The Source for Media Coverage of The Arts in Miami.
Articles, reviews, previews and features on dance and music performances and events.
Sign Up
No one logged in. Log in

Big Moments in Minutes


Photo:
Written by: Mia Leonin
Article Rating

Thirty-two playwrights, a half dozen directors, and around ninety plays in less than two hours. This is the South Florida One-Minute Play Festival, now in its fifth year, which runs this weekend. The festival, performed at the Deering Estate in Palmetto Bay and curated by Caitlin Wees and Dominic D’Andrea, has become a phenomenon in its own right. South Florida’s version of the festival is part of a larger grassroots movement of one-minute play festivals, the brainchild of festival founder and producing artistic director D’Andrea.

Over the last 10 years, hundreds of festivals have been produced in over 20 U.S. cities. We spoke to D’Andrea about this year’s festival in Miami.

Why one-minute plays? How did you stumble across that form and how does the time constraint influence content?

Dominic D’Andrea: I don’t think we “stumbled” across this work. We targeted the idea -- which really didn’t much exist in a robust way before 1MPF -- and rigorously and lovingly developed it into a tool for social engagement over an entire decade of national work in hyper local communities and populations. Now we are the largest grassroots theater company in the country.

When a one-minute play is good, it suggests a world that is much wider and fuller than its frame. When we see 90 heartbeats/windows, and we are looking through all of them, the picture of the world around us suddenly becomes much more full.

The one-minute play festival is a container for ideas, conversations, responses, and big conversations that exist within a given community that we are engaged with. We see 1MPF as a social barometer project because it’s just that: using the form of the one-minute play (which are theatrical moments) to explore, name, and distinguish what a group has to say in their responses, not what any one individual offers. Our work with 1MPF is one of the only greater American theater movements that focuses on the macro, and that’s probably why we are so prominent right now. There’s a need to hold space for community response. We are the artistic space that does really well right now.

Having produced the festival for four years, is there anything that you would say is distinctly “Miami” about the plays you’ve seen?

Disparity of wealth; speaking English or not; the word “refugee” which comes up every year instead of “immigrant” – I am particularly interested in that one, since I myself am a first generation; conservative and liberal politics; snowbird culture; age/dying/death/loss; climate change; Cuban culture; LGBTQIA/Trans/Queer culture; history.

Who came up with this year’s theme “America: post election” and what can you tell us about the plays that will debut?

There is no singular theme, as our work is about highlighting themes and ideas that are offered to us by the community. That’s part of the zeitgeist-focused work that we are doing.

I can share that this body of work is largely about Florida/America post-election, what our future might look like, and how we got here. It’s a very political and raw body of work, and that is probably because we are all in a raw and confusing tipping point as a culture at-large. This work reflects where we are in a pretty authentic way.

Any advice to audience members on how to get the most out of the experience?

Think of it as one play/one movement, and not a bunch of tiny ones. It’s closer to epic theater in its presentation than it is short form theatre. That’s very intentional. We build this as one play/one action. Discuss what you say, felt, heard, and learned about your community afterwards. Think about what this says about who we are right now, what we value, what’s missing, and what actions we might want to see. We hope work like this is a possible entry point into designing the world that we want to live in.

The 5th Annual South Florida One-Minute Play Festival, curated by Caitlin Wees and Dominic D’Andrea, runs Saturday, Jan. 14at 8:00 p.m., and Sunday, Jan. 15 at 3:00 p.m. and 7:00 p.m. at the Deering Estate Visitor Center Theater, 16701 SW 72 Ave., Palmetto Bay; tickets $20 and at www.deeringestate.org or 305-235-1668 ext.233.

 


Leave a comment...
Must be Logged in
No one logged in. Log in
Leave a comment...
Was this helpful?
No Very

Captcha Image

About The writer

{module_webapps,16730,i,{tag_writer_id}}

May’s “Mujeres” series of strong, multi-faceted, women-focused productions, commissioned for Miami Theater Center’s SandBox space, concludes with Spanish-born dancer-choreographer Carlota Pr..

