“Carousel,” which contains some of the most gorgeous and memorable songs ever written for a musical, may be a musical you’ve never seen, though it has been around since 1945. The follow-up to “Oklahoma!,” Richard Rodgers and Oscar Hammerstein II’s hugely successful debut as a composer-lyricist team, “Carousel” requires a huge cast by today’s standards, an orchestra that can do that gl..
Before women like movie star Melissa McCarthy, Chrissy Metz of NBC’s “This Is Us” and Whitney Thore of TLC’s “My Big Fat Fabulous Life” became widely embraced personalities, Josefina Lopez wrote a play titled “Real Women Have Curves.” Lopez’s 1994 comedy, made into a 2002 movie that marked America Ferrera’s film debut, is about many things. Its subjects include the fears of undocument..
Stephen Adly Guirgis won the 2015 Pulitzer Prize for drama for his darkly comic “Between Riverside and Crazy.” Two years later, as GableStage’s sizzling new production so abundantly demonstrates, the play feels completely of the moment – in part because its characters traffic in “alternative facts.” Retired New York cop Walter “Pops” Washington (Leo Finnie) refuses to settle an eight-..
Neo-Impressionist Georges Seurat was an influential visionary whose pointillist work launched a movement before his untimely death in Paris in 1891 at the age of 31. He spent two years painting his masterpiece, “A Sunday Afternoon on the Island of La Grande Jatte,” in which tiny dots of juxtaposed color viewed at the right distance transform into a host of Parisians relaxing on an island ..
Thirty-two playwrights, a half dozen directors, and around ninety plays in less than two hours. This is the South Florida One-Minute Play Festival, now in its fifth year, which runs this weekend. The festival, performed at the Deering Estate in Palmetto Bay and curated by Caitlin Wees and Dominic D’Andrea, has become a phenomenon in its own right. South Florida’s version of the festival i..
Mention the Harlem Renaissance, and those who know their history would be able to tell you a little or a lot about that vibrant period in New York’s black social and cultural life. But bring up the New York Renaissance – also known as the Renaissance Big Five or the Rens – and you’d be likely to stump anyone who isn’t steeped in basketball lore. Playwright and director Layon Gray ..
Listen up, humanity. God has a bone (or 10) to pick with us, and we’d best pay attention. I mean, if he can zap the wing off an argumentative archangel – and he can – just imagine what’s in store for us. Or simply consider the news, post-election. David Javerbaum, the Emmy Award-winning executive producer and head writer of Comedy Central’s much-missed “The Daily Show with Jon Ste..
I saw Lorca en un vestido verde, the Spanish-language version of Nilo Cruz’s play Lorca in a Green Dress eight years ago on a cramped stage in Little Havana’s Teatro Ocho, where Rolando Moreno took on the task of directing four actors who play eight roles. Even with the limitations of the production, Cruz’s inventive and lyrical script made Lorca one of my favorites from the Pulitzer Priz..
Kleber Mendonça Filho’s Aquarius (2016) is a masterful and engaging film exploring the dilemma of a singularly strong-willed, exceedingly attractive older woman who refuses to budge when power comes knocking at her door and tries to blow it off its hinges. A relative newbie to the director’s chair, Mendonça is a former film critic who layers a rich texture of skillfully developed metaphor..
The words that South Florida playwright Michael McKeever has chosen for his intense new play ‘After’ are powerful indeed. They would have to be, since his Zoetic Stage world premiere at Miami’s Arsht Center is a devastating piece about bullying, school violence and the moment when one horrific act destroys two families. But just as powerful as the words in “After” are the silences, as..
For many people it’s hard to imagine Miami without a vibrant art scene, but in 1987 Miami was just beginning its journey towards becoming a major hub for the arts, and New World School of the Arts ( NWSA ) played a pivotal role in this transformation. Friday, the New World Dance Ensemble presents a program celebrating this milestone anniversary.
