For the last three decades Mario Ernesto Sánchez, founder and artistic director of the International Hispanic Theatre Festival of Miami, has had to navigate last minute cancellations, mountains of red tape, denied visas, earthquakes, hurricanes and more. It’s no wonder when asked what he loves about producing the festival, now in its 31st year, his wry sense of humor comes out: “My favorite thing is that every year we go through hell, for several reasons, but when the festival arrives and we see the results, we begin to plan the following year.”
Sánchez, known for his tenacity as a director and his charm as a promoter of culture, continues the festival’s mission of highlighting Hispanic culture by bringing Miami some of the most interesting theater from the U.S, Latin America, and Spain, with this year’s iteration that runs through July 24 at various Miami-Dade venues.
We caught up with Sánchez on the cusp of the festival’s opening and discussed this year’s highlights.
Argentina’s Grupo Ojcuro grabbed our attention in part because several of the members are blind, but also for their unique production qualities. Have they performed in the festival before?
It should grab your attention because it’s something Miami has never experienced. I saw them in Buenos Aires and immediately I thought about presenting them here. Grupo Ojcuro has never performed here and not all in the group are blind, only five. La isla desierta (The Desert Island --July 14-16), by Roberto Arlt, adapted and directed by José Menchaca, is performed in total darkness. It’s a play about our senses except eyesight. You leave the theatre knowing that blind people are normal human beings except they cannot see.
Every year your company Teatro Avante debuts a new play. This year you co-wrote, El Puerto de los Cristales Rotos (Harbor of Broken Glass -- July 21-23): Is this the first time you’ve co-written a play?
Yes, it is the first time I have co-written a play. Almost 15 years ago I saw a small article in the newspaper that read: Today, on May 13, we commemorate the tragic voyage of the MS St. Louis [the ship carrying 937 Jewish refugees in 1939, which was turned away by Cuba, the U.S. and Canada, resulting in the eventual deaths of many of the passengers in Nazi camps]. This triggered a 10-year investigation and the more I read, the more interesting and sad it became. I even thought about “dry foot, wet foot,” the current law governing the Cuban rafters. Since then, I have been obsessed with the idea of writing a play about this incident, mainly because no one I asked knew what I was talking about and it should be known what Cuba and the U.S. were capable of doing before WWII. Only lately have other writers been interested in promulgating the truth about the tragic voyage of the MS St. Louis.
Luckily, I found what has become a dear friend and colleague, Patricia Suárez, an award-winning Jewish-Argentine award-winning writer from Buenos Aires. She gave me the freedom to use her play structure while writing my own story. She loved the finish product and will travel to Miami to witness the world premiere. [El puerto de los cristales rotos will have an extended run at the Miami-Dade County Auditorium’s On.Stage Black Box Theatre, Feb. 2-5, 2017.]
What other festival highlights should the public watch out for?
We try to bring highlights from [various] countries. [The festival began with] Mexico, bringing Del manantial del corazón (From the Wellspring of the Heart), a Mayan baptism from Merida, Yucatan; and Prometeo presenting Cacería, an adaptation of The Crucible. Spain is bringing Los espejos de Don Quijote (Mirrors of Don Quixote -- July 15-16), the award-winning play that commemorated Cervantes’ 400th death anniversary. Peru comes with El Sistema Solar (July 22-23), where no one expects a revelation towards the end that will set off a true crisis in their household.
This year we celebrate the popular International Children’s Day with Piedra a Piedra (Stone by Stone -- July 17), a bilingual play from Valencia, Spain. The day is free and open to the public and it includes arts and crafts, rides, face painting, combo meals, and workshops for children.
WHAT: The International Hispanic Theatre Festival of Miami
WHEN: Through July 24
WHERE: Adrienne Arsht Center’s Carnival Studio Theater, 1900 Biscayne Blvd., Miami; Miami-Dade County Auditorium’s On.Stage Black Box, 2901 W. Flagler, Miami; and the Key Biscayne Community Center, 10 Village Green Way., Key Biscayne.
INFO: Tickets: $30-38, seniors, students and persons with disabilities $25. For times and venues, visit teatroavante.org; www.miamidadecountyauditorium.org; www.arshtcenter.org; 305-547-5414; 1-800-745-3000.
