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Even before the election that transformed billionaire reality TV star Donald J. Trump into the 45th president of the United States, playwright Robert Schenkkan was so disturbed by the candidate’s anti-immigrant rhetoric that he decided to respond. Not with a Tweet. Not with an opinion-page essay. The Pulitzer Prize winner spoke back to candidate Trump with a full-length play. “Building..

“Baño de Luna,” written and directed by Pulitzer-prize-winning playwright Nilo Cruz and presented by Arca Images and the Miami-Dade County Auditorium, marks the debut of the Spanish-language version of “Bathing in Moonlight,” the original English production that debuted at the prestigious McCarter Theatre Center in Princeton, N.J., in 2016. Performed by a stellar cast in Spanish..

Rafael Nofal’s play “El tiempo de la mandarinas” (“Season for Tangerines”) tackles the very relevant and disturbing theme of human trafficking. Produced by Antiheroes Project, this moving play is in its last week at Artefactus Teatro, a well-purposed black box and gallery space in a smattering of warehouses in Kendall. Nofal’s text removes overt violence and male characters fr..

Joshua Harmon’s savagely funny “Bad Jews” is an emotional cage match set in a pricey Manhattan studio apartment. The combatants are Daphna Feygenbaum (Hannah Benitez), a soon-to-be Vassar grad who plans to move to Israel, marry a man no one in the family has met and become a rabbi, and her cousin Liam Haber (Joseph Paul Pino), a master’s degree candidate and atheist who intends to..

The play begins, as it must, with the velvet voice of Nat King Cole crooning “Mona Lisa.” After all, how many paintings inspire an Oscar-winning song? For that matter, how many masterpieces survive damage, theft and the rapacious covetousness of collectors for more than half a millennium? Leonardo da Vinci’s “La Gioconda,” popularly known as the Mona Lisa, is that inspi..

A casual conversation with a fellow theater artist prompted José Manuel Dominguez, founder and artistic director of Antiheroes Project, to produce the company’s latest piece, “El tiempo de las mandarinas,” (“Season for Tangerines”) by Argentine playwright Rafael Nofal. “I am drawn to themes of memory, dreams, and paradise lost, but for a long time I’ve wanted to do a play based on reality,” sa..

The 32nd International Hispanic Theatre Festival kicks off on Thursday, July 6 with the Mexican company Los Tristes Tigres’ irreverent spin on Shakespeare, “Algo de un tal Shakespeare” (“Something by One Shakespeare”). Founder and director Mario Ernesto Sánchez, the festival’s engine that could and still can, identifies this raucous play as part of the festival’s larger goal of attracting..

Nowadays, it’s tough not to feel worried, paranoid or in need of some escapist relief from the steady flow of oh-no-he-didn’t news out of Washington. Miami playwright Theo Reyna feels your pain. His response is “Firemen Are Rarely Necessary,” a jet-black satire now getting its Mad Cat Theatre Company world premiere at Miami Theater Center’s Sand Box. The play takes intricately aim..

Pearl Cleage’s play “Flyin’ West,” an M Ensemble production currently on stage at the beautiful new performing arts center in Liberty City, the Sandrell Rivers Theatre, is set in humble Nicodemus, Kansas, the only remaining western town established by African Americans during the reconstruction period following the Civil War. Set in 1898, the play focuses on the lives of Sophie (Brandiss ..

Esteban, (http://estebanlapelicula.com/en/) the debut of Cuban director Jonal Cosculluela being premiered at The Miami Light Project tells the story of a 9 year old, living in Havana with his mother, who’s raising him as a single parent, and his perseverance following his dream of becoming a musician. The challenges seem overwhelming. Esteban and his mother struggle to make ends meet (htt..

New Expectations and Definitions of Dance


Photo: West African dancer Sidiki Conde
Written by: Sean Erwin
Article Rating

Many of us can recall the iconic image from the recently completed Rio Paralympics and the match between two world-class fencers, anchored in wheelchairs, torsos thrusting backward and forward to avoid the thrust or score the touch.