Mary Lisa Burns, Dean of Dance, has assembled an extraordinary group of dancers and choreographers to honor the achievements of students and faculty members associated with NWSAthroughout the last 30 years. “We are fortunate to have a network of alumni -- it’s a pleasure to invite them back to perform,” says Burns.NWSA has an impressive list of alumni including Robert Battle, Artistic Director of Alvin Ailey American Dance Theater. Battle, who grew up in Miami's Liberty City neighborhood, is presenting Mass, which was created at Juilliard in 2005 and is set to a score by John Mackie.
Reached in Europe, where he is on tour with the Ailey company, Battle says “Miami isn’t just home for me; it’s the place that Ailey first came into my life. I was 12 years old when Alvin Ailey American Dance Theater performed at my school in Liberty City, and my life was forever altered. I saw dancers who looked like me and were from diverse communities overcoming their challenges and living out their dreams through performance. I realized that this was my calling."
Also on the program are works by NWSA faculty members Gerard Ebitz and Tina Santos-Wahl. Ebitz’s piece, A Place I’ve Never Been ( excerpts), is described by Burns as being “very beautiful and lyrical.” Ebitz, a founding member of Miami City Ballet, is a longtime faculty member at NWSA. Santos-Wahlis a full- time faculty member at NWSA and is presenting Kinda Palooza.
Burns is in her sixth year as dean. In speaking of her position, she says she is
“ fortunate to have inherited this outstanding program.” The dance division of NWSA was founded and developed by Daniel Lewis in 1987. At that time jazz and ballet were the main forms of dance in South Florida. Lewis changed that by focusing on modern dance. He explains that NWSA is distinct from other performing arts schools and universities in that it is “ truly a conservatory from high school to college.” His vision, he says, was to create a “school that would be around for a long time.”
Lewis remembers NWSA first dance performance (in 1988) as being held in the former Diamond Center in Miami. “We had to set up chairs.” This performance saw the debut of the New World Dance Ensemble.
NWSA grew out of PAVAC (Performing and Visual Arts Center). The school was formally created in 1986 by the New World School of the Arts Act of the Florida State Legislature as “centers of excellence for the performing and visual arts.” At the time Florida was experiencing a talent drain and was losing talented young artists to other areas. The state legislature wanted a school “to keep Florida artists in Florida,” explains Lewis. NWSA awarded its first high school diploma in 1988 and the first graduating class of the college was in 1992. Lewis continued to build up the dance division including the creation of the Miami Dance Sampler in the early 1990’s. The Sampler continues to this day and presents local companies to the community.
Lewis’s vision in now in its 30th year. Burns says her vision is to “continue the tradition of excellence… continue to work on behalf of our students.” Two alumni, Ashley Anduiza, who was trained at NWSA and danced with Ballet Hispanico, and Joshua Winzeler, who received his BFA in 2011 from NWSA, will perform in William Whitener’s, Tito on Timbales, a tribute to musician Tito Puente.
NWSA curriculum is modeled on Juilliard’s. Burns says it’s to “prepare our students to enter the professional world of dance as it is revolving.” As for those who decide against a professional dance career “the study of dance at a high level serves them well, no matter what they go on to do,” explains Burns.
Included in Friday’s program is Caught in the Currant, with choreography by Lara Murphy, a high school graduate of the school (1989) and an adjunct faculty member. Solo Bach brings in Bessie Award-winning choreographer Jessica Lang and Miami native John Harnage, who studied at NWSA and graduated from The Juilliard School. He is currently a member of Jessica Lange Dance. The Nutcracker (Spanish Dance) will make an early appearance and is staged by Lara Murphy and Ruth Wiesen, who received her BFA from NWSA ( 1996) and in now an adjunct faculty member at the school.
Thirty years ago Lewis built an institution and Burns continues to add to it. NWSA is a place for aspiring artists to nourish and develop their craft guided by knowledgeable and caring hands. Dance is ephemeral; NWSA is not.
New World Dance Ensemble; Friday, November 4, 8:00 .pm.; Aventura Arts and Cultural Center; 3385 NE 188th St.; 305-466-8002; admission: $12.00.
Following an intense National YoungArts Week, the signature program held annually in Miami, YoungArts is proud to announce their 2017 regional programs that will expand the offerings from New..
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