One could say that Bistoury’s 305 & Havana International Improv Fest, which debuts this Saturday at Miami Theater Center, has been in the works for almost 20 years. In 1999 Cuban-born cho..

The process of creating “Shade,” choreographer Augusto Soledade’s latest full-length work, has been one of remembering and reconfiguring memory to discover new ways of talking about identity ..

Upcoming this week, Tigertail presents choreographer Myriam Gourfink and musician Kasper Toeplitz. Hailing from France, the two will be present for a 3-day residency at Subtropics’ South Beac..

From her home base at 6th Street Dance Studio in Little Havana, longtime Miami dance figure Brigid Baker has been slowly crafting a new performance piece. It’s not conceptual or political like con..

Karen Peterson is the artistic director of Karen Peterson and Dancers, a company that brings professional dancers with and without disabilities together in the same piece of choreography, and..

Revivals are hot on Broadway these days with “CATS”and “Hello, Dolly!“once again gracing the Great White Way. There is a certain nostalgia in taking a second or even third viewing of a belove..

What happens when urban dance style meets classical music? We’ll find out when Brooklyn-based hip-hop dance troupe Decadancetheater takes the stage, backed by Miami’s own experimental classic..

“What does it mean to belong? What does it mean to not want to belong?” These are questions that choreographer Reggie Wilson contemplates in his provocative piece “CITIZEN,“ which makes its M..

If even a modicum of redemption can be forged from the hellish after-effects of gun violence, we must listen to the communities most affected by the violence. To this end, “Trigger,” a hip-ho..

Celebrating 35 years is an amazing achievement for any dance company in Miami, but especially one founded in a decade better known for its ties to drugs than to the arts. Momentum Dance Compa..

For Tigertail Productions, April is the month of fire. Like their WATER Festival in 2016, this month’s FIRE Festival celebrates a single element in multiple art forms, including dance, visual..

During the month of April the organizers of the seventh iteration of the O Miami Poetry Festival intend every resident of Miami Dade county to encounter a poem or – even better – write one! An..

As the “home-grown” sweetheart of Miami City Ballet, Patricia Delgado is having her final performances this season before leaving the city and the company she loves to move to New York City.H..

Even people who can’t find Argentina on a map and believe tangos only happen in Paris know La Cumparsita’s iconic four beat opening. Like a bar’s last call, La Cumparsita tells tango dancers ..

Miami City Ballet will conclude its season this week with a rich selection of repertory pieces: two from Balanchine, in very expressive but distinct modes, and one from modern-dance master Pa..

Ballet Flamenco La Rosa’s studio evokes the feel of a tablao in Spain. The strumming of the guitar, the rapid-fire rhythms of footwork against the floor, and the soft voice of the singer reac..

Miami choreographer Augusto Soledade has been a fixture in the local dance world since he arrived here in 2004. His cast has shifted over the years and he continues to challenge himself artis..

In one duet, two dancers use their bodies as counterweights, springing forth from each other’s bodies with explosive power. In another, dancers form a sharp line before torsos undulate and fa..

Teacher, choreographer and activist Dale Andree is known for her ability to merge activism with dance. Andree founded and directs National Water Dance, a site-specific project that joins danc..

In 2016, Philadelphia-based Koresh Dance company crossed their 25-year mark. To celebrate, the company returns to Miami’s Adrienne Arsht Center for the Performing Arts with a 25th anniversary..

From singers like Joan Baez to poets like Maya Angelou to anonymous knitters of pink pussy hats, creative women have played an essential role in this country as agitators and activists. Likew..

When Dimensions Dance Theatre of Miami (DDTM) takes the stage this weekend, it will present a program rich in the cultural milieu of Miami. Co-founders Jennifer Kronenberg and Carlos Guerra i..

It is an awe-inspiring experience to see the Alvin Ailey American Dance Theater dancers perform. They are well trained dancers, athletes and artists. Not often known is that some of the dance..

