason to canvass the program for something you might not see anywhere else. Given the Miami Film Festival is the only major film festival to be produced by a college or university..

{This interview was conducted before the film making team went on to amazing Oscar success.} Playwright Tarell Alvin McCraney and filmmaker Barry Jenkins are nine miles away from the Liberty City housing projects where they both grew up, but they are worlds away. They are at the picturesque Standard Hotel to talk about the new movie "Moonlight," with a screenplay by Jenkins base..

First things first. Actor-playwright Elena María García does explain the meaning of “¡FUÁCATA!” somewhere deep into the 90-minute running time of Zoetic Stage’s “García Or a Latina’s Guide to Surviving the Universe.” The familiar Cuban term, she confides from her perch on Michael McKeever’s Mondrian-evocative set, suggests the sound of a slap. As in, “¡Fuácata! You really stepped in i..

Sales of George Orwell’s chilling dystopian novel “1984” have soared during the early days of the Trump administration, the headlines pouring out of Washington having repositioned a 1949 literary classic as a 21st century cautionary tale. The late Czech president and playwright Václav Havel brought his deeply observed, hard-earned perspective on life under totalitarianism to the stage..

“Carousel,” which contains some of the most gorgeous and memorable songs ever written for a musical, may be a musical you’ve never seen, though it has been around since 1945. The follow-up to “Oklahoma!,” Richard Rodgers and Oscar Hammerstein II’s hugely successful debut as a composer-lyricist team, “Carousel” requires a huge cast by today’s standards, an orchestra that can do that gl..

Before women like movie star Melissa McCarthy, Chrissy Metz of NBC’s “This Is Us” and Whitney Thore of TLC’s “My Big Fat Fabulous Life” became widely embraced personalities, Josefina Lopez wrote a play titled “Real Women Have Curves.” Lopez’s 1994 comedy, made into a 2002 movie that marked America Ferrera’s film debut, is about many things. Its subjects include the fears of undocument..

Stephen Adly Guirgis won the 2015 Pulitzer Prize for drama for his darkly comic “Between Riverside and Crazy.” Two years later, as GableStage’s sizzling new production so abundantly demonstrates, the play feels completely of the moment – in part because its characters traffic in “alternative facts.” Retired New York cop Walter “Pops” Washington (Leo Finnie) refuses to settle an eight-..

Neo-Impressionist Georges Seurat was an influential visionary whose pointillist work launched a movement before his untimely death in Paris in 1891 at the age of 31. He spent two years painting his masterpiece, “A Sunday Afternoon on the Island of La Grande Jatte,” in which tiny dots of juxtaposed color viewed at the right distance transform into a host of Parisians relaxing on an island ..

Miami choreographer Augusto Soledade has been a fixture in the local dance world since he arrived here in 2004. His cast has shifted over the years and he continues to challenge himself artis..

In one duet, two dancers use their bodies as counterweights, springing forth from each other’s bodies with explosive power. In another, dancers form a sharp line before torsos undulate and fa..

Teacher, choreographer and activist Dale Andree is known for her ability to merge activism with dance. Andree founded and directs National Water Dance, a site-specific project that joins danc..

In 2016, Philadelphia-based Koresh Dance company crossed their 25-year mark. To celebrate, the company returns to Miami’s Adrienne Arsht Center for the Performing Arts with a 25th anniversary..

From singers like Joan Baez to poets like Maya Angelou to anonymous knitters of pink pussy hats, creative women have played an essential role in this country as agitators and activists. Likew..

When Dimensions Dance Theatre of Miami (DDTM) takes the stage this weekend, it will present a program rich in the cultural milieu of Miami. Co-founders Jennifer Kronenberg and Carlos Guerra i..

It is an awe-inspiring experience to see the Alvin Ailey American Dance Theater dancers perform. They are well trained dancers, athletes and artists. Not often known is that some of the dance..

Back for an 8th season in Miami, the legendary Alvin Ailey American Dance Theater packs the house every year. With Liberty City hometown hero Robert Battle in his fifth year, we have many rea..

Awash in sunlight, around 50 women stand in a circle on the rooftop performance space of Casa Gaia in Old Havana, Cuba, as part of a belly-dance festival. Biodanza facilitator Karen Rodríguez..

Bang for the Train, and for Public Transportation

Photo:
Article Rating

Local musician Juraj Kojs has been making noise all around Miami. His latest project, Bang for the Train, is a musical campaign designed to highlight the local public transportation system. Kojs found that Miami’s system was inefficient to say the least, despite a strong personal commitment to travelling only by bus and train. After spending over three hours a day to commute just a short distance, he had to depend more on his car.

