The Source for Media Coverage of The Arts in Miami.
Articles, reviews, previews and features on dance and music performances and events.
Sign Up
No one logged in. Log in

Consider the idea of land in Palestine, and conflict may be the first thing to come to mind. But for Jumana Emil Abboud, the Palestinian landscape evokes other, older, associations – with mythological creatures like water spirits and ghouls. “These stories were told way before 1948,” says the Galilee-born artist, speaking by phone from her home in Jerusalem. She suggests looking back ..

Steven Levenson’s “If I Forget” began its Off-Broadway run a year ago, closing just six weeks before the now 33-year-old playwright won the Tony Award for writing the book of the acclaimed musical “Dear Evan Hansen.” Cut to February 2018, and South Florida already has its own exquisite production of “If I Forget,” thanks to GableStage artistic director Joseph Adler. Levenson’s fun..

In a career that continues to soar two decades after his first play was produced, Michael McKeever has premiered his dramas, comedies and short plays at theaters all over South Florida. Nearly always, he’s involved in those productions as the author, sometimes as an actor, at times as a set designer. The plays get their start here, then go on to productions (sometimes multiple product..

When M. John Richard decided to leave the New Jersey Performing Arts Center in late 2008 to become president and chief executive officer of Miami’s Adrienne Arsht Center for the Performing Arts, he arrived in South Florida with a vision, myriad ideas and a long-term exit strategy. “I knew in 2008 that I had a 10-year run in my tank,” says Richard, 65, who plans to retire from his Arsh..

Friendships can bring seemingly unlike people together to sometime form a strong bond. Such is the case in Walter Dean Myers’ coming of age novel, Darius & Twig. According to the summary notes of the book “Two best friends, a writer and a runner, deal with bullies, family issues, social pressures, and their quest for success coming out of Harlem.” It’s a tale of endurance, perseverance, an..

Kristoffer Diaz’s searing, hilarious and all-too-resonant play “The Elaborate Entrance of Chad Deity” isn’t new to South Florida. The 2009 script, a finalist for the Pulitzer Prize for Drama, made its area debut in 2012 in a fierce and fine production at Boca Raton’s Caldwell Theatre Company just a few months before the long-running regional powerhouse folded. Now “Chad Deity” has ret..

“This is no camera, nothing cut. This is real," says Tranee Wallace, whose story is one of three live radio plays in Dan Froot and Company's "Pang!" at Miami Light Project's Light Box at the Goldman Warehouse. Hers is one of a triptych of oral histories adapted into plays of families facing adversity: A Los Angeles single mom who loses the home she and her nine children live in after..

When it comes to farces, Michael Frayn’s “Noises Off” is one of the great ones. The 1982 comedy has made it to Broadway three times, and American audiences all over the country have embraced it in countless regional productions. Actors’ Playhouse is having a go at “Noises Off” as the second show of its 30th anniversary season. The play fits like a period glove on the main stage at the..

The intricate alchemy of inspired theatrical art is on full display in Zoetic Stage’s darkly hilarious, gripping world premiere of Christopher Demos-Brown’s “Wrongful Death and Other Circus Acts.” Demos-Brown, a rising theatrical star whose play “American Son” will open on Broadway in November, has drawn on his experience as a lawyer working on wrongful death cases to create a savage exami..

My Barbarian wanted to take Miami on a boat ride. “We wanted to interact and be out in the public,” Alex Segade reveals over the phone from Los Angeles, where he just got out of rehearsal for My Barbarian’s first Miami show, coming up this Saturday at the Miami Light Project, as part of Miami-Dade College’s Museum of Art and Design’s “Living Together” performance series this season. ..

When the Alvin Ailey Dance Theater returns to town this week, Miami native son Jamar Roberts will take center stage. As one of the company’s star dancers, he has long shined as a performer. B..

He says his dance comes from his dreams. French-Algerian choreographer Hervé Koubi’s most recent work, “What the Day Owes the Night” combines Sufi rhythms with cutting edge b-boy moves, class..

A world premiere always comes with a drum roll. And, throughout the years, Miami City Ballet has brought to light its fair share of resounding new works. Still, Brian Brooks’ freshly-minted O..

Wednesday night at the Arsht Center’s Knight Concert Hall the South Florida Symphony Orchestra in collaboration with the Martha Graham Dance company presented “Appalachian Spring Suite” and “The R..

