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Getting into a true holiday spirit can be tough in South Florida, where palm trees, expansive beaches and balmy skies signal perpetual summer. Ever-earlier store décor and the incessant push to buy presents – more about commercialism than celebration – can make many of us feel more anxious than festive. Not to worry. Just squeeze in a trip to Miami’s Arsht Center, where City Theatre h..

One of the centerpieces of this year’s Art Week is not a static art work, and it is also one of the most sensuous and disorienting. Lebanese performance artist Tania El Khoury is producing her “Gardens Speak” for the week, courtesy of MDC Live Arts, a piece that has been applauded in cultural capitals throughout Europe and the United States. “It is a work,” she says, “that can only co..

Since its founding in 1996, City Theatre has been an important part of South Florida’s theatrical landscape, though the company’s visibility has always been highest in the month of June. That’s when its popular Summer Shorts festival takes place; for more than a decade, its high-profile venue has been the Carnival Studio Theater at Miami’s Arsht Center. Though the company founded by S..

If you were to predict who might become a nationally famous – OK, world-famous – multiplatform sex therapist, Dr. Ruth Westheimer would probably not be your first choice. Born in Germany in 1928 as Karola Ruth Siegel, the 4’7” Dr. Ruth seems more like the doting Jewish grandmother she is than a woman who used her nationally syndicated radio show, TV shows and 40-some books to help hun..

Actors’ Playhouse has been a musical powerhouse for much of its history. Launching its 30th anniversary season at the Miracle Theatre in Coral Gables, the company is revisiting some of that history with a new production of a made-for-South Florida favorite: Andrew Lloyd Webber and Tim Rice’s “Evita.” As it did in 2000 when recent Tony Award winner Rachel Bay Jones starred as Eva Duart..

Playwright Suzan-Lori Parks won the Pulitzer Prize for “Topdog/Underdog” in 2002. But as Zoetic Stage’s superb new production of the play at Miami’s Arsht Center demonstrates, her funny, shocking tale of two brothers struggling to survive is as potent today as it was 15 years ago. Maybe more so, given the country’s deepening divide. Parks’ harrowing drama examines the complex relation..

We are born. We live, have families, grow old. We die, leaving those who loved us to mourn. Playwright Thornton Wilder brilliantly captured the eternal verities of our journey through life in “Our Town,” his 1938 Pulitzer Prize-winning play about life, love and death in a small New Hampshire town at the turn of the 20th century. If you’re at all drawn to theater, you’ve probably ..

“Miami Motel Stories: Little Havana” written by Juan C. Sanchez, directed by Tamilla Woodard, and produced by Juggerknot Theatre Company, is a site-specific, immersive theater experience that interweaves narrative, performance, history and architecture. Nine short plays take place in nine hotel rooms on the second floor of the Tower Hotel, right off Calle Ocho on Seventh Street. Sanchez, ..

Artistic director and founder of Juggerknot Theatre Company, Tanya Bravo, had her first brush with immersive theater in New York City when she met director Tamilla Woodard. Working on the play “Broken City,” Bravo and other actors led audience members on a theatrical journey through the streets of the Lower East Side. “I was so blown away by the concept and the lines that were crossed between ..

We humans do love our rituals. When an extended family gathers for the holidays, familiar traditions promise a comforting respite from an increasingly complex, chaotic world. Still, realistically, troubles and fears refuse to be left behind. They surface like unwelcome guests. So do resentments and stinging remarks born of deep knowledge. With Thanksgiving on the horizon, you wonder: ..

Here’s a riddle – name the 1892 box office flop panned by critics for lack of seriousness and for casting too many kids, which has now transformed into a force of nature timed to occur yearly..

It happens every year, right around Thanksgiving, productions of the Nutcracker pop up from coast to coast, marking the start of the holiday season. But on Saturday, Miami audiences have the ..

As Art Week approaches, Miami choreographer Marissa Alma Nick’s Alma Dance Theater is getting ready to add its distinctive voice, rehearsing for the upcoming performance of “Flowers” at the C..