Here’s a riddle – name the 1892 box office flop panned by critics for lack of seriousness and for casting too many kids, which has now transformed into a force of nature timed to occur yearly..
It happens every year, right around Thanksgiving, productions of the Nutcracker pop up from coast to coast, marking the start of the holiday season. But on Saturday, Miami audiences have the ..
As Art Week approaches, Miami choreographer Marissa Alma Nick’s Alma Dance Theater is getting ready to add its distinctive voice, rehearsing for the upcoming performance of “Flowers” at the C..
Promising a night of airiness and ardor, Dimensions Dance Theatre of Miami will bring “Ballet’s Pointe of Passion” to the South Miami-Dade Cultural Arts Center, where the company joins an att..
Great friendships can nurture and prod an artist to make greater work. Think Pablo Picasso and Wifredo Lam, James Baldwin and Toni Morrison, Tina Fey and Amy Poehler. Such is also the case fo..
It’s a tall order to present a season as surprising as it is moving, as disturbing as it is delightful. Miami-Dade College’s Live Arts 2017-2018 season -- Ojala/Inshallah: Wishes from the Mu..
It was only a few decades ago that finding a professional, locally produced performance was an aerobic dance in itself. But after the Miami City Ballet (established 1985), the New World Schoo..
A 50th anniversary calls for gold in celebration. But Balanchine’s “Jewels”—a sublime marriage of music and choreography from 1967—brings Emeralds, Rubies,and Diamonds. Those pre..
When the Limon Dance Company returns to Miami-Dade this weekend, it brings with it the powerful vision of founder José Limon. He was a man deeply concerned about and connected to the humanity..
When Cardi B, with her trademark no-filter attitude, raps in her recent hit “Bodak Yellow” – Now I don’t got to dance/I make money move – she has something to sing about, with her smash hit N..
Despite a packed show schedule, including performing with the Frankfurt Opera in “Rinaldo,” Sarasota native, dancer and choreographer James McGinn had a chance to discuss the upcoming dance-opera ..
Anniversaries usually celebrate the success of a partnership with symbolic gifts of crystal, china, silver and gold. For the Arts Ballet Theater of Florida, the company celebrates 20 years of..
The songs are familiar; the love story is also familiar but made fresh in “On Your Feet!,” the musical biography that comes to Miami this week. The narrative of Emilio and Gloria Estefan meet..
Dance lovers in Miami know that for the past two decades the International Ballet Festival of Miami (IBFM) has made the city in September a magnet for the brightest stars in the world of bal..
Orlando Taquechel, dance critic for two decades at the El Nuevo Herald (and now a contributor to Artburst), will have a book signing and discussion of his new book, “La danza in Miami (1998-..
The name Flamenco conjures the machine-gun snap of heels, arms arched overhead, the flick of red fabric and laser-like glares from beneath the starched black brim of a Cordobes hat. At the ed..
Watching Neri Torres rehearse is a study in focus and concentration. She demonstrates each step with an ease developed from years of immersion in the study and performance of Afro-Cuban ..
Miami-based organization Delou Africa has been the ambassador of African dance and drumming in South Florida for the last 30 years. It started as a performing company, and has since expanded..
Miami Beach’s old city hall on a Thursday evening in June made a surreal set up for anyone familiar with tango’s broody scene -- a large cozy room full of cheerful, laughing, and smiling..
When Ballet Flamenco La Rosa takes to the stage this weekend, it will present a program based on traditions which were handed down through the ages. A program filled with the mysteries of fl..
With every great new love, the beginning is a crucible of extremes – will it endure for decades or permanently scar?The program for Dimensions Dance Theater of Miami’sJuly 8show, “Fiebre: A N..
With a heightened emphasis on “Noise” as an innovative musical genre, this sixth installment of the Miami Performance Festival International (M/P’17), running June 23 to 25, challenges South..
After 17 years as a principal dancer with the esteemed San Francisco Ballet, dancing every major role and style possible, Lorena Feijoo is retiring from that company to embark on a new journe..
