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Though the Miami New Drama-commissioned “Queen of Basel” will have its official world premiere at Studio Theatre in Washington D.C. next season, you don’t have to wait or travel to discover how playwright Hilary Bettis has reimagined August Strindberg’s controversial 1888 classic “Miss Julie.” With three powerful actors and a small audience sharing the stage space at Miami Beach’s Co..

Branden Jacobs-Jenkins, now 33, was named a MacArthur “genius” grant winner in 2016, the same year his play “Gloria” was chosen as a finalist for the Pulitzer Prize for drama. Earlier, his provocative, stylistically diverse, subversive plays “Appropriate” and “An Octoroon” (the latter was produced by Coral Gables’ Area Stage last fall) each won best new American play Obie Awards. ..

"The Other Mozart" is a suitcase play – one of those shows where a single actress can pack the entire contents that creates the setting – costume, wig, and props, and go anywhere in the world. It is the way Samantha Hoefer will arrive in Miami to present Sylvia Milo's one-woman play about Maria Anna Mozart, the not nearly as famous older sibling of that 18th century rock star Wolfgang Ama..

Early on in the Argentinean film “El Último Traje” (The Last Suit), which makes its U.S. theatrical debut this week, a deceptively quaint and humorous scene takes place between the film’s protagonist, 88-year-old Abraham Bursztein and his young granddaughter. The little girl refuses to join in a family photo with Abraham surrounded by his many grandchildren. When he cajoles and insists, ..

Gone are the days when filmmakers needed huge budgets, and major movie studios backing them with big bucks to get their films seen, according to two producers who spent decades in Los Angeles, and have now moved their base to Miami Beach. "From a creative standpoint, there are amazing opportunities for filmmakers today," says producer Kevin Chinoy, who, along with producing partner Frances..

Mark St. Germain has achieved ongoing success with small-cast plays involving historical figures in fictional scenarios, and South Florida has been as welcoming to his work as the rest of the country. St. Germain’s “Camping With Henry and Tom,” about a 1920s camping trip involving Henry Ford, Thomas Edison and President Warren G. Harding, was produced in 1996 by New Theatre in Coral Gables..

Mexico City-based theater collective Teatro Ojo's works are constantly evolving. Nothing is ever really finished. That's because they take from every performance. Whatever the audience experiences, observes, feels, and offers feedback, which they highly encourage, all is used, considered, and included in the evolution of the same piece, or introduced into another new work. Two of the ..

“America’s Greatest and Least Known Playwright.”This is how the Cuban-American playwright Maria Irene Fornes is referred to several times throughout Michelle Memran’s documentary “The Rest I Make Up,” which makes its Florida debut this Saturday as part of Miami-Dade College’s Miami Film Festival. Fornes has been called the “Mother of Avant-Garde Theater.” Theater giants like Edward A..

“Once” has always been touched with magic. And as anyone who has seen the sublime new production of the show by Actors’ Playhouse in Coral Gables would tell you, the musical’s spellbinding pull is as powerful as ever. When Irish director-screenwriter John Carney first told the tale of a heartbroken Irish street musician and the spunky Czech pianist who reignites his passion, a 200..

Consider the idea of land in Palestine, and conflict may be the first thing to come to mind. But for Jumana Emil Abboud, the Palestinian landscape evokes other, older, associations – with mythological creatures like water spirits and ghouls. “These stories were told way before 1948,” says the Galilee-born artist, speaking by phone from her home in Jerusalem. She suggests looking back ..

Dimensions Dance Theatre of Miami has been on a trajectory best described as meteoric. In its first 18 months DDTM has been a 2017 Knight Challenge Grant recipient and now will debut at New Y..

Amirah Sackett came up as a dancer in Chicago’s hip hop scene at a time when women were rare in the mostly male community. But she also visibly stood out as a Muslim. She keeps her hair cover..

Inside the Little Haiti Cultural Complex, where Dance Now! Miami is in residence, there is a hub of activity as the company prepares for its performance on Saturday night of Contemporanea 201..

One of the signatures of the National Water Dance project since its inception seven years ago was that dance troupes, large or small, professional or school groups, were free to perform whate..

Miami City Ballet is in league with Russians – in a good way -- and this promises to make a selection of dances look great again. The company’s final program this season brings back Apollo an..

Hidden behind a busy street in North Miami Beach is the Ancient Spanish Monastery, where Dance Now! Miami will bring the past into the present – and back into the past. Ekphrasis describes th..

Sometimes dance seems as easy as walking down the street. John Heginbotham, founder and artistic director of Dance Heginbotham, describes his dancers as moving in an unaffected, natural manne..

On the heels of a year-plus parade of #MeToo confessions, celebrity shamings and women’s marches, comes Marisa Alma Nick’s female-power-packed “A Rebel in Venus.” “It wasn’t planned that ..

Choreographers are usually curious people. Augusto Soledade’s curiosity leads him in many directions, including ideas on Madonna, voguing, and selfies. It all began with “thoughts on identity..

Ira Sullivan has been a musician for a long time. His father, part of a large musical family, was in the restaurant business. But he played trumpet for fun and stored his horn behind the couch, Su..

The music of Thelonious Monk has been a source of endless fascination and with good reason. Monk’s universe has its own laws. Beautifully constructed and quirky, soulful but also paced by br..

The first time the Amernet performed “The Seven Last Words of Christ” during Holy Week – the week leading up to Easter -- the string quartet played in darkness. Just hours before, cellist Jas..

Drummer Dafnis Prieto and pianist Omar Sosa closed this year’s Global Cuba Fest at the Light Box in Wynwood, Miami, with shows on Friday and Saturday, March 16-17 that suggested a sort of mus..