For Francine Andersen, Chief of Arts Education for the Miami-Dade County Department of Cultural Affairs, just as these athletes have reset our expectations for world-class international competition, the performers of A New Definition of Dance will do the same for dance for the students, artists and audiences of Miami-Dade county on October 25and 26 at the Joseph Caleb and Miami-Dade County auditoriums.

Now in its second year, Andersen has watched how department-sponsored programs like A New Definition of Dance “inspires kids with and without disabilities to be their potential and not to fix limits on what they can achieve.”To accomplish this the department has partnered again with VSA Florida, Culture Shock Miami and the New World School of the Arts to bring internationally acclaimed touring artists with different kinds of disabilities for a two-day series of dance workshops, demonstrations and performances.

These performers include Hai Cohen, who, when a swimming accident left him paralyzed from the chest down, invented a new dance vocabulary with the cutting edge Israeli company Vertigo Dance.The choreographies generated by Cohen and his classically trained partner, Tali Wertheim, emphasize unusual points of contact between the back of hands and feet and include one signature movement where Wertheim palms Cohen’s head as he circles below her. One choreography sees the two wrestling their bodies into a tight knot on Cohen’s chair that bursts open as Wertheim leaps outward with a great extension of torso and arms, anchored by Cohen below.

Another international performer includes West African dancer Sidiki Conde, who at the age of 14 lost the use of his legs from polio. Conde encountered early on the negative effects of prejudice toward the disabled when some of the superstitious in his village wanted to banish him. His response was to master the Guinean rite-of-passage dances using his hands instead of his feet.

In 1988 Sidiki brought his unique approach to dance to the United States where he formed the Tokounou All-Abilities Dance and Music Ensemble, whose dance choreographies replace feet and legs with hands and arms to the accompaniment of West African drum rhythms.

Among the organizers of the 2016 New Definition is the non-profit VSA Florida, an organization that promotes programs for people with disabilities throughout the state of Florida. VSA Florida organized the first New Definition of Dance program last year at the University of South Florida and its success led VSA’s Executive Director Jennifer Sabo to take this year’s program on a three-city tour from Jacksonville to Tampa with Miami as the final stop.

Sabo admits that the bureaucratic hurdles can be intense when arranging visas, booking travel and accommodations for so many internationally-based dancers.

Sabo then adds, “But it’s all worth the effort. I get to see a little boy in a wheelchair who has never danced in his life get out of his wheelchair and join someone like himself in the middle of the performance floor, or a little girl with braces getting out on the floor because she sees these dancers and says to herself, ‘I can do that.’”

A New Definition of Dance, Oct. 25 and 26, offering both workshops and masterclasses with many open to the public. For more information and to register to attend the Miami workshops or masterclasses, visit: http://www.miamidadearts.org/education/vsa-floridas-new-definition-dance-miami or call 305-375-5024.

 


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About The writer

Sean Erwin is a writer and assistant professor of Philosophy at Barry University, with a focus on aesthetics and contemporary french philosophy.
Sean Erwin is an Assistant Professor of Philosophy at Barry University and received his Masters and Doctorate in Philosophy from Vanderbilt. He has presented and published on topics in political philosophy, Italian and French philosophy, and technology and performance studies. He currently serves as the senior editor of the Humanities and Technology Review.

Erwin is also a performance critic for Artburst, with performance previews and reviews appearing regularly there and in other South Florida publications. Artburst gives him the platform to critique the aesthetic principles he writes on as a professional philosopher through analysis of the concrete movements embodied by performers.

He is also an accomplished dancer and teacher in the Argentine Tango community. In 2000 he founded and served as editor of the Chicago webzine, Tango Noticias, a specialty dance periodical dedicated to examining Argentine Tango as a set of social practices rooted to the Southern cone’s history, politics, and culture.

Since his move to South Florida, he has both taught philosophy and served as a principal tango instructor for the Miami-based, Shimmy Club, a non-profit program that teaches Argentine Tango to vision-impaired teens. Through his involvement with the program, Erwin has been featured in articles and several news outlets including Univision, Telemundo, NBC News, KPFK Los Angeles, and the Miami Herald. For more information, see erwinsean.com.

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