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Mexico City-based theater collective Teatro Ojo's works are constantly evolving. Nothing is ever really finished. That's because they take from every performance. Whatever the audience experiences, observes, feels, and offers feedback, which they highly encourage, all is used, considered, and included in the evolution of the same piece, or introduced into another new work. Two of the ..
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Steven Levenson’s “If I Forget” began its Off-Broadway run a year ago, closing just six weeks before the now 33-year-old playwright won the Tony Award for writing the book of the acclaimed musical “Dear Evan Hansen.” Cut to February 2018, and South Florida already has its own exquisite production of “If I Forget,” thanks to GableStage artistic director Joseph Adler. Levenson’s fun..
In a career that continues to soar two decades after his first play was produced, Michael McKeever has premiered his dramas, comedies and short plays at theaters all over South Florida. Nearly always, he’s involved in those productions as the author, sometimes as an actor, at times as a set designer. The plays get their start here, then go on to productions (sometimes multiple product..
When M. John Richard decided to leave the New Jersey Performing Arts Center in late 2008 to become president and chief executive officer of Miami’s Adrienne Arsht Center for the Performing Arts, he arrived in South Florida with a vision, myriad ideas and a long-term exit strategy. “I knew in 2008 that I had a 10-year run in my tank,” says Richard, 65, who plans to retire from his Arsh..
One could say that Bistoury’s 305 & Havana International Improv Fest, which debuts this Saturday at Miami Theater Center, has been in the works for almost 20 years. In 1999 Cuban-born choreographer Alexey Taran created the first improvisation festival in Caracas, Venezuela. Taran had already been working with improvisation techniques for almost a decade. Based in Miami since 2007, Taran and Bistoury co-director Carla Forte have created a two-city festival featuring live performance and several short films in the dance-on-camera genre.
Bistoury’s performances are known for their intense physicality and darkly sardonic perspectives on contemporary culture, so the selection promises to be eclectic and surprising. Participants in the film component include well-known local talents like Niurka Marquez and Marissa Alma Nick, as well as artists from Iran, Ireland and Finland. The program will also feature Rudi Goblen’s “Ser humano” and improvisation by Sandra Ramy and Grettel Montes de Oca, from the Cuban dance company Persona.
We spoke with Taran about improvisation, the festival and Bistoury’s plans for the future.
For you, what is improvisation?
In the life of a stage or creative space, improvisation can be considered an instrument for exploration, like a tool for expanding creative possibilities, whether they end up in the composition or not. Open-ended investigation into the art of improvisation in different artistic expressions has become a tool that has no limits in the search for an authentic language through movement or ideas.
What has been one of the biggest surprises about putting together the festival?
The ability to include Havana as the festival’s second home base -- this, thanks to the support of and invitation from Sandra Ramy, director of dance programming at the Fabrica de Arte Cubano. The FAC is a space driven by the necessity to rescue, support and promote the work of local and international artists from all branches of the arts.
Tell us about the live performance component, how it's unique to the festival.
Local artist Rudi Goblen has been commissioned thanks to the support of Vivian Marthell, co-director of O Cinema. Rudi will debut his piece “Ser humano” in Miami and Havana. “Ser Humano” is a visceral, dance-theater experience told through improvised poetry and movement inspired by Miami Dade Transit and its everyday passengers. For us, Rudi’s piece offers social value because it’s a portrait of our city and our needs. Taking it to Cuba is a way of creating open conversations between two cities that are different, but have a lot in common.
Why was it important to take the festival to Cuba?
For Bistoury it’s very important for cultural exchange and our international reach. We’re working to create a platform that allows local and international artists the experience of presenting or developing their projects outside their home cities. Soon Bistoury will launch a program of artistic residencies that also take place in Cuba. We consider Cuba the second base of the festival; therefore, we want to share her with the rest of the artists who are interested.
305 & Havana International Improv Fest, Saturday, May 27 at 8:00 p.m., improvisation workshop with Sandra Ramy, May 24 - 26 at 7-9 p.m. Both events take place at Miami Theater Center, 9806 NE 2nd Avenue, Miami Shores. For more information go to Bistoury.org or call 305 751 9550. Performances and workshops are free and open to the public.
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