Getting into a true holiday spirit can be tough in South Florida, where palm trees, expansive beaches and balmy skies signal perpetual summer. Ever-earlier store décor and the incessant push to buy presents – more about commercialism than celebration – can make many of us feel more anxious than festive. Not to worry. Just squeeze in a trip to Miami’s Arsht Center, where City Theatre h..
One of the centerpieces of this year’s Art Week is not a static art work, and it is also one of the most sensuous and disorienting. Lebanese performance artist Tania El Khoury is producing her “Gardens Speak” for the week, courtesy of MDC Live Arts, a piece that has been applauded in cultural capitals throughout Europe and the United States. “It is a work,” she says, “that can only co..
Since its founding in 1996, City Theatre has been an important part of South Florida’s theatrical landscape, though the company’s visibility has always been highest in the month of June. That’s when its popular Summer Shorts festival takes place; for more than a decade, its high-profile venue has been the Carnival Studio Theater at Miami’s Arsht Center. Though the company founded by S..
If you were to predict who might become a nationally famous – OK, world-famous – multiplatform sex therapist, Dr. Ruth Westheimer would probably not be your first choice. Born in Germany in 1928 as Karola Ruth Siegel, the 4’7” Dr. Ruth seems more like the doting Jewish grandmother she is than a woman who used her nationally syndicated radio show, TV shows and 40-some books to help hun..
Actors’ Playhouse has been a musical powerhouse for much of its history. Launching its 30th anniversary season at the Miracle Theatre in Coral Gables, the company is revisiting some of that history with a new production of a made-for-South Florida favorite: Andrew Lloyd Webber and Tim Rice’s “Evita.” As it did in 2000 when recent Tony Award winner Rachel Bay Jones starred as Eva Duart..
Playwright Suzan-Lori Parks won the Pulitzer Prize for “Topdog/Underdog” in 2002. But as Zoetic Stage’s superb new production of the play at Miami’s Arsht Center demonstrates, her funny, shocking tale of two brothers struggling to survive is as potent today as it was 15 years ago. Maybe more so, given the country’s deepening divide. Parks’ harrowing drama examines the complex relation..
We are born. We live, have families, grow old. We die, leaving those who loved us to mourn. Playwright Thornton Wilder brilliantly captured the eternal verities of our journey through life in “Our Town,” his 1938 Pulitzer Prize-winning play about life, love and death in a small New Hampshire town at the turn of the 20th century. If you’re at all drawn to theater, you’ve probably ..
“Miami Motel Stories: Little Havana” written by Juan C. Sanchez, directed by Tamilla Woodard, and produced by Juggerknot Theatre Company, is a site-specific, immersive theater experience that interweaves narrative, performance, history and architecture. Nine short plays take place in nine hotel rooms on the second floor of the Tower Hotel, right off Calle Ocho on Seventh Street. Sanchez, ..
Artistic director and founder of Juggerknot Theatre Company, Tanya Bravo, had her first brush with immersive theater in New York City when she met director Tamilla Woodard. Working on the play “Broken City,” Bravo and other actors led audience members on a theatrical journey through the streets of the Lower East Side. “I was so blown away by the concept and the lines that were crossed between ..
We humans do love our rituals. When an extended family gathers for the holidays, familiar traditions promise a comforting respite from an increasingly complex, chaotic world. Still, realistically, troubles and fears refuse to be left behind. They surface like unwelcome guests. So do resentments and stinging remarks born of deep knowledge. With Thanksgiving on the horizon, you wonder: ..
Jose Limon’s (1908- 1972) vision still endures and the company he founded is now in its 70th year -- a tribute to the man and the artist, and those who believe in his gifts. He did not set out to be a dancer, rather a painter. Early exposure to the works of modern dance pioneers Doris Humphrey and Charles Weidman pulled him to dance. Limon’s legacy is felt in so many areas, as he was able to take great literary and music compositions and give them new interpretation through his choreography and dance/ drama gifts.
In many ways 1946 was a far different world than it is today; and in many ways not. The world had been at war, countries were rebuilding, turmoil was a constant and artists struggled to be heard above the continual clamor of discontent and xenophobia. Limon, born in Mexico, was not untouched by the violence of the Revolution in his country. At five he witnessed his young uncle being shot to death.The family immigrated to the United States shortly after.
This weekend the Limon Dance Company presents a program of works in recognition of the company's 70th anniversary. Colin Connor, a former dancer with the troupe and now its artistic director, says the company will be presenting “a massive program -- three Limon pieces and two contemporary works.” The Limon Dance company is one of the first to survive after the death of its founder. Connor credits this to the “community of people who believe in the work, the value of the work.” Limon’s works include Concerto Grosso (1943), Dialogues (1951) and The Moor’s Pavane ( 1949).
It was while serving in the U.S. military that Limon created Concerto Grosso, to music by Antonio Vivaldi. Connor describes it as a “three-part choreographic invention that evokes the formal beauty of the high Baroque and reflects the contrasting moods of the music’s movement: the elegance of the opening fugue, the tender melancholy of the largo, and the brilliance of the finale… Limon ‘s Concerto Grosso is the promise of a world, and a way of living, we have yet to see.”
Dialogues was lost to the world for many years until it was reconstructed by Carla Maxwell from a newly found film in the archives of Jacob’s Pillow. Maxwell worked closely with Limon and was artistic director of the company from 1978 until Connor took over in 2016. She reassembled this silent and unfinished piece into what we see today. Here, Limon looks to history for his inspiration. Connor describes it as “a dramatic double duet based on two pivotal moments in Mexican history involving foreign invaders who seek to dominate, and the Mexicans who defend their soil and integrity.” Dialogues is the struggle between people tied to their way of life and those pushing forward. It is about the winners and losers of history.
The Moor’s Pavane, to music by Purcell, is a masterpiece of the 20th century. Based on Shakespeare's Othello, it succinctly captures all the bonds of humanity. Love, fear, anger, jealousy, deceit, evil, and naivety are condensed in Limon’s terse quartet as the stately Pavane is performed to its tragic conclusion. Patterns open and close, partners circle each other with suspicious glances. Whispers are exchanged… seeds planted. “Jealousy rips apart the formal dance meant to contain it, but the choreography that reveals this is built to endure,” says Connor.
The two contemporary pieces on the program: Night Light and Corvidae address many of the themes Limon wrestled with throughout his career. Night Light (2014) by Kate Weare “is a combative piece that doesn't flinch in the face of manipulative violence,”’explains Connor. “It carries the work of Limon forward with its clarity of form, musicality, sense of touch and visual architecture.”
Colin Connor’s Corvidae (2016), with music by Philip Glass, draws on the innate power of animals, especially crows. Connor points out that crows, throughout history, have been seen as mythological messengers – seeing things that maybe we are not seeing. Things that perhaps Limon saw and examined throughout his life and work; a messenger of the human condition – then and now.
Limon Dance Company; Saturday, 8:00pm; South Miami-Dade Cultural Arts Center, 10950 S.W. 211 St., Cutler Bay; tickets $25-$45; firstname.lastname@example.org
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