Early on in the Argentinean film “El Último Traje” (The Last Suit), which makes its U.S. theatrical debut this week, a deceptively quaint and humorous scene takes place between the film’s protagonist, 88-year-old Abraham Bursztein and his young granddaughter. The little girl refuses to join in a family photo with Abraham surrounded by his many grandchildren. When he cajoles and insists, ..
Gone are the days when filmmakers needed huge budgets, and major movie studios backing them with big bucks to get their films seen, according to two producers who spent decades in Los Angeles, and have now moved their base to Miami Beach. "From a creative standpoint, there are amazing opportunities for filmmakers today," says producer Kevin Chinoy, who, along with producing partner Frances..
Mark St. Germain has achieved ongoing success with small-cast plays involving historical figures in fictional scenarios, and South Florida has been as welcoming to his work as the rest of the country. St. Germain’s “Camping With Henry and Tom,” about a 1920s camping trip involving Henry Ford, Thomas Edison and President Warren G. Harding, was produced in 1996 by New Theatre in Coral Gables..
Mexico City-based theater collective Teatro Ojo's works are constantly evolving. Nothing is ever really finished. That's because they take from every performance. Whatever the audience experiences, observes, feels, and offers feedback, which they highly encourage, all is used, considered, and included in the evolution of the same piece, or introduced into another new work. Two of the ..
“America’s Greatest and Least Known Playwright.”This is how the Cuban-American playwright Maria Irene Fornes is referred to several times throughout Michelle Memran’s documentary “The Rest I Make Up,” which makes its Florida debut this Saturday as part of Miami-Dade College’s Miami Film Festival. Fornes has been called the “Mother of Avant-Garde Theater.” Theater giants like Edward A..
“Once” has always been touched with magic. And as anyone who has seen the sublime new production of the show by Actors’ Playhouse in Coral Gables would tell you, the musical’s spellbinding pull is as powerful as ever. When Irish director-screenwriter John Carney first told the tale of a heartbroken Irish street musician and the spunky Czech pianist who reignites his passion, a 200..
Consider the idea of land in Palestine, and conflict may be the first thing to come to mind. But for Jumana Emil Abboud, the Palestinian landscape evokes other, older, associations – with mythological creatures like water spirits and ghouls. “These stories were told way before 1948,” says the Galilee-born artist, speaking by phone from her home in Jerusalem. She suggests looking back ..
Steven Levenson’s “If I Forget” began its Off-Broadway run a year ago, closing just six weeks before the now 33-year-old playwright won the Tony Award for writing the book of the acclaimed musical “Dear Evan Hansen.” Cut to February 2018, and South Florida already has its own exquisite production of “If I Forget,” thanks to GableStage artistic director Joseph Adler. Levenson’s fun..
In a career that continues to soar two decades after his first play was produced, Michael McKeever has premiered his dramas, comedies and short plays at theaters all over South Florida. Nearly always, he’s involved in those productions as the author, sometimes as an actor, at times as a set designer. The plays get their start here, then go on to productions (sometimes multiple product..
When M. John Richard decided to leave the New Jersey Performing Arts Center in late 2008 to become president and chief executive officer of Miami’s Adrienne Arsht Center for the Performing Arts, he arrived in South Florida with a vision, myriad ideas and a long-term exit strategy. “I knew in 2008 that I had a 10-year run in my tank,” says Richard, 65, who plans to retire from his Arsh..
What happens to old dances? Do they slowly disappear as choreographers and dancers move on to other projects? This may well be the case unless an effort is made to revive the piece-- reconstruct it and present it back to an audience. The question then arises as to which pieces are worthy of an encore; enter Ritmo Jondo(Deep Rhythm), a seminal work by Doris Humphrey, one of the foremost choreographers and dancers of modern dance.
Choreographed in 1953, and set in Spain, it examines the relationship between men and women during a time, and within a culture, with established mores for the sexes. Using the passion of flamenco, it’s an intriguing piece filled with shifting rhythms. Humphrey chose Carlos Suriñach evocative piece, Ritmo Jondo: Flamenco for Orchestra, for her piece. Scores of Suriñach, a Catalan composer, were also used by Martha Graham in Acrobats of God and for Embattled Gardens.
“The hardest part of reconstruction was the first movement for the men,” says Hannah Baumgarten, co-artistic director of Dance Now! Miami. “It was done without counts, and was very challenging.” Daniel Lewis, founding Dean of the Dance Department at Miami’s New World School of the Arts and a former dancer and artistic director of the Jose Limon Dance Company, workedwith the Dance Now! dancers to reconstruct the piece, which will be performed on Friday.
Lewis conducted a two week seminar, teaching the style of the Limon technique. Dance Now! is a company which performs works from a variety of choreographers. “Other voices serve as a counterpoint to our work,” explains Baumgarten.
