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My Barbarian wanted to take Miami on a boat ride. “We wanted to interact and be out in the public,” Alex Segade reveals over the phone from Los Angeles, where he just got out of rehearsal for My Barbarian’s first Miami show, coming up this Saturday at the Miami Light Project, as part of Miami-Dade College’s Museum of Art and Design’s “Living Together” performance series this season. ..

The time seems right for Karen Finley to be visiting Miami, to be performing in the black box space of the Miami Light Project at the Goldman Warehouse, and to present her latest performance-art manifesto about the current political landscape, “Unicorn Gratitude Mystery.” In the show, which she began developing as a response to the U.S. presidential election in 2016, Finley plays a unicor..

Getting into a true holiday spirit can be tough in South Florida, where palm trees, expansive beaches and balmy skies signal perpetual summer. Ever-earlier store décor and the incessant push to buy presents – more about commercialism than celebration – can make many of us feel more anxious than festive. Not to worry. Just squeeze in a trip to Miami’s Arsht Center, where City Theatre h..

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Since its founding in 1996, City Theatre has been an important part of South Florida’s theatrical landscape, though the company’s visibility has always been highest in the month of June. That’s when its popular Summer Shorts festival takes place; for more than a decade, its high-profile venue has been the Carnival Studio Theater at Miami’s Arsht Center. Though the company founded by S..

If you were to predict who might become a nationally famous – OK, world-famous – multiplatform sex therapist, Dr. Ruth Westheimer would probably not be your first choice. Born in Germany in 1928 as Karola Ruth Siegel, the 4’7” Dr. Ruth seems more like the doting Jewish grandmother she is than a woman who used her nationally syndicated radio show, TV shows and 40-some books to help hun..

Actors’ Playhouse has been a musical powerhouse for much of its history. Launching its 30th anniversary season at the Miracle Theatre in Coral Gables, the company is revisiting some of that history with a new production of a made-for-South Florida favorite: Andrew Lloyd Webber and Tim Rice’s “Evita.” As it did in 2000 when recent Tony Award winner Rachel Bay Jones starred as Eva Duart..

Playwright Suzan-Lori Parks won the Pulitzer Prize for “Topdog/Underdog” in 2002. But as Zoetic Stage’s superb new production of the play at Miami’s Arsht Center demonstrates, her funny, shocking tale of two brothers struggling to survive is as potent today as it was 15 years ago. Maybe more so, given the country’s deepening divide. Parks’ harrowing drama examines the complex relation..

We are born. We live, have families, grow old. We die, leaving those who loved us to mourn. Playwright Thornton Wilder brilliantly captured the eternal verities of our journey through life in “Our Town,” his 1938 Pulitzer Prize-winning play about life, love and death in a small New Hampshire town at the turn of the 20th century. If you’re at all drawn to theater, you’ve probably ..

“Miami Motel Stories: Little Havana” written by Juan C. Sanchez, directed by Tamilla Woodard, and produced by Juggerknot Theatre Company, is a site-specific, immersive theater experience that interweaves narrative, performance, history and architecture. Nine short plays take place in nine hotel rooms on the second floor of the Tower Hotel, right off Calle Ocho on Seventh Street. Sanchez, ..

With the closing of Tigertail Productions last year, Miami lost one of its preeminent artistic champions. Under the direction of founder Mary Luft, Tigertail brought an endless parade of boundary-..

Anytime would be a good time to devote a dance program to the works of Jerome Robbins, our most versatile and celebrated American-born choreographer. But, given that 2018 marks the centennial..

Due to winter storms in the Northeast impacting travel, with great regrets the Bill T. Jones/Arnie Zane Company announced the cancellation of the Saturday, Jan. 6 performance. At age..

It is fitting at this time of the year that our thoughts often turn to what connects us not what divides us. Whether we are driven by religious or secular motives, many of us are in the spiri..

The end of the 19th century was a golden age for ballet. In 15 years of collaboration, two great Russian geniuses – choreographer Marius Petipa, and composer Pyotr Tchaikovsky – produced ballet st..

Here’s a riddle – name the 1892 box office flop panned by critics for lack of seriousness and for casting too many kids, which has now transformed into a force of nature timed to occur yearly..

It happens every year, right around Thanksgiving, productions of the Nutcracker pop up from coast to coast, marking the start of the holiday season. But on Saturday, Miami audiences have the ..

As Art Week approaches, Miami choreographer Marissa Alma Nick’s Alma Dance Theater is getting ready to add its distinctive voice, rehearsing for the upcoming performance of “Flowers” at the C..

Promising a night of airiness and ardor, Dimensions Dance Theatre of Miami will bring “Ballet’s Pointe of Passion” to the South Miami-Dade Cultural Arts Center, where the company joins an att..