Back for an 8th season in Miami, the legendary Alvin Ailey American Dance Theater packs the house every year. With Liberty City hometown hero Robert Battle in his fifth year, we have many rea..

Awash in sunlight, around 50 women stand in a circle on the rooftop performance space of Casa Gaia in Old Havana, Cuba, as part of a belly-dance festival. Biodanza facilitator Karen Rodríguez..

Choreographer Jeanguy Saintus works primarily from Port-au-Prince, Haiti, but his creative work has global appeal. He is a pioneering artist who blends Haiti’s traditional music and dance alo..

Project 305 has a simple aim – crowd-source a Miami symphony. For 100 days from January 31 to May 12 New World Symphony, in collaboration with the Knight Foundation and the M.I.T. Media Lab, ..

You hear the word “flamenco” -- what image comes to mind? A guitar? A dark-haired dancer? The color red, a ruffled dress? Did a piano by any chance enter the picture? Perhaps not. Pianist..

Critics on five continents have described her work as “indecent and breathtaking,” or some close variant. One blessed her for always “going too far.” Another stated he would prefer death to m..

Buzzing his lips and shaking his head, Rafael Davila gets ready to rehearse. In the Florida Grand Opera’s cavernous rehearsal hall in Doral, the floor is marked with tape to delineate the roo..

There’s a song James Blood Ulmer sings called “Jazz Is the Teacher, Funk is the Preacher.” If you bring in Mother Blues, along with the family hothead, Rock and Roll, you’ll have a better pi..

Ask about the Miami Sound to 10 people in South Florida and you’ll get 11 different answers. And yet, for more than 20 years, the Spam Allstars, a group founded and anchored by DJ Le Spam (a..

This year’s TransAtlantic Festival features local dance music stars, a Malian guitarist known as “the Hendrix of the Sahara,” and something unique: a Haitian rara band comprised entirely of women...

If the political movement that saw its birth after the November elections is in the market for a composer to set the score for its many marches, Frederic Rzewski might be a strong contender f..

In a combo that promises to be both sublime and rip-roaring, three generations of Cuban and Cuban diaspora musicians come together this Saturday at The Miami-Dade County Auditorium to celebra..

El 11 y 12 de mayo próximo tendrá lugar en el Miami -Dade County Auditorium el estreno en Estados Unidos de Scrutiny: The World Gone Astray(en español,Escrutinio: El mundo se ha ido a la deri..

Para el pianista y compositor cubano Omar Sosa la noción de una cultura global, sin fronteras, no es un concepto abstracto sino un tema personal. En su música, elementos de hip hop y rumba, ..

No hay que viajar a otro país para disfrutar en vivo de la música cubana del momento, la más innovadora, la que le da la vuelta al mundo. Basta con asistir a Global Cuba Fest, aquí mismo, en ..

Nadie como el bailarín y coreógrafo español Antonio Gades para describir el arte que lo hizo internacionalmente famoso cuando vivía: “Un extracto de fuego y de veneno, eso es el flamenco”. ..

Desde Las troyanas de Eurípides hasta “Guernica” de Picasso, o de la canción “Blowing in the Wind” de Bob Dylan al diseño de las gorras rosadas que llevaron miles de mujeres en las protestas ..

En un discurso de 1977, el escritor argentino Jorge Luis Borges desmintió la idea de que la ceguera fuera un mundo de oscuridad cuando describió su propia “modesta ceguera”. Hablaba de ciert..

En su discurso de recibimiento del Premio Nobel, el poeta chileno Pablo Neruda afirmó que el poeta no es un "pequeño dios." De hecho expresó que el mejor poeta “es el hombre que nos entrega e..

En la cultura yoruba, y sobre todo en sus manifestaciones caribeñas como la afrocubana, las historias contadas oralmente por generaciones ocupan un lugar esencial. Esas historias, muchas de e..

En la serie artística Out in the Tropics, la tarima no discrimina, la sensibilidad de los intérpretes es inclusiva y todo público es bienvenido. Producción de la entidad local sin fines d..