Mention flamenco and the immediate associations are with dancing, singing and the guitar. The piano has a rather tentative history in flamenco. While some scholars include the instrument in p..

The ancient Japanese art of Taiko drumming comes to Miami this Friday, with Tao: Drum Heart, which premiered at the Edinburgh Festival Fringe and has gone on to tour internationally, getting ..

It’s not by chance that the music of Cuban drummer, composer, educator and bandleader Dafnis Prieto unfolds with such purpose. An accidental immigrant in 1999 — he was living with ..

In the music of Las Cafeteras and Orkesta Mendoza, presented by Fundarte at the South Miami-Dade Cultural Arts Center Saturday, the border is no place for walls but rather, a moveable feast. ..

Performance Hall at New World Center was packed Saturday, Feb. 3 for the New Work program, which NWS conductor and artistic director Michael Tilson Thomas introduced as “one of the more adve..

Regresa Dimensions Dance Theatre of Miami con función única y final enfebrecido

Photo: Trio Esferas; photo Simon Soong.
Written by: Orlando Taquechel
Article Rating

El debut de Dimensions Dance Theatre of Miami (DDTM) en noviembre del año pasado fué un acontecimiento artístico y un descubrimiento sumamente agradable. Una sola función en el Miami-Dade County Auditorium resultó suficiente para demostrar que sus fundadores y directores artísticos, Jennifer Kronenberg y Carlos Guerra, saben armar un buen programa y dejar complacidos a los espectadores.

DDTM regresa a escena el 8 de julio próximo para una segunda función única con“Fiebre (Fever): A Night of Summer Ballet” en el acogedor South Miami-Dade Cultural Arts Center (SMDCAC) y prometen una oferta variada con final enfebrecido – de ahí el título - que incluye tres estrenos en Miami y la reaparición de dos figuras invitadas que fueron fundamentales en el éxito del primer programa: la exquisita primera bailarina mexicana Katia Carranza y los sensacionales Alain García y su The Latin Power Band.

“Estamos muy entusiasmados porque esta es nuestra segunda presentación en un teatro. Es siempre algo muy agradable bailar en el verano y hacerlo en el sur, lejos de donde se produce la mayor parte de la danza en Miami, es una oportunidad que apreciamos enormemente”, afirma Jennifer en entrevista para ArtBurst Miami.

Carranza, que aparece por cortesía del Miami City Ballet, bailará junto al cubano Eduardo Iglesias un hermosopas de deuxextraído del ballet “Sinergia” de Luis Serrano, creado especialmente para ella. García y su banda interpretaran canciones popularizadas por la temperamental cantante cubana La Lupe (1939-1992) en “Fiebre” del notable coreógrafo venezolano Vicente Nebrada (1930-2002), montaje de Yanis Pikieris y Zane Wilson.

Mayrel Martinez Lopez y Maikel Hernandez, Gabriela Mesa y Fabian Morales, Sarah McCahill y Stephan Fons y Chloe Freytagjunto aJosue Justizsonlas cuatro parejas que se entregarán en “Fiebre” al mundo apasionado del bolero para asegurar un final espectacular para una noche que DDTM espera hacer inolvidable.

Por su parte, Jennifer y Carlos interpretarán por primera vez “Transparente”, la breve e inquietante obra maestra coreográfica del croata Ronald Savkovic que el público de Miami seguramente recuerda con agrado por ser el gran éxito del XII Festival Internacional de Ballet de Miami en 2007.

“Desde hace años queríamos hacer “Transparente” y estamos felices porque Ronald vino hasta Miami para montarlo con nosotros”, comenta Carlos visiblemente complacido.

“Transparente” es el nombre de un disco de 2005 de Mariza, la cantante de fado mozambiqueña de origen portugués y el dueto se apropia su título pero la canción de Mariza utilizada por Savkovic es “Malmequer”, que nos remite a ese momento cuandodejamos en manos del azar la toma de una decisióny simplemente optamos por “deshojar una margarita”.

La letra de “Malmequer” termina en incertidumbre (“si me quiere o no me quiere / mucho, poco, todo o nada…”) pero el público que asista al SMDCAC para ver a DDTM saldrá del teatro con la certeza de haber experimentado algo muy especial.Por años, Kronenberg y Guerra fueron la pareja clásica más bella y elegante del Miami City Ballet. Con “Transparente” ambos sorprenderán a sus seguidores al agregar matices inéditos al trabajo de pareja que los caracteriza y reinventarse como intérpretes contemporáneos.

Así las cosas, “Transparente” va a ser el momento más esperado de la noche pero el programa incluye otros doscrowd pleasers: “C’est la Vie” de Kevin Jenkins, un trabajo ligero y divertido que estará a cargo deChloe Freytag, Eduardo Iglesias, Trisha Carter y Stephan Fons y elpas de trois“Esferas”, del prometedor Ariel Rose, que formó parte de la presentación laboratorio que DDTM ofreció en marzo también en SMDCAC. Gabriela Mesa, Josue Justiz y Fabian Morales bailarán “Esferas”.

Todo parece indicar que DDTM tiene lista una oferta artística destinada a ser un éxito de público y crítica. Definitivamente, hay que ir a verlos.

Dimensions Dance Theatre of Miami ofrecerá una única función de “Fiebre (Fever): A Night of Summer Ballet” el sábado 8 de julio a las 8:00 p.m. en el South Miami-Dade Cultural Arts Center de Cutler Bay (boletos entre $25 y $45; $75 VIP con acceso a un encuentro con los artistas después de la presentación). Boletos a la venta en tickemaster.com y smdcac.org.

 


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