A Force of Nature Blows Into Miami for ‘Climakaze’

Photo: Photo : Jodie Hutchinson
Written by: Elizabeth Hanly
Article Rating

Critics on five continents have described her work as “indecent and breathtaking,” or some close variant. One blessed her for always “going too far.” Another stated he would prefer death to missing one of her performances. They are talking of Moira Finucane, designated a “National Treasure” in her native Australia.

She will perform in a one woman show entitled “Rapture” as the opening event at this weekend’s three-day Climakaze extravaganza produced by Elizabeth Doud in conjunction with FUNDarte and the Miami-Dade County Auditorium.

“Imagine,” Finucane begins as she describes what her audience may expect. “Imagine you are at Versailles in the Hall of Mirrors and the mirrors crash and become water, a sea of water, and then there are icebergs, but suddenly you are in a dark forest and in the company of a bitter woman who’s looking there for her husband. But then she begins a rant, a ridiculous no-sense song about structural oppression. Ah, but soon the woman begins to waltz, and you waltz too for she has invited you, her audience, to waltz with her.”

All this, by the way, is set to music, which at times is reminiscent of medieval baroque, at times cutting edge industrial and in both cases the work of leading Australian composers.

Suffice it to say, this is experiential work seeking new ways to tell stories.

By its very nature, it is also work deeply interested in transformation. Art at its best is, for this performer, nothing less than electricity.

Several years ago, Finucane went literally on a personal odyssey. She intended to develop an “autonomy of hope” and began a project that entailed asking folks in myriad different walks of life, perhaps most tellingly oncologists, how they understood hope. All the comments pointed her back to her early fascination with fairy tales and lives of the saints. “Tiny actions can have epic consequences.”

So it is in the narratives she weaves both on and off stage.

Those individual tiny actions are the ones that allow her to have hope even as she works on a range of social issues that she regards as profoundly interrelated: refugee rights, human trafficking, gender rights, and issues of climate change.

Director and producer Doud understands hope a little differently. As she prepares for this, the third annual Climakaze, she emphasizes the need for the reflection and the grief that must come before new paradigms, new stories can be imagined.

“We look around at our world,” she says, “we look at all issues … but particularly those relating to climate and know we have taken a loss. The Romantic ideal of nature is not coming back. We don’t yet know the quality of what might come, but we need to begin trying telling stories of what may be possible even if those stories are still hard to put into words. We need art to begin to help us imagine.”

And so, as part of her extravaganza, Doud has invited the New York City-based Super-Heroes' Clubhouse to present two days of their trademark interactive Eco-Theater Labs. “Everybody -- local artists and scientists, anybody concerned about issues of climate -- is welcome to participate in these labs. Here again, the idea is both to have a place to give witness to a community’s loss and also a place to allow oneself to dream, and perhaps sense together stories waiting to emerge.

But hang on, there’s still more to the weekend’s line-up.

To bring still more stories of our interrelatedness to light, Doud has asked Miami vocalist and musician Inez Barlatier to take the stage in a Saturday night concert. If author Joan Didion is right when she says “one can understand nothing if one doesn’t understand the rhythm behind it," then Barlatier may be the perfect bookend for the two Climakaze concerts.

The daughter of master drummer and poet Jan Sebon, Barlatier grew up seeped in just about every kind of African diaspora rhythm, as well as those from the Iberian Peninsula and the Near East.

Today she describes her music as taking all this and adding a bit of Shakira and more than a little of Tracey Chapman.

Besides her own band, the Kazoots, she plays with an all women drumming group, Venus Raising, and still manages to find time to instruct area children in the rhythms of their traditions.

“When I think of my Haitian roots,” she says, “I don’t think of the problems. I think of the morning after the revolution, the morning after our apocalypse, when everywhere there was singing. There was nothing anywhere but singing and dancing and joy.”

Climakaze Miami 2017; Friday, May 5at 8:30 p.m., ‘The Rapture’ by Moira Finucane; Saturday, May 6 at 8:30 p.m., Inez Barlatier in Concert; Saturday & Sunday, May 6 & 7 from 10:00 a.m. to 4:00 p.m. Eco-Theater Labs. Mid-Stage at Miami-Dade County Auditorium, 2901 W. Flagler St., Miami; tickets $25 Adults, $40 weekend pass; $20 seniors and students. A limited number of $5 performance tickets will be available for students ages 13-22 through www.cultureshockmiami.com.(Eco-Theater Labs are free of charge.)Tickets at www.ticketmaster.com; 800-745-3000; 305-547-5414; www.climakazemiami.org/program-info/

 


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