The Source for Media Coverage of The Arts in Miami.
Articles, reviews, previews and features on dance and music performances and events.
Sign Up
No one logged in. Log in

Pearl Cleage’s play “Flyin’ West,” an M Ensemble production currently on stage at the beautiful new performing arts center in Liberty City, the Sandrell Rivers Theatre, is set in humble Nicodemus, Kansas, the only remaining western town established by African Americans during the reconstruction period following the Civil War. Set in 1898, the play focuses on the lives of Sophie (Brandiss ..

Esteban, ( the debut of Cuban director Jonal Cosculluela being premiered at The Miami Light Project tells the story of a 9 year old, living in Havana with his mother, who’s raising him as a single parent, and his perseverance following his dream of becoming a musician. The challenges seem overwhelming. Esteban and his mother struggle to make ends meet (htt..

Desperate times call for desperate measures. For some, that might mean taking a second or third job. Or robbing a bank. Or moving in with family. For Casey, a straight lip-syncing Elvis impersonator in a Panama City bar, desperation means forsaking the King’s rhinestone-studded jumpsuit for leg hair-hiding pantyhose, fake boobs and big-hair wigs, the better to sell himself as a fa..

Writing about “Broken Snow,” the Ben Andron thriller now getting its world premiere at the J’s Cultural Arts Theatre (JCAT) in North Miami Beach, is a proposition almost as tricky as the play itself. The intricately structured 90-minute drama is loaded with surprises, twists and turns, all revealed at precisely the right moment so that the play builds to its shattering conclusion..

As this steamy spring melts into a sweltering summer, Actors’ Playhouse is inviting theater lovers to a wedding – a big, fat Jewish-WASP wedding, otherwise known as the Broadway musical “It Shoulda Been You.” Though the show seemingly takes place in the present, the piece by book writer-lyricist Brian Hargrove and composer Barbara Anselmi is an old-fashioned, stereotype-filled throwba..

'Death & Harry Houdini' Makes Another Magical Moment at ArshtDennis Watkins knows how to make an entrance. In the House Theatre of Chicago’s “Death & Harry Houdini,” now back at the Arsht Center’s Carnival Studio Theater five years after it first wowed Miami audiences, Watkins arrives onstage with the help of theater technology unknown in Houdini’s day. Dangling upside dow..

Director Carlos Lechuga’s masterful unspooling of time in his second feature film “Santa y Ándres” constructs a uniquely Cuban mix of tedium and despair, resulting in an emotionally intense experience that sneaks up on the viewer in plain sight. The film opens with the stillness of a landscape painting: the eastern Cuban countryside of 1983 – rugged, lush, and verdant. The statuesque..

Memory – deep-seated, fragile, slippery, mutable – is at the heart of Jordan Harrison’s “Marjorie Prime.” A Pulitzer Prize finalist in 2015, the play is a family tragicomedy given a sci-fi makeover; in other words, this thought-provoking theater piece charts its own, fresh path. Now getting its South Florida premiere as the second professional production from the Main Street Players, ..

The stage is a fixed space. It is the axis around which story, conflict, and character revolve. When that fixed space shifts, new possibilities emerge. Starting Wednesday, April 23, a shifting site for theater emerges at Deering Estate, a 444-acre environmental, archeological, and historical preserve along the edge of Biscayne Bay in Palmetto Bay. Four local playwrights have collaborated ..

Nearly two years ago, Miami’s Zoetic Stage took its first trip into the world of Harold Pinter with an intense, superbly acted production of the Nobel laureate’s 1978 hit “Betrayal” in the Arsht Center’s Carnival Studio Theater. Now Zoetic is delving further back into the Pinter canon with a riveting production of “The Caretaker.” This 1960 work is, like “Betrayal,” a three-character ..

What Will Happen When We Join Sirens in Space?

Article Rating

Miami-based choreographer Pioneer Winter and visual artist Jared Sharon have invited us all to a “crazy space pirate Mean Girls and an operatic cyborg-like ship mixed with film projection, contemporary dance and extreme beauty regimens.” This new project, Sirens in Space, premiers on Thursday at the Miami-Dade County Auditorium’s versatile On.Stage Blackbox Theater. And If Winter and Sharon’s past work is any indication, Sirens in Space will be one of the more creative projects of Miami’s spring performance season.

Winter made his first mark as a choreographer on the Miami dance scene with a project titled Phallusy in 2011 at the Arsht Center’s Miami Made group show. Later that year, his first collaboration with Sharon, 42: A Stonewall Prospective, was presented to great acclaim at the Bass Museum. For these two collectively and individually, the last few years have yielded much: a dance school and performance space named Miami Dance Studio/ RIFT blackbox theater, further creative genre-bending performance work, and a series of outreach efforts including the site-specific performance initiative Grass Stains. Of particular interest and impact for the Miami community, Grass Stains is an opportunity for local artists to explore the possibilities of site-specific work with the support of significant funding and the creative guidance of a mentor.

Now, back to Winter and Sharon’s current performance collaboration, Sirens in Space. While the details of the project are still largely a guarded secret, Winter and Sharon offered some hints about their ideas and creative processes. For starters, they promise, it isn’t very cerebral. “There’s no overt social message, we wanted to have some fun.” And the underlying theme, when they are asked to state it, is dating. They describe Sirens in Space as “an outsider’s view of a dynamic of contemporary women.” The main characters aren’t exactly women, they are female aliens being guided through space by a consciousness they call “the Positronic Brain.”

