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The stage is a fixed space. It is the axis around which story, conflict, and character revolve. When that fixed space shifts, new possibilities emerge. Starting Wednesday, April 23, a shifting site for theater emerges at Deering Estate, a 444-acre environmental, archeological, and historical preserve along the edge of Biscayne Bay in Palmetto Bay. Four local playwrights have collaborated ..

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“El cuento de Rene,” actor and director Larry Villanueva’s adaptation of Cuban writer Rene Ariza’s short stories into a work of theater, is more than an homage. It’s a statement on oppression. Ariza was sentenced to eight years in prison for trying to send manuscripts abroad. He was banned from creating theater in Cuba and condemned as “counter-revolutionary.” Ariza served five years of h..

Those who attend film festivals aren't looking for the mainstream, Cineplex offerings. That isn't the goal. Amid the indie films, the foreign entries, documentaries, and the world premieres, there's another reason to canvass the program for something you might not see anywhere else. Given the Miami Film Festival is the only major film festival to be produced by a college or university..

{This interview was conducted before the film making team went on to amazing Oscar success.} Playwright Tarell Alvin McCraney and filmmaker Barry Jenkins are nine miles away from the Liberty City housing projects where they both grew up, but they are worlds away. They are at the picturesque Standard Hotel to talk about the new movie "Moonlight," with a screenplay by Jenkins base..

First things first. Actor-playwright Elena María García does explain the meaning of “¡FUÁCATA!” somewhere deep into the 90-minute running time of Zoetic Stage’s “García Or a Latina’s Guide to Surviving the Universe.” The familiar Cuban term, she confides from her perch on Michael McKeever’s Mondrian-evocative set, suggests the sound of a slap. As in, “¡Fuácata! You really stepped in i..

Casa Patas: Flamenco and the Power of Silence


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Written by: Diana Dunbar
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Silencio. Silence. In the words of choreographer and flamenco artist Francisco Hidalgo “dance rests on the beats of silence.” Los Silencios del Baile is making its U.S. and world preview this weekend. Presented by Fundacion ConservatorioCasa Patas of Madrid, it’s a unique interpretation of flamenco today.

This is the 5th year Casa Patas is introducing a program to Miami audiences. Each year it commissions an artist to create and design a show -- every presentation is under the direction of a different choreographer, and this year that is Francisco Hidalgo.

Hidalgo, who was born in Cadiz, Spain, has an expansive body of work in the world of flamenco. He has toured internationally with a variety of companies and artists including appearing at Lincoln Center in the U.S. premier of “Los Abrazos Rotos” by Pedro Almodovar. He has received numerous awards for his work in flamenco, such as the second place winner at the 50th International Canta Festival de Las Minas/2010.

Appearing on the program with Hidalgo are Lucia de Miguel and Ruben Puertas, both natives of Spain who have performed in various flamenco companies.

Los Silencios del Baile includes eight pieces and presents tangos, fandangos, alegrias, and bulerias. Hidalgo’s choreography explores the concept of silence in flamenco, an art form filled with the music of canta (singing), toque (guitar), jaleo (vocalizations), and palmas (clapping). His work, he writes, involves “three bodies, three styles, three silences…flamenco and Spanish dances intertwine three souls that shape silences masked in truths, showing the most authentic side of ourselves.”

Casa Patas appearance is a part of the season of FUNDarte, an organization founded by Ever Chavez in 2004. Its focus is on the work of artists from Latin America, Spain, and the Caribbean. Chavez attends theater performances and festivals, both national and international, to keep abreast of new works being performed. FUNDarte then brings in some of these companies to perform in Miami. “I keep an eye out for what’s new and what’s going on in the world,” explains Chavez.

Chavez was a theater producer in Cuba; he was executive producer of El Publico -- a Havana-based company that toured internationally and was acclaimed by audiences. FUNDarte is a “multidisciplinary organization which is dedicated to producing, presenting, and promoting music, theater, dance, film and visual arts that speak to Miami’s diverse cultures with an emphasis on Hispanic arts and culture,” says Chavez. The organization also presents No Borders, a series of national and international events that occurs from October through January. This includes programs for children as well as master classes and workshops. Chavezplaces emphasis on community involvement in the arts.

Los Silencios del Baile is an innovative collaboration between Casa Patas and FUNDarte, an opportunity to experience flamenco through its passion and its echoing silence.

Los Silencios del Baile, Saturday, November 5, 8:30 p.m. and Sunday, 5:00 p.m.; Mid Stage at Miami-Dade County Auditorium; 2901 West Flagler St.; tickets $30; 800-440-8539; www.fundarte.us.

 


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