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Rafael Nofal’s play “El tiempo de la mandarinas” (“Season for Tangerines”) tackles the very relevant and disturbing theme of human trafficking. Produced by Antiheroes Project, this moving play is in its last week at Artefactus Teatro, a well-purposed black box and gallery space in a smattering of warehouses in Kendall. Nofal’s text removes overt violence and male characters fr..
Joshua Harmon’s savagely funny “Bad Jews” is an emotional cage match set in a pricey Manhattan studio apartment. The combatants are Daphna Feygenbaum (Hannah Benitez), a soon-to-be Vassar grad who plans to move to Israel, marry a man no one in the family has met and become a rabbi, and her cousin Liam Haber (Joseph Paul Pino), a master’s degree candidate and atheist who intends to..
The play begins, as it must, with the velvet voice of Nat King Cole crooning “Mona Lisa.” After all, how many paintings inspire an Oscar-winning song? For that matter, how many masterpieces survive damage, theft and the rapacious covetousness of collectors for more than half a millennium? Leonardo da Vinci’s “La Gioconda,” popularly known as the Mona Lisa, is that inspi..
A casual conversation with a fellow theater artist prompted José Manuel Dominguez, founder and artistic director of Antiheroes Project, to produce the company’s latest piece, “El tiempo de las mandarinas,” (“Season for Tangerines”) by Argentine playwright Rafael Nofal. “I am drawn to themes of memory, dreams, and paradise lost, but for a long time I’ve wanted to do a play based on reality,” sa..
The 32nd International Hispanic Theatre Festival kicks off on Thursday, July 6 with the Mexican company Los Tristes Tigres’ irreverent spin on Shakespeare, “Algo de un tal Shakespeare” (“Something by One Shakespeare”). Founder and director Mario Ernesto Sánchez, the festival’s engine that could and still can, identifies this raucous play as part of the festival’s larger goal of attracting..
Nowadays, it’s tough not to feel worried, paranoid or in need of some escapist relief from the steady flow of oh-no-he-didn’t news out of Washington. Miami playwright Theo Reyna feels your pain. His response is “Firemen Are Rarely Necessary,” a jet-black satire now getting its Mad Cat Theatre Company world premiere at Miami Theater Center’s Sand Box. The play takes intricately aim..
Pearl Cleage’s play “Flyin’ West,” an M Ensemble production currently on stage at the beautiful new performing arts center in Liberty City, the Sandrell Rivers Theatre, is set in humble Nicodemus, Kansas, the only remaining western town established by African Americans during the reconstruction period following the Civil War. Set in 1898, the play focuses on the lives of Sophie (Brandiss ..
Esteban, (http://estebanlapelicula.com/en/) the debut of Cuban director Jonal Cosculluela being premiered at The Miami Light Project tells the story of a 9 year old, living in Havana with his mother, who’s raising him as a single parent, and his perseverance following his dream of becoming a musician. The challenges seem overwhelming. Esteban and his mother struggle to make ends meet (htt..
Desperate times call for desperate measures. For some, that might mean taking a second or third job. Or robbing a bank. Or moving in with family. For Casey, a straight lip-syncing Elvis impersonator in a Panama City bar, desperation means forsaking the King’s rhinestone-studded jumpsuit for leg hair-hiding pantyhose, fake boobs and big-hair wigs, the better to sell himself as a fa..
As the “home-grown” sweetheart of Miami City Ballet, Patricia Delgado is having her final performances this season before leaving the city and the company she loves to move to New York City.Having been raised in the dance community of Miami, taking the path from a young student apprentice at MCB who grew to be an audience favorite principal dancer with that same company, Delgado’s heart was heavy with emotion as she spoke about her departure. Leaving her home, the company she loves and being separated from her sister, Jeannette Delgado, another Miami City Ballet star, makes this a bittersweet transition.
What compels an artist at the top of a difficult career to make such a major transition?
Delgado muses thoughtfully. “It’s never just one thing. When I was young and spending summers in New York at the School of American Ballet, I remember hearing a New York City Ballet principal dancer who was retiring at the peak of her career say, ‘I want to remember dancing like this.’ At that time, I didn’t know what kind of a career I would have, but those words always stuck with me.”
Delgado has committed much of her time and her journey to the art form of dance, and is now looking for more balance in her life. That would include being with her boyfriend, choreographer and New York City Ballet principal, Justin Peck. After Peck choreographed “Chutes and Ladders,” his first pas de deux for MCB, the sparks between the two artists started to fly. Peck next created the hugely successful “Heatscape,” premiered in 2015 with the ravishing Delgado as one of the central figures. By then the two were a couple.
Peck and Delgado have been maintaining a romantic Miami - New York relationship for about four years now. The long distance relationship was exciting and allowed Delgado to maintain her dance, family and community roots, but time and distance can add challenges.
“I was headstrong about continuing this journey at MCB. I could never imagine leaving whether it’s now, five years or ten years. It is never an easy time to say, okay, I’m full.”
Over the past couple of years, Delgado has had her share of injuries. She was hardly on stage at all this season and it has been bumpy physically.
“There was something this past season that was pulling me to take a jump. Not needing to know what was next, not needing to have it all planned out. My fear was of getting to the point where my relationship would not be growing and neither would my career. I wanted to remember it in a beautiful way. I want my heart to be full!”
However, the word “retire” is not even in her vocabulary. Delgado may be leaving Miami, but it will not be the last we see of her. “I hope that my role with MCB kind of morphs. I’ve been doing some coaching and working with the school.” She is the perfect role model and mentor for the younger dancers.“I was inspired by those that came before me so I feel that responsibility for the next generation.” She knows that MCB will always be her home.
Transitioning to New York is a completely new ball game for Delgado. While she has performed there, Delgado still considers herself more of a fan or a tourist.
“I’m curious about a couple of things. I would love to teach and to stage some work. I’m curious to see what it’s going to be like ‘on the other side.’ At the same time, I’m curious about acting, maybe some dance on film, maybe some modern dance,” she says laughingly. “For so long I’ve known what I was a part of, and I really want to take this time to explore.”
Even though Delgado is a product of Miami City Ballet and the School of American Ballet, she feels that she is able to execute ballets of any style, making her a very versatile and adaptable dancer. It’s what audiences love about MCB. This diverse ability will make her a desirable commodity in the abundant dance community of New York.
“I love all the ballets I’ve been fortunate enough to perform, but the first ballet I ever danced with MCB as a professional was “ Who Cares.”I remember watching Jennifer Kronenberg do a pas de deux and falling in love with her and wishing I could do that role. So the fact that “Who Cares” is my last moment on stage makes it a very significant favorite. It shows that I was able to grow and still remain in the same place and how you can approach similar roles in such different ways at different times in your life.”
Patricia Delgado will have her final MCB performances April 1 and 2 at the Arsht Center and at the Broward Center for the Performing Arts April 8 and 9, with a special tribute farewell in Ft. Lauderdale on April 9 at 2:00pm.
Miami City Ballet performs Saturday, April 1, at 8:00 p.m. and Sunday, April 2, at 2:00 p.m. at the Arsht Center for the Performing Arts, Ziff Ballet Opera House, 1300 Biscayne Blvd.,, Miami/ Performances continue Saturday, April 8, at 8:00 p.m. and Sunday, April 9, at 2:00 p.m. at the Broward Center for the Performing Arts, Au-Rene Theater, 201 SW Fifth Ave/, Fort Lauderdale; miamici
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