“What does it mean to belong? What does it mean to not want to belong?” These are questions that choreographer Reggie Wilson contemplates in his provocative piece “CITIZEN,“ which makes its Miami debut this weekend as part of Tigertail Productions’ month-long FIRE program of dance, music and film.
In a conversation with Wilson during a rehearsal break, these two questions quickly expa..
If even a modicum of redemption can be forged from the hellish after-effects of gun violence, we must listen to the communities most affected by the violence. To this end, “Trigger,” a hip-hop oratorio, developed by composer Byron Au Yong and poet Aaron Jafferis, strives to unite artistic expression with community activism. Trigger stems from (Be)longing, a national initiative to prevent ..
Celebrating 35 years is an amazing achievement for any dance company in Miami, but especially one founded in a decade better known for its ties to drugs than to the arts. Momentum Dance Company has survived the waves of growth and change experienced by Miami as it slowly grew into an international city. This weekend it will commemorate that anniversary with a program that reveals the expa..
For Tigertail Productions, April is the month of fire. Like their WATER Festival in 2016, this month’s FIRE Festival celebrates a single element in multiple art forms, including dance, visual art, music and film.
A centerpiece of the festival is a site-specific performance event at Vizcaya Museum & Gardens, coming up this Wednesday night. Set in the moonlight, “FIRE Gods in the Ga..
During the month of April the organizers of the seventh iteration of the O Miami Poetry Festival intend every resident of Miami Dade county to encounter a poem or – even better – write one!
And they’re willing to pull out the stops. For the founder/director of the festival, Scott Cunningham, the festival is above all “a Miami festival, and if we're serious about that, we have to be serious..
As the “home-grown” sweetheart of Miami City Ballet, Patricia Delgado is having her final performances this season before leaving the city and the company she loves to move to New York City.Having been raised in the dance community of Miami, taking the path from a young student apprentice at MCB who grew to be an audience favorite principal dancer with that same company, Delgado’s heart w..
Even people who can’t find Argentina on a map and believe tangos only happen in Paris know La Cumparsita’s iconic four beat opening. Like a bar’s last call, La Cumparsita tells tango dancers the night (or, rather, the morning) is over. Tango aficionados hear those first beats and either make a beeline to a special partner for the night’s last dance or a breakaway to the parking lot before..
Miami City Ballet will conclude its season this week with a rich selection of repertory pieces: two from Balanchine, in very expressive but distinct modes, and one from modern-dance master Paul Taylor at his genial best. While company premieres this year have upped expectations and trumpeted growth, the current program reconfirms the quality of the company’s long-held artistic assets.
Ballet Flamenco La Rosa’s studio evokes the feel of a tablao in Spain. The strumming of the guitar, the rapid-fire rhythms of footwork against the floor, and the soft voice of the singer reaches across time and place. The piece being rehearsed, “La Casa de la Muñeca” (inspired by Henrik Ibsen’s “A Doll’s House”), also is timeless and carries universal themes, dealing with anxieties that r..
Miami choreographer Augusto Soledade has been a fixture in the local dance world since he arrived here in 2004. His cast has shifted over the years and he continues to challenge himself artistically. Yet he has always maintained a company of talented dancers who keep his past works alive. His company, Augusto Soledade Brazzdance, has performed all over Miami and South Florida. This month ..