Cooking may be Dan Froot’s favorite thing. This is saying a lot since Froot is also a composer, a dancer, a sax-player, a play-wright, an oral-historian -- an all-around performance artist an..

With the closing of Tigertail Productions last year, Miami lost one of its preeminent artistic champions. Under the direction of founder Mary Luft, Tigertail brought an endless parade of boundary-..

Anytime would be a good time to devote a dance program to the works of Jerome Robbins, our most versatile and celebrated American-born choreographer. But, given that 2018 marks the centennial..

Due to winter storms in the Northeast impacting travel, with great regrets the Bill T. Jones/Arnie Zane Company announced the cancellation of the Saturday, Jan. 6 performance. At age..

It is fitting at this time of the year that our thoughts often turn to what connects us not what divides us. Whether we are driven by religious or secular motives, many of us are in the spiri..

In the music of Las Cafeteras and Orkesta Mendoza, presented by Fundarte at the South Miami-Dade Cultural Arts Center Saturday, the border is no place for walls but rather, a moveable feast. ..

Performance Hall at New World Center was packed Saturday, Feb. 3 for the New Work program, which NWS conductor and artistic director Michael Tilson Thomas introduced as “one of the more adve..

Having grown up in Buenos Aires with a strong interest in music, one would think that Jaime Bronsztein (http://jaimebronsztein.webs.com/) would have slid down the well-lubricated tracks towar..

A creepy old king ogles his beautiful stepdaughter. Powerless to stop him, her mother, the queen, protests drunkenly. The girl, age maybe 12 or so, falls for the only man who does not lust af..

At first their sound is reminiscent of Bob Marley. Just as plaintive but with added punch. But listen longer -- the more familiar the music feels, the harder it is to pin down. This is t..

People often imagine new artwork is the product of the solitary artist genius slaving away in lonely studios. The South Florida Symphony’s 20th anniversary program foregrounds a different vis..

At an age when many are winding down their working lives, Ignacio Berroa eagerly anticipates a new stage in his career. It would be understandable if the 64-year-old drummer, recognized a..

We know it’s the holiday season when trees light up, menorah candles start to burn, ubiquitous Christmas carols pipe through drugstores, “The Nutcracker” plays on every stage – and in recent ..

Late last year, on Dec. 20, 2016, Romero Britto and Mark Bryn hosted the Great Artists Series Cocktail Reception at the Britto Fine Art Gallery to celebrate the legendary impresaria, Judy Dru..

Ataque kamikaze contra problemas climáticos

Photo: Nick Slie, photo courtesy Fundarte.
Article Rating

La problemática del cambio climático está que arde. Sobre todo en un estado como la Florida, en primera fila para sufrir consecuencias drásticas. Llegar al público con este mensaje e inspirarlo a tomar acción, sin embargo, resulta desafiante.

Se necesitan aliados en esa misión. Y en eso las artes pueden ser uno muy significativo.

Que es a lo que apunta la segunda celebración anual de un evento de tres días llamado Climakaze Miami, presentación de la entidad artística y cultural sin fines de lucro Fundarte, y que tendrá lugar los días 22, 23 y 24 de este mes en el Miami Dade County Auditorium y en la Bahía Biscayne a través de una excursión marina.

Esta vez, Climakaze Miami regresa para reunir a públicos diversos, desde artistas plásticos hasta músicos, ambientalistas y activistas, científicos y voluntarios, todos con una preocupación en común: Hay que tomar acción.

“Lo que hacemos es poner este granito de arena al decir ‘tenemos estas posibilidades de hacer algo, y te las mostramos con danza, con teatro, con música’, para que la gente de alguna manera entienda que el planeta no sólo es cemento y arena”, dice a Artburst el fundador y director ejecutivo de Fundarte, Ever Chávez. “Hay que buscar un equilibro con la naturaleza, y si el arte puede ayudar a transmitir ese mensaje, pues bienvenido sea”.

El mensaje es uno de urgencia, y frecuentemente medios noticiosos informan al respecto. Aún así, hay personas que no entran en conciencia, que ignoran la severidad de los problemas, o que sencillamente no tienen la información corriente y al día. Con actividades, charlas y presentaciones, Climakaze Miami busca disipar estas nubes de duda y crear el ambiente perfecto para aportar soluciones.