Promising a night of airiness and ardor, Dimensions Dance Theatre of Miami will bring “Ballet’s Pointe of Passion” to the South Miami-Dade Cultural Arts Center, where the company joins an att..

Great friendships can nurture and prod an artist to make greater work. Think Pablo Picasso and Wifredo Lam, James Baldwin and Toni Morrison, Tina Fey and Amy Poehler. Such is also the case fo..

It’s a tall order to present a season as surprising as it is moving, as disturbing as it is delightful. Miami-Dade College’s Live Arts 2017-2018 season -- Ojala/Inshallah: Wishes from the Mu..

It was only a few decades ago that finding a professional, locally produced performance was an aerobic dance in itself. But after the Miami City Ballet (established 1985), the New World Schoo..

A 50th anniversary calls for gold in celebration. But Balanchine’s “Jewels”­—a sublime marriage of music and choreography from 1967—brings Emeralds, Rubies,and Diamonds. Those pre..

When the Limon Dance Company returns to Miami-Dade this weekend, it brings with it the powerful vision of founder José Limon. He was a man deeply concerned about and connected to the humanity..

We know it’s the holiday season when trees light up, menorah candles start to burn, ubiquitous Christmas carols pipe through drugstores, “The Nutcracker” plays on every stage – and in recent ..

Late last year, on Dec. 20, 2016, Romero Britto and Mark Bryn hosted the Great Artists Series Cocktail Reception at the Britto Fine Art Gallery to celebrate the legendary impresaria, Judy Dru..

Everyone remembers a lost weekend, binge reading a novel whose ending had to wait because the body just gave out. No matter how compelling the story somewhere around the 30th hour the brain s..

Globalization has produced many stories —not all inspiring. But having a Pakistani ensemble become a worldwide sensation by playing Paul Desmond’s immortal “Take Five,” which pianist Da..

When the management of New York’s iconic Apollo Theater approached drummer Gregg Field last year about organizing a concert there in honor of the 100th anniversary of Ella Fitzgerald’s birth..

They’ve opened a Chanel fashion show in Havana and been featured in Beyoncé’s visual album for “Lemonade.” The Alvin Ailey American Dance Theater has danced to their music. Their Florida debu..

There are few artists who have had the impact in their disciplines that guitarist Paco De Lucía had in flamenco. There is a before-and-after De Lucía in flamenco. He expanded the harmonic voc..

Yoli Mayor is a 22-year old Miami native who won over the judges of NBC’s “America’s Got Talent” with her power voice (think Adele mixed with Etta James). This weekend, Miami audiences will h..

You might expect something a tad unusual from a jazz band comprised of Bulgarians and Cubans that’s led by the principal percussionist of the Miami Symphony Orchestra. And that’s what you’ll ..

La Gala única del festival que transforma a Miami en capital mundial del ballet

Photo: Cecilia Kerche
Written by: Orlando Taquechel
Article Rating

Solo hay que aplicar el concepto “seis grados de separación” a uno de los artistas que se han presentado en las Galas de Estrellas del Festival Internacional de Ballet de Miami (IBFM por sus siglas en inglés) para descubrir que Pedro Pablo Peña, su incansable director fundador, es lo más cercano a Kevin Bacon que tiene Miami como ícono de interconectividad.

Peña ha invitado tantas celebridades de ballet al festival que tal y como existe desde hace mas de dos décadas un juego llamado “Six Degrees of Kevin Bacon” podemos hablar hoy en día de los “Seis Grados de Pedro Pablo Peña”, al asumir que ningún artista de ballet – bailarín o coreógrafo - está a más de seis relaciones de distancia de Peña, a través de las obras presentadas en el festival que tienen en común o de su propia participación en el evento.

Los resultados son asombrosos si jugamos utilizando el “Adagietto” de Oscar Araiz, el ballet contemporáneo más veces presentado en el festival, o el pas de deux “Don Quijote”, la selección más frecuentemente ubicada como colofón espectacular de sus Galas. Merece la pena intentarlo.

