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“Baño de Luna,” written and directed by Pulitzer-prize-winning playwright Nilo Cruz and presented by Arca Images and the Miami-Dade County Auditorium, marks the debut of the Spanish-language version of “Bathing in Moonlight,” the original English production that debuted at the prestigious McCarter Theatre Center in Princeton, N.J., in 2016. Performed by a stellar cast in Spanish..

Rafael Nofal’s play “El tiempo de la mandarinas” (“Season for Tangerines”) tackles the very relevant and disturbing theme of human trafficking. Produced by Antiheroes Project, this moving play is in its last week at Artefactus Teatro, a well-purposed black box and gallery space in a smattering of warehouses in Kendall. Nofal’s text removes overt violence and male characters fr..

Joshua Harmon’s savagely funny “Bad Jews” is an emotional cage match set in a pricey Manhattan studio apartment. The combatants are Daphna Feygenbaum (Hannah Benitez), a soon-to-be Vassar grad who plans to move to Israel, marry a man no one in the family has met and become a rabbi, and her cousin Liam Haber (Joseph Paul Pino), a master’s degree candidate and atheist who intends to..

The play begins, as it must, with the velvet voice of Nat King Cole crooning “Mona Lisa.” After all, how many paintings inspire an Oscar-winning song? For that matter, how many masterpieces survive damage, theft and the rapacious covetousness of collectors for more than half a millennium? Leonardo da Vinci’s “La Gioconda,” popularly known as the Mona Lisa, is that inspi..

A casual conversation with a fellow theater artist prompted José Manuel Dominguez, founder and artistic director of Antiheroes Project, to produce the company’s latest piece, “El tiempo de las mandarinas,” (“Season for Tangerines”) by Argentine playwright Rafael Nofal. “I am drawn to themes of memory, dreams, and paradise lost, but for a long time I’ve wanted to do a play based on reality,” sa..

The 32nd International Hispanic Theatre Festival kicks off on Thursday, July 6 with the Mexican company Los Tristes Tigres’ irreverent spin on Shakespeare, “Algo de un tal Shakespeare” (“Something by One Shakespeare”). Founder and director Mario Ernesto Sánchez, the festival’s engine that could and still can, identifies this raucous play as part of the festival’s larger goal of attracting..

Nowadays, it’s tough not to feel worried, paranoid or in need of some escapist relief from the steady flow of oh-no-he-didn’t news out of Washington. Miami playwright Theo Reyna feels your pain. His response is “Firemen Are Rarely Necessary,” a jet-black satire now getting its Mad Cat Theatre Company world premiere at Miami Theater Center’s Sand Box. The play takes intricately aim..

Pearl Cleage’s play “Flyin’ West,” an M Ensemble production currently on stage at the beautiful new performing arts center in Liberty City, the Sandrell Rivers Theatre, is set in humble Nicodemus, Kansas, the only remaining western town established by African Americans during the reconstruction period following the Civil War. Set in 1898, the play focuses on the lives of Sophie (Brandiss ..

Esteban, (http://estebanlapelicula.com/en/) the debut of Cuban director Jonal Cosculluela being premiered at The Miami Light Project tells the story of a 9 year old, living in Havana with his mother, who’s raising him as a single parent, and his perseverance following his dream of becoming a musician. The challenges seem overwhelming. Esteban and his mother struggle to make ends meet (htt..

Desperate times call for desperate measures. For some, that might mean taking a second or third job. Or robbing a bank. Or moving in with family. For Casey, a straight lip-syncing Elvis impersonator in a Panama City bar, desperation means forsaking the King’s rhinestone-studded jumpsuit for leg hair-hiding pantyhose, fake boobs and big-hair wigs, the better to sell himself as a fa..

Dance Now!’s Deep Rhythm


Photo: Photo Larry Chidsey
Written by: Diana Dunbar
Article Rating

What happens to old dances? Do they slowly disappear as choreographers and dancers move on to other projects? This may well be the case unless an effort is made to revive the piece-- reconstruct it and present it back to an audience. The question then arises as to which pieces are worthy of an encore; enter Ritmo Jondo(Deep Rhythm), a seminal work by Doris Humphrey, one of the foremost choreographers and dancers of modern dance.

Choreographed in 1953, and set in Spain, it examines the relationship between men and women during a time, and within a culture, with established mores for the sexes. Using the passion of flamenco, it’s an intriguing piece filled with shifting rhythms. Humphrey chose Carlos Suriñach evocative piece, Ritmo Jondo: Flamenco for Orchestra, for her piece. Scores of Suriñach, a Catalan composer, were also used by Martha Graham in Acrobats of God and for Embattled Gardens.

“The hardest part of reconstruction was the first movement for the men,” says Hannah Baumgarten, co-artistic director of Dance Now! Miami. “It was done without counts, and was very challenging.” Daniel Lewis, founding Dean of the Dance Department at Miami’s New World School of the Arts and a former dancer and artistic director of the Jose Limon Dance Company, workedwith the Dance Now! dancers to reconstruct the piece, which will be performed on Friday.

Lewis conducted a two week seminar, teaching the style of the Limon technique. Dance Now! is a company which performs works from a variety of choreographers. “Other voices serve as a counterpoint to our work,” explains Baumgarten.

Humphrey was one of the second generation of modern dancers, was a mentor to Limon and artistic director of his company. She choreographed Ritmo Jondo for the company towards the end of her career. Her pieces often examine relationships and social order -- Ritmo Jondo gives philosophical depth to the study of these relationships. Humphrey’s technique includes her concept of fall and recovery, which she called the “arc between two deaths.” Her book, The Art of Making Dances, is still used in many universities today. Ritmo Jondo was on the programin 1954 when the Limon Dance Companybecame one of the first companies chosen to tour South America with the sponsorship of the International Exchange Program under the tutelage of the United States Department of State.

House on Fire is Hannah Baumgarten’s contemporary jazz piece. It has the sense of a New Orleans club scene. With music by Tom Waits, Jimi Hendrix and Medeski, Martin and Wood, it’s a playful look at “club rats” in their search forcompanionship. Baumgarten describes it a sort of game – likened to musical chairs, as “each person seekstheir partner…depicting different relationships of friendship, passion and love.”

Dance Now! Miami co- artistic director Diego Salterini looks at dreams in Sogni. It’s an exploration of dreams -- a series of visions in a non-narrative manner. Salterini explains Sogni sometimes has the feel of being in a dark vacuum with sparks of “floating poetry.”

Dance Now! Miami recreates a masterpiece worthy of its rebirth, and presents and two contemporary pieces from choreographers who are part of the legacy of artists whose works should not be forgotten, but celebrated.

Dance Now! Miami performs Ritmo Jondo at 8:30 p.m., Friday at the Colony Theatre,1040 Lincoln Rd., Miami Beach; tickets $35 general; $15 student/seniors; www.dancenowmiami.org.

 


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