Humphrey was one of the second generation of modern dancers, was a mentor to Limon and artistic director of his company. She choreographed Ritmo Jondo for the company towards the end of her career. Her pieces often examine relationships and social order -- Ritmo Jondo gives philosophical depth to the study of these relationships. Humphrey’s technique includes her concept of fall and recovery, which she called the “arc between two deaths.” Her book, The Art of Making Dances, is still used in many universities today. Ritmo Jondo was on the programin 1954 when the Limon Dance Companybecame one of the first companies chosen to tour South America with the sponsorship of the International Exchange Program under the tutelage of the United States Department of State.
House on Fire is Hannah Baumgarten’s contemporary jazz piece. It has the sense of a New Orleans club scene. With music by Tom Waits, Jimi Hendrix and Medeski, Martin and Wood, it’s a playful look at “club rats” in their search forcompanionship. Baumgarten describes it a sort of game – likened to musical chairs, as “each person seekstheir partner…depicting different relationships of friendship, passion and love.”
Dance Now! Miami co- artistic director Diego Salterini looks at dreams in Sogni. It’s an exploration of dreams -- a series of visions in a non-narrative manner. Salterini explains Sogni sometimes has the feel of being in a dark vacuum with sparks of “floating poetry.”
Dance Now! Miami recreates a masterpiece worthy of its rebirth, and presents and two contemporary pieces from choreographers who are part of the legacy of artists whose works should not be forgotten, but celebrated.
Dance Now! Miami performs Ritmo Jondo at 8:30 p.m., Friday at the Colony Theatre,1040 Lincoln Rd., Miami Beach; tickets $35 general; $15 student/seniors; www.dancenowmiami.org.
Drummer Dafnis Prieto and pianist Omar Sosa closed this year’s Global Cuba Fest at the Light Box in Wynwood, Miami, with shows on Friday and Saturday, March 16-17 that suggested a sort of mus..
Mention flamenco and the immediate associations are with dancing, singing and the guitar. The piano has a rather tentative history in flamenco. While some scholars include the instrument in p..
The ancient Japanese art of Taiko drumming comes to Miami this Friday, with Tao: Drum Heart, which premiered at the Edinburgh Festival Fringe and has gone on to tour internationally, getting ..
It’s not by chance that the music of Cuban drummer, composer, educator and bandleader Dafnis Prieto unfolds with such purpose. An accidental immigrant in 1999 — he was living with ..
In the music of Las Cafeteras and Orkesta Mendoza, presented by Fundarte at the South Miami-Dade Cultural Arts Center Saturday, the border is no place for walls but rather, a moveable feast. ..
Performance Hall at New World Center was packed Saturday, Feb. 3 for the New Work program, which NWS conductor and artistic director Michael Tilson Thomas introduced as “one of the more adve..
Having grown up in Buenos Aires with a strong interest in music, one would think that Jaime Bronsztein (http://jaimebronsztein.webs.com/) would have slid down the well-lubricated tracks towar..
A creepy old king ogles his beautiful stepdaughter. Powerless to stop him, her mother, the queen, protests drunkenly. The girl, age maybe 12 or so, falls for the only man who does not lust af..
At first their sound is reminiscent of Bob Marley. Just as plaintive but with added punch. But listen longer -- the more familiar the music feels, the harder it is to pin down. This is t..
La undécima edición del Flamenco Festival que se desarrolló del jueves 8 al domingo 11 de marzo en el Arsht Center resultó ser un hermoso reencuentro con el Ballet Nacional de España (BNE), u..
Arts Ballet Theatre of Florida (ABTF) y su escuela de ballet adjunta, ambas bajo la dirección de Vladimir Issaev, se encuentran por estos días entregadas de lleno a la celebración del bicente..
El lugar privilegiado que ocupa Miami hoy en día en el mundo de la danza no tiene discusión. Además de contar con una vibrante oferta local de proyección internacional que dura todo el año y ..
Después de una serie de actuaciones muy exitosas en varias ciudades del Este del país, Alvin Ailey American Dance Theater (AAADT) llega a Miami para ofrecer seis presentaciones del jueves 22 ..
La ofensiva espontánea protagonizada por BalletBoyz y Cie. Herve Koubi el fin de semana pasado en teatros de Fort Laudedarle y Miami, con dos propuestas artísticas absolutamente fuera de seri..
La atracción principal del tercer programa de la temporada 2017-2018 del Miami City Ballet (MCB) que se presentó el fin de semana pasado en el Arsht Center fue el estreno mundial de One Line ..
Llegados en vuelo directo desde Inglaterra, BalletBoyz (Premio Nacional de Danza 2013 a la Mejor Compañía Independiente) ofrecerá el sábado 10 de febrero una función patrocinada por Culture Shock ..
Por dos noches consecutivas, el Miami City Ballet (MCB), que dirige Lourdes López desde 2012, abrió las puertas de sus instalaciones en Miami Beach para ofrecer un encuentro Open Barre con e..
El segundo programa de la temporada 2017-2018 del Miami City Ballet (MCB) dedicado a los 100 años del nacimiento de Jerome Robbins (1918-1998), el gran coreógrafo norteamericano que triunfó ..