Steven Levenson’s “If I Forget” began its Off-Broadway run a year ago, closing just six weeks before the now 33-year-old playwright won the Tony Award for writing the book of the acclaimed musical “Dear Evan Hansen.” Cut to February 2018, and South Florida already has its own exquisite production of “If I Forget,” thanks to GableStage artistic director Joseph Adler. Levenson’s fun..
In a career that continues to soar two decades after his first play was produced, Michael McKeever has premiered his dramas, comedies and short plays at theaters all over South Florida. Nearly always, he’s involved in those productions as the author, sometimes as an actor, at times as a set designer. The plays get their start here, then go on to productions (sometimes multiple product..
When M. John Richard decided to leave the New Jersey Performing Arts Center in late 2008 to become president and chief executive officer of Miami’s Adrienne Arsht Center for the Performing Arts, he arrived in South Florida with a vision, myriad ideas and a long-term exit strategy. “I knew in 2008 that I had a 10-year run in my tank,” says Richard, 65, who plans to retire from his Arsh..
Friendships can bring seemingly unlike people together to sometime form a strong bond. Such is the case in Walter Dean Myers’ coming of age novel, Darius & Twig. According to the summary notes of the book “Two best friends, a writer and a runner, deal with bullies, family issues, social pressures, and their quest for success coming out of Harlem.” It’s a tale of endurance, perseverance, an..
Kristoffer Diaz’s searing, hilarious and all-too-resonant play “The Elaborate Entrance of Chad Deity” isn’t new to South Florida. The 2009 script, a finalist for the Pulitzer Prize for Drama, made its area debut in 2012 in a fierce and fine production at Boca Raton’s Caldwell Theatre Company just a few months before the long-running regional powerhouse folded. Now “Chad Deity” has ret..
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When it comes to farces, Michael Frayn’s “Noises Off” is one of the great ones. The 1982 comedy has made it to Broadway three times, and American audiences all over the country have embraced it in countless regional productions. Actors’ Playhouse is having a go at “Noises Off” as the second show of its 30th anniversary season. The play fits like a period glove on the main stage at the..
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My Barbarian wanted to take Miami on a boat ride. “We wanted to interact and be out in the public,” Alex Segade reveals over the phone from Los Angeles, where he just got out of rehearsal for My Barbarian’s first Miami show, coming up this Saturday at the Miami Light Project, as part of Miami-Dade College’s Museum of Art and Design’s “Living Together” performance series this season. ..
The time seems right for Karen Finley to be visiting Miami, to be performing in the black box space of the Miami Light Project at the Goldman Warehouse, and to present her latest performance-art manifesto about the current political landscape, “Unicorn Gratitude Mystery.” In the show, which she began developing as a response to the U.S. presidential election in 2016, Finley plays a unicor..
Choreographer Michael Clark's soundscapes aren't the usual -- he uses the music of the punk poets David Bowie and Patti Smith and early 20th century avant-garde French composer Erik Satie. He incorporates Smith's syncopated cadence of "Land," Bowie's dark swan song "Blackstar," and Satie's contemplative and dissident piano rhapsodies. Hot off performances at London's Barbican, where the Michael Clark Company became artistic associate in 2005, he's now been exposed to Miami. Clark says his choreography has been changed for the better because of it.
After a month-long residency on the YoungArts Campus, for the Institute of Contemporary Arts (ICA) interdisciplinary performance initiative "ICA Performs," Clark's time spent will yield five performances from Thursday through Monday with six of his company members dancing inside the YoungArts Jewel Box theater, truly a gem of a space. With its glass mosaic walls and mirrors, the choreographer admits that there's no escaping the architectural inspiration.
"We went literally from doing London to coming straight here," says Clark. "It's a bit of a culture shock initially, but I'm finding it fascinating." For his company to put down roots in another city "is very unusual. We don't usually get to do these kinds of things."
That's the exact type of immersion ICA Performs hopes will happen. "We want to challenge artists to do projects that they wouldn't do anywhere else," says Alex Gartenfeld, deputy director and chief curator of the ICA who was instrumental in bringing Clark to Miami.
"Yes, it was Alex who contacted me to come here," admits Clark. "He told me to visit and take a look and when I saw the Bacardi building, which is amazing, well…" The historical Bacardi building, on Biscayne Boulevard and 21st Street, is home to National Young Arts.
Clark says "three or four" dance pieces will be reflective of Miami. "I'm from Scotland where it's cold and gray and it is so, so opposite here. The birds, the water, the sky and the way [of the] people. Add to that my company being able to be based here for four weeks and being able to work in the space that since day one we'll be performing in, it is an amazing achievement."
In addition to five performances, the company hosted open studio hours and a master class for students and alumni of YoungArts. A dialogue, open to the public, featured Clark, Gartenfeld and YoungArts alumna Brittany Bailey, who danced with Clark's company inside another unconventional space, the Turbine Hall at Tate Modern in London. "When we performed at the Tate Modern, there were people lined up at the door really, really wanting to get in. I wasn't surprised. The dancers were wearing unitards and leather jackets and dancing to the music of David Bowie and Funkadelic. I wanted to share that performance with everyone I had ever met and beyond," she recalls.
Clark promises the signatures he's become so well known for during the performances at the Jewel Box -- the works will be reimagined in some ways from what he's performed in London.
"I come from a classical background, which is all about fairies and swans and princesses,” says Clark. “But that didn't ring true to me. I do what I'm drawn to, but it has brought in a whole new audience to see dance. My art is an organic process, thereby I'm filling my own interests, but it seems to strike a chord with people."
It will be an opportunity for Miami to see, close up, Clark's signature abstracts and experimentation with form, precision and technical rigor, all the while taking cues from myriad forms of contemporary music – a soundtrack that becomes one and the same with the movement. The Jewel Box, he says, creates an "intensity of being so close to the dancers. It is very interesting to me."
Clark says this may be his first time in Miami, but he's certain it won't be his last. "I know new things are going to come from this, which is certainly how it should work."
ICA Performs: Michael Clark in the YoungArts Jewel Box on the campus of the National YoungArts Foundation, 2100 Biscayne Blvd., Miami. 7:30 p.m., Thursday through Monday, Nov. 21. Tickets $15; www.icamiami.org/ica-performs.
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