Rafaela Nofal’s play “El tiempo de la mandarinas” (“Season for Tangerines”) tackles the very relevant and disturbing theme of human trafficking. Produced by Antiheroes Project, this moving play is in its last week at Artefactus Teatro, a well-purposed black box and gallery space in a smattering of warehouses in Kendall. Nofal’s text removes overt violence and male characters fr..
Joshua Harmon’s savagely funny “Bad Jews” is an emotional cage match set in a pricey Manhattan studio apartment. The combatants are Daphna Feygenbaum (Hannah Benitez), a soon-to-be Vassar grad who plans to move to Israel, marry a man no one in the family has met and become a rabbi, and her cousin Liam Haber (Joseph Paul Pino), a master’s degree candidate and atheist who intends to..
The play begins, as it must, with the velvet voice of Nat King Cole crooning “Mona Lisa.” After all, how many paintings inspire an Oscar-winning song? For that matter, how many masterpieces survive damage, theft and the rapacious covetousness of collectors for more than half a millennium? Leonardo da Vinci’s “La Gioconda,” popularly known as the Mona Lisa, is that inspi..
A casual conversation with a fellow theater artist prompted José Manuel Dominguez, founder and artistic director of Antiheroes Project, to produce the company’s latest piece, “El tiempo de las mandarinas,” (“Season for Tangerines”) by Argentine playwright Rafael Nofal. “I am drawn to themes of memory, dreams, and paradise lost, but for a long time I’ve wanted to do a play based on reality,” sa..
The 32nd International Hispanic Theatre Festival kicks off on Thursday, July 6 with the Mexican company Los Tristes Tigres’ irreverent spin on Shakespeare, “Algo de un tal Shakespeare” (“Something by One Shakespeare”). Founder and director Mario Ernesto Sánchez, the festival’s engine that could and still can, identifies this raucous play as part of the festival’s larger goal of attracting..
Nowadays, it’s tough not to feel worried, paranoid or in need of some escapist relief from the steady flow of oh-no-he-didn’t news out of Washington. Miami playwright Theo Reyna feels your pain. His response is “Firemen Are Rarely Necessary,” a jet-black satire now getting its Mad Cat Theatre Company world premiere at Miami Theater Center’s Sand Box. The play takes intricately aim..
Pearl Cleage’s play “Flyin’ West,” an M Ensemble production currently on stage at the beautiful new performing arts center in Liberty City, the Sandrell Rivers Theatre, is set in humble Nicodemus, Kansas, the only remaining western town established by African Americans during the reconstruction period following the Civil War. Set in 1898, the play focuses on the lives of Sophie (Brandiss ..
Esteban, (http://estebanlapelicula.com/en/) the debut of Cuban director Jonal Cosculluela being premiered at The Miami Light Project tells the story of a 9 year old, living in Havana with his mother, who’s raising him as a single parent, and his perseverance following his dream of becoming a musician. The challenges seem overwhelming. Esteban and his mother struggle to make ends meet (htt..
Desperate times call for desperate measures. For some, that might mean taking a second or third job. Or robbing a bank. Or moving in with family. For Casey, a straight lip-syncing Elvis impersonator in a Panama City bar, desperation means forsaking the King’s rhinestone-studded jumpsuit for leg hair-hiding pantyhose, fake boobs and big-hair wigs, the better to sell himself as a fa..
Writing about “Broken Snow,” the Ben Andron thriller now getting its world premiere at the J’s Cultural Arts Theatre (JCAT) in North Miami Beach, is a proposition almost as tricky as the play itself. The intricately structured 90-minute drama is loaded with surprises, twists and turns, all revealed at precisely the right moment so that the play builds to its shattering conclusion..
When Ballet Flamenco La Rosa takes to the stage this weekend, it will present a program based on traditions which were handed down through the ages. A program filled with the mysteries of fl..
With every great new love, the beginning is a crucible of extremes – will it endure for decades or permanently scar?The program for Dimensions Dance Theater of Miami’sJuly 8show, “Fiebre: A N..
With a heightened emphasis on “Noise” as an innovative musical genre, this sixth installment of the Miami Performance Festival International (M/P’17), running June 23 to 25, challenges South..
After 17 years as a principal dancer with the esteemed San Francisco Ballet, dancing every major role and style possible, Lorena Feijoo is retiring from that company to embark on a new journe..
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Pools are ubiquitous in Miami. They dot the landscape like Jackson Pollock drip paintings. Residents swim or idle the hours away by or in the pool – and dancers of Momentum Dance Company also perf..
May’s “Mujeres” series of strong, multi-faceted, women-focused productions, commissioned for Miami Theater Center’s SandBox space, concludes with Spanish-born dancer-choreographer Carlota Pr..
One could say that Bistoury’s 305 & Havana International Improv Fest, which debuts this Saturday at Miami Theater Center, has been in the works for almost 20 years. In 1999 Cuban-born cho..
The process of creating “Shade,” choreographer Augusto Soledade’s latest full-length work, has been one of remembering and reconfiguring memory to discover new ways of talking about identity ..
The green lawn at the Miami Beach Botanical Garden was raucous on this Sunday afternoon with the calls of frogs, cicadas, crickets, and birds. The event was Frozen Music: Picnic 5, and the sounds were courtesy of the three unassuming gentlemen who call themselves Frozen Music, seated at a folding table behind laptops, an awning tilted at a jaunty angle to best block the afternoon sun.
The three men -- Gustavo Matamoros, Rene Barge, and David Dunn -- have been performing their live sound installations in Miami and elsewhere since 2009. An ensemble of sound artists, each brings a vast personal library of sounds that they have recorded over the years in various places using various techniques. Matamoros was most recently spending time in the Everglades, and those sounds featured prominently in the mix this day: animals that you sort of recognize but probably can’t name. Dunn, based in Santa Fe, has gained some renown for his innovative work recording bark beetles inside trees. Barge, who like Matamoros lives in South Florida, features a strong visual component in his individual work.
As Matamoros previously explained to Artburst, each artist improvises a four-channel audio experience right there on the spot. The three individual products are then combined into what emerges from the four speakers: “In essence, what is happening in Frozen Music is that each of us designs his own system of sound production and his own strategies for producing sounds that actually come out of the speakers. We don’t rehearse. We simply think of these systems as ecology. When you think of the mockingbirds: there’s a flock of mockingbirds in the botanical garden, and they’re doing what they’re doing. In the meantime the cars are going by. There’s no relationship between the cars and the mockingbirds. But when you’re sitting there you can make a relationship by simply listening in certain ways.”
On a marbled rock on the edge of the lawn, beneath the sweet rotten smell of a clown fig tree, Artburst sat and worked on that relationship. The sensation was like being transported aurally into a nighttime wilderness with some curious additions: some eight-bit electronics burbled underneath, and a howling sound from the speakers played counterpoint against the birthday party that was happening in the shade.
It all works perfectly in the Botanical Garden: like most gardens, it’s an artificial landscape made of manipulated nature. That’s exactly what Frozen Music was doing: starting with nature, manipulating it, and producing an artificial soundscape. It maintains the connection to its source, but allows us to experience it in a situation that would not be possible without human intervention.
The speakers were covered in black plastic to protect them from the rain that kept threatening. Frustrated by what she took to be an artistic deception, a little girl insisted: “Everybody knows it comes from these. Why cover it up?” In our daily lives, we might be more adept at mentally covering up and ignoring the sound itself. How often do we sit and ponder the droning omnipresent music of the South Florida air conditioner?
Frozen Music appeared at Miami Beach Botanical Garden on Sunday, September 21. You can find out more at http://subtropics.org/frozen-music.
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