Miami choreographer Marissa Alma Nick is a storyteller. Her company Alma Dance Theater brings a particularly female inner world to the stage, through lush and sensual choreography. Nick’s..
Pools are ubiquitous in Miami. They dot the landscape like Jackson Pollock drip paintings. Residents swim or idle the hours away by or in the pool – and dancers of Momentum Dance Company also perf..
May’s “Mujeres” series of strong, multi-faceted, women-focused productions, commissioned for Miami Theater Center’s SandBox space, concludes with Spanish-born dancer-choreographer Carlota Pr..
One could say that Bistoury’s 305 & Havana International Improv Fest, which debuts this Saturday at Miami Theater Center, has been in the works for almost 20 years. In 1999 Cuban-born cho..
We know it’s the holiday season when trees light up, menorah candles start to burn, ubiquitous Christmas carols pipe through drugstores, “The Nutcracker” plays on every stage – and in recent ..
Late last year, on Dec. 20, 2016, Romero Britto and Mark Bryn hosted the Great Artists Series Cocktail Reception at the Britto Fine Art Gallery to celebrate the legendary impresaria, Judy Dru..
Everyone remembers a lost weekend, binge reading a novel whose ending had to wait because the body just gave out. No matter how compelling the story somewhere around the 30th hour the brain s..
Globalization has produced many stories —not all inspiring. But having a Pakistani ensemble become a worldwide sensation by playing Paul Desmond’s immortal “Take Five,” which pianist Da..
When the management of New York’s iconic Apollo Theater approached drummer Gregg Field last year about organizing a concert there in honor of the 100th anniversary of Ella Fitzgerald’s birth..
They’ve opened a Chanel fashion show in Havana and been featured in Beyoncé’s visual album for “Lemonade.” The Alvin Ailey American Dance Theater has danced to their music. Their Florida debu..
There are few artists who have had the impact in their disciplines that guitarist Paco De Lucía had in flamenco. There is a before-and-after De Lucía in flamenco. He expanded the harmonic voc..
Yoli Mayor is a 22-year old Miami native who won over the judges of NBC’s “America’s Got Talent” with her power voice (think Adele mixed with Etta James). This weekend, Miami audiences will h..
You might expect something a tad unusual from a jazz band comprised of Bulgarians and Cubans that’s led by the principal percussionist of the Miami Symphony Orchestra. And that’s what you’ll ..
La tradicional temporada de Cascanueces del Miami City Ballet (MCB) tendrá algo nuevo este año. La compañía que dirige Lourdes López ha decidido renovar los diseños de la superproducción que..
El programa que Dimensions Dance Theatre of Miami (DDTM) presentó el sábado pasado en su exitoso debut como compañía en residencia del South Miami Dade Cultural Arts Center (SMDCAC) y a solo ..
Hay pocos artistas que han tenido el impacto en sus disciplinas como el guitarrista Paco De Lucía tuvo en flamenco. En este género, hay un antes y después de De Lucía. Expandió el vocabul..
Dance NOW! Miami, la Florida Dance Education Organization (FDEO), Miami Dance Futures y la New World School of the Arts (NWSA) colaboraron el fin de semana pasado para presentar la Daniel Lew..
Esta es una gran noticia para el público amante del ballet en Miami. Tras un paréntesis de diez años en los que solo nos visitó de manera esporádica, la Primera Bailarina mexicana Katia Carra..
Solo hay que aplicar el concepto “seis grados de separación” a uno de los artistas que se han presentado en las Galas de Estrellas del Festival Internacional de Ballet de Miami (IBFM por sus ..
El debut de Dimensions Dance Theatre of Miami (DDTM) en noviembre del año pasado fué un acontecimiento artístico y un descubrimiento sumamente agradable. Una sola función en el Miami-Dade Cou..
El festival “Out in the Tropics”, patrocinado por Fundarte en conjunto con el Centro Cultural Español y el Miami Book Fair International, normalmente trae artistas del mundo LGBTQ e hispanoha..
La Gala anual de Cuban Classical Ballet of Miami (CCBM) es un evento que esperan con ansiedad los aficionados al ballet en Miami y, sobre todo, los admiradores del estilo cubano. Desde su deb..