Public transportation, he says, is a vital place of human exchange where people sit together instead of being separated into individual and isolated “metal boxes” on the road.

Bang for the Train is a populist summoning for policy change, set to appear at various locations around town. The project debuted at Miami Light Project’s Here & Now showcase in May. Known for his experimental approach to instrumentation, Slovakian native and co-founder of the Foundation for Emerging Technologies and Arts (FETA), Kojs made some field recordings of Miami trains and scored them as music. He added an adaptation of an old railroad standard, Wabash Cannonball.

For the opening appearance, Kojs’s percussionist team played empty water bottles, plastic tubes and other objects he calls “beaters,” and moved in procession through the Miami Light theater space and eventually out into the street. While the composition was structured around Kojs’s unconventional score as played by musical performers, the audience was given beaters and encouraged to make sounds by banging on metal bars, dumpsters, signposts, whatever.

This past weekend, Bang for the Train made a second appearance, presented as part of Edge Zone’s Miami Performance International Festival. The venue, Miami Beach Botanical Garden, was decidedly less urban than Miami Light Project’s Wynwood warehouse. But between the exotic palms and groomed grass there were plenty of walls and tables and metal things to bang on.

Again, Kojs repurposed plastic waste as instruments. Here, the percussionists used the flimsy plastic pots that usually end up in the trash after a day of planting. Each musician started with a mini drum kit of overturned pots on the floor. When they stood up and started moving through the garden, they played on whatever surface was available, shouting the word “train” and calling out names of metro stops: “Brickell, City Center, Allapattah….”

The audience was supplied with plastic pots and paint sticks wrapped with duct tape. Although the audience at the botanical garden was not large enough to make a big ruckus, the intention was clear and the message was delivered.

In both its activist bent and its musical creativity, Bang for the Train is accessible and satisfying. The sound generated from the homemade instruments is more subtle and sonically appealing than expected. And the piece successfully engages the public, not just within each performance but also through repetition in different parts of the city.

By extending the project to multiple locations, Kojs connects different neighborhoods, mirroring the kind of location-linking that happens with a train network. Momentary communities are formed at each event, and maybe, some interest in political action is sparked.

While future plans for Bang on the Train are still in the works, Kojs hopes to bring the project into more public zones. He is currently in conversation with local transit and urban planning organizations including Miami-Dade Transportation & Public Works and Miami-Dade Transportation Enhancements to extend the project and bring greater awareness to his cause.

Stay tuned for more departure times; http://www.kojs.net/

An extended version of this story runs in MIami New Times.


Leave a comment...
Must be Logged in
No one logged in. Log in
Leave a comment...
Was this helpful?
No Very

Captcha Image

About The writer

Cathering Hollingsworth is a dance critic and dancer

..

About the Writer

No hay que viajar a otro país para disfrutar en vivo de la música cubana del momento, la más innovadora, la que le da la vuelta al mundo. Basta con asistir a Global Cuba Fest, aquí mismo, en ..

Nadie como el bailarín y coreógrafo español Antonio Gades para describir el arte que lo hizo internacionalmente famoso cuando vivía: “Un extracto de fuego y de veneno, eso es el flamenco”. ..

Desde Las troyanas de Eurípides hasta “Guernica” de Picasso, o de la canción “Blowing in the Wind” de Bob Dylan al diseño de las gorras rosadas que llevaron miles de mujeres en las protestas ..

En un discurso de 1977, el escritor argentino Jorge Luis Borges desmintió la idea de que la ceguera fuera un mundo de oscuridad cuando describió su propia “modesta ceguera”. Hablaba de ciert..

En su discurso de recibimiento del Premio Nobel, el poeta chileno Pablo Neruda afirmó que el poeta no es un "pequeño dios." De hecho expresó que el mejor poeta “es el hombre que nos entrega e..

En la cultura yoruba, y sobre todo en sus manifestaciones caribeñas como la afrocubana, las historias contadas oralmente por generaciones ocupan un lugar esencial. Esas historias, muchas de e..

En la serie artística Out in the Tropics, la tarima no discrimina, la sensibilidad de los intérpretes es inclusiva y todo público es bienvenido. Producción de la entidad local sin fines d..

El flamenco es una música de fusión. La tradición es de sobrevivencia, de cambio constante y adaptación al lugar y los tiempos. Mientras el sonido puede ser diferente, el espíritu de Nuevo Fl..

La problemática del cambio climático está que arde. Sobre todo en un estado como la Florida, en primera fila para sufrir consecuencias drásticas. Llegar al público con este mensaje e inspirar..