The storyline is meant to operate beyond gender or sexual orientation. This distinction seems important to both artists. They often layer some form of “queering” into their work as a way to sidestep binary and hetero-normative categories, or as Sharon alternately describes it, “not having strict parameters imposed on anything.” In the case of the aliens in Sirens in Space, “that needing, searching for something is a very human trait.”

The creative dynamic between Sharon and Winter seems to be animated by a gap between their separate perspectives. Sharon was raised in an environment of traditional art, and he now describes his practice alternately as transmedia, or multi-platform storytelling. The idea is to allow the audience to receive the message in multiple forms simultaneously.

In a transmedia work, he says, there is a marriage between media, so no boundaries are drawn between different types of media that make up the work. “We’ve all exhausted each individual medium.” And, he says, “there’s no real reason to stay within those boundaries… it’s just not the way I think.”

Conversely, Winter -- coming primarily to the project as a dancer and choreographer -- finds the boundaries of his form to be productive for creativity. “I don’t think I’ve exhausted the possibilities,” he says. “Restriction births something interesting; when there are too many options, it’s not legible anymore.”

While they certainly seem to respect each other creatively, they are not necessarily coming at Sirens in Space from the same angle. There is a syncopated rhythm between them. This is no doubt a generating force, and the blend of media produces necessities that might not be present with either artist working alone. Structurally, for example, Sirens in Space has largely been determined by the length of the musical score (48 minutes long).

“That’s the complete opposite of what a choreographer does, but storyline-wise, the music is important,” says Winter. Sharon interjects, “in some ways, a visual artist is a wrench in the system.” But, he continues, “we level each other out.”

Together, Winter and Sharon are following a highly improvisational creative process whose product has yet to be revealed. Most likely, Sirens in Space will be in the works right up until show time.

Sirens in Space from Pioneer Winter and Jared Sharon, Thursday at 8:30 p.m. at the Miami Dade County Auditorium On.Stage Black Box Theater,2901 W. Flagler St.,Miami. General admission $20, discounted tickets for students, senior and groups $15.

Leave a comment...
Must be Logged in
No one logged in. Log in
Leave a comment...
Was this helpful?
No Very

Captcha Image

About The writer

Cathering Hollingsworth is a dance critic and dancer


About the Writer

What better way to welcome summer than with a burst of live music? Leave it to the French to come up with the idea. Since 1982, they’ve marked the summer solstice with free concerts and p..

Mexican singer Natalia Lafourcade is as tiny as a house sparrow, with a voice as clean and pure as a bell. These delicate qualities belie a fierce inner strength and a steely artistic will. A..

Melissa Aldana is the first woman instrumentalist and the first South American artist to win jazz’s prestigious Thelonius Monk competition. Which distinction is more important to her? Neither..

Project 305 has a simple aim – crowd-source a Miami symphony. For 100 days from January 31 to May 12 New World Symphony, in collaboration with the Knight Foundation and the M.I.T. Media Lab, ..

You hear the word “flamenco” -- what image comes to mind? A guitar? A dark-haired dancer? The color red, a ruffled dress? Did a piano by any chance enter the picture? Perhaps not. Pianist..

Critics on five continents have described her work as “indecent and breathtaking,” or some close variant. One blessed her for always “going too far.” Another stated he would prefer death to m..

Buzzing his lips and shaking his head, Rafael Davila gets ready to rehearse. In the Florida Grand Opera’s cavernous rehearsal hall in Doral, the floor is marked with tape to delineate the roo..

There’s a song James Blood Ulmer sings called “Jazz Is the Teacher, Funk is the Preacher.” If you bring in Mother Blues, along with the family hothead, Rock and Roll, you’ll have a better pi..

Ask about the Miami Sound to 10 people in South Florida and you’ll get 11 different answers. And yet, for more than 20 years, the Spam Allstars, a group founded and anchored by DJ Le Spam (a..

El festival “Out in the Tropics”, patrocinado por Fundarte en conjunto con el Centro Cultural Español y el Miami Book Fair International, normalmente trae artistas del mundo LGBTQ e hispanoha..

La Gala anual de Cuban Classical Ballet of Miami (CCBM) es un evento que esperan con ansiedad los aficionados al ballet en Miami y, sobre todo, los admiradores del estilo cubano. Desde su deb..

El 11 y 12 de mayo próximo tendrá lugar en el Miami -Dade County Auditorium el estreno en Estados Unidos de Scrutiny: The World Gone Astray(en español,Escrutinio: El mundo se ha ido a la deri..

Para el pianista y compositor cubano Omar Sosa la noción de una cultura global, sin fronteras, no es un concepto abstracto sino un tema personal. En su música, elementos de hip hop y rumba, ..

No hay que viajar a otro país para disfrutar en vivo de la música cubana del momento, la más innovadora, la que le da la vuelta al mundo. Basta con asistir a Global Cuba Fest, aquí mismo, en ..

Nadie como el bailarín y coreógrafo español Antonio Gades para describir el arte que lo hizo internacionalmente famoso cuando vivía: “Un extracto de fuego y de veneno, eso es el flamenco”. ..

Desde Las troyanas de Eurípides hasta “Guernica” de Picasso, o de la canción “Blowing in the Wind” de Bob Dylan al diseño de las gorras rosadas que llevaron miles de mujeres en las protestas ..

En un discurso de 1977, el escritor argentino Jorge Luis Borges desmintió la idea de que la ceguera fuera un mundo de oscuridad cuando describió su propia “modesta ceguera”. Hablaba de ciert..

En su discurso de recibimiento del Premio Nobel, el poeta chileno Pablo Neruda afirmó que el poeta no es un "pequeño dios." De hecho expresó que el mejor poeta “es el hombre que nos entrega e..