Pearl Cleage’s play “Flyin’ West,” an M Ensemble production currently on stage at the beautiful new performing arts center in Liberty City, the Sandrell Rivers Theatre, is set in humble Nicodemus, Kansas, the only remaining western town established by African Americans during the reconstruction period following the Civil War. Set in 1898, the play focuses on the lives of Sophie (Brandiss ..
Esteban, (http://estebanlapelicula.com/en/) the debut of Cuban director Jonal Cosculluela being premiered at The Miami Light Project tells the story of a 9 year old, living in Havana with his mother, who’s raising him as a single parent, and his perseverance following his dream of becoming a musician. The challenges seem overwhelming. Esteban and his mother struggle to make ends meet (htt..
Desperate times call for desperate measures. For some, that might mean taking a second or third job. Or robbing a bank. Or moving in with family. For Casey, a straight lip-syncing Elvis impersonator in a Panama City bar, desperation means forsaking the King’s rhinestone-studded jumpsuit for leg hair-hiding pantyhose, fake boobs and big-hair wigs, the better to sell himself as a fa..
Writing about “Broken Snow,” the Ben Andron thriller now getting its world premiere at the J’s Cultural Arts Theatre (JCAT) in North Miami Beach, is a proposition almost as tricky as the play itself. The intricately structured 90-minute drama is loaded with surprises, twists and turns, all revealed at precisely the right moment so that the play builds to its shattering conclusion..
As this steamy spring melts into a sweltering summer, Actors’ Playhouse is inviting theater lovers to a wedding – a big, fat Jewish-WASP wedding, otherwise known as the Broadway musical “It Shoulda Been You.” Though the show seemingly takes place in the present, the piece by book writer-lyricist Brian Hargrove and composer Barbara Anselmi is an old-fashioned, stereotype-filled throwba..
'Death & Harry Houdini' Makes Another Magical Moment at ArshtDennis Watkins knows how to make an entrance. In the House Theatre of Chicago’s “Death & Harry Houdini,” now back at the Arsht Center’s Carnival Studio Theater five years after it first wowed Miami audiences, Watkins arrives onstage with the help of theater technology unknown in Houdini’s day. Dangling upside dow..
Director Carlos Lechuga’s masterful unspooling of time in his second feature film “Santa y Ándres” constructs a uniquely Cuban mix of tedium and despair, resulting in an emotionally intense experience that sneaks up on the viewer in plain sight. The film opens with the stillness of a landscape painting: the eastern Cuban countryside of 1983 – rugged, lush, and verdant. The statuesque..
Memory – deep-seated, fragile, slippery, mutable – is at the heart of Jordan Harrison’s “Marjorie Prime.” A Pulitzer Prize finalist in 2015, the play is a family tragicomedy given a sci-fi makeover; in other words, this thought-provoking theater piece charts its own, fresh path. Now getting its South Florida premiere as the second professional production from the Main Street Players, ..
The stage is a fixed space. It is the axis around which story, conflict, and character revolve. When that fixed space shifts, new possibilities emerge. Starting Wednesday, April 23, a shifting site for theater emerges at Deering Estate, a 444-acre environmental, archeological, and historical preserve along the edge of Biscayne Bay in Palmetto Bay. Four local playwrights have collaborated ..
Nearly two years ago, Miami’s Zoetic Stage took its first trip into the world of Harold Pinter with an intense, superbly acted production of the Nobel laureate’s 1978 hit “Betrayal” in the Arsht Center’s Carnival Studio Theater. Now Zoetic is delving further back into the Pinter canon with a riveting production of “The Caretaker.” This 1960 work is, like “Betrayal,” a three-character ..
What happens to old dances? Do they slowly disappear as choreographers and dancers move on to other projects? This may well be the case unless an effort is made to revive the piece-- reconstruct it and present it back to an audience. The question then arises as to which pieces are worthy of an encore; enter Ritmo Jondo(Deep Rhythm), a seminal work by Doris Humphrey, one of the foremost choreographers and dancers of modern dance.
Choreographed in 1953, and set in Spain, it examines the relationship between men and women during a time, and within a culture, with established mores for the sexes. Using the passion of flamenco, it’s an intriguing piece filled with shifting rhythms. Humphrey chose Carlos Suriñach evocative piece, Ritmo Jondo: Flamenco for Orchestra, for her piece. Scores of Suriñach, a Catalan composer, were also used by Martha Graham in Acrobats of God and for Embattled Gardens.
“The hardest part of reconstruction was the first movement for the men,” says Hannah Baumgarten, co-artistic director of Dance Now! Miami. “It was done without counts, and was very challenging.” Daniel Lewis, founding Dean of the Dance Department at Miami’s New World School of the Arts and a former dancer and artistic director of the Jose Limon Dance Company, workedwith the Dance Now! dancers to reconstruct the piece, which will be performed on Friday.
Lewis conducted a two week seminar, teaching the style of the Limon technique. Dance Now! is a company which performs works from a variety of choreographers. “Other voices serve as a counterpoint to our work,” explains Baumgarten.
