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Pearl Cleage’s play “Flyin’ West,” an M Ensemble production currently on stage at the beautiful new performing arts center in Liberty City, the Sandrell Rivers Theatre, is set in humble Nicodemus, Kansas, the only remaining western town established by African Americans during the reconstruction period following the Civil War. Set in 1898, the play focuses on the lives of Sophie (Brandiss ..

Esteban, (http://estebanlapelicula.com/en/) the debut of Cuban director Jonal Cosculluela being premiered at The Miami Light Project tells the story of a 9 year old, living in Havana with his mother, who’s raising him as a single parent, and his perseverance following his dream of becoming a musician. The challenges seem overwhelming. Esteban and his mother struggle to make ends meet (htt..

Desperate times call for desperate measures. For some, that might mean taking a second or third job. Or robbing a bank. Or moving in with family. For Casey, a straight lip-syncing Elvis impersonator in a Panama City bar, desperation means forsaking the King’s rhinestone-studded jumpsuit for leg hair-hiding pantyhose, fake boobs and big-hair wigs, the better to sell himself as a fa..

Writing about “Broken Snow,” the Ben Andron thriller now getting its world premiere at the J’s Cultural Arts Theatre (JCAT) in North Miami Beach, is a proposition almost as tricky as the play itself. The intricately structured 90-minute drama is loaded with surprises, twists and turns, all revealed at precisely the right moment so that the play builds to its shattering conclusion..

As this steamy spring melts into a sweltering summer, Actors’ Playhouse is inviting theater lovers to a wedding – a big, fat Jewish-WASP wedding, otherwise known as the Broadway musical “It Shoulda Been You.” Though the show seemingly takes place in the present, the piece by book writer-lyricist Brian Hargrove and composer Barbara Anselmi is an old-fashioned, stereotype-filled throwba..

'Death & Harry Houdini' Makes Another Magical Moment at ArshtDennis Watkins knows how to make an entrance. In the House Theatre of Chicago’s “Death & Harry Houdini,” now back at the Arsht Center’s Carnival Studio Theater five years after it first wowed Miami audiences, Watkins arrives onstage with the help of theater technology unknown in Houdini’s day. Dangling upside dow..

Director Carlos Lechuga’s masterful unspooling of time in his second feature film “Santa y Ándres” constructs a uniquely Cuban mix of tedium and despair, resulting in an emotionally intense experience that sneaks up on the viewer in plain sight. The film opens with the stillness of a landscape painting: the eastern Cuban countryside of 1983 – rugged, lush, and verdant. The statuesque..

Memory – deep-seated, fragile, slippery, mutable – is at the heart of Jordan Harrison’s “Marjorie Prime.” A Pulitzer Prize finalist in 2015, the play is a family tragicomedy given a sci-fi makeover; in other words, this thought-provoking theater piece charts its own, fresh path. Now getting its South Florida premiere as the second professional production from the Main Street Players, ..

The stage is a fixed space. It is the axis around which story, conflict, and character revolve. When that fixed space shifts, new possibilities emerge. Starting Wednesday, April 23, a shifting site for theater emerges at Deering Estate, a 444-acre environmental, archeological, and historical preserve along the edge of Biscayne Bay in Palmetto Bay. Four local playwrights have collaborated ..

Nearly two years ago, Miami’s Zoetic Stage took its first trip into the world of Harold Pinter with an intense, superbly acted production of the Nobel laureate’s 1978 hit “Betrayal” in the Arsht Center’s Carnival Studio Theater. Now Zoetic is delving further back into the Pinter canon with a riveting production of “The Caretaker.” This 1960 work is, like “Betrayal,” a three-character ..

MDC Live Arts Opens Live Arts Lab Space


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When Kathryn Garcia, MDC Live Arts executive director, took the helm at the organization 5 years ago, she revitalized the 26-year-old organization and strengthened its commitment to not only presenting performance work, but of engaging the local community in a discourse on performance and art.

From last year’s “Holoscenes” performance meditation about sea level rise, to the ongoing commitment to Miami’s veteran community through the Combat Hippies spoken word troupe, Garcia has curated programs that engage the community on many levels. This season, she opens MDC Live Arts Lab, the first performance space in the organization’s history, located on MDC’s Wolfson campus.

“I think there’s a great freedom and flexibility in being able to do things, to go anywhere, for performances and it’s kind of reflective of MDC as an institution,” Garcia explains. “This space is just particularly exciting because it allows us to have another arm out on the Wolfson campus to hopefully provide the community with an opportunity to get curious and engage with art.”

In taking over the 120-seat thrust stage theater previously occupied by Prometeo Theater (Prometeo has moved to the Koubek Center, another property in the MDC portfolio), MDC Live Arts is able to expand their annual Live Arts Lab summer residency programming to run year round, as well as deepen the conversation around performance.

“We were hearing from a lot of artists that the most valuable things that came out of Live Arts Lab, besides the intensive time with the visiting artist, was the time with each other. This space allows us to take MDC Live Arts lab as a program, and expand it into a space, and create a home for creative exploration, for students, for the community, for local artists, for anyone who’s interested.”

While MDC Live Arts will continue to present many of their mainstage programs at various venues around South Florida, they have developed a series of programs specific to the new space: Lab Chats, Test Lab and a Live Arts Lab Alliance.

Lab Chats programming will include conversations with artists presented as part of the MDC Live Arts season, including Nora Chipaumire and Steve Parker. As Garcia explains: “We really want Lab Chats to just become opportunities to discuss arts and ideas, and to get inside the artist’s head in a different way.

“Test Lab is kind of a monthly open mic for performance, so it’s an opportunity for artists to test work. There will be a critical response feedback process following the presentation of the work so that artists can really benefit from the perspective of the audience in developing their work,” she continues. “We really want to make this something that’s an opportunity also for local artists and MDC students to have opportunities to intersect, so Test Lab will always have a slot that’s open for student artists.”

For the Live Arts Lab Alliance, Garcia intends to extend the initial summer residency program into a yearlong process. As Garcia explains, “It will be an application based process, a panel will be selecting a cohort of six artists to work together throughout the year.”

As Miami’s performance community continues to flourish, the MDC Live Arts Lab offers generative artists another way to deepen their practice alongside with professional artists from around the world.

“To finally have a space, a hub of activity, is just really gratifying. We really do want to help, provide seed and support for our community of local artist to grow and help one another grow and that’s the idea behind space,” Garcia says.

Coming up is a Lab Chat: PATH: Preserving, Archiving & Teaching Hiphop, Inc. presents HOLA: Hiphoppas of Latin-American Ancestry; Wednesday, Sept. 28, 7:30 p.m.; Live Arts Lab, MDC Wolfson Campus, 300 NE 2 Ave, Miami; tickets are free.

 


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