Though the Miami New Drama-commissioned “Queen of Basel” will have its official world premiere at Studio Theatre in Washington D.C. next season, you don’t have to wait or travel to discover how playwright Hilary Bettis has reimagined August Strindberg’s controversial 1888 classic “Miss Julie.” With three powerful actors and a small audience sharing the stage space at Miami Beach’s Co..
Branden Jacobs-Jenkins, now 33, was named a MacArthur “genius” grant winner in 2016, the same year his play “Gloria” was chosen as a finalist for the Pulitzer Prize for drama. Earlier, his provocative, stylistically diverse, subversive plays “Appropriate” and “An Octoroon” (the latter was produced by Coral Gables’ Area Stage last fall) each won best new American play Obie Awards. ..
"The Other Mozart" is a suitcase play – one of those shows where a single actress can pack the entire contents that creates the setting – costume, wig, and props, and go anywhere in the world. It is the way Samantha Hoefer will arrive in Miami to present Sylvia Milo's one-woman play about Maria Anna Mozart, the not nearly as famous older sibling of that 18th century rock star Wolfgang Ama..
Early on in the Argentinean film “El Último Traje” (The Last Suit), which makes its U.S. theatrical debut this week, a deceptively quaint and humorous scene takes place between the film’s protagonist, 88-year-old Abraham Bursztein and his young granddaughter. The little girl refuses to join in a family photo with Abraham surrounded by his many grandchildren. When he cajoles and insists, ..
Gone are the days when filmmakers needed huge budgets, and major movie studios backing them with big bucks to get their films seen, according to two producers who spent decades in Los Angeles, and have now moved their base to Miami Beach. "From a creative standpoint, there are amazing opportunities for filmmakers today," says producer Kevin Chinoy, who, along with producing partner Frances..
Mark St. Germain has achieved ongoing success with small-cast plays involving historical figures in fictional scenarios, and South Florida has been as welcoming to his work as the rest of the country. St. Germain’s “Camping With Henry and Tom,” about a 1920s camping trip involving Henry Ford, Thomas Edison and President Warren G. Harding, was produced in 1996 by New Theatre in Coral Gables..
Mexico City-based theater collective Teatro Ojo's works are constantly evolving. Nothing is ever really finished. That's because they take from every performance. Whatever the audience experiences, observes, feels, and offers feedback, which they highly encourage, all is used, considered, and included in the evolution of the same piece, or introduced into another new work. Two of the ..
“America’s Greatest and Least Known Playwright.”This is how the Cuban-American playwright Maria Irene Fornes is referred to several times throughout Michelle Memran’s documentary “The Rest I Make Up,” which makes its Florida debut this Saturday as part of Miami-Dade College’s Miami Film Festival. Fornes has been called the “Mother of Avant-Garde Theater.” Theater giants like Edward A..
“Once” has always been touched with magic. And as anyone who has seen the sublime new production of the show by Actors’ Playhouse in Coral Gables would tell you, the musical’s spellbinding pull is as powerful as ever. When Irish director-screenwriter John Carney first told the tale of a heartbroken Irish street musician and the spunky Czech pianist who reignites his passion, a 200..
Consider the idea of land in Palestine, and conflict may be the first thing to come to mind. But for Jumana Emil Abboud, the Palestinian landscape evokes other, older, associations – with mythological creatures like water spirits and ghouls. “These stories were told way before 1948,” says the Galilee-born artist, speaking by phone from her home in Jerusalem. She suggests looking back ..
For many people it’s hard to imagine Miami without a vibrant art scene, but in 1987 Miami was just beginning its journey towards becoming a major hub for the arts, and New World School of the Arts ( NWSA ) played a pivotal role in this transformation. Friday, the New World Dance Ensemble presents a program celebrating this milestone anniversary.