Humphrey was one of the second generation of modern dancers, was a mentor to Limon and artistic director of his company. She choreographed Ritmo Jondo for the company towards the end of her career. Her pieces often examine relationships and social order -- Ritmo Jondo gives philosophical depth to the study of these relationships. Humphrey’s technique includes her concept of fall and recovery, which she called the “arc between two deaths.” Her book, The Art of Making Dances, is still used in many universities today. Ritmo Jondo was on the programin 1954 when the Limon Dance Companybecame one of the first companies chosen to tour South America with the sponsorship of the International Exchange Program under the tutelage of the United States Department of State.
House on Fire is Hannah Baumgarten’s contemporary jazz piece. It has the sense of a New Orleans club scene. With music by Tom Waits, Jimi Hendrix and Medeski, Martin and Wood, it’s a playful look at “club rats” in their search forcompanionship. Baumgarten describes it a sort of game – likened to musical chairs, as “each person seekstheir partner…depicting different relationships of friendship, passion and love.”
Dance Now! Miami co- artistic director Diego Salterini looks at dreams in Sogni. It’s an exploration of dreams -- a series of visions in a non-narrative manner. Salterini explains Sogni sometimes has the feel of being in a dark vacuum with sparks of “floating poetry.”
Dance Now! Miami recreates a masterpiece worthy of its rebirth, and presents and two contemporary pieces from choreographers who are part of the legacy of artists whose works should not be forgotten, but celebrated.
Dance Now! Miami performs Ritmo Jondo at 8:30 p.m., Friday at the Colony Theatre,1040 Lincoln Rd., Miami Beach; tickets $35 general; $15 student/seniors; www.dancenowmiami.org.
Talk of weddings can quickly split a friendly gathering into camps of pro and con. Those on the pro side retell the moment when the crying six-year-old ring bearer, stunned by the attention o..
What better way to welcome summer than with a burst of live music? Leave it to the French to come up with the idea. Since 1982, they’ve marked the summer solstice with free concerts and p..
Mexican singer Natalia Lafourcade is as tiny as a house sparrow, with a voice as clean and pure as a bell. These delicate qualities belie a fierce inner strength and a steely artistic will. A..
Melissa Aldana is the first woman instrumentalist and the first South American artist to win jazz’s prestigious Thelonius Monk competition. Which distinction is more important to her? Neither..
Project 305 has a simple aim – crowd-source a Miami symphony. For 100 days from January 31 to May 12 New World Symphony, in collaboration with the Knight Foundation and the M.I.T. Media Lab, ..
You hear the word “flamenco” -- what image comes to mind? A guitar? A dark-haired dancer? The color red, a ruffled dress? Did a piano by any chance enter the picture? Perhaps not. Pianist..
Critics on five continents have described her work as “indecent and breathtaking,” or some close variant. One blessed her for always “going too far.” Another stated he would prefer death to m..
Buzzing his lips and shaking his head, Rafael Davila gets ready to rehearse. In the Florida Grand Opera’s cavernous rehearsal hall in Doral, the floor is marked with tape to delineate the roo..
There’s a song James Blood Ulmer sings called “Jazz Is the Teacher, Funk is the Preacher.” If you bring in Mother Blues, along with the family hothead, Rock and Roll, you’ll have a better pi..
El festival “Out in the Tropics”, patrocinado por Fundarte en conjunto con el Centro Cultural Español y el Miami Book Fair International, normalmente trae artistas del mundo LGBTQ e hispanoha..
La Gala anual de Cuban Classical Ballet of Miami (CCBM) es un evento que esperan con ansiedad los aficionados al ballet en Miami y, sobre todo, los admiradores del estilo cubano. Desde su deb..
El 11 y 12 de mayo próximo tendrá lugar en el Miami -Dade County Auditorium el estreno en Estados Unidos de Scrutiny: The World Gone Astray(en español,Escrutinio: El mundo se ha ido a la deri..
Para el pianista y compositor cubano Omar Sosa la noción de una cultura global, sin fronteras, no es un concepto abstracto sino un tema personal. En su música, elementos de hip hop y rumba, ..
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Nadie como el bailarín y coreógrafo español Antonio Gades para describir el arte que lo hizo internacionalmente famoso cuando vivía: “Un extracto de fuego y de veneno, eso es el flamenco”. ..
Desde Las troyanas de Eurípides hasta “Guernica” de Picasso, o de la canción “Blowing in the Wind” de Bob Dylan al diseño de las gorras rosadas que llevaron miles de mujeres en las protestas ..
En un discurso de 1977, el escritor argentino Jorge Luis Borges desmintió la idea de que la ceguera fuera un mundo de oscuridad cuando describió su propia “modesta ceguera”. Hablaba de ciert..
En su discurso de recibimiento del Premio Nobel, el poeta chileno Pablo Neruda afirmó que el poeta no es un "pequeño dios." De hecho expresó que el mejor poeta “es el hombre que nos entrega e..