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The stage is a fixed space. It is the axis around which story, conflict, and character revolve. When that fixed space shifts, new possibilities emerge. Starting Wednesday, April 23, a shifting site for theater emerges at Deering Estate, a 444-acre environmental, archeological, and historical preserve along the edge of Biscayne Bay in Palmetto Bay. Four local playwrights have collaborated ..

Nearly two years ago, Miami’s Zoetic Stage took its first trip into the world of Harold Pinter with an intense, superbly acted production of the Nobel laureate’s 1978 hit “Betrayal” in the Arsht Center’s Carnival Studio Theater. Now Zoetic is delving further back into the Pinter canon with a riveting production of “The Caretaker.” This 1960 work is, like “Betrayal,” a three-character ..

Imagine animation created live on stage, with mini backdrops, puppets, and low-tech props. Channel it through multiple cameras and mix it live into a projected film. Add a string quartet and a DJ. This is the structure of “Nufonia Must Fall,” an upcoming project presented by MDC Live Arts. The show is slated for appearances around the world, from Asia and the Middle East to Europe and..

That Actors’ Playhouse opened its production of Robert Schenkkan’s “All the Way” on the same day that the American Health Care Act was pulled from a vote by the House of Representatives is ironic and more than a little instructive. The much-touted replacement for Obamacare didn’t have enough sure votes to ensure passage, as Speaker Paul Ryan told President Donald Trump, so the “replac..

The take-no-prisoners world of high finance and ruthless business deals has long been a tantalizing subject for artists. From filmmaker Oliver Stone’s 1987 “Wall Street,” with its antihero Gordon Gekko spouting “greed is good,” to Damien Lewis’ slick hedge fund mogul Bobby Axelrod in the Showtime series “Billions,” movies and television allow those of us in the 99 percent a glimpse at wha..

Miami’s venerable M Ensemble is a company that sometimes dips into its rich history to mount fresh productions of past shows. For its second production in its versatile new home at the Sandrell Rivers Theater in Liberty City, the troupe is revisiting Darren Canady’s “Brothers of the Dust.” Winner of the 2012 M. Elizabeth Osborn Award from the American Theatre Critics Association, the ..

“El cuento de Rene,” actor and director Larry Villanueva’s adaptation of Cuban writer Rene Ariza’s short stories into a work of theater, is more than an homage. It’s a statement on oppression. Ariza was sentenced to eight years in prison for trying to send manuscripts abroad. He was banned from creating theater in Cuba and condemned as “counter-revolutionary.” Ariza served five years of h..

Those who attend film festivals aren't looking for the mainstream, Cineplex offerings. That isn't the goal. Amid the indie films, the foreign entries, documentaries, and the world premieres, there's another reason to canvass the program for something you might not see anywhere else. Given the Miami Film Festival is the only major film festival to be produced by a college or university..

{This interview was conducted before the film making team went on to amazing Oscar success.} Playwright Tarell Alvin McCraney and filmmaker Barry Jenkins are nine miles away from the Liberty City housing projects where they both grew up, but they are worlds away. They are at the picturesque Standard Hotel to talk about the new movie "Moonlight," with a screenplay by Jenkins base..

First things first. Actor-playwright Elena María García does explain the meaning of “¡FUÁCATA!” somewhere deep into the 90-minute running time of Zoetic Stage’s “García Or a Latina’s Guide to Surviving the Universe.” The familiar Cuban term, she confides from her perch on Michael McKeever’s Mondrian-evocative set, suggests the sound of a slap. As in, “¡Fuácata! You really stepped in i..

Dance Now!: ‘Bridges Not Walls’ Resonant Today


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In one duet, two dancers use their bodies as counterweights, springing forth from each other’s bodies with explosive power. In another, dancers form a sharp line before torsos undulate and fall one by one to the ground, a solitary figure left standing among the fallen. So goes Dance Now!’s latest work, “Bridges Not Walls,” a statement about the powerof art to make change, at a time when art and progress are under siege. It will be premiered at the Aventura Arts & Cultural Center this Friday.

For the 17-year-old dance company, now based in Little Haiti, the idea for the work was born from a cultural exchange project with a dance company in Mexico, long before current politics made wall-building part of the daily vernacular. The project was an exploration not of the physical divides, but what in us as people causes divisions. As Hannah Baumgarten, one of Dance Now!’s cofounders explains: “Ultimately what we decided is that identity is what we define ourselves with. And the question of who we are is what creates our personal boundaries and personal walls around us. If we change the question, can we bridge those walls? Can we find a commonality as humans? So this is our goal as a piece of choreography. This is our goal as choreographic collaborators on this project.”

It is a project not based solely on movement, as it also delves deeply into an understanding of human nature and human evolution. “We started talking about, what walls do we all build as humans to protect ourselves?” Baumgarten says. “We … try to understand looking at genetic studies and understanding that human beings have a natural instinct not to have their genes stomped out -- and how dominant genes do trump recessive genes. There’s an instinctive fear of the other that is primordial and is probably how the Neanderthals lost their place as the dominant species.

“We’re talking about ancient feelings that we’re able to now voice and translate and manifest, sometimes in an unpleasant human expression. But we try to sort of breach the subject … that being afraid of the other, being afraid of the different, we should not look at that as a bad thing. We should just look at it as something that we’re powerless over. What we have power to do is try to have empathy and understand our common humanity.”

Dance also allows Baumgarten to tell that story of common humanity in a way that is unique to the art form. “You can never escape the humanity of [dance], because it is the human body in motion. It’s impossible to have dance without having humans.”

Dance Now! Presents Contemporanea, including the world premiere of "Bridges not Walls" and an encore presentation of "Ritmo Jondo;"Friday, 8:30 p.m.; Aventura Arts & Cultural Center,3385 N.E. 188 St., Aventura; tickets: $35; 877-311-7469.

 


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