Los pas de deux de repertorio han sido siempre un componente importante en las Galas del IBFM pero los artistas invitados son el atractivo principal del evento que desde 1995 – ahora en su edición número 22 - transforma la Capital del Sol en capital mundial del ballet con funciones siempre atractivas que se complementan con actividades colaterales de todo tipo: presentación del póster oficial, exposiciones, películas, talleres y conversatorios con autores de libros sobre danza.

Antes de la llegada del Huracán Irma, el propio Peña nos comentó, “este año el proceso de preparación del Festival ha funcionado como un aceitado mecanismo de relojería, todas las partes se han ubicado sin dificultad en su lugar y hemos podido concretar una entrega de altísimo nivel, llena de sorpresas agradables y con tres Galas espléndidas.” Lamentablemente, los daños provocados por Irma redujeron las Galas a dos, una en Nueva York (donde el evento se presenta por primera vez) y otra en Miami.

En este contexto, el IBFM entregará una vez más el Premio Una Vida Por la Danza durante la Gran Gala Clásica de Estrellas de Miami, que este año será para la Primera Bailarina brasileña Cecilia Kerche.

Kerche tuvo una destacada actuación en la edición de 2008 y es ahora codirectora artística del Ballet do Theatro Municipal do Rio de Janeiro, una compañía que participa por octava vez en el festival con Melissa Oliveira y Cicero Gomes, encargados de cerrar cada una de las Galas de este año, precisamente con el pas de deux “Don Quijote”.

Dar a conocer artistas sobresalientes de otras latitudes como Kerche, es uno de los mayores aportes del IBFM a la cultura de Miami. El público miamense cuenta ahora entre sus favoritos a los mexicanos Jaime Vargas y Laura Morelos, las españolas Tamara Rojo y María Giménez, sus compatriotas Sergio Bernal y Joaquín De Luz, los brasileños Thiago Soarez y Vitor Luiz, la japonesa Shoko Nakamura, el croata Ronald Savkovic, los argentinos Silvina Perillo y Hernán Piquín, el italiano Giuseppe Picone, la francesa Anaïs Chalendard, la canadiense Sonia Rodríguez, la puertoriqueña Laura Valentín, la chilena Natalia Berrios, el colombiano José Manuel Ghiso y los norteamericanos Rasta Thomas, Ashley Bouder, Joseph Phillips y Joseph Gatti. Definitivamente, otros nombres se agregaran este año a la lista.

La Gala única en Miami del sábado 30 de septiembre en el Miami-Dade County Auditorium contará con artistas del Ballet Nacional de España, Ballet Nacional Dominicano, Compañía Nacional de Danza de México, Ljubljana National Opera Ballet de Eslovenia, Ballet Teatro AllaScala de Italia, Ballet Estable Teatro Colon (Argentina), Ballet de la Opera de Paris (Francia), Ballet do Theatro Municipal do Rio de Janeiro, Pennsylvania Ballet, New York City Ballet y el Boston Ballet.

Todos ellos llegarán al sur de la Florida el viernes 29 después de haber actuado la noche anterior en la Gala IBFM de Nueva York. Aquí se les sumarán Casey Herd del Dutch National Ballet, Dimensions Dance Theatre Miami (DDTM) y Arts Ballet Theatre of Florida (ABTF). DDTM mostrará “Esferas” de Ariel Rose y ABTF presentará un breve dueto titulado “Vértigo” creado para la gran bailarina venezolana Mary Carmen Catoya que actuará por primera vez en el festival.

Con la trayectoria del evento y los grupos e intérpretes anunciados para este año, no hay duda alguna que la Gran Gala Clásica de Estrellas del XXII IBFM ofrecerá nuevamente momentos irrepetibles e inolvidables.

La Gran Gala Clásica de Estrellas del IBFM se presenta el sábado 30 de septiembre a las 8:00 p.m.en el Miami-Dade County Auditorium (boletos entre $35 y $52). Boletos a la venta en tickemaster.com y miamidadecountyauditorium.org

 


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