“Lo que distingue a Climakaze de otros eventos sobre el clima es que hay estas intervenciones artísticas que hacen explícito lo que está en las mentes de todos”, destaca Elizabeth Doud, directora artística de Climakaze Miami. “Contando historias de una manera muy diferente, informando sobre esta urgencia de otra forma. Esto le permite a la gente tener una respuesta emocional distinta sobre el tema. No es tan cerebral, tan intelectual o guiado por data”.

El diálogo que genera Climakaze entre representantes de organizaciones que no son artísticas, como The Nature Conservancy, con artistas, es justo para ver cómo pueden aunar esfuerzos y compartir recursos.

“Este año, el tema es conectar, ser inspirado y colaborar”, explica Doud. “La idea es que conozcamos gente fuera del mundo del arte y que no tienen entrada ahí, para que puedan entrar en contacto con artistas que están muy animados con el tema, y que haya espacio para tal vez comenzar una colaboración”.

Esa colaboración podría surgir gracias a:

  • un documental de 90 minutos llamado This Changes Everything – The Movie (basado en el libro de no ficción del mismo nombre, bestseller en ventas para su autora, Naomi Klein), y filmado a lo largo de cuatro años, durante más de 200 días, en una decena de países y cinco continentes
  • un surrealista viaje musical por la historia del planeta, según la artista radicada en Los Ángeles, Miwa Matreyek, en presentación multimedios que combina fantasía y ciencia en la presentación en vivo, This World Made Itself (sábado, 2 p.m.)
  • Xavier Cortada, artista plástico de Miami que lleva años tratando el tema de la naturaleza y el clima en su obra, y que presentará una nueva concepción en escena, The Psychoanalysis of Climate Change (sábado, 3:30 p.m.)
  • el artista de Lousiana Nick Slie, quien da vida al personaje de Loup Garou, o el mítico hombre lobo de la cultura Cajun, en grito de alarma sobre una región de Estados Unidos que cada media hora pierde una extensión de terreno del tamaño de un campo de fútbol (sábado, 6 p.m.)
  • Michael Gil y Luyanó Band, grupo de origen cubano y oferta musical centrados en la música world, y uno de los secretos mejores guardados de Miami (sábado, 8 p.m.)

“El tipo de música que hacemos en Luyanó Band está destinada a este tipo de público, a este tipo de concepto”, dice su fundador Michael Gil. “Estábamos esperando una oportunidad idónea para trabajar con Fundarte, y apareció Climakaze”.

Fundada en 2011 por Gil e integrada en el sur de la Florida por músicos que originalmente provenían de un barrio de La Habana, Cuba, llamado Luyanó, la banda sorprende con su fusión de ritmos y géneros globales así como por la selección de instrumentos musicales.

“Si es posible que un escenario, en una obra artística – y quizás esto suene utópico – puedan existir a la misma vez y con la misma intensidad instrumentos ancestrales que son sagrados y que representan a la naturaleza, con sintetizadores y otras cosas modernas”, cuestiona Gil, “¿por qué no puede llegar un momento en el que unamos la modernidad con un respeto por la tradición y por lo natural?”

Doud confía en que ese momento llegará.

“Estoy completamente convencida que en los próximos años vamos a ver muchísimas iniciativas de la cultura y el clima”, dice Doud esperanzada.

Por el bien de Miami y del resto del planeta, mejor que así sea.

Climakaze Miami, 22 al 24 de abril, en el Miami-Dade County Auditorium, 2901 W Flagler St., Miami; y en excursión por la Bahía Biscayne (cupo limitado, por lo que se requiere inscripción). Boletos: para el documental y algunas presentaciones, $10; entrada para todas las actividades los tres días, $135; actividades viernes 22 y sábado 23, $85; pase para día sábado, $75; pase excursión domingo, $50. Más detalles: www.fundarte.us Informes: 305-547-5414 y (305) 316-6165.

 


Deja un comentario ...
Debe estar registrado
No one logged in. Log in
Deja un comentario ...
Was this helpful?
No Very

Captcha Image

Acerca del autor

Journalist, arts writer, instructor of English and Spanish

A bilingual journalist and writer for over 20 years, Juan Carlos studied Communications at Fordham University in New York. He holds a Master&rsquo..

About the Writer