Mary Lisa Burns, Dean of Dance, has assembled an extraordinary group of dancers and choreographers to honor the achievements of students and faculty members associated with NWSAthroughout the last 30 years. “We are fortunate to have a network of alumni -- it’s a pleasure to invite them back to perform,” says Burns.NWSA has an impressive list of alumni including Robert Battle, Artistic Director of Alvin Ailey American Dance Theater. Battle, who grew up in Miami's Liberty City neighborhood, is presenting Mass, which was created at Juilliard in 2005 and is set to a score by John Mackie.
Reached in Europe, where he is on tour with the Ailey company, Battle says “Miami isn’t just home for me; it’s the place that Ailey first came into my life. I was 12 years old when Alvin Ailey American Dance Theater performed at my school in Liberty City, and my life was forever altered. I saw dancers who looked like me and were from diverse communities overcoming their challenges and living out their dreams through performance. I realized that this was my calling."
Also on the program are works by NWSA faculty members Gerard Ebitz and Tina Santos-Wahl. Ebitz’s piece, A Place I’ve Never Been ( excerpts), is described by Burns as being “very beautiful and lyrical.” Ebitz, a founding member of Miami City Ballet, is a longtime faculty member at NWSA. Santos-Wahlis a full- time faculty member at NWSA and is presenting Kinda Palooza.
Burns is in her sixth year as dean. In speaking of her position, she says she is
“ fortunate to have inherited this outstanding program.” The dance division of NWSA was founded and developed by Daniel Lewis in 1987. At that time jazz and ballet were the main forms of dance in South Florida. Lewis changed that by focusing on modern dance. He explains that NWSA is distinct from other performing arts schools and universities in that it is “ truly a conservatory from high school to college.” His vision, he says, was to create a “school that would be around for a long time.”
Lewis remembers NWSA first dance performance (in 1988) as being held in the former Diamond Center in Miami. “We had to set up chairs.” This performance saw the debut of the New World Dance Ensemble.
NWSA grew out of PAVAC (Performing and Visual Arts Center). The school was formally created in 1986 by the New World School of the Arts Act of the Florida State Legislature as “centers of excellence for the performing and visual arts.” At the time Florida was experiencing a talent drain and was losing talented young artists to other areas. The state legislature wanted a school “to keep Florida artists in Florida,” explains Lewis. NWSA awarded its first high school diploma in 1988 and the first graduating class of the college was in 1992. Lewis continued to build up the dance division including the creation of the Miami Dance Sampler in the early 1990’s. The Sampler continues to this day and presents local companies to the community.
Lewis’s vision in now in its 30th year. Burns says her vision is to “continue the tradition of excellence… continue to work on behalf of our students.” Two alumni, Ashley Anduiza, who was trained at NWSA and danced with Ballet Hispanico, and Joshua Winzeler, who received his BFA in 2011 from NWSA, will perform in William Whitener’s, Tito on Timbales, a tribute to musician Tito Puente.
NWSA curriculum is modeled on Juilliard’s. Burns says it’s to “prepare our students to enter the professional world of dance as it is revolving.” As for those who decide against a professional dance career “the study of dance at a high level serves them well, no matter what they go on to do,” explains Burns.
Included in Friday’s program is Caught in the Currant, with choreography by Lara Murphy, a high school graduate of the school (1989) and an adjunct faculty member. Solo Bach brings in Bessie Award-winning choreographer Jessica Lang and Miami native John Harnage, who studied at NWSA and graduated from The Juilliard School. He is currently a member of Jessica Lange Dance. The Nutcracker (Spanish Dance) will make an early appearance and is staged by Lara Murphy and Ruth Wiesen, who received her BFA from NWSA ( 1996) and in now an adjunct faculty member at the school.
Thirty years ago Lewis built an institution and Burns continues to add to it. NWSA is a place for aspiring artists to nourish and develop their craft guided by knowledgeable and caring hands. Dance is ephemeral; NWSA is not.
New World Dance Ensemble; Friday, November 4, 8:00 .pm.; Aventura Arts and Cultural Center; 3385 NE 188th St.; 305-466-8002